
See what forgotten Wayne's World sex-pot star looks like now
The Hollywood pinup, 58, showed off her ageless looks while attending the 2025 Scientific and Technical Awards at Academy of Motion Picture Arts and Sciences.
The actress stunned in a plunging violet gown. She completed her look with a silver clutch and matching open-toe heels.
Her long raven tresses cascaded down her shoulder and back in glamorous waves.
The star looked like she barely aged, showing off her wrinkle-free visage with a touch of makeup.
Carrere is best known for her role as Cassandra Wong in the Wayne's World films (1992 and 1993).
Carrere is best known for her role as Cassandra Wong in the Wayne's World films (1992 and 1993); pictured with Carvey and Myers in Wayne's World 2
Tia blinged up her look with a pair of diamond stud earrings.
While on the red carpet she was joined by Paul Debevec, who looked dapper in a black suit.
The Scientific and Technical Awards at the Academy of Motion Picture Arts and Sciences are a set of special awards given out annually to honor individuals and companies whose discoveries and innovations have contributed to the advancement of motion pictures.
In Wayne's World (1992) and Wayne's World 2 (1993), Tia played Cassandra, a singer and bassist as well as Wayne's love interest.
The first film was released in February in 1992 and then second hit theaters in December 1993.
During an interview on the radio show Q With Tom Power in August 2022, Tia opened up about celebrating the 30th anniversary of the film and expressed that her role had put her 'on the map.'
The actress also recounted her uncertainty about the success of Wayne's World at the time, stating, 'but I knew that it was something that fit me perfectly.'
To portray her role as Cassandra, the lead singer and bassist of the band Crucial Taunt, Tia had to learn Cantonese.
The comedy ultimately amassed a staggering total of $183.1 million at the box office and garnered critical acclaim, solidifying its status as one of the highest-grossing films of 1992.
Tia has continued to stay active in the industry and recently showcased her talent in Waltzing with Brando.
In 2022 the star opened up about her role in the comedy Easter Sunday, where she starred alongside Jo Koy.
The AJ and the Queen actress discussed her role with Bare Magazine, saying that 'after nearly 40 years in the business it was pretty exciting to finally play' a Filipino character.
'I've played Chinese, Japanese, Vietnamese over the years and now I can call upon my family memories and neighbors from childhood and have fun celebrating everything about being Filipino,' she said.
Carrere added that 'after being the sex symbol/vixen for decades it was so much fun playing this disagreeable and disapproving auntie character' in the movie.
She also starred as Juno Skinner in True Lies, a 1994 Arnold Schwarzenegger action film.
And she was a mixed African-Japanese computer expert in Rising Sun, a thriller written for the screen by Michael Crichton, starring Sean Connery and Wesley Snipes.
In the 1995 film The Immortals, she played robber Gina Walker.
She also starred as Ari, a space marine turned pirate, in the 1995 adventure/puzzle game The Daedalus Encounter.
Tia looked great as the evil witch/queen in the 1997 Universal Films picture Kull the Conqueror, co-starring versus Kevin Sorbo.
And she also made the cover of Playboy magazine in January 2003.
Tia shares custody of daughter Bianca with her ex-husband photojournalist Simon Wakelin. The two were married from 2002 until they divorced in 2010.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mirror
6 days ago
- Daily Mirror
Channel 4 insist they are 'proud' to show Bonnie Blue documentary
Bonnie Blue at the launch of her Channel 4 documentary (Image: Edward Ed Gleave) Channel 4 has defended the decision to make a documentary about online porn star Bonnie Blue - insisting it is 'proud' of the film and that is wants to 'stimulate debate". Viewers tuning in to watch 1000 Men and Me: The Bonnie Blue Story this week will receive an on air warning about the content before the documentary airs at 10pm. It features multiple scenes of graphic sex not normally seen on TV. Tia Billinger uses the stage name Bonnie Blue and invites men to have sex with her which she films and makes money from online. She is also known for angering and abusing other women online, including by suggesting she likes to sleep with married men. In January she caused social media outrage by announcing she'd slept with 1,057 men in 12 hours. Channel 4 insist they are 'proud' to show Bonnie Blue documentary (Image: Instagram/bonnie_blue_xo) The Channel 4 documentary's crew and director rarely question her about the abuse she gives to other women and her financial claims of earning millions each month also go unquestioned or unproven on screen. She also uses other younger girls to make one film and they say they are not being paid, despite the fact Tia would make thousands from the film. Aside from Tia expressing some fears about walking in public alone, the tone is largely celebratory. Asked about their decision to broadcast the documentary, Channel 4 told the Mirror: 'Tia Billinger, via her stage name Bonnie Blue, has gained worldwide attention and millions of pounds in the last year. 1000 Men and Me: The Bonnie Blue Story is an observational documentary in which director Victoria Silver follows Tia over the course of six months. The film questions Tia's methods and the divisive style of her social media and hears from colleagues and collaborators in order to understand her polarising business model. "Part of Channel 4's remit is to reflect modern Britain and stimulate debate amongst viewers, and a film such as this, exploring changing attitudes to sex, success, porn, and feminism in an ever-evolving online world is an important addition to those conversations. 'Channel 4 has a track record of programmes that examine the porn industry from a variety of perspectives. In the last two years we have broadcast programmes such as Sex Actually with Alice Levine that looked at a range of sexual experiences, while OnlyFans Got Me Fired: Untold and Confessions of a Cam Girl showed the personal cost of porn for content creators.' They also insisted the sections of the documentary showing Bonnie having sex multiple times across the documentary was necessary. They added: 'Careful consideration has been given to the content and the way in which it is included. The explicit content in the documentary is editorially justified and provides essential context; making pornographic content is Bonnie's job, and this film is about her work and the response to it. Crucially, the content is presented in a non-gratuitous manner and viewers will be alerted of the sexual content in a programme warning at the start to ensure they understand from the outset the nature of the programme.' Journalists were shown the film at a screening at Channel 4 last week attended by Tia, where even she expressed surprise at how many sex scenes 'were in there'. Introducing the film, Commissioning Editor Tim Hancock said before the screening: 'I believe it is Channel 4's job to tell stories like this, trying to get behind the truth of the headlines. We film real stories in real time. We are very proud to do films like this.' Asked why there was so much porn in the documentary and if she was braced for complaints, director Victoria Silver said: 'I had to explain to her(Tia) if I was making a film about a musician or some kind of other performer their work would be in there. I think it is important to see what she does.' * 1000 Men and Me: The Bonnie Blue Story is on Channel 4 on Tuesday night at 10pm.


Scotsman
23-07-2025
- Scotsman
The artists set to represent Scotland in Venice Biennale return
The work will be a return to the Venice Biennale for Scotland Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... An artist duo who met working in queer cabaret in Edinburgh is to represent Scotland as it returns to the Venice Biennale. Scotland has not taken part the art expo - one of the oldest art festivals in the world - in two years, however a review of its participation earlier this year opted to re-enter the event. Advertisement Hide Ad Advertisement Hide Ad Bugarin + Castle - aka Davide Bugarin and Angel Cohn Castle - are to present a 'multi-layered new project', drawing on queer histories, Scottish archives and Filipino cultural heritage. They said: 'We first met performing in the mess and noise of queer cabaret in Edinburgh. A decade later, that spirit still drives our practice. 'We're thrilled to show new work together in Venice, transforming the venue with spatial and drag-inflected interventions that confront questions of gendered performance and colonial sound control, rooted in our lived experience. We aim to trouble easy narratives on the contested ground of identity today.' Scotland's participation in the Biennale was paused in 2023 amid financial concerns. However, Scotland + Venice, a partnership between a range of organisations including Creative Scotland, British Council Scotland and the Scottish Government, said earlier this year a review had opted to restart participation in the prestigious event. It said it would be a 'more efficient model', prioritising lower-carbon travel, more sustainable logistics and hybrid ways of working. Advertisement Hide Ad Advertisement Hide Ad Although Scotland does not have its own pavilion - and is incorporated into the British Pavilion at the Bienniale, it has previously staged a number of "collateral" shows on the fringes of the main sites. A total of 29 countries have official pavilions at the event, regarded as one of the most significant international platforms within the global art world. Bugarin + Castle, Davide Bugarin and Angel Cohn Castle are to represent Scotland at the Venice Biennale. | Scotland + Venice Alastair Evans, chair of Scotland + Venice Partnership, said: 'Scotland + Venice 2026 presents a timely opportunity to showcase the diversity, innovation and internationalism of contemporary Scottish art. 'This presentation reflects the depth of collaboration, critical engagement and inclusive practice that defines the Programme's future direction.' Advertisement Hide Ad Advertisement Hide Ad Bugarin + Castle's recent interactive film Sore Throat, shot in Edinburgh and Manila, explored colonial monsters and sound in queer Filipino spaces, showing in a solo exhibition at Fruitmarket as well as at Tate Modern and international venues. Via custom software, gallery audience voices were unknowingly recorded and replayed within the film, implicating them as antagonists in its narrative. Bugarin + Castle also perform in drag as Hairy Teddy Bear and Pollyfilla, through Pollyanna, a Scottish queer arts company founded by Castle, now in its 10th year. Forma, an arts charity working across the UK and internationally, will provide production support for the film element of the new work, building on the organisation's previous Scotland + Venice experience working with Alberta Whittle in 2022. The work will be shown in Venice from 9 May to 22 November next year. Advertisement Hide Ad Advertisement Hide Ad Mount Stuart Trust, based on the Isle of Bute, will curate the project, working with the artists and a series of partners. The Venice exhibition will return for an exhibition at Mount Stuart on Bute in Summer 2027, before further presentations in Scotland to be announced. Emma Nicolson, head of visual arts at Creative Scotland, said: 'We are thrilled to support Mount Stuart Trust and Bugarin + Castle as they lead Scotland's return to Venice with a commission that speaks powerfully to the rich and diverse contemporary art practice that we have in Scotland.


The Herald Scotland
22-07-2025
- The Herald Scotland
The artists going from queer cabaret to the Venice Biennale
They will be working with Mount Stuart House, the neo-gothic mansion house on the Isle of Bute, on a show inspired by queer histories, Scottish heritage and the Filipino roots of Bugarin. Read more: Their project, which will feature elements of performance and moving image, was chosen to represent Scotland following an open call for proposals earlier this year. It is expected to to explore 'complex emotional legacies' of shame, pride and celebration through the sound and costumes of a parade. Artists Angel John Castle and Davide Bugarin with Mount Stuart Trust curator Morven Gregor. (Image: Neil Hanna) The pair have pledged to "trouble easy narratives on the contested ground of identity today" in a show that will transform a yet-to-be announced Venice venue with "spatial and drag-inflected interventions." Bugarin and Castle have both performed as their drag alter egos 'Hairy Teddy Bear' and 'Pollyfilla' at queer cabaret nights staged under the banner of Pollyanna, an arts company created by Castle in 2015. More than 250 artists have since performed across 75 shows, many of which were staged at the Paradise Palms bar in Edinburgh. The work of Bugarin and Castle, which has combined elements of cabaret, theatre and film, has previously explored the histories of performance, queerness, colonisation and gentrification. They have been showcased recently at the Fruitmarket and City Art Centre in [[Edinburgh]], the Tate Modern in London, the Microscope Gallery in New York, the Kriittinen Gallery in Finland and the Pineapple Lab, in Manila, in the Philippines. Mount Stuart House, the ancestral home of the Crichton-Stuart family, dates back to the late 19th century and is home to one of Britain's biggest private art collections. The house was opened to the public for the first time in 1995 and has been playing host to annual visual art exhibitions since 2001. Artists who have previously worked with the Mount Stuart Trust, which manages the mansion house and its cultural programme, include Kate Whiteford, Thomas Joshua Cooper, Christine Borland, Langlands & Bell, Anya Gallaccio, Nathan Coley, Lee Mingwei, Lucy Skaer, Kate Davis, Lorna Macintyre, Steven Claydon and Whitney McVeigh. Scotland has not been represented at the Venice Biennale since 2022, when Glasgow-based artist Alberta Whittle attracted more than 35,000 visitors to her solo show. Scotland's future participation in the event, which dates back to 2003, was put under review two years ago amid concerns over how it could be funded in future. However it was announced earlier this year that Scotland would have an official presence at the 2026 event after the review found 'overwhelming support' for it to continue. Creative Scotland, British Council and the National Galleries Scotland are sharing the £470,000 costs involved in making Bugarin and Castle's show, and showing it in Venice between May and November next year. However it is hoped further funding can be secured to allow the show to tour around Scotland following a planned run at Mount Stuart House in 2027. Morven Gregor, curator at the Mount Stuart Trust, said: 'We are excited to curate the work of Bugarin and Castle, extending our shared commitment through the opportunities presented by the Scotland and Venice project to bring this ambitious work of performance and moving image to life and to reach our audiences on the west coast of Scotland and internationally. 'We look forward to celebrating the return of Scotland to Venice with our communities across Scotland and beyond, and, as ever, recognise the positive impact of working in collaboration with key partners in the cultural sector.' Bugarin and Castle said: 'We first met performing in the mess and noise of queer cabaret in Edinburgh. 'A decade later, that spirit still drives our practice. We're thrilled to show new work together in Venice, transforming the venue with spatial and drag-inflected interventions that confront questions of gendered performance and colonial sound control, rooted in our lived experience. 'We aim to trouble easy narratives on the contested ground of identity today.' Emma Nicolson, head of visual arts at Creative Scotland, said: 'We are thrilled to support the Mount Stuart Trust, and Bugarin and Castle, as they lead Scotland's return to Venice with a commission that speaks powerfully to the rich and diverse contemporary art practice that we have in Scotland. 'This project is bold, visually compelling and emotionally layered and stands as a testament to the varied and ambitious artistic voices in Scotland, rooted in place, conceptually bold, and internationally relevant. 'We are excited to see how this work will evolve in Venice and ripple back across communities and venues throughout Scotland and beyond.'