Widows, Widowers & Friends plan bingo, shows and more this summer
The group recently held a meeting at Des Dutch Essenhaus with 38 attendees, including two guests. Karen Bates led the meeting, presenting gifts to each woman in honor of Mother's Day, according to an announcement.
Upcoming events include bingo at Smithville Western Care Center at 2 p.m. Friday, May 30, with registration due by Friday, May 23. Seville United Methodist Church will resume its monthly bingo at 10 a.m. Monday, June 2, with lunch available for $5.
A celebration for Vera's 100th birthday will take place at 1 p.m. Wednesday, May 14, at her nephew's home, with no presents requested. Reservations are needed for the 'Road to Damascus' show at Ohio Star Theatre on Thursday, May 29, costing $70. The Motown Revue at Williams on the Lake is scheduled for Wednesday, June 25, with tickets priced at $80.
The next dinner and business meeting is set for Tuesday, June 3, at Creston Community Church. Reservations are due by Thursday, May 15. The July meeting will be held July 8 at Green Leaf, with a limit of 50 attendees.
Widows, Widowers & Friends is a social and support group for those who have lost a loved one due to death or divorce or for those who have never married. For more information, contact Pearl Gasser at 330-201-0336.
This story was created by Jane Imbody, jimbody@gannett.com, with the assistance of Artificial Intelligence (AI). Journalists were involved in every step of the information gathering, review, editing and publishing process. Learn more at cm.usatoday.com/ethical-conduct or share your thoughts at http://bit.ly/3RapUkA with our News Automation and AI team.
This article originally appeared on The Daily Record: Join Widows, Widowers & Friends for fun events this summer
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Yahoo
5 hours ago
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Jennifer Aniston ‘Moving Slowly' in ‘Real' Jim Curtis Romance, ‘Source' Claims
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9 hours ago
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Nobody wants to hang out on TV anymore
We independently evaluate the products we review. When you buy via links on our site, we may receive compensation. Read more about how we vet products and deals. Back in the day, you could turn on your television, tune to any number of channels and see a group of four to six beautiful and quirky friends lounging around, talking about their lives, sharing the details of their recent bad dates, complaining about unruly bosses and bonding over the latest antics of weird neighbors. Cheers, Friends, How I Met Your Mother and New Girl all followed this model. This was called hangout TV. It still exists today, but you don't see characters just congregating at a coffee shop or meeting for nightly drinks at the same watering hole quite like they used to. In the most prestigious and talked-about shows these days, many of which were nominated for multiple Emmys on Tuesday, they're solving problems at work (Severance, The Studio), scrambling to save lives (The Pitt, Grey's Anatomy), investigating crimes (Only Murders in the Building, Slow Horses) or getting into trouble on vacation (The White Lotus). Aside from a couple of new shows driven by the TikTok-famous personalities that star in them, like Overcompensating and Adults, which are well reviewed but not broadly watched, it seems like no one wants to hang out on TV anymore. How did a trend that seemed to rule the small screen seemingly disappear entirely? 'Nostalgia is a powerful force' Between 2015 and 2023, networks and streaming platforms were churning out high volumes of critically acclaimed shows. Now that the so-called Peak TV era is over and the number of original series made for adults has declined dramatically, viewers are relying on old standbys more than ever. According to the May 2025 trend report from audience data company Digital i, viewers are still drawn to nostalgic shows they know and love, like The Big Bang Theory, Gilmore Girls and Friends. Bob Batchelor, a cultural historian and assistant communications professor at Coastal Carolina University, tells Yahoo that now 'streaming platforms prioritize proven comfort titles over investing in new, ensemble-based, lower-concept comedies that take time to build an audience." Batchelor explains that streaming platforms are risk-averse, so the fact that hangout shows take a while to find and create a bond with a loyal audience makes them a tougher sell. Even Seinfeld, the quintessential hangout series that proudly billed itself as a show about nothing, took a while to land. But once it did, it had legions of fans for life. Today it's easier for networks and streamers to just pay to license Seinfeld and let nostalgia viewers stream it endlessly than to find the Seinfeld of a new generation. 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People aren't even hanging out in the way that used to be portrayed on TV either. Chris Hite, a filmmaker and professor at Alan Hancock College, tells Yahoo that 'shows like Friends and Cheers reflected a time of gregariousness in American society that may not return.' 'The unfortunate reality is that the No. 1 condition that made 'hanging out' possible in those shows — economy — no longer provides the proper conditions for it to occur,' Hite says. 'I still watch Friends regularly. It is and has been a tremendously funny show with great characters, but now I am more interested in noting all that was present in the show that has disappeared from the American landscape and the fabric of American society: the twin towers, the ease and affordability of travel, availability of employment options, live entertainment [and] affordable coffee.' The dominant millennial style of hanging out today looks more like a workplace comedy like The Office. 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Johnson tells Yahoo he cast Natasha Lyonne as the lead because the unconventional show needed someone 'who is not just a really good actor but is a presence on the screen that you just want to hang out with.' Each episode sees Lyonne dropped into a new setting with new costars and characters. She plays Charlie Cale, who has a knack for telling when people are lying, so each week we follow her sleuthing as we would the title character of Colombo. 'That's a really rare, unique thing, and I feel that Natasha is one of the few people on earth who has that … it's a hangout show, really,' Johnson says. 'The mystery is kind of second-tier to [audiences] wanting to hang out with Charlie Cale every week.' Poker Face might be the exception to the rule. Without lovable characters and nail-biting plot points driving each episode, would watching a true-to-its-2025-setting hangout show even be that much fun? In real life, people are on their phones and use social media too much, and that would look odd — or at least uninteresting — onscreen. Lori Bindig Yousman, a communications professor at Sacred Heart University, tells Yahoo that 'the characters of Friends or Seinfeld could sit around and have uninterrupted conversations because they didn't have distractions like their smartphones to pull them away from their conversations.' 'If those same sorts of scenes appeared in a show today, audiences wouldn't find their behavior realistic because they would expect the characters to be constantly texting, scrolling, liking or taking selfies just like we do in our real-life hangouts,' she says. We're probably on our phones while watching those shows too, Yousman says, which might also contribute to the popularity of nostalgic shows we've already seen. 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Max Cutler, founder of content creation company PAVE Studios, tells Yahoo that 'hangout energy has migrated into the world of video podcasts' too. His goal is to help produce shows that feel like friend groups you can catch up with any time, tapping into the existing audiences that content creators already have. Those influencers know that YouTube, where they can upload podcasts and other kinds of video, is the best place to grow a huge audience. The platform is technically the biggest television distributor in the world, according to Nielsen data from April 2025. That means it's bigger than Disney, Netflix, Paramount and any other network or streaming service you could think of. The way people consume entertainment has clearly shifted, and so has the way people hang out — of course hangout TV is part of that. Cutler says that online creators have been able to match the production schedules of traditional TV while giving people what they truly want these days: authenticity. 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New York Post
a day ago
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Drake Bell claims ‘no one' on Nickelodeon gets paid residuals: ‘It's like getting high on child labor'
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