
Globe Climate: From loss to life
Good afternoon, and welcome to Globe Climate, a newsletter about climate change, environment and resources in Canada.
I'm Kate, the agriculture and food policy reporter. Sierra is lost in the woods somewhere. On purpose, I believe. I'll be filling in this week until she makes her prodigal return. I've got some good news about kelp forests and humanity's search for life (and hope) wherever it can be found. We've also got some stuff about investing in pipelines, and how to understand Canadian identity through literature.
Without further ado...
For this week's deeper dive, an excerpt from a story about hope in the face of heartbreak, from our happiness reporter by Erin Anderssen.
Canadian marine ecologist Karen Filbee-Dexter has grieved for a celebrated kelp forest scorched into extinction by a summer heat wave in St. Margaret's Bay, Nova Scotia.
She's also discovered five-meter-tall sugar kelp flourishing under the ice in Canada's Arctic where such a forest was not expected to exist.
The cost of climate change has broken her heart. And the remarkable resilience of nature has patched it up again.
This is how it goes when you study the vulnerable life under an ocean we still barely understand. The damaged-yet-resilient sea makes you weep then laugh, fear then hope. Tossed in the waves, Dr. Filbee-Dexter says, you keep researching and publishing and hoping for stronger action.
Being part of the solution, even in a small way, 'is an easier way to get up in the morning.'
Last November, at the United Nations Climate Change Conference in Baku, Azerbaijan, Dr. Filbee-Dexter sat in a session, cuddling her five-month old daughter. A researcher was explaining a chart projecting the life-altering rise of global temperatures to 2100. Looking down at Ida, she realized her daughter would turn 75 that year. In that moment, her calling become personal, forever shaped by a mother's responsibility.
'You want the world to be a good place for her, and you're going to do everything in your power to make that happen.' Read more here.
Marsha Lederman: We need to cool it: In our warming world, we deserve temperature safety
Roseann Runte: As we ponder the Canadian identity, literature can be our road map
Carole Saab and Rick Smith: Climate disaster preparation is central to Canada's economic security
Enbridge says a new Alberta-B.C. pipeline would require specific conditions, including legislative change
Alberta Premier Danielle Smith is confident that at least one private-sector pipeline operators would come forward with plans to transport oilsands crude to the Port of Prince Rupert, B.C., thereby testing the federal government's new regime to speed along projects deemed in Canada's national interest.
But pipeline companies are not so bullish.
Enbridge - Canada's biggest shipper of crude oil - would explore market-diversifying projects, provided the demand is there from customers, it said in a statement Wednesday. The company also wants to see 'real provincial and federal legislative change' around climate policy, regulatory timeliness and Indigenous participation.
'We will be there to build what is needed for our shippers, for Alberta and for Canada – that's our job, our mission as a company – but only when the conditions make sense and the right framework is in place,' Enbridge said.
We've launched the next chapter of The Climate Exchange, an interactive, digital hub where The Globe answers your most pressing questions about climate change. More than 300 questions were submitted as of September. The first batch of answers tackles 30 of them. They can be found with the help of a search tool developed by The Globe that makes use of artificial intelligence to match readers' questions with the closest answer drafted. We plan to answer a total of 75 questions.
We want to hear from you. Email us: GlobeClimate@globeandmail.com. Do you know someone who needs this newsletter? Send them to our Newsletters page.
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Shane Gross: The creatures and the currents don't care about our borders. One example is humpback whales: they'll migrate from Antarctica to French Polynesia. We need to do what we can to make sure that we are protecting not just what's in our waters but beyond that. A big topic of discussion today is the global oceans treaty. Beyond countries' (boundaries) there is still a lot of ocean, and right now it's completely lawless. The global ocean treaty is a United Nations event that hopefully will put some rules in place for that because we desperately need it. JTV: Your seahorse photo is a prime example of how bringing people to an environment they otherwise would not have the opportunity to experience can lend itself to pushing a policy envelope. Talk to us about that image. SG: The place in the photo is Seahorse National Park in the Bahamas. When I first started snorkelling there, we didn't even know what species of seahorses were there. I met with a scientist, Dr. Heather Masonjones, in 2016, and she went and counted how many seahorses were in there. In this pond that's a kilometre-and-a-half by a kilometre, she counted 800,000 seahorses. At the time there was a proposal to turn it into a marina, and also people taking seahorses to sell for the aquarium trade. We teamed up with conservation organizations to get this place protected. We gave talks at schools and used my photo to show the kids, we held community meetings, went to the government and met with the prime minister. It took almost 10 years but it is now fully protected. It's an example that it takes time and it's hard work, but change can happen and photography can be a big tool in that. JTV: How do you choose between sharing stunning images of the natural environment and these painful truths of what we're doing to the environment? SG: A friend of mine did a study for her PhD: she set up a photo gallery using some of my images that showed beautiful pictures with a donation box, then a gallery with hard-to-look-at reality images and a donation box. Then she did a third one that showed both, and a donation box. The first two received about the same amount of donations. It was the third one, showing the balance of the two, that got the most amount of donations. We need and we deserve to see both sides. But we also need to help people to fall in love with the ocean and care about it, and you're going to do that by showing mostly the beauty, in my opinion. JTV: How do you get to know the creatures you photograph, and how does getting to know them influence your work? SG: For me as a kid I know when I would go to the school library and take out a book, there were certain pages I would stop on: 'Wow, look at this fish called the royal grandma. It's half purple and half yellow, isn't that amazing?' I know that could happen for somebody else, and inspire them. It's about finding out what it is about the species or habitat you can show in as cool of a light as possible. Ryan MacDonald: Are there specific issues you want to bring to the forefront in this day and age? Cristina Mittermeier: Canada is a magnificent country. We can choose to coast and feel lucky that we have these resources, or we can be leaders. When I think of the high seas treaty and the countries that have yet to sign it, people are no longer looking at the United States for leadership, but they're going to be looking at us. So much of that hinges on public support. The work that I do is galvanizing public attention, maybe showing you something that you hadn't thought about before and the next time you read about it you'll know it's important. RM: Your photo of kelp speaks to relatability, and it also speaks to conservation. Can you tell us why something like kelp matters as much as all the other images of these beautiful creatures? CM: The ocean is the ecosystem that allows life to exist on planet Earth; it produces half of the oxygen we breathe. Biomes like kelp, like sea grass, are part of this machinery that's absorbing carbon dioxide. The ocean has absorbed 90 per cent of the excess heat on the planet, and now you can see it's no longer able to cope. We were in Indonesia six months ago and the water was 32.5 degrees — just uncomfortable for a human. Imagine what it's like for fish. As a result, we're seeing ecosystems degrade. We need to keep the ocean alive. RM: Tell us about your foundation, how does that figure into your work? CM: SeaLegacy was born when my husband (Paul) and I were shooting an assignment for National Geographic on the Pacific blob (mass of warm water) in 2017, and the temperature of the water from California to Alaska was four to seven degrees warmer than it's supposed to be. The fish sunk to deeper, cooler water, so animals like sea lions were starving. There was also an overabundance of some algae. When it gets too warm they over-bloom and produce toxic substances; when animals eat it, they experience full-body paralysis. It was a horrific thing to photograph, just thousands of dead animals. Paul said to me, 'we have to do more.' We decided to leave National Geographic and start a non-profit. The idea was to take our images and ability to communicate and shine light on the beautiful solutions happening and also on the horrors, to give hope and be a reminder. RM: We're in a fight for truth around the world, so I want to talk a bit about what you're doing to fight against artificial intelligence in image making. CM: It's such a threat to the work of any creative, and the saddest part of it is that we didn't know. When you start uploading your photos to (social media), the tiny little print said they could use all that data to train their robots. The first defence we have is our reputation, truthfulness and credibility. But the second one is I'm part of a coalition of photographers that started an app that opts images out of AI training. We're trying to turn the tap off.