The 9 Best Books by the Mitford Sisters
If you've watched Outrageous and want to hear more from Nancy, Diana, Jessica, and Deborah—including the correspondence between them and those bookless sisters, Unity and Pamela—there's plenty to read. But where to begin? Here's T&C's short list.Perhaps the least scandalous of then Mitford sisters, Deborah (or 'Debo') would grow up to become the Duchess of Devonshire and the chatelaine of Chatsworth House, which she managed to change from being a crumbling country estate into a booming attraction for tourists, history buffs, and garden fiends. This memoir is among the most charming of those written by the Mitfords, and recounts her happy childhood, a loving marriage, and a gimlet eye towards the eccentricities of her family. It's thankfully not lacking in gossip or glamour, and is a fine entry point to newcomers to the Mitford memoir universe.
at amazon.comJessica 'Decca' Mitford ran away from home, heading to Spain with a second cousin she would marry. Later, she'd move to the U.S. and become a respected journalist and speaker as well as a devoted Communist. Her best known work, this deep dive into the American funeral industry was first published to wide acclaim—thanks to its sharp observations and unexpected humor—in 1963 and made Decca something of a literary star; this revised version includes additional intelligence and information from the decades after the book was first released.
at amazon.comBefore she became an expert in the big business of dying, Jessica Mitford wrote this memoir about growing up in her eccentric, exceptional family. The book is a charming and memorable recollection of the singular circumstances under which Mitford was raised, but also a great coming-of-age story on its own—who wouldn't admire a kid who kept a Running Away Fund hidden in her room and then actually used it?
at amazon.comDiana Mitford married one of the richest men in the U.K., then left him for a Fascist politician. She socialized with celebrities, heads of state, and royals, but spent more than three years in prison. She was a card carrying member of the Bright Young Things who later earned the title of 'The Most Hated Woman in Britain.' Why wouldn't you want to read her memoir?
at amazon.comIf there was anyone who was more talked about and ridiculed than Diana Mitford, it was Wallis Simpson. In this book, Mitford explores what made the Duchess of Windsor such a divisive character—and why her husband gave up the throne to be with her. The story benefits from Mitford's friendship with Simpson, but isn't a deification. Instead, it's a clear-eyed look at a woman whose love life made her a pariah, written by one of the only people who might understand that situation perfectly.
at amazon.comTwo of Nancy Mitford's most beloved books are packaged together in this volume. The Pursuit of Love tells the story of the fictional Radlett family—eerily similar to Mitfords own, the depictions here would haunt her relations for years after publication—through the eyes of a visiting cousin. Love in a Cold Climate has the same narrator but focuses on another aristocratic British family and their daughter's attempts to find love and her own place in a rapidly changing world. Both show off Mitford's stylish writing and offer an unforgettable glimpse into the world she inhabited.
at amazon.comNancy Mitford might be best known for her novels, but she was also an accomplished biographer. This book tells the story of Madame de Pompadour, the longtime mistress of the French king Louis VX who had incredible sway over France's politics and culture—and made plenty of enemies along the way. Mitford rethinks her subject's role and legacy, offering an informed and entertaining look at life in the royal court and what it took to have the kind of staying power Madame de Pompadour did.
at amazon.comAll six Mitford sisters contributed—unwittingly—to this book, which is a collection of the sharp, affectionate, funny, and revealing letters sent among them during their lifetimes. This peek into the private world of the women serves not only as a history of the 20th century, but also a rare look behind their public personas and into the complicated relationships they had with one another.
at amazon.comPlenty of what the Mitford sisters wrote (and said) about one another made for uncomfortable family interactions, but perhaps nothing more than Wigs on the Green, Nancy's satirical book—which was long out of print—that sends up the Fascist sympathies of upper class Brits, including her sisters Unity and Diana. Viewers of Outrageous will recognize the book as a plot point, and those yet to see the series will appreciate it for its astuteness and knowing commentary on the politics of early 20th century aristocrats.
at amazon.com
You Might Also Like
12 Weekend Getaway Spas For Every Type of Occasion
13 Beauty Tools to Up Your At-Home Facial Game
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
Woman who featured in This Morning abandoned baby appeal finally meets birth dad
A woman abandoned in a car park as a baby finally got some answers when the identity of her parents was uncovered by ITV's Long Lost Family: Born Without Trace. The series - which is presented by TV stars Davina McCall and Nicky Campbell – sees people trying to track down lost relatives. Sarah Meyer, 24, became the show's youngest searcher when she appeared in the episode on Wednesday, 2 July. She had been left when she was barely an hour old and at the time her story featured on ITV's This Morning, with former presenter Judy Finnigan issuing an appeal. Her parents never came forward but the Long Lost Family team managed to track them both down. In the episode, Meyer said she was hoping to find answers. "Why was I abandoned?" she asked. "I am hopeful that I will find something." She had been left in a car park in Surrey in 2001 when she was minutes old. She became known as the 'baby in Pink' because she had been wrapped up in a pink towel. A letter was later sent to police saying: "Please look after my little girl. I love her so much, but just can't cope with another baby." Meyer appeared on This Morning alongside police officer Wendy Whiting, with Finnigan telling viewers: "This little sprog here was abandoned in a multi-story car park. She was barely an hour old and weighing just 7lbs." While she was named Caroline at first, she ended up being adopted when she was three months old and was named Sarah. 'I was named Caroline after the nurse who looked after me, and Pembrooke after my car park,' Meyer said. 'It's like a little secret identity of mine. It's a part of my history, which is very important to me. Even with my name now, my middle name is Caroline.' Meyer was reunited with Whiting in the show, and thanked her for what she had done for her. Later she learned that the Long Lost Family team had tracked down her birth mother. It turned out that she had been in her late teens and that Meyer's birth father hadn't known that she existed. Long Lost Family fans urge show bosses to end 'spoilers' Long Lost Family viewers hail 'lovely young man' found by aunt Nicky Campbell says he's 'emotional mess' over Long Lost Family Her mother did not appear in the episode but Meyer was still pleased by the development. "It's good to hear that she's at least alive and is out there,' she said. 'It leaves the door open for her to come and meet me if she wants to. And I'll never close that door… I want her to see that I've lived a good life, and I want her to see that I'm not angry with her.' 'It's at her pace,' she added. However, there was more news when she was told the team had also found her birth father. He had a new partner and another daughter, and was keen to get to know her. He agreed to appear on the programme, although his identity was obscured to help protect her mother's identity. After learning of her dad and seeing a photo of him, Meyer said: "It's just, over the moon is what I am." Her father told host Campbell: "It is hard to process, very hard, that I didn't know about her, that I wasn't there. I should have been. "When I found out that she was abandoned in that car park it was very upsetting to know that my daughter was just left there in that situation. Anything could have happened to her." He and Meyer later had an emotional meeting, with the pair hugging as they saw each other for the first time. "It was a shock," he said of finding out she existed. "I just want to be there for you now." "You can be," Meyer replied.
Yahoo
3 hours ago
- Yahoo
Don't cry for Rachel Zegler! ‘Evita' star's big moment goes viral as first reviews praise her ‘enthralling' and ‘phenomenal' performance
Snow White may not have been the apple of audiences' eyes, but don't cry for Rachel Zegler. The West Side Story star has moved on and moved over across the pond where she's headlining a West End revival of Sir Andrew Lloyd Webber's Evita — the 1978 musical inspired by the and times of controversial Argentine politician Eva Perón. But you don't have to buy a ticket to watch Zegler sing the musical's showstopping number, "Don't Cry For Me Argentina." That particular tune is performed live every show from a London Palladium balcony that overlooks the streets below while the audience indoors watches it on a giant screen. It's an artistic choice that has earned some criticism from ticketholders, but has already made this Evita a viral social media phenomenon. More from Gold Derby Inside that surprise 'Ironheart' cameo - and how it could net the Marvel show an Emmy nod (spoilers) Why Rob McElhenney and the 'It's Always Sunny' gang didn't want Danny DeVito to join the record-setting sitcom (exclusive book excerpt) Evita's producers are reportedly already mulling a fast move to Broadway, where Zegler recently starred opposite Kit Connor in Romeo + Juliet, one of several star-powered shows to recoup their investment last season. (Not for nothing, but that Shakespeare classic also has a famous balcony scene.) They'll likely be further encouraged to make the cross-Atlantic trip courtesy of the first wave of largely positive reviews, which single out Zegler — and the balcony moment — for praise. Calling that performance "the biggest news to come out of the theatre world in years," Time Out London's Andrzej Lukowski writes: "The crowd are both Zegler's adoring public and in a brilliantly cynical stroke, they're also Evita's: the chance to see a star sing her song has essentially led to the public volunteering to serve as extras in the propaganda broadcast that we in the theatre are shown on a big screen." Meanwhile, The Independent's Alice Saville calls Zegler "enthralling" in both the balcony scene and the rest of the show. "Her voice has an emotive purity to it that captures the spoilt, childlike quality of the super-rich, too used to adoration to be able to contemplate life without it. Zegler beautifully portrays Evita as a natural performer who effortlessly acts her way out of small-town mediocrity, pretending to fall for men who can help her get gigs, then snapping out of it just as fast." Writing in The Guardian, Arifa Akbar is more measured in her praise, high-fiving Zegler as "phenomenal," but dinging director Jamie Lloyd for his stunt-heavy direction. "The narrative takes a backseat for this rock musical, which is almost entirely sung through, with what feels like thin connective tissue in its story," she notes. "There is an approximation to the characters as a whole, with very little focus on Perón's interiority." Variety's David Benedict is equally skeptical of Lloyd's rock show-style flourishes, writing: "With weapons-grade lighting and sound, this pulsating West End production is almost 'Evita – The Rock Concert,'" he remarks. "Newcomers, likely to be baffled, need to read a synopsis beforehand since detailed characterization and plot are wholly sacrificed to spectacle." One of the most positive reviews comes from Broadway veteran — and professional Broadway fan — Rosie O'Donnell, who posted her own rave on Instagram. "I am so moved I need a day to find the right words," the actor and past Tony host wrote of Zegler. "She is just unreal." Times Square crowds better prepare for plenty of foot traffic when Zegler starts belting "Don't Cry for Me Argentina" in the heart of Manhattan. Best of Gold Derby 'Maybe Happy Ending' star Darren Criss on his Tony nomination for playing a robot: 'Getting to do this is the true win' Who Needs a Tony to Reach EGOT? Sadie Sink on her character's 'emotional rage' in 'John Proctor Is the Villain' and her reaction to 'Stranger Things: The First Shadow' Click here to read the full article.
Yahoo
3 hours ago
- Yahoo
ABBA's Björn Ulvaeus Working on an AI-Assisted Musical
Having already found success with holograms, ABBA's Björn Ulvaeus has revealed that he's writing a musical with help from another cutting-edge (and controversial) technology, AI. 'It is such a great tool,' Ulvaeus said at The Future of Entertainment panel Wednesday at SXSW London. 'It's unimaginable that you can bounce back and forth with a machine, or a software, which can give you ideas to go in various different directions.' More from Rolling Stone Republicans Are Trying to Block My State From Regulating AI People Are Finding Spiritual Fulfillment in AI. Religious Scholars Have Thoughts AOC to Reintroduce Bill Combating Deepfake AI Porn While Ulvaeus didn't go too in detail about the musical, he said that his work on the project was three-quarters finished, and clarified that he was employing AI as 'another songwriter in the room' as opposed to letting the tech just formulate entire songs. 'A misconception is that AI can write a whole song. It's lousy at that — very bad. And thank God! It's very bad at lyrics as well. But it can give you ideas,' Ulvaeus said (via The Hollywood Reporter). 'You have written a lyric about something, and you're stuck maybe, and you want this song to be in a certain style. So you can prompt the lyric and the style you want, asking, 'Where would you go from here?' And it usually comes up with garbage, but sometimes there is something in it that gives you another idea. That's how it works.' Ulvaeus embrace of AI comes at a time when many of his musical peers are voicing their concern about the technology: In May, over 400 artists — including Elton John, Dua Lipa, Kate Bush, and Paul McCartney — signed a letter calling on British Prime Minister Keir Starmer to update U.K. copyright laws in the face of AI. This past December, artists, publishers, media companies and more banded together to form the Creative Rights in AI Coalition, which aims to keep the current copyright protections in place despite the U.K.'s continued courtship of AI technology. While ABBA released their album Voyage in 2021, the Swedish quartet's first LP in 40 years, Ulvaeus quipped that AI is incapable of writing an ABBA song — 'It says, 'No, we can't do that'' — but joked that, opposed to his longtime ABBA co-writer Benny Andersson, AI 'is quicker and does exactly what you tell it.' Best of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time