
ZEGNA is bringing its SS26 fashion show to Dubai
by Alice Holtham-Pargin
23 seconds ago
VILLA ZEGNA will also land in Dubai for the first time this summer…
A storied fashion house that's been at the forefront of luxury menswear for over 100 years, ZEGNA is set to bring its lauded runway show to Dubai for the first time.
Venturing away from the traditional Milan Fashion Week calendar, ZEGNA has chosen to showcase its Summer 2026 collection in the UAE. The renowned menswear brand will present its latest runway show for SS26 on June 11, fusing its 'Made in Italy' excellence with the vibrant luxury Dubai is now known and loved for.
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The SS26 show will conclude a week-long program of ZEGNA experiences in Dubai when it lands this summer. The brand also promises curated experiences that will allow fans of the brand in the city to discover ZEGNA like never before.
This will also incorporate VILLA ZEGNA, the brand's traveling event concept. Inspired by the original home of founder Ermenegildo Zegna, this curated pop-up promises to celebrate the craftsmanship and innovation that has shaped the brand since 1910. Following successful debuts in Shanghai and New York, the third international city to receive VILLA ZEGNA will be Dubai this summer, inviting visitors to discover an immersive experience that laces ZEGNA's sustainable and timeless DNA into something unmissable.
'As a company that has always looked beyond, we are excited to bring the artistry of Made in Italy to Dubai for the first time,' said Gildo Zegna, Chairman and CEO of Ermenegildo Zegna Group. 'Dubai today is the center of the world, a place where cultures converge, ideas flourish, and the future takes shape. It embodies the energy, vision, and innovation that define modern luxury,' Zegna added.
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Emirates Woman
25-07-2025
- Emirates Woman
ZEGNA unveils an exquisite menswear corner at Level Shoes in The Dubai Mall
Global luxury menswear leader ZEGNA has officially opened a dedicated store corner at Level Shoes in The Dubai Mall, further cementing its presence in the region. Known as one of the world's most prestigious destinations for high-end footwear and accessories, Level Shoes now offers an immersive ZEGNA experience, blending refined craftsmanship with contemporary Italian elegance. The new ZEGNA corner presents a meticulously curated selection of men's shoes, small leather goods, and eyewear, embodying the brand's dedication to superior craftsmanship and innovative design. Each piece reflects ZEGNA's heritage of timeless sophistication, now reimagined under the artistic direction of Alessandro Sartori. Beyond its product offerings, the space itself is a testament to Italian artistry. At its heart lies a custom-made rug by Mariantonia Urru, a Sardinian brand renowned for its handwoven creations using traditional techniques. The rug features natural dyes, with some wool even tinted directly on the sheep—a rare process known as 'tinto in pecora'. Other highlights in the store include, the Cassina 905 armchair, designed by Vico Magistretti in 1964, which exudes minimalist sophistication with its wooden frame and sleek leather upholstery. Among the favourites is also the Archibald armchair by Jean-Marie Massaud for Poltrona Frau combines plush leather with a contemporary silhouette, offering both comfort and style. The store also features handcrafted tables by Riva 1920, made from sustainable wood, showcase eco-conscious craftsmanship while enhancing the space's artisanal appeal. This new corner invites shoppers to step into a world where luxury menswear meets Italian design mastery. Whether exploring ZEGNA's latest footwear or admiring the thoughtfully designed interiors, visitors will find a seamless fusion of product and place—one that honors tradition while embracing modernity. For those seeking an elevated retail experience, the ZEGNA corner at Level Shoes is now open at The Dubai Mall, reaffirming the brand's commitment to excellence in one of the world's most dynamic fashion capitals. – For more on how to look smart and live smarter, follow Emirates Man on Facebook and Instagram Images: Supplied


Emirates Woman
23-07-2025
- Emirates Woman
How I got my job as… Founder of Vintage Eyewear
This week, Emirates Man speaks to Andre Montana, Founder of Vintage Eyewear. This eyewear brand specialises in private collection authentic pieces with high-quality designs. Welcome to the Emirates Man weekly series 'How I got my job as…' where we speak to incredible entrepreneurs, and businessmen both based in the UAE and globally to find out about their career paths that led them to where they are now; what their daily routines look like; the advice they'd give to those starting out; and the hurdles they've had to overcome. With Montana's passion for collecting archival pieces, the brand was born. Every pair of authentic Vintage Eyewear frames is a genuine collector's item. Featuring 24kt gold plated frames, it's popular among stylish shoppers. To delve into his journey as an entrepreneur, Emirates Man spoke to him to see how it all began. What was your favourite subject at school? History and culture were always my favorite subjects, even long before I realised how deeply they would influence my work. I've always been fascinated by the richness of different cultures, including my own. There's something profoundly moving about the way things were done in the past. The traditions, the values, the attention to detail. Objects weren't just used; they were cherished. Things had meaning. And that sense of reverence still shapes how I create today. What was your first job? Actually my very first 'job' was selling candy to my schoolmates! I suppose the entrepreneurial spirit showed early. But officially, my first professional role was as an engineer at a prestigious automotive company in France. I was already fascinated by precision, performance, and the elegance of well-made things. What brought you to Dubai? I chose Dubai partly for its strategic location; it's incredibly well connected, which makes both travel and shipping remarkably efficient. But beyond logistics, what truly drew us in was the feeling. After several visits over the years, I was captivated by the energy, the architecture. There's a unique beauty in how Dubai embraces multicultural and multi-faith lifestyles, this kind of quiet tolerance that's both progressive and grounding. And of course, the year-round sun doesn't hurt either. It felt like a place where both creativity and community could thrive. What inspired you to enter the eyewear industry and launch Vintage Eyewear? I was gifted a rare pair of tortoiseshell sunglasses by my grandfather, that were hand-crafted in Morez, the historic heart of French eyewear. At the time, I didn't fully grasp their significance, but they were exquisite, and woke something in me. I felt a reverence for the past, the hands that made them, the months of work, the years they had served my grandfather and been cherished by him. That gift marked the beginning of a lifelong passion. I began collecting vintage eyewear in earnest, and today I've amassed a collection of over 100,000 pairs, each with its own story and soul. Years later, while working in product engineering, I was asked to temporarily fill in for a designer in the cosmetic and fashion division. I worked on a few perfume bottles, some cosmetic packaging and a single pair of sunglasses. I was completely hooked. It felt like design, precision, emotion, memory, had finally all come together and I knew my passion for vintage eyewear could be my speciality. I launched Vintage Eyewear brand for classic vintage-inspired designs ( and created my signature Andre Montana brand ( for even more unique and elaborate collections. Andre Montana, Founder of Vintage Eyewear Talk us through the concept? My brand was born out of a growing frustration with the state of the industry, and suggestions from stylists to launch my own brand. I began noticing how dramatically quality was declining, as large corporations acquired once-independent brands, manufacturing was increasingly outsourced to high-volume facilities, and designs became homogenized to cut costs. A lot of people don't even know their favorite designer sunglasses are no longer manufactured by the designer. Everything just started to look and feel the same. I created the brand to bring back the kind of craftsmanship and beauty we used to see. When eyewear was made with intention, by dedicated, skilled hands, and made to last. That's not to say exceptional products can't come from China, there are manufacturers there producing beautiful work. But in eyewear specifically, they often just can't provide the detail, because mass production has become the priority. There's a huge market for mass-produced goods. But the focus is on volume, not individuality. Many brands use the same base molds with minor cosmetic tweaks. It's a cost-saving approach, but the result is a sea of sameness. Each design in my collections is limited edition, with interesting forms, finishes, silhouettes and materials, just like in the golden age of eyewear. And they're made to last. I believe in creating pieces that are truly distinctive, so we're not all wearing variations of the same frame, year after year. This is about restoring a lost standard, and celebrating the art of doing things properly. What are the key elements of your role? At its core, my role is to be both visionary and meticulous, to hold the bigger picture in mind, while obsessing over the tiniest detail. I lead the creative direction of the brand, which means designing each frame from initial concept to final execution. I sketch, source materials, oversee prototypes, and work closely with our artisans in South Korea and Japan to ensure that every curve, every finish, every hinge reflects the original intent. No shortcuts. No 'close enough'. However, I also serve as the custodian of the brand's values and voice. How we communicate, how we collaborate, and how we maintain the integrity that defines the brand's identity. Whether it's developing a collection, guiding a photoshoot, or refining packaging, I'm involved in every decision that shapes the experience. Ultimately, my role is to protect the soul of the brand. To ensure that what we create isn't just beautiful, but meaningful. Timeless. Iconic. And built to last. It's pretty expensive and time consuming, but it's really a labor of love. Talk us through your daily routine. Most mornings begin pretty simply, a shower, a strong coffee. Then I check in on the day's online orders and fulfill them. I often do a lot of that myself too. There's something grounding about staying close to that part of the process. After that, I'll usually spend a few hours refining new designs I'm developing. In the afternoon, I head to the warehouse to work on custom commissions and manage inventory for the boutiques that carry my brand. (I create bespoke and customized eyewear, some of which are even made with expensive precious gems, like facial jewellery.) Sometimes old vintage sunglasses I've discovered somewhere need polishing and refurbishing. I also review prototypes when they arrive, and make time for the gym or any meetings and appointments. I often check in with my sales reps toward the end of the day. And I tend to fall asleep thinking about the pieces I'm developing. What advice do you have for anyone looking to follow in the same footsteps? The most important thing is to truly love it. Not just the idea of it, but the process, the challenge, the craft. This isn't something you do for money. If that's the goal, you'll lose interest the moment it becomes difficult, and it will become difficult. You have to care deeply and be passionate about the work itself. For me, it's always been about quality and beauty. That's what the brand stood for: timeless design, careful craftsmanship, and a real sense of pride in the product. They made things to last, and to delight the wearer. That's exactly how I approach my work. It's not about chasing profit, in fact, the cost of producing my pieces is far higher than anything mass-produced, both financially and time-wise. But the reward is something else entirely: seeing someone look and feel great in a piece that's been made with true intention. That moment when design meets confidence is why I do what I do. It's about legacy, not volume. And love. Tell us more about the pieces? All of my frames are crafted using aerospace-grade titanium, which makes them incredibly light on the face yet exceptionally strong. Every design also incorporates 24-karat gold, whether through full plating or subtle, intentional detailing. It's not just about luxury, but permanence and brilliance. I design pieces to frame a feeling more than a face. My work is for individualists, people who dress with intention. It's not about vanity, but identity. The kind of intelligent confidence that doesn't need to announce itself, but is always noticed. My clients don't usually follow trends, they curate their presence. This is what you'll find in my collections. What is the best piece of advice you have ever received? Don't cut corners. Not in life, relationships, renovations or craft. Respect the traditions, trust the process, and honor what it becomes. The moment you cut corners, you compromise more than quality, you lose the integrity that gives something its soul and authentic meaning. And without that, there's no legacy worth leaving. And what is the worst? 'Do it this way, it's cheaper.' That mindset is completely at odds with how I create. Cheaper is a word I find almost repellent when it comes to building something of lasting value. There's a time and place for negotiation, but when it comes to materials, craftsmanship, and integrity, quality is never up for shallow compromise. Choosing the lower path to save in the short term always costs more in the long run. In reputation, in longevity, and in meaning. The meaning is real luxury. What's the biggest challenge you have had to overcome? Hmm. I probably I give my factory artisans a bit of a headache at times when they say something can't be done, and I insist it can. With my engineering background, I know exactly where the limits are, so I really get to draw out the full extent of their skill. It's truly amazing to see them rise to the challenge with difficult processes and new techniques, and we end up creating something unique and interesting together. Innovation doesn't come from repeating what's easy. It comes from insisting on what's possible, and having brilliant people around you who can bring it to life. What's lies ahead for the brand? I have hundreds of designs waiting to be crafted. I also have ideas for clothing and fashion pieces simmering on the back burner. Sometimes, a design emerges that just feels more suited to a handbag clasp or jacket closure than an eyewear frame, and when that happens, I let it rest. I know its time will come. My biggest objective is to open a dedicated eyewear factory in the UAE. I want to train a new generation of artisans, to pass down the precision and reverence that this craft deserves. There's incredible creative talent here, and I believe we can build something as respected as 'Made in Italy' or 'Fabriqué en France', but rooted in this region's own legacy of beauty and handcraft. It's about more than manufacturing. It's about building a reputation for excellence, and ultimately, another legacy for the country. – For more on how to look smart and live smarter, follow Emirates Man on Facebook and Instagram Images: Supplied


Arabian Business
07-07-2025
- Arabian Business
Inside ZEGNA's Dubai strategy: family succession, global expansion, and a record-breaking sale
Such is the power of Gildo Zegna, that when he walks into Dubai Opera, 20 Italian executives in dark, exquisitely tailored ZEGNA suits suddenly appear. By contrast, the Chairman and CEO of the Ermenegildo Zegna Group, grandson, and namesake of its eponymous founder, instantly pulls focus in a light Oasi Lino linen jacket and trousers, with a fine-gauge knit artfully knotted at the neck in place of a tie – a silhouette he was born to wear – as quiet luxury personified. It's day three of VILLA ZEGNA, an invitation-only private club that's part-fashion installation, part-cultural gathering space – which explains the immaculately dressed entourage. The six-day ZEGNA-fication of Dubai sees the opera house's state-of-the-art, 2,000-seat auditorium transformed into an undulating desert oasis of red sand and palm fronds to play host to the Summer 2026 show, an unprecedented move where the brand skipped its Milan Fashion Week presentation in favour of debuting the collection in Dubai instead. View this post on Instagram A post shared by ZEGNA (@zegna) 'Unbelievably, we even had the president of Camera Nazionale della Moda Italiana promoting our show here,' exclaims Gildo. 'Carlo Capasa did not take it personally that we took the show away from Milan. Rather, he believed that we exported a piece of Milan to Dubai.' History in the making 'We brought the most fantastic show I've ever encountered,' Gildo declares. 'And I'm not just saying that because I'm Zegna! It was subtle, elegant, innovative, lightweight, and fresh.' Friend of the house Mads Mikkelsen joined regional celebrities Kadim Al Sahir, Anas Bukhash, Dhafer L'Abidine, and Boran Kuzum on the front row as Artistic Director Alessandro Sartori presented the Oasis collection of louche, lived-in looks with impressively diverse casting adding another layer of maturity and character. 'As designers, we do half of the work: the rest happens when clients interpret pieces day by day,' Alessandro shares in the show notes. 'This individual, non-standard interpretation today is on the catwalk, showing the ZEGNA view in its natural environment: life.' It's also the first time a show has taken place alongside curated cultural programming and Very Important Client (VIC) appointments to present Dubai exclusives, making it the Italian heritage house's most ambitious achievement to date, after its centenary celebrations in 2010. 'It has been an incredible pioneering moment for us to create a fully integrated event that brings the best of Milan Fashion Week together with the best of VILLA ZEGNA,' Gildo continues. 'It's been six months in the planning, and I give credit, in particular to Edo and to Alessandro who have put together a unique experience, which I believe will be written in the history books of the company.' The new centre of the world During his time in the UAE, the Chairman and CEO of the Ermenegildo Zegna Group has made no secret of his conviction that Dubai is 'the new centre of the world.' And with good reason: 'Number one, because it is international. Number two, because it is affluent. Number three, because it's open to new styles,' Gildo lists. 'In the past, there used to be other important markets,' he considers. 'I think today, Dubai is the new centre of the world, because it has a modernity, an energy, and an open mind to people, to activities, to lifestyle, which is quite unique, and it's positioned right in the middle of the world, so logistically speaking, it's very attractive. I've been following the development of this market, and its evolution is amazing. And the way it's developing is going to gain even more traction.' Furthermore, according to Angelo Zegna, CEO of the EMEA region and Global Client Strategy Director, ' Dubai Mall is our number one store in the world because we believed in the potential of this market. We have what probably is the best location in the most visited mall in the world. I believe that the Middle Eastern consumer understands the importance of quality and connected with authentic stories that ZEGNA is telling around the world. And what's even more exciting for us is how not only the local Emirati buys in Dubai Mall but then buys all over the world.' This is in no small part due to Gildo's early investment in the city. 'We came in when Dubai Mall opened in 2008, and we were able to grasp the location at an early stage, protect it, expand it, and to renew it,' he reveals. Now currently under renovation, by October 2025 the ZEGNA boutique will boast a new salotto – a lounge for one-to-one personalised appointments for VICs. The business of luxury It's ZEGNA's VICs that have propelled Dubai to the top-spending store in the world, and Angelo discloses that the day after the catwalk show – the first day of private appointments at VILLA ZEGNA – yielded 'the largest transaction in the history of ZEGNA', proving the decision to merge the show with cultural conversations and a clienteling opportunity for the first time paid off. Gildo confirms, 'We cater to clients who already own everything – from cars to homes – so unless you surprise them with novelties that create excitement, they will no longer have a reason to shop. And so, we are talking about experiences and emotions. The fashion show was an emotion because it created something extremely new that people wanted to have in an exclusive way. And this is truly the most compelling meaning of personalisation – it's owning something that's made for you only, done in a very timely way.' Bespoke customisation has become the most valuable currency in the luxury world, and nobody is better placed to offer it than ZEGNA thanks to its unique supply chain that's fully integrated, operated, and owned 'from sheep to shop.' Of its five textile laboratories specialising in wools, linen, cashmere, jersey, and jacquard, Gildo challenges, 'What other brand has an integrated supply chain? I can't think of anybody. Fully integrated, every step of the process, from the farm in Australia down to the service of creating the ultimate bespoke garment delivered in Dubai, we control every step of the process.' Angelo elaborates, 'From our experience, being in full control of the supply chain has been a tremendous advantage. It allows us to innovate significantly more than if we outsource production. Yesterday, we had a lovely discussion with Elie Saab, who stressed the importance of having artisans in Lebanon as part of his own company, not outsourced elsewhere. I would recommend any local designer to ensure full control of their supply chain.' ZEGNA's succession playbook The Zegnas aren't alone among the storied Italian fashion families making sure their names and their houses live on. 'We go by meritocracy,' Gildo proclaims. 'If they are talented, interested in working for the family, they go through a process where meritocracy and governance are very important. So, if they're good, we give them a chance. If they're not good, no chance – the same as any other executive. In the case of Angelo and Edoardo, they did it, and they report to me directly.' Gildo accepts, 'This was also true when I was a private company. I was one of the first entrepreneurs leading a private company in Italy to introduce the notion of having an independent board of directors – more independent directors than family members. And you have to listen to them,' he quips. However, he emphasises, 'There is no intention to sell the business. On the contrary, we remain on top of the organisation, and the family retains control of the public company.' Educated in the United States, Angelo Zegna holds an MBA from Harvard Business School and a BSc from The School of Foreign Service at Georgetown University. He then held international roles at Luxottica in São Paulo and New York, and Bain & Company in Mumbai before joining the family business as Head of Retail and Merchandising in the US market, later being promoted to Consumer Retail Excellence Director, and since 2024, CEO of EMEA and Global Client Strategy Director. Similarly, Edoardo Zegna also graduated with a BA from Georgetown and studied at the McDonough School of Business, and via design positions at The Gap and Everlane, worked his way up from Head of Omnichannel and Head of Content and Innovation roles at the family firm before his current position as Chief Marketing, Digital, and Sustainability Officer. Their father admits, 'You cannot generalise, and each company is different, but it depends on how you prepare them. They were schooled in the right places, they worked outside, they understand the world, they have the passion to make it, and they click with the rest of the organisation.' Footprints in the sand ZEGNA certainly isn't the only multigenerational Italian fashion house with a sprawling ancestral home that adds to its allure. In 1982, Brunello Cucinelli bought a castle in his home hamlet of Solomeo in Umbria, turned it into his company headquarters, and has been committed to expanding the restoration efforts ever since. Over 10 years later, Ferruccio Ferragamo, Chairman, President, and eldest son of Salvatore Ferragamo acquired the medieval village of Il Borro in San Giustino Valdarno, found in the province of Arezzo, in Tuscany. Today, Ferruccio's son, also named Salvatore, acts as CEO of the estate, now a luxury hotel, winery, and organic extra virgin olive oil distillery. Perhaps a lesser-known legend is Oasi Zegna – a biodiverse ecosystem in Northern Italy home to half a million trees – which the house is seeking to demystify in Dubai. 'In 1910, Ermenegildo Zegna looked beyond what others could see. He had a vision and built Oasi Zegna. Where others saw a barren mountain, he envisioned a forest of more than 500,000 trees. He invested everything he had to acquire 100 square kilometres of land where people and nature could flourish,' reads the exhibition text on display at VILLA ZEGNA. Meanwhile, a soundtrack of birdsong and gambolling lambs echoes throughout the corridors of Dubai Opera, taking guests on an unexpected sensorial journey. As Chief Marketing, Digital, and Sustainability Officer, and great-grandson of Ermenegildo Zegna, Edoardo has a strong personal connection to Oasi Zegna. 'The founder did not do it for money. He didn't do it for fame. He didn't do it for ego. He did it because he felt it was right,' insists Edoardo Zegna. 'That, to me, is a beautiful sentiment. That, to me, is timeless legacy. So, no disrespect to any other entrepreneur that is doing it today, for other reasons. But for us, it's about telling an authentic story that began over 100 years ago that's represented with one sign…' At this point, Edoardo takes off his Oasi Lino jacket to reveal a discreet strip sewn on the back, a symbol of the 232 Road – now known as the Panoramica Zegna – that leads to the nature reserve and reforestation project in the Biellese Alps, in Piedmont, that's stamped as an insignia on ZEGNA ready-to-wear, and the last word in if-you-know-you-know brand recognition. 'This is what we like to call the window into our world.' Empire-building according to ZEGNA 'I wouldn't call it an empire,' Gildo muses modestly of the Ermenegildo Zegna Group, before adding with a smile, 'It's a small kingdom.' In December 2021, ZEGNA became a public company by merging with a US-listed investment vehicle, raising $761 million while allowing the Zegna family to retain majority control. By 2024, the Ermenegildo Group – which now includes ZEGNA, TOM FORD Fashion, and Thom Browne – recorded revenues of €1,946.6 million, up 2.2 per cent YoY, and a profit of €90.9 million. How has the Zegna family succeeded where so many others have failed? 'We are pioneering. A pioneer is somebody that takes risk. Without risk, you go nowhere today. When we see an opportunity with the potential to succeed that's over 50 per cent, we go. So, we are a little bit incoscienti,' he jokes, meaning 'reckless' in Italian. 'Believe in the newness and take your chances when you see potential at the outset.' Gildo concedes that the risk of entering China in 1991 was greater than in Dubai in 2008, but recklessness comes at a price, of course. 'You have to be ready to fail,' he warns. 'If you fail, you start all over again. So, in the case of Dubai and in the case of Beijing, we were right. In other cases, which are minor, we were five years too early. Take India. I think we got in too early. Now we are back in a proper way, but that's part of the mindset.' ZEGNA'S next moves in the Middle East 'Retail is now,' Gildo maintains. 'In particular, if you want to go direct, you have to be on top of the situation every day. So, in the region, if you take the Middle East, right now we have 15 stores, and our aim is to grow at least to 20 stores in the mid-term. Out of those 15 stores, two thirds are direct and one third is franchised, but the goal is to convert the franchising to direct over time. It's an evolution. In Dubai, we have a beautiful joint venture with Al Tayer, but we are the majority.' The intended halo effect of migrating the Summer 2026 show from Milan and VILLA ZEGNA's Dubai Opera takeover is to propel the brand's regional success beyond Dubai. So, when it comes to the opportunity in Saudi Arabia, Gildo is watching with interest. 'We don't want to be overly distributed, but I do believe that by 2030, Saudi Arabia would be another important market,' he attests. 'You shouldn't open too many points of sale. We were offered 10 stores. I said, 'Forget about it!' We want to move gradually. Now we have one, and from one to three. We don't have a store in Jeddah yet. So, we will proceed gradually, be successful, and then move forward.' He considers, 'How big will Saudi be compared to Dubai? That I don't know. I don't think it will ever be the size of Dubai for us, to be honest with you, but I do think an interesting part of our growth will come from Riyadh. I also think Doha can be another interesting market, but Dubai is quite unique.' Sharing his strategy for expansion, he points out, 'The success of the brand is not like a turnkey. It's a matter of brand maturity, and how likely your brand is to be successful with the local customer. Timing is very important.' Gildo's advice to retailers is to 'See where you are today, project where you could be tomorrow, then take your own bet and follow the flows of your customer. Your customer may not be somebody else's customer, so you need to make sure you anticipate their moves.' ZEGNA and Dubai: Two success stories, one mindset With Dubai Mall ranking as his number one store and the highest-ever transaction in the house's history taking place at VILLA ZEGNA the day after he presented the Summer 2026 show in the city, Gildo is astute enough to observe that ZEGNA's destiny is inextricably linked to the success of Dubai. 'In the post-Covid years, I've seen an incredible explosion of this area, as you have seen with ZEGNA. I think that the two have gone hand in hand. And surely this region has partially helped the growth of ZEGNA.' He reflects, 'The modernisation of ZEGNA has helped us become one of the leaders in the market and we understood what was needed here – product that can be wearable now, impulse-driven, and innovative.' Dubai, like ZEGNA is on an unstoppable upward trajectory, so what advice does Gildo have for the emirate when it comes to building a sustainable, successful, multigenerational legacy just as he has done? 'It's too big a question! I'm flattered that you asked me, but I don't think that I'm entitled to give a reply,' he hesitates. Yet never one to back down from a challenge, he responds with charm, 'Keep going in the direction you're going and keep being enthusiastic about what you're doing by building on talent, modernity, and technology. You have an incredible organisation, an incredible project, and incredible resources. So just keep doing what you've been doing, in particular in the past five years. Stay the course and make sure that the execution is top. Maybe if there is one risk, it's that Dubai might be running too fast. Make sure you keep up the quality of service, the quality of people, the quality of experience, as you have done in the past five years. Whenever I visit this market, I feel an adrenaline rush. So, Dubai needs to keep its adrenaline levels high.' Using ZEGNA's data as an example, Gildo discloses, 'We have a thousand people visiting the store, every day. That's a lot by any standard. So, take advantage of this moment, show the world what you do best, go for newness, never give up, and keep your entrepreneurial spirit.' He adds, 'And if you ask me, I would give you the same answer about the way I run my business.' Gildo's final word? 'Make sure that you keep your high-end positioning.' And reflecting on ZEGNA's six-day domination of Dubai, he concludes, 'I think this event shows that we can go even higher.'