‘Elise' to ‘Phantosmia': 7 of Janine Gutierrez's most iconic films
Amid Filipino cinema's brightest stars, Janine Gutierrez is a beacon of versatility and creativity. This celebrated actress has an impressive portfolio of roles that showcase her remarkable range, establishing herself as one of the Philippines' most captivating performers in contemporary film.
While she has starred in many television series from Villa Quintana in 2013 to Dirty Linen in 2023, her roles on the big screen have also demonstrated her undeniable commitment to the craft. Below, Tatler has rounded up seven of Janine Gutierrez's movies you don't want to miss.
In case you missed it: Jericho Rosales and Janine Gutierrez are stealing the spotlight as the most talked-about 'It' couple in town
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Tatler Asia
2 days ago
- Tatler Asia
Love Chinese food? Taste Paradise Dynasty's classic flavours in a brand new space
'There had been growing requests at our other branches asking, 'Why not open in the north?' So we finally did, and the reception has been remarkable.' - Jonathan Ko on why they brought Paradise Dynasty to the north - Tatler was offered servings of Paradise Dynasty's best and sought-after offerings. Among them was the Signature Dynasty xiao long bao, a selection of eight colourful flavours including original, Korean kimchi, foie gras, black truffle, cheese, crab roe, garlic and Szechuan. Ko explains that the restaurant places great importance on consistency, which is why the dish still carries the same familiar flavour Filipinos have loved since the first branch opened in Pasay in 2016. 'For our eight-flavour xiao long bao, we always use original ingredients. Even the colours are made entirely from scratch,' he stresses. 'Some people ask if we use food colouring. We don't. Everything is created in-house; we use special ingredients to extract the colours for each dumpling,' Ko adds, noting that there had previously been some doubts about the authenticity of their methods. 'People keep coming back to this dish because the flavour has stayed consistent. After nine years, it still tastes the same. We never cut corners, and that's exactly why our guests return.' Paradise Dynasty's standout offerings include the yam paste xiao long bao, a dumpling filled with smooth, earthy purée made from Taro. More from Tatler : Learn all about the iconic Chinese food favourite, East Ocean Palace Above The black fungus in peppercorn vinaigrette Above Paradise Dynasty's signature prawn and pork dumpling in hot chilli vinaigrette Another highlight was the prawn and pork dumpling in hot chilli vinaigrette with just the right kick of spice, leaving enough room for the sweetness of the seafood to come through. Then there's the black fungus in a peppercorn vinaigrette, made with wood ear mushrooms known for their pleasantly chewy texture. The sharp peppercorn dressing leaves a lingering finish that keeps you reaching for another bite. Another memorable bite was the poached pork in spicy garlic sauce: a bold, flavourful dish that enhances both the tender meat and the vegetables tucked within. For those looking for a subtle savoury taste, the stir-fried Australian lettuce will be a revelation. This simple yet satisfying dish might easily be overlooked, but with just the right touch of salt and crunch, it's the kind of bite you'd keep coming back for with a spoonful of piping hot rice to match or even just as enjoyable as a light snack. Not to be missed is the speciality fish in pickled vegetable broth, which Ko explains is simmered for two hours to allow the soup to draw out every layer of flavour. 'The soup is simmered for about two hours to develop its flavour and richness,' he says. Related : Paradise Dynasty opens a new location in the heart of Greenbelt 5 Above The specialty fish in pickled vegetable broth by Paradise Dynasty Above Stir-fried Australian lettuce by Paradise Dynasty For Paradise Dynasty, delivering quality Chinese cuisine using cooking methods that stay true to their origins is essential. Ultimately, it's the comfort of knowing what to expect and the consistent standards set since day one that keeps their loyal customers coming back. Ko asserts that this is what their patrons value and deserve: timeless classics with creative twists, one serving at a time. 'We started from just a few branches. Now, we're trying to expand it to all corners. We want to showcase that this is the Paradise Dynasty design. It reflects traditional Chinese elements, local influences and of course, the essence of Chinese cuisine.' Visit Paradise Dynasty's newest location at Robinsons Magnolia and follow their Instagram @paradisedynastyph. NOW READ What makes an authentic meal?: Chef Jereme Leung's limited-release 'The Emperor's Table' menu at China Blue Flavours of My Youth: JP Anglo of Sarsa Kitchen + Bar and Kooya Filipino Eatery The cultural wanderer's guide to Binondo, Manila
Tatler Asia
24-07-2025
- Tatler Asia
‘Virgin' by Lorde is the singer's sonic reckoning with identity, ego death and acceptance
In her latest studio album 'Virgin', Lorde trades polish for pain in 11 raw tracks A water bottle, duct tape and an X-ray scan. Promotional content for Virgin began with the release of its first single, What Was That . The accompanying video, filmed in Manhattan's Washington Park, shows Lorde crawling out of a New York City manhole to a crowd of gathered fans. This kind of sardonic theatricality has long been part of the singer's MO. And while a little more pared down, it reappears in her fourth album in a more subdued but still resonant form. Those who've grown up listening to Lorde will get the most thrill out of the album. It's the New Zealand singer-songwriter at her most provocative and most introspective. 'A hundred per cent written in blood,' she wrote on her official website. Even the album's artwork echoes this sentiment. The cover features an X-ray image of her pelvis, with her IUD in plain view. On the inner sleeve of Virgin's vinyl, she wears a pair of transparent trousers, leaving nothing to the imagination. It's less spectacle than invitation—a permission slip for fans to bask in her vulnerability. More from Tatler: Mid-year review: the best pop albums of 2025 There are remnants of the 16-year-old prodigy we met in 2013. But now, Lorde is in her late twenties, world-worn and heavier with experience and heartbreak. Gone is the teenage jadedness. In its place is something more threadbare. On David , the closing track, she nods to her debut with the line: 'Pure heroine mistaken for featherweight.' The callback is deliberate. Virgin reads like a summation, or even culmination, of everything she's written before. Thematically, one can draw similarities to earlier entries in her discography: the aftermath of a codependent romance ( Melodrama ), the ache of growing pains ( Pure Heroine ) and the quiet confrontation with self ( Solar Power) . But if Solar Power was escapist—slow dancing while the world burns— Virgin is scorched earth. Lorde sits in the wreckage, and there's no running away from it. Above New Zealand singer-songwriter Lorde performs onstage during Glastonbury Festival 2025 () One of the album's main thematic tentpoles is Lorde's overdue reckoning with her sexuality and gender identity. While the singer hasn't officially come out as queer, she's been candid about her evolving relationship with her own body. She references this expected turmoil in Hammer and Man of the Year . In Shapeshifter , with its fairytale references and fast-paced beat, the singer reflects on the many roles she's played throughout her life—putting on nonexistent airs, often for the sake of a partner, and masking discomfort in exchange for affection. A similar confession unfolds in Broken Glass , where she references an eating disorder and an internalised distaste for her own body, pleading with the girl in the mirror to break free from a cycle of self-destruction. The album cycles through a grocery list of emotional opposites—longing and lashing out, hunger and abstinence, self-destruction and preservation—all distilled into a brisk 35-minute runtime. David closes the record in a fade to black, ending on the question: 'Am I ever gonna love again?' See also: 7 things to know about BTS member Suga Announcing the intention behind this project, especially in the early promotional period may have not worked in her favour. But even without that context, the music stands on its own. The songs are more literal than expected, and sometimes even to its detriment. Lyrically, this may not be her sharpest work, but its rawness offers a vulnerability that feels unfiltered and direct. Sonically, Virgin leans into repetition. Beats thrum and loop in varying iterations, as if she's rocking back and forth in a fetal position, trying to soothe herself. There's no attempt to disguise the pain with even more metaphor than it's worth. Though the album does play like an open wound, it seems as if it's this polished quality that keeps her rooted in the pop charts, even as she attempts to tiptoe toward something more experimental. Lorde's remedy for grappling with heartbreak is more cough syrup than chicken soup, and listening to Virgin for the first time is probably something you need to experience in a safe and secure space, preferably wrapped in blankets. It feels like abstaining from alcohol at someone's birthday party because you've been prescribed antibiotics for a waning fever; dry-swallowing a bitter pill; a stuffy headache after crying for hours; sobering up from a tantric high. It's that awkward moment of running into a former flame at a mutual friend's get-together and the ensuing spiral into self-rumination. With Virgin , Lorde reckons with what's left of herself after the flames have gone out. And in the moment, she allows those who have followed her since the very beginning to take part in this shared catharsis. NOW READ Lost hits? Unreleased tracks that would have dominated charts The next-gen pop queens: Chappell Roan, Sabrina Carpenter and more BTS reveals new 2026 album: a look back at their journey from rookies to superstars through their studio albums
Tatler Asia
18-07-2025
- Tatler Asia
Fernando Jorge on crafting fluid jewels: The Brazilian designer's journey and vision for jewellery
With a design philosophy rooted in movement and cultural expression, Jorge shares with Tatler how he challenges traditional jewellery norms and connects emotionally with a new generation of luxury connoisseurs. On his visit to Hong Kong's Joyce boutique to showcase his fine jewellery collection, jewellery designer Fernando Jorge opened up about the journey that transformed his passion from engineering sketches to creating fluid, elegant jewels that capture the spirit of his homeland. Jewellery designer Fernando Jorge sits down with Tatler to chat about his career journey and his design philosophy at a trunk show in luxury brand boutique Joyce in Hong Kong How did you first become interested in jewellery design? It was a combination of small decisions and accidents that led me to jewellery. I always had a very visual relationship with the world and a natural talent for drawing, but I didn't have references for creative careers around me growing up. I initially studied engineering, then logistics, before realising I needed to pursue something more creative. When I started studying product design, I got an internship at a Brazilian jewellery workshop doing technical drawings. That experience blew my mind—I was working with the most beautiful materials in nature, creating objects that held deep emotional meaning. I fell in love with jewellery and realised this was what I wanted to do. Your designs have a distinctly fluid aesthetic. Where does that come from? It's a reflection of my cultural background and my interpretation of Brazil. I wanted to capture a sense of rhythm, movement and organic effortlessness but still maintain elegance. When I launched my first collection in 2010-11, the jewellery was very spiky and gothic. [Then] I came out with these soft, fluid pieces that felt new and essential. I'm aiming for something natural and ethereal. Now, 15 years later, a lot of jewellery has this free-form quality that moves with the body. I'm still true to that original spark, but my sensibility has also been refined with my time in London. What is your creative process when designing a new collection? It usually starts with an intention or an idea I want to explore. For example, I went from the concept of fluidity to electricity—from something dripping to something buzzing out of the body. Then I sketch and find a name or concept to reinforce the idea. The choice of materials comes with the intention. Sometimes it's a continuation of something I've done before; other times it's about exploring new combinations or techniques. But I'm always trying to balance innovation with timelessness. I want to be part of the timeline of jewellery that has existed for generations, while still making my mark on the present. See also: Inside the creative journey of Francesca Villa: how her vintage-inspired jewellery empowers self-expression and celebrates sentimental stories
