Metro In Dino box office Day 2: Anurag Basu's film shows solid Saturday growth
'Metro In Dino' opened to a strong start, marking a 300 per cent jump over Anurag Basu's 2007 sleeper hit 'Life In A Metro', which had debuted with just Rs 80 lakh. That earlier film gained traction through word-of-mouth and eventually amassed over Rs 24 crore at the domestic box office.So far, the multi-starrer seems to be finding its audience, slowly but surely. And in a crowded release window, that's often half the battle won.IndiaToday.in's review of 'Metro In Dino' reads, 'The film lets you feel. Every frame looks straight out of an art exhibition, and every song conveys something. This is cinema at its beautiful, honest best.'The film revolves around four couples navigating the ups and downs of love and commitment in different cities. It is the spiritual sequel to 'Life In A Metro' (2007), which was also directed by Basu.- EndsTrending Reel
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
India.com
27 minutes ago
- India.com
Dilip Kumar once spent an entire day in jail due to..., was nicknamed 'Gandhiwala' by...
Before he became Hindi cinema's 'Tragedy King', Dilip Kumar — born Yusuf Khan — found himself on the wrong side of the British Raj. In his autobiography, the Substance and the Shadow, the legendary actor revealed how he was once arrested and jailed for delivering a passionate pro-freedom speech during the colonial era. As a young man working in a British army canteen in Pune, he openly criticised the empire's policies and demanded independence for India. The speech was deemed seditious, and the British authorities arrested him, locking him up in Yerwada Jail, where many freedom fighters were already imprisoned. He was nicknamed 'Gandhiwala' Inside, he joined a hunger strike and was quickly dubbed a 'Gandhiwala' — a supporter of Mahatma Gandhi. Although his jail time lasted only one night, it left an indelible mark. He was released the next morning thanks to a familiar Major who intervened on his behalf. Dilip Kumar was born on 11 December 1922 in Peshawar (now in Pakistan). His family migrated to India and eventually settled in Mumbai. Acting wasn't on his radar — until fate intervened. A chance meeting with Devika Rani, head of Bombay Talkies, changed his life. She offered him a job at Rs 1,250 per month (a princely sum then) and suggested a new screen name: Dilip Kumar. For those of you who don't know, his film career began in the 1940s, and over the next five decades, he delivered iconic performances in films like Mughal-e-Azam, Devdas, Naya Daur, Andaz, Ganga Jamuna, and more, forever redefining the emotional landscape of Indian cinema. The man behind the legend Dilip Kumar married actress Saira Banu, who was much younger than he was. Despite the age gap, their bond remained strong for decades. On 7 July 2021, he passed away at the age of 98 at Mumbai's PD Hinduja Hospital. His death wasn't just the end of an actor; it was the closing chapter of an era. Yet, his films, memories, and even untold stories, such as his night in jail, continue to live on.
News18
40 minutes ago
- News18
'And It Begins': Vijay Sethupathi's Film With Puri Jagannadh Kicks Off In Hyderabad
Director Puri Jagannadh's new film starring Vijay Sethupathi and Samyuktha has officially kicked off in Hyderabad. The makers of director Puri Jagannadh's eagerly awaited upcoming film, featuring actor Vijay Sethupathi in the lead, on Monday announced that shooting for the film was now underway and that major talkie portions featuring Vijay Sethupathi and Samyuktha would be canned during this packed schedule. Taking to its timeline on X, Puri Connects, the production house producing the film, wrote, 'AND IT BEGINS! The raw and real journey of #PuriSethupathi begins on the sets today in Hyderabad. Major talkie portions featuring Makkalselvan @VijaySethuOffl and fierce @iamsamyuktha_ are being canned in this packed schedule and will have a continuous shoot. A #PuriJagannadh film. Releases in Tamil, Telugu, Hindi, Kannada and Malayalam. @OfficialViji, #Tabu @Charmmeofficial @PuriConnects #JBNarayanRaoKondrolla #JBMotionPictures @IamVishuReddy." Shooting of the highly ambitious venture, which has triggered huge expectations among fans and film buffs, was originally expected to begin in the last week of June. However, it has started on Monday. The film is being produced by Puri Jagannath under the banner of Puri Connects and is to be presented by Charmi Kaur in collaboration with JB Motion Pictures and JB Narayan Rao Kondrolla. The collaboration with JB Motion Pictures will allow the makers to further enhance the grandeur of the movie. Samyuktha plays the female lead opposite Vijay Sethupathi in this film, while Tabu and Vijay Kumar play pivotal roles. Sources have disclosed that Samyuktha's character will be integral to the narrative, with ample scope for performance and emotional depth. The actress is reportedly thrilled with the story and her role, and is eager to begin shooting. It may be recalled that the team had recently completed an extensive recce in Hyderabad and Chennai to finalize locations for the first schedule. For the unaware, director Puri Jagannadh, who is known for his flamboyant manner of storytelling, is all set to helm this ambitious project with the versatile actor Vijay Sethupathi playing the lead. The upcoming venture is to be a full-on mass and commercial entertainer, distinguished by a unique storyline that blends Puri's signature style with Vijay Sethupathi's magnetic screen presence. First Published:
Indian Express
an hour ago
- Indian Express
Golden Era director spent 15 years making Hindi cinema's most expensive film; nearly bankrupted financiers, died at 48 after making only 3 films
Prithviraj Kapoor, Madhubala and Dilip Kumar-starrer Mughal-e-Azam is remembered as a monumental film in the history of Hindi cinema — one that became a textbook in filmmaking for generations to come. The grandeur achieved in this magnum opus is still something that filmmakers continue to aspire to. But Mughal-e-Azam came into being solely because of the passion, patience, obsession, and a whole lot of madness of one man — filmmaker K Asif. To understand the magnitude of effort that went into Mughal-e-Azam, one must first know the backstory of K Asif and how he found his way into the Hindi film industry. Born in Etawah, Uttar Pradesh, Asif was brought to Mumbai at the age of 17 by his uncle, who opened a tailoring shop for him to earn a living. But Asif had ambitions far greater than being a tailor. His uncle noticed how Asif was more interested in charming female customers than focusing on the work at hand. Sensing his flair for drama and passion, he encouraged Asif to try his hand at filmmaking. In his early 20s, Asif directed Phool, which starred Prithviraj Kapoor in the lead role. The film became the fourth highest-grossing film of the year 1945. Mughal-e-Azam wasn't just another directorial venture for Asif — it was his ultimate passion project. The film would go on to consume his money, energy, peace of mind, and most significantly, 15 years of his life. He began shooting the film in the 1940s. In a conversation with The Print, filmmaker Karan Bali spoke about the massive scale of Asif's vision. He said, 'His films weren't just made; they were sculpted.' Bali explained that Asif would go to any length, regardless of cost, to achieve authenticity in his film. 'Whether it was importing glass from Belgium for Sheesh Mahal, commissioning special footwear from Agra, or having Dilip Kumar's wig made in England — no expense was spared,' he shared. The journey of Mughal-e-Azam was riddled with obstacles. At times, Asif would halt shoots to obtain the perfect materials for the set; other times, his financiers would run into trouble. The film's original financier, Shiraz Ali Hakim, backed the project before Partition in 1947. However, following Partition, Shiraz moved to Pakistan, leaving the film incomplete. Asif was then left scrambling for another financier, eventually finding support in Shapoorji Pallonji, who financed the completion of the movie. 'This one man's virtue was that he dreamt a beautiful dream, and he brought that very dream to life in the real world exactly as he had envisioned it,' said Rajkumar Keswani, author of the book Dastan-e-Mughal-e-Azam, in an earlier interview. There are countless examples of how Asif's commitment to authenticity led to months-long production halts. In one instance, after the character of Salim returns from war, Asif wanted to use real pearls for the scene. The shoot was halted for months until he could source the pearls. Not just his own cast and crew, Asif even made the government bend to his will during one such shoot. While filming a grand battle sequence in Jaipur, he noticed electric poles in the background — an obvious anachronism in a film set during Akbar's era. Rather than adjusting the camera angle, he paused production and left the city. He spent the next three months persuading local authorities to remove the poles before returning to the same location to resume filming. In an earlier interaction with Film Companion, filmmaker Karan Johar revealed that his father, Yash Johar, was present on the sets of Mughal-e-Azam and witnessed Asif's uncompromising standards firsthand. He shared an anecdote where Asif halted the film's shoot because he wanted a pond to be filled with real ittar (perfume) for a scene involving Madhubala. While most filmmakers would have settled for water, Asif insisted on authenticity. Karan recalled, 'My father told me about a moment how K. Asif announced pack-up because they didn't have real 'ittar' and he wanted real 'ittar' in the pond so that Madhubala could give up that close-up as a result of that whiff that she would get. She had to give that whiff to give that beauteous expression.' Asif's towering expectations and unrelenting insistence on authenticity led to an extended production timeline that required multiple financiers. It even drained much of his own wealth. The film, which began in 1946, finally released in theatres in 1960 — nearly 15 years later. The final budget remains debated but it is estimated that its budget reached to Rs. 1.5 crore, an unprecedented amount at that time, making Mughal-e-Azam the most expensive Indian film of its time. After Mughal-e-Azam, Asif began work on another magnum opus titled Love and War, this time with Guru Dutt in the lead. Like Mughal-e-Azam, this film, too, faced numerous setbacks. After Guru Dutt's untimely death in 1964, Asif recast Sanjeev Kumar in the lead role and resumed production. But in 1971, before the film could be completed, K. Asif passed away at the age of 48. The film was eventually shelved until filmmaker KC Bokadia revived the project with Rajesh Khanna in the lead. It was finally released in 1986, but failed to make an impact at the box office.
