logo
Tokyo Symphony Orchestra: A Symphony of Legends

Tokyo Symphony Orchestra: A Symphony of Legends

FOR the first time ever, the prestigious Tokyo Symphony Orchestra makes its historic debut in Malaysia, bringing a monumental afternoon of music to the iconic Dewan Filharmonik Petronas. Under the masterful baton of Naoto Otomo—a visionary who has led the fiercely competitive Japanese music scene—the orchestra's 80 elite musicians promise an afternoon of sheer power, passion, and breathtaking artistry.
At the heart of the program lies Chopin's Piano Concerto No. 1 in E minor, performed by acclaimed Japanese pianist Tomoharu Ushida. Known for his profound musical sensitivity and impeccable technique, Ushida breathes new life into this Romantic masterpiece, delivering a performance both soul-stirring and unforgettable.
The journey continues with Mussorgsky's Pictures at an Exhibition, in the dazzling orchestration by Maurice Ravel. Inspired by a vivid gallery of paintings, this electrifying suite transports audiences from the eerie charm of The Gnome to the thunderous majesty of The Great Gate of Kiev—a true symphonic tour de force.
More than a concert, this is a celebration of international friendship and artistic excellence—a landmark moment in cultural collaboration between Japan and Malaysia.
Experience a historic afternoon of world-class music, as one of Asia's premier orchestras takes the Malaysian stage for the very first time.
Date: 1 June 2025 (Saturday)
Time: 3:00 PM (Afternoon Performance)
Venue: Dewan Filharmonik Petronas, KLCC
Ticket Prices: RM290 | RM430 | RM550 | RM680
Special Discount: 30% for Students
Tickets available at: Official Dewan Filharmonik PETRONAS Website
Don't miss this rare opportunity to witness one of Asia's leading orchestras live in Kuala Lumpur. Reserve your seats now for an unforgettable afternoon of world-class music.
Naoto Otomo – Conductor
Naoto Otomo is one of Japan's most prominent and versatile conductors, widely respected for his dynamic artistry, refined interpretations, and dedication to expanding Japan's orchestral music scene.
A graduate of Tokyo University of the Arts and the University of Music and Performing Arts Vienna, Otomo began his career as Resident Conductor of the Tokyo Symphony Orchestra before becoming its Music Director. He has also served as Music Director of the Osaka Philharmonic Orchestra and the Tokyo Philharmonic Orchestra, and is currently Conductor Laureate of the Tokyo Symphony Orchestra.
Otomo has worked with leading orchestras across Europe, the United States, and Asia, and is a passionate advocate for contemporary music, often premiering works by both Japanese and international composers. His deep musical insight and precision have made him a key figure in shaping the modern orchestral sound in Japan.
In addition to the concert stage, Otomo is active in opera and film music, and has played a crucial role in nurturing young talents through education and mentorship. His influence continues to inspire new generations of musicians across Asia and beyond.
Tomoharu Ushida – Piano
Tomoharu Ushida is one of Japan's most exciting young pianists, praised for his poetic expression and exceptional technique. Born in 1999, he began piano at the age of three and made his professional debut with Universal Music Japan at just 12. A prizewinner at the Hamamatsu International Piano Competition, Ushida has performed with leading orchestras worldwide and currently studies at the Fryderyk Chopin University of Music in Warsaw. His performances are celebrated for their elegance, emotion, and deep musical insight.
Piano Concerto No. 1 in E minor, Op. 11
Frédéric Chopin
Composed in 1830 when Frédéric Chopin was just 20 years old, this concerto is a stunning expression of youthful passion and poetic refinement. Though labeled 'No. 1,' it was actually his second piano concerto written, but the first to be published. The work is beloved for its soaring melodies, delicate interplay between piano and orchestra, and its deeply expressive Romantic spirit.
The first movement opens with grandeur and drama, leading to a heart-rending Romanze that feels like a whispered nocturne—intimate, lyrical, and full of tender longing. The brilliant final movement dances with the rhythms of Polish folk music, bringing the concerto to a sparkling and energetic close.
It is a true showcase of the piano as a singing, emotional voice—an ideal match for a pianist of poetic sensibility and technical grace.
Pictures at an Exhibition
Modest Mussorgsky (orchestrated by Maurice Ravel)
Originally composed for solo piano by Russian composer Modest Mussorgsky in 1874, Pictures at an Exhibition is a vivid musical tribute to his late friend, artist Viktor Hartmann. Each movement represents a different artwork by Hartmann, with the recurring 'Promenade' theme portraying the composer strolling through a gallery.
In 1922, French composer Maurice Ravel masterfully orchestrated the piece, transforming it into one of the most brilliant and colorful orchestral showpieces ever written. From the eerie whimsy of 'The Gnome' to the grand, triumphant finale 'The Great Gate of Kiev,' the suite is a powerful journey through sound and imagination—an exhibition not of pictures on walls, but of scenes vividly painted with music.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Death Stranding 2' review: The most unusual blockbuster in gaming is back
'Death Stranding 2' review: The most unusual blockbuster in gaming is back

The Star

time9 hours ago

  • The Star

'Death Stranding 2' review: The most unusual blockbuster in gaming is back

BERLIN: Clumsy, monotonous, ingenious: These were common reactions to 2019's Death Stranding by cult Japanese developer Hideo Kojima, who rose to world fame through the Metal Gear Solid series. It was an idiosyncratic adventure set in a dark world of tomorrow, in which players delivered packages and fought monsters accompanied by a soundtrack of ambient pop. It wasn't just a simple shoot-em-up, but often a test of patience. Six years on, the sequel, Death Stranding 2: On the Beach , has arrived and seamlessly continues the game's unusual concept. Sam Porter Bridges, the hero of the first game, is back. Against the storm: Heavily laden, postman Sam makes his way through a ghost town. New dangers threaten humanity and Sam sets out from his self-imposed exile once again to fight evil. The setting has changed though: instead of North America, he's now exploring parts of Mexico and Australia. The problems, however, remain similar. Just like in his first adventure, he battles raging rivers, rugged terrain and snowstorms while enemies lurk everywhere. In On the Beach , the game world is the true hero of the story. Kojima and his developers tell the story of a future that has been almost destroyed by the undead. A world of chaos and monsters In this chaos, political intrigues arise, bandits crawl out of their holes and gruesome monsters emerge from slimy tar. In the midst of this chaos, Sam finds himself involuntarily caught in the middle of it all. Delivering mail in a picturesque post-apocalypsic world is the gist of 'Death Stranding 2'. As in the first game, Sam transports packages through a hauntingly beautiful post-apocalypse to expand his network and unite the remnants of humanity. Every job requires careful preparation: a truck or motorcycle for rough terrain, an exoskeleton for heavy loads, or climbing hooks for rappelling down a mountainside. Almost every trip is a Herculean task. But it's not just snowstorms or earthquakes that provide the adrenaline rush; numerous enemies do too. Sometimes Sam has to sneak past spooky figures and infiltrate enemy bases. The boss battles, in which giant monsters suddenly appear, are spectacular and a bit chaotic. After Sam has successfully delivered a package, he can look forward to rewards. The grateful customers provide him with new blueprints or equipment. Sam uses experience points for helpful abilities such as improved shooting efficiency or a battery boost for his vehicles. The boss battles are spectacular and a little chaotic, with huge monsters suddenly appearing. In his new adventure, Sam can even mine raw materials for his buildings or shorten transport routes using a rail network. He can also travel on a ship – "The Magellan" – to shorten routes. The ship is not only a useful tool, but also has a crew, each of which carries a difficult fate with them, such as death or loneliness. However, the melancholy of these themes is repeatedly interrupted by ironic undertones. Get help from other players Sam can rely not only on his crew, but also, as in the first game, on the game community. While there's no traditional multiplayer mode where other players explore the world with Sam, he can request help with his builds or support in combat. Somewhere in the middle of nowhere, Sam can build bridges and roads anywhere with a mobile construction kit. This brings players closer together and opens up further opportunities for cooperation, which is a huge help, especially when building larger road projects. Fans of the first game will quickly notice that Sam's new adventure has become faster-paced and more spectacular. While a package delivery trip across the mountains can take a frustratingly long time, players now have more options to make their life as a delivery driver easier. The story isn't quite as confusing as its predecessor. Nevertheless, Kojima's mix of philosophical questions, brutal action and irony will still leave some players shaking their heads. The game is certainly full-on and comprehensive: you should allow for around 30 to 40 hours of gameplay. Sam has a whole arsenal of weapons at his disposal to defend himself, including a machine gun. Despite concessions to the mass market, Death Stranding 2: On the Beach remains a somewhat different kind of gaming blockbuster. Kojima and his development studio have created a grim portrait of our future, combining different genres into a unique adventure that's visually impressive and more diverse than its predecessor. A great adventure for patient players who want to immerse themselves in unusual game worlds, Death Stranding 2: On the Beach is out from June 26th exclusively for the PlayStation 5. It costs around €80/US$80 (RM299 in Malaysia) and is suitable for players aged 16 years and older. – dpa

Ardent Japanese fans bid farewell to four lovable giant pandas as they return to China
Ardent Japanese fans bid farewell to four lovable giant pandas as they return to China

The Star

time20 hours ago

  • The Star

Ardent Japanese fans bid farewell to four lovable giant pandas as they return to China

TOKYO, June 28 (Bernama-Xinhua) -- Fans bid farewell to all four giant pandas at a zoo in the western Japanese prefecture of Wakayama as they left Saturday morning for their new home in China, Xinhua reported. Early morning at Adventure World amusement park in the coastal town of Shirahama, Wakayama Prefecture, park staff waved flags to bid farewell to the giant pandas, while many fans, wearing T-shirts with pictures of the pandas on them, waited at the intersection outside the park to wave goodbye when the pandas' transport trucks passed by. The giant pandas, 24-year-old Rauhin and her three daughters, 8-year-old Yuihin, 6-year-old Saihin and 4-year-old Fuhin, left for the Chengdu Research Base of Giant Panda Breeding in China's Sichuan Province as the contract for a bilateral joint conservation project is set to expire shortly. On Friday morning, some 1,400 people lined up in front of Adventure World before it opened for the pandas' final public display, many of whom were veteran "panda fans". Some carried tote bags covered with panda badges, some wore T-shirts featuring photos of the "Hin Family", and some wore panda-shaped hats. The queue to see the four pandas prompted the amusement park to open at 9 am local time, an hour earlier than usual. As soon as the gate opened, the first group of visitors rushed straight to the panda exhibit zone. Due to the need for quarantine ahead of the pandas' travel, the public had been able to see them only in isolated rooms instead of outdoor enclosures, but even so, the place was crowded with a large number of panda enthusiasts. In the exhibit zone, Rauhin slowly paced, and after a few laps, she returned to the wooden frame and sat down with her back facing the visitors. However, when she noticed small children standing in front of the glass, she would get up and walk over, as if it were a natural expression of maternal love. Next door, one of the daughters, Saihin, was as lively as ever. As soon as she appeared, she started to munch on bamboo with big mouthfuls, her expression focused and her movements playful. Kirie Sakai, who travelled from Kanagawa Prefecture carrying professional photography equipment, told Xinhua, "Since Saihin was born, I have driven seven or eight hours almost every month to watch her grow. She has grown from such a small cub to where she is today, and I am truly happy." Rauhin gave birth to so many cubs, bringing so much joy to people, she added, "Although it is sad to see them off, I wish for them to stay healthy in China." The park also set up a memory exhibition to display the messages that the keepers wrote for the giant pandas. A board dedicated to Saihin reads: "You are one who acts what she pleases yet loves to be spoiled. Although you are willful, I really enjoy every moment spent with you. Keep living freely in the future!" In a message addressed to Fuhin, the keeper recalled the scene when he touched the newly born Fuhin: "That warmth will remain unforgettable for my entire life!" The park's Director Koji Imazu said that since Adventure World began the joint breeding programme with the Chinese panda research base in 1994, more than 70 Chinese experts have come to the zoo to offer guidance, and over 50 Japanese keepers have participated in bilateral exchanges. Later at 4 pm local time, some 3,500 people attended a farewell ceremony jointly organised by the amusement park and the Chinese Consulate-General in Osaka. Chinese Consul General in Osaka Xue Jian said in his speech: "We believe that no matter in Japan or in China, people's love for the giant pandas will not change due to distance, nor will it diminish over time." "We hope that this special bond born out of pandas will become the nourishment that nurtures the mutual understanding and affection between the two peoples and foster everlasting friendship for generations," he added. - Bernama-Xinhua

MPO steps up its efforts to elevate Malay heritage music
MPO steps up its efforts to elevate Malay heritage music

The Star

timea day ago

  • The Star

MPO steps up its efforts to elevate Malay heritage music

Under the baton of conductor Ahmad Muriz, the 'Simfoni Budaya II' performance on July 5 will bring classic Malay songs to life as the MPO presents joget, asli and zapin in rich symphonic form. Photo: The Star/Ong Soon Hin In the heart of Kuala Lumpur, the Malaysian Philharmonic Orchestra (MPO) continues to champion traditional local music as a vital part of the nation's cultural heritage through its culturally-themed programmes at Dewan Filharmonik Petronas, KLCC. MPO conductor Ahmad Muriz Che Rose sees the bigger picture – framing Malaysian folk music as an art form worthy of celebration, on par with classical traditions worldwide, and central to the orchestra's long-term vision. "We want the public to understand that MPO is not solely about Western classical music but is also actively involved in the development of the nation's traditional music,' said Ahmad Muriz in recent Bernama interview. He added the MPO is now more open and plans its annual programmes with a more diverse genre approach, including allocating dedicated space for folk music and cultural performances. "In the past, we may have focused solely on classical music but now we need to broaden that. Folk music, traditional music - all of these are now part of MPO's offerings to the public. "We have genres like asli, inang, zapin, joget and others, which are not only unique but also reflect the grace and beauty of Malay culture,' he said, hoping that these rhythms will continue to be appreciated, especially among the younger generation. Ahmad Muriz added that MPO is also taking a community-centred approach by holding promotional performances in public spaces such as LRT stations, as a way to introduce traditional music in a more relaxed and accessible setting. "We want people to feel that this music belongs to them. When it's played in public spaces, we show that traditional music is not just for formal performances but a part of everyday life. "For example, yesterday we held a flash mob at the Pasar Seni LRT station (in Kuala Lumpur). It wasn't just locals who were drawn to the music but even tourists showed interest and joined in with us,' he said. Simfoni Budaya returns On the big stage, MPO will present the second edition of the Simfoni Budaya concert at Dewan Filharmonik Petronas on July 5, following the enthusiastic response to the first edition last year. A follow-up to last year's successful Simfoni Budaya – a joyous showcase of Malay musical heritage featuring genres like ghazal and keroncong – the upcoming concert continues the journey of blending traditional sounds with lush orchestral arrangements. Audiences can expect a rich tapestry of classic melodies reimagined, brought to life by a mix of seasoned legends and rising talents. Among the featured performers is legendary singer Datuk Andre Goh, alongside a new generation of talent, including Mohd Rozaidy Shukry, better known as Rojer Kajol, a familiar name in the local folk music scene, known for performing ghazal and traditional irama asli songs. Under the baton of conductor Ahmad Muriz, the performance will bring classic Malay songs to life as the MPO presents joget, asli and zapin in rich symphonic form. "This concert is part of our mission. But more importantly, the message is clear - Malay music is a heritage and that heritage must be preserved, shared and celebrated,' he said. Evergreen favourites such as Dikirim Jangan Dipesan Jangan, Mas Merah, Fatwa Pujangga, Nirmala, Tudung Periuk, Simfoni Bunga Tanjung, Joget Burung Merpati, Makan Sireh, Joget Wan Lebor and Mak Inang Kayangan will take centre stage. All songs will feature orchestral arrangements by Luqman Aziz, Ilham Subri, Azhad Sulaiman, Teuku Umar and Shahakam Mokhtar. More info here.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store