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Metro In Dino box office Day 2: Anurag Basu's film shows solid Saturday growth

Metro In Dino box office Day 2: Anurag Basu's film shows solid Saturday growth

India Todaya day ago
Filmmaker Anurag Basu's 'Metro In Dino' is gradually picking up pace at the box office. After a modest opening, the film witnessed a surge in numbers and earned Rs 9.5 crore. Featuring a powerhouse ensemble cast including Sara Ali Khan, Aditya Roy Kapur, Neena Gupta, Anupam Kher, Konkona Sen Sharma, Pankaj Tripathi, and Ali Fazal, the romantic drama had opened with Rs 3.04 crore on Day 1.advertisementAs per early estimates, the film witnessed a solid jump on its first Saturday, earning Rs 6.33 crore. Saturday's performance improved steadily throughout the day. The Hindi 2D version recorded an average occupancy of 32.20 per cent, with a noticeable boost during the evening and night shows, which saw occupancy rise to nearly 39 per cent and 47 per cent, respectively.Watch the trailer here:
'Metro In Dino' opened to a strong start, marking a 300 per cent jump over Anurag Basu's 2007 sleeper hit 'Life In A Metro', which had debuted with just Rs 80 lakh. That earlier film gained traction through word-of-mouth and eventually amassed over Rs 24 crore at the domestic box office.So far, the multi-starrer seems to be finding its audience, slowly but surely. And in a crowded release window, that's often half the battle won.IndiaToday.in's review of 'Metro In Dino' reads, 'The film lets you feel. Every frame looks straight out of an art exhibition, and every song conveys something. This is cinema at its beautiful, honest best.'The film revolves around four couples navigating the ups and downs of love and commitment in different cities. It is the spiritual sequel to 'Life In A Metro' (2007), which was also directed by Basu.- EndsTrending Reel
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Dilip Kumar once spent an entire day in jail due to..., was nicknamed 'Gandhiwala' by...
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Dilip Kumar once spent an entire day in jail due to..., was nicknamed 'Gandhiwala' by...

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Prithviraj Kapoor, Madhubala and Dilip Kumar-starrer Mughal-e-Azam is remembered as a monumental film in the history of Hindi cinema — one that became a textbook in filmmaking for generations to come. The grandeur achieved in this magnum opus is still something that filmmakers continue to aspire to. But Mughal-e-Azam came into being solely because of the passion, patience, obsession, and a whole lot of madness of one man — filmmaker K Asif. To understand the magnitude of effort that went into Mughal-e-Azam, one must first know the backstory of K Asif and how he found his way into the Hindi film industry. Born in Etawah, Uttar Pradesh, Asif was brought to Mumbai at the age of 17 by his uncle, who opened a tailoring shop for him to earn a living. But Asif had ambitions far greater than being a tailor. His uncle noticed how Asif was more interested in charming female customers than focusing on the work at hand. Sensing his flair for drama and passion, he encouraged Asif to try his hand at filmmaking. In his early 20s, Asif directed Phool, which starred Prithviraj Kapoor in the lead role. The film became the fourth highest-grossing film of the year 1945. Mughal-e-Azam wasn't just another directorial venture for Asif — it was his ultimate passion project. The film would go on to consume his money, energy, peace of mind, and most significantly, 15 years of his life. He began shooting the film in the 1940s. In a conversation with The Print, filmmaker Karan Bali spoke about the massive scale of Asif's vision. He said, 'His films weren't just made; they were sculpted.' Bali explained that Asif would go to any length, regardless of cost, to achieve authenticity in his film. 'Whether it was importing glass from Belgium for Sheesh Mahal, commissioning special footwear from Agra, or having Dilip Kumar's wig made in England — no expense was spared,' he shared. 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