
King swaps cancer stories with student at garden party
The monarch, who was diagnosed with an undisclosed form of cancer last February and is still receiving weekly treatment, chatted to Stamford Collis, 22, an international relations student at Exeter University, who is also suffering from cancer.
Mr Collis said afterwards: 'He was asking me about the treatment I have starting in June and spoke to me about food and diet. He also asked me if I had undergone radiation treatment, which I had earlier this year.'
The King, 76, was heard to say: 'It's sometimes about the diet and what you eat. It can help.'
The King and Queen shook hundreds of hands at the garden party, the first to be held for those working in the education and skills sector.
Guests including Bridget Phillipson, the Education Secretary, were treated to a performance by students from the Royal Ballet School as well as music from the British Army Band Catterick and the Band of The Royal Air Force Regiment.
The Queen, 77, expressed concern for those dressed up in their finery under the blazing sun, telling one guest: 'I hope you aren't too warm. I do hope you have had the chance to put your feet up and have a drink.'
Meanwhile, the King was said to be 'in his element' as he chatted to one guest who founded a charity that teaches endangered heritage arts and crafts and delighted another when he recognised her Nigerian heritage.
Patricia Alban from East Kent, set up Sammy's Foundation in memory of her son, who was a talented carpenter and upholsterer but suffered from Prader-Willi Syndrome and autism and died in 2020, aged 13.
She began the foundation last December, on what would have been her son's birthday, and has been helping young people suffering from neurological conditions learn high-end craftsmanship such as weaving and upholstery.
'I told Sammy, 'One day I will meet the king and tell him about you,'' she said.
'And here I am. I can't believe it. He would have been so proud. I feel quite emotional. I feel like he is there. It's been a dream of mine.
'His Majesty was in his element talking about crafts, it is something he is passionate about. And he was suggesting people and organisations I could talk to.'
When the King spotted a group of ladies wearing colourful traditional dress, he told them: 'You must be from Nigeria?'
'Yes!' said Prof Adetoro Adegoke, from Buckinghamshire New University.
She said afterwards: 'I was vibing him to come over here. He told me he had been to Nigeria and it was vast. How amazing that he recognised Yoruba immediately. Wonderful man.'
The King also met popular social media teacher and influencer Tom Egleton, who goes by 'Tommy T' online and has millions of followers on TikTok, YouTube and Instagram.
Mr Egleton, a special educational needs specialist, described how he started posting videos in lockdown to help his students at City College in Norwich who were struggling but found himself to be a social media sensation.
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North Wales Live
24 minutes ago
- North Wales Live
Shoppers 'can't stop smiling' thanks to teeth whitening brand with 30% off
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There's no need for any codes as all discounts are automatically applied at checkout, and these offers are available site-wide from July 31 to August 7, reports the Manchester Evening News. Among the array of products on offer, customers can select from a variety of options such as the Teeth Whitening Powder, now priced at £20.99, reduced from £29.99. This product is clinically proven and dentist-approved and has been designed to lift deep-set stains and prevent new ones from forming without the use of harsh peroxides that cause sensitivity or damage enamel. The Teeth Whitening Strips are also available for £20.99, down from £29.99, offering easy-to-use, non-slip strips that deliver quick results without harming the enamel. Get 30% off and free UK shipping from MySweetSmile The Precision Teeth Whitening Pen will also be discounted by 30% and is specifically designed for targeted whitening for those desiring extra bright teeth. Its fine brush tip allows customers to apply the formula precisely where needed and it doesn't contain any peroxide, so there should be no sensitivity caused to the teeth. For customers with damaged or sensitive enamel, the Enamel Care Serum could be an ideal choice. It targets the root cause of sensitivity by repairing and strengthening the enamel. For optimal results, customers simply follow their regular night-time brushing routine before applying the serum, dispense two to three pumps onto their toothbrush, brush for two minutes and spit out any excess. People with sensitive gums can now turn to MySweetSmile's Gum Serum, which boasts the benefits of hyaluronic acid for hydration, soothing inflammation, and strengthening gum tissue. It's recommended to use this product after your usual toothbrushing routine by applying two pumps onto the tongue and then spreading it gently across the gums, allowing it to absorb for a couple of minutes. Not all products suit everyone and if MySweetSmile doesn't hit the mark, there are other options available. For instance, Boots stocks the Rapid White - Blue Light Tooth Whitening System at £23.33, which promises to lighten teeth up to five shades in just two weeks and is designed with a peroxide-free formula for those with sensitivities. Alternatively, Lookfantastic offers the Spotlight Whitening Teeth Whitening Pen for £14.95, providing professional-looking whitening results from the comfort of home and helping to reduce stains for a more radiant smile Shoppers have delivered their verdicts on the MySweetSmile website, with Margaret, 63, quoted as saying of the Teeth Whitening Powder: "I always thought my yellow teeth were just part of ageing, but after just a few uses of MySweetSmile, I can't stop smiling at the mirror. My teeth feel so much cleaner and brighter—it's like I've turned back the clock on my smile!" Emily, 39, shared her experience saying: "I was sceptical at first, but this really works. My teeth looked dull and yellow no matter how much I brushed, but now they're sparkling clean and bright. The compliments haven't stopped, and I feel so much more confident!" Tom, 34, also praised the Teeth Whitening Strips, adding: "I'm always running around with work and barely have time for self-care. These strips fit perfectly into my busy routine, and the results are incredible! My teeth are whiter, and I feel so much more confident." However, Amazon reviews presented a mixed bag of opinions. One customer noted: "I have only just started using this, so I have not seen much difference yet but the powder leaves your mouth smelling fresh." Another user expressed slight disappointment, saying: "I bought this as it was recommended online. I'm not a smoker and I haven't been drinking much, I do drink coffee regularly but I equally regularly clean my teeth. There's an initial improvement but I'm not sure it's what I expected. I used it every day in the first week and only noticed the difference post brushing. Shortly after that - little difference." Most customers were happy with their MySweetSmile purchase. Another five-star review said: "I use this and after 2 or 3 days I noticed my teeth getting brighter and whiter and that improved again to the point my partner asked I had had my teeth whitened. My teeth feel clean and smooth."


The Guardian
25 minutes ago
- The Guardian
‘I have different weathers in my brain': how Celeste rekindled her love of music after heartbreak and loss
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She also won the BBC's Sound of 2020 poll and the Brit award for rising star and was nominated for an Oscar for best original song (for Hear My Voice from The Trial of the Chicago 7) the year after – but her chance to capitalise on those accolades was stalled by the pandemic. She had to halt her touring ambitions. Of the years since, she says: 'Sometimes you worry: are you on your path?' Celeste was haunting and spectacular when I saw her at Glastonbury, but now, as we stroll through Hyde Park in central London, she is relaxed and laughs easily. She becomes distracted by a carousel ride – 'They're my favourite! I love the music' – then she is back to talking about the five-year struggle to make her excellent second album, Woman of Faces, which will be released in November. 'The title was kind of a diagnosis of how I feel sometimes; a device to help me begin to understand my own complexity,' she says. She was born Celeste Waite in California to a mother from Dagenham, east London, and a Jamaican father. Her mother had found her way to Hollywood as a makeup artist and Celeste was born 'quite quickly' after her parents met there. They separated when Celeste turned one and she and her mother moved to England to live in Celeste's grandparents' home. 'It was almost like my mother was my sister, because we were both being looked after by my nan and grandad.' These are happy memories, but she has 'these different weathers in my brain … I've always had this little tinge of melancholy.' Maybe, she says, it stems in part from a lack of rootedness: 'You move from America to England and you don't really remember it, but you know that there's people that you've known there and built connections with. And then you don't have that.' She wondered if she would end up with a mental health diagnosis, 'something more clinical later on down the line. But I didn't feel I really needed that.' Instead, she found solace in other artists' music, 'people's lyrics and emotions and melodies, even how they dress themselves – that's always been quite a big remedy without needing to have a professional'. While she is frequently compared to Adele and Amy Winehouse, unlike them Celeste did not attend the Brit school of performing arts, instead studying music technology at sixth-form college in Brighton and working in a pub as she got her career off the ground. 'I'm really glad I taught myself to sing,' she says, arguing that it gives her 'rawness and authenticity'. Her venture into music was galvanised by the death of her father from lung cancer when she was 16: 'When you lose someone, every day you wake up and you're stunned by the fact that they're gone. And there's a certain point where you say to yourself: I can't do this any more, and that's when you start to either go to the gym or get into a practice. For me, that was where I picked up music and became really focused.' In the mid-2010s, she started uploading music to YouTube and SoundCloud and got a manager. She was picked up as a guest vocalist for producers such as Avicii, while Lily Allen's label released her debut single. 'I worked double shifts in a pub on weekends to afford to go to the studio,' she says. 'It took my energy away and I wasn't able to sing as well any more.' But she carried on doggedly, got signed to the major label Polydor, bagged the 2020 John Lewis Christmas ad soundtrack and beguiled listeners on songs such as Strange, in which her vocal tone expresses every contradictory emotion in a breakup – resignation, hurt, bafflement, poignancy, even a kind of helpless amusement at how awful it all is – in just four minutes. She is clear that she has received plenty of support and encouragement within Polydor: 'The people that signed me came into music with the intention to make meaningful, poignant, credible music.' 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'When you lose the person from your life that you really love, there's a grief that comes over you,' she says. The album's first single, On With the Show, was written at her lowest point. 'I didn't really want to go to the studio; I didn't really feel like I actually wanted to live at that point. I didn't find meaning and purpose in the music.' She just had the song title, which she shared with her collaborator Matt Maltese. 'I didn't even have to explain to him what it would be about, because he just knew. We spoke about the song and what it needed to be.' She had also recently seen Marius Petipa's 1898 classical ballet Raymonda. 'It's about a woman in the Crimean war and she has two lovers: one is in Russia and one is in Crimea,' she says. 'I could relate, because she was torn between these two entities: at that point, my dedication to music and my dedication to a person. And one was taking the energy from the other. So On With the Show was about me having to find the courage to let go of something, to meet back in with the path of my life as a singer.' Worse, she says, 'social media had come in to erode my relationship'. As a public figure on social media, 'people can view your relationship and have so much awareness of the fact that you're even in one. There's this really strange, invisible, intangible impression that interactions in that space can leave upon your living reality. I was upset at how much that had come to affect my personal, real life.' On Could Be Machine, a curveball industrial pop song inspired by Lady Gaga, Celeste explores the idea that 'the more time we spend with this technology, the more we become it'. 'My phone had become this antagonist in my life, via communication that I didn't want to receive and the fact it could just be in your hand. It was quite alien, in a way. I hadn't grown up with a phone stuck to my hand and it was something that I had to become more and more 'one' with in my music career.' She says that, during the relationship, love had reverted her to a kind of 'child-like state … a really pure version of yourself, before the world has seeped in and shaped you'. Losing the person who brought her into that state meant that she had to 'learn how to steer and guide' herself to rediscover it. She is leaning on other musicians to help her understand these difficult years. She cites Nina Simone's song Stars, a ballad about the cruelty and melancholy of being a professional musician. 'It says so much about the tragedy of where her life is at that moment in time, but then there's so much triumph in the fact she even gets to express herself in that way.' Another inspiration for Woman of Faces was the 1951 musical romantic comedy An American in Paris and one of its stars, Oscar Levant, who spent time in mental health institutions. 'I was really moved by what he seemed to carry in his being. And, I suppose, I relate a lot to artists who carry this pain, but their work eases it.' Whereas Celeste was previously in thrall to American blues and R&B ('the older sense of what R&B was in the 1940s'), down to the way she might 'time things and phrase things and even pronounce things', she has 'learned what my true voice is and who I really am as a person. I still have some of that phrasing and pronunciation there, but I exist a lot more as myself, therefore I sing a lot more as myself.' Buoyed up by her and others' art, does she feel happy? 'Yes!' She grins and throws her hands in the air. 'The main thing is finding happiness within the relationships I maintain around me and making sure those are kept really positive and nourishing.' She is glad to be in her 30s: 'Age becomes kind of taboo for a woman in the music industry – but then you hear people like Solange speak about women really coming into their true sense of who they are within their work. There's been a shift.' And if the happiness in her career ever dissipates, she has decided she will simply move on. 'I don't really see the need to live in a feeling of oppression, when I know there's so much freedom outside this world. And anyway, I'm sure I would find my way back to it again. But on my own terms.' Women of Faces is released on 14 November on Polydor In the UK and Ireland, Samaritans can be contacted on freephone 116 123, or email jo@ or jo@ In the US, you can call or text the National Suicide Prevention Lifeline on 988, chat on or text HOME to 741741 to connect with a crisis counselor. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at


Sky News
25 minutes ago
- Sky News
Brian Cox: Trump talking 'b*******s' on Scottish independence
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