logo
Chris Russo reveals police were called on him during international travel meltdown: ‘What a disgrace!'

Chris Russo reveals police were called on him during international travel meltdown: ‘What a disgrace!'

New York Post12 hours ago
Everyone's got some nightmare travel stories, and for Chris Russo, he aired out his most recent disaster for more than 10 minutes straight during his 'What Are You Mad About?' segment of ESPN's 'First Take' on Wednesday.
The man known as 'Mad Dog' took a recent vacation to Europe, which included a few fiascos, including one in which he had police called on him while he threw a rage fit in London.
Russo's trip began with a JetBlue flight out of JFK en route to Edinburgh.
'You want to fly to Scranton, P.a.? Jet Blue is for you!' Russo yelled. 'You want to fly to something a little more elaborate like to freakin' Edinburgh? What a disgrace! They kept people on that plane 'til 1:44 in the morning and threw them the hell out of there!'
Russo was headed to Dornach, Scotland, for some father-son golfing.
Russo's son, Tim, had to go from Phoenix to Dallas to London to Inverness — and then drive to Dornach, Switzerland.
Tim's golf clubs got a bit lost in the shuffle.
'It took me two and a half hours to locate the clubs at Heathrow. They didn't know where they were!' Russo ranted. 'My son needs the golf clubs for crying out loud! Couldn't find them. We finally found the golf clubs. I had the ticket stub, I put Timmy on FaceTime. 'Timmy, will you tell the people here that the golf clubs are yours and your father, who paid for them, wants to take them out of the airport so I can get you your clubs the next day?' They wouldn't let me take the clubs out of Heathrow!
3 Chris Russo's trip began with a canceled flight.
First Take/ESPN
'So Timmy's clubs had to stay at Heathrow overnight and he didn't have his golf clubs on Saturday because British Airways…wouldn't give it to his father!' Russo continued.
'Here's their answer, 'It's protocol, sir.' I'm not interested in protocol! I'm interested in the 5 iron! I am not interested in that! And they called the police on me! I'm a loud American! 'We're gonna get the authorities.' I don't give a crap about authorities, get the golf clubs where they're supposed to be!'
3 Chris Russo's travels continued to get worse.
First Take/ESPN
3 Chris Russo ranted for more than 10 minutes about his international travel troubles.
First Take/ESPN
Russo managed to avoid any sort of arrest or detainment, playing his cards right when they arrived.
'Almost,' he said when asked if he got arrested. 'The cops came, I said, 'I'll be okay, calm down.''
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

JetBlue Airways Corp Enhances Checked Bag Tracking With New Mobile Features
JetBlue Airways Corp Enhances Checked Bag Tracking With New Mobile Features

Yahoo

time27 minutes ago

  • Yahoo

JetBlue Airways Corp Enhances Checked Bag Tracking With New Mobile Features

JetBlue Airways Corporation (NASDAQ:JBLU) is one of the best airline stocks to buy according to hedge funds. On June 23, the airline announced two significant enhancements to its baggage experience. The company has unveiled a new mobile app feature that provides real-time updates on the status of checked bags. Copyright: carlosyudica / 123RF Stock Photo The company also unveiled a new option that lets customers share the location of an Apple AirTag or Find My Network accessory placed inside checked luggage. The new capabilities are designed to give travellers greater visibility to their bags' journey and help expedite recovery in the rare event of delay or mishandling. 'As part of our JetForward strategy, we're focused on delivering the products and perks our customers want. This new in-app bag tracking feature, along with AirTag location sharing for baggage recovery, are designed to bring customers peace of mind when checking their bags with JetBlue,' said Carol Clements, JetBlue's Chief Digital and Technology Officer. The airline has already provided a mobile app via email for enhanced tracking of bags. The added visibility is designed to streamline the travel experience while also offering greater peace of mind. JetBlue Airways Corporation (NASDAQ:JBLU) is an airline company that provides air transportation services. It offers flights to various destinations, travel packages, car rentals, hotels, and vacation rentals. While we acknowledge the potential of JBLU as an investment, we believe certain AI stocks offer greater upside potential and carry less downside risk. If you're looking for an extremely undervalued AI stock that also stands to benefit significantly from Trump-era tariffs and the onshoring trend, see our free report on the best short-term AI stock. READ NEXT: Goldman Sachs REIT Stocks: Top 12 Stock Picks and Goldman Sachs Healthcare Stocks: Top 10 Stock Picks. Disclosure: None. This article is originally published at Insider Monkey.

Zalando Brought Tommy Hilfiger To Berlin
Zalando Brought Tommy Hilfiger To Berlin

Hypebeast

timean hour ago

  • Hypebeast

Zalando Brought Tommy Hilfiger To Berlin

To celebrate the European premiere ofF1® The MovieandTommy Hilfiger's legacy within the sport,Zalandobrought the brand to Berlin for a day of activations. With Tommy Hilfiger's connection to the sport going back to 1991, when it became the official clothing sponsor for Team Lotus, the legacy now continues through sponsoring the film which stars global brand ambassadorDamson Idris. And, as one of Tommy Hilfiger's key retail partner in the continent, Zalando hosted an intimate event celebrating the classic American label. The day kicked off with a panel talk at Zalando HQ, hosted by Shoshannah Richards and featuring Tommy Hilfiger, Zalando co-founder David Schneider, and members of the Tommy family Leni Klum, Lucien Laviscount and Noel Robinson. The conversation provided rich insight into the label, the fashion landscape, and the influence of a new generation on future trends. After the talk, the party continued to one of the city's oldest restaurants, Borchardt, where guests were invited to explore an archival exhibition showcasing '40 years of American style.' FromAaliyah's iconic '90s two-piece set,Snoop Dogg's striped rugby shirt as well as Damson Idris' racing suit fromF1® The Movie— attendees got an up-close look at the styles that defined the brand. The evening closed with a line-up of live music headlined by Berlin-based vocal ensemble A Song For You, before DJ sets from Zalando's community led into the late hours. See what went down at the Tommy Hilfiger x Zalando event in the video above. For more information and to shop latest styles, visit the retailer'swebsite.

System of a Down's Daron Malakian strikes familiar, violent chords on new Scars on Broadway album
System of a Down's Daron Malakian strikes familiar, violent chords on new Scars on Broadway album

Yahoo

timean hour ago

  • Yahoo

System of a Down's Daron Malakian strikes familiar, violent chords on new Scars on Broadway album

Fans of System of a Down desperately hoping the Armenian American alt-metal band will one day release a full-length follow-up to their chart-topping 2005 companion albums "Mezmerize" and "Hypnotize" can at least seek some solace in the latest offering from band co-founder Daron Malakian. "Addicted to the Violence," the third album from his solo project Daron Malakian and Scars on Broadway, may lack System frontman Serj Tankian's mellifluous singing, iconoclastic rants and feral screams, but its eclectic structure, melodic earworms, fetching vocal harmonies and poignant themes are sonically and structurally similar to System of a Down — and with good reason. 'All of my songs can work for either Scars or System because they come from my style and have my signature,' Malakian says from his home in Glendale. 'When I wrote for System, I didn't bring guitar riffs to the band. Like with [System's 2002 breakthrough single] 'Aerials.' That was a complete song. I wrote it from beginning to end before I showed it to them.' Malakian — who tackled vocals, guitar and bass — assembled "Addicted to the Violence" (out Friday) during the last five years, using songs he'd written over roughly two decades. The oldest track, 'Satan Hussein,' which starts with a rapid-fire guitar line and features a serrated verse and a storming chorus, dates to the early 2000s, when System's second album, "Toxicity," was rocketing toward six-times platinum status (which it achieved nine months after release). With Scars, Malakian isn't chasing ghosts and he's not tied to a schedule. He's more interested in spontaneity than continuity, and artistry takes precedence over cohesion. None of the tracks on the band's sporadically released three albums — 2008's self-titled debut, 2018's "Dictator," and "Addicted to the Violence"— follow a linear or chronological path. Instead, each includes an eclectic variety of songs chosen almost at random. 'It's almost like I spin the wheel and wherever the arrow lands, that's where I start,' he explains. 'I end up with a bunch of songs from different periods in my life that come from different moods. It's totally selfish. Everything starts as something I write for myself and play for myself. I never listen to something I've done and say, 'Oh, everybody's gonna love this.' For me, a song is more like my new toy. At some point, I finish playing with it and I go, 'OK, I'm ready to share this with other kids now.'' Whether by happenstance or subconscious inspiration, "Addicted to the Violence" is a turbulent, inadvertently prescient album for unstable times — a barbed, off-kilter amalgam of metal, alt-rock, pop, Cali-punk, prog, Mediterranean folk, alt-country and psychedelia — sometimes within the same song. Lyrically, Malakian addresses school shootings, authoritarianism, media manipulation, infidelity, addiction and stream-of-consciousness ramblings as dizzying as an hour of random, rapid-fire channel surfing. Is writing music your way of making sense out of a nonsensical world? I like to think of it as bringing worlds together that, in other cases, may not belong together. But when they come out through me, they mutate and turn into this thing that makes sense. In that way, music is like my therapist. Even if I write a song and nobody ever hears it, it's healthy for me to make and it helps me work stuff out. When I write a song, sometimes it affects me deeply and I'll cry or I'll get hyped up and excited. It's almost like I'm communicating with somebody, but I'm not talking to anyone. It's just me in this intimate moment. Is it strange to take these personal, intimate and therapeutic moments and turn them into songs that go out for the masses to interpret and absorb? I want people to make up their own meanings for the songs, even if they're completely different than mine. I don't even like to talk about what inspired the songs because it doesn't matter. No one needs to know what I was thinking because they don't know my life. They don't know me. They know the guy on stage, but they don't know the personal struggles I've been through and they don't need to. Was there anything about "Addicted to the Violence" that you wanted to do differently than "Dictator"? Different songs on the album have synthesizer and that's a color I've never used before in System or Scars. Every painting you make shouldn't have the same colors. Sometimes I'm like, "Will that work with the rest of the songs? That color is really different." But I'm not afraid to use it. [Warning: Video includes profanity.] 'Shame Game' has a psychedelic vibe that's kinda like a hybrid of Strawberry Alarm Clock and Blue Oyster Cult, while the title track has a prog rock vibe redolent of Styx, Rush and Mars Volta. I love all that stuff. I spend more time listening to music than playing guitar. It's how I practice music. I take in these inspirations and it all comes out later when I write without me realizing it. In 2020, System released the songs 'Protect the Land' and 'Genocidal Humanoidz,' which you originally planned to use for Scars on Broadway. At that time, I hadn't recorded 'Genocidal Humanoidz' yet, but I had finished 'Protect the Land,' and my vocals on the song are the tracks I was going to use for my album. Serj just came in and sang his parts over it. Why did you offer those songs to System when every time you tried to work on an album with them after 2010, you hit a creative impasse? Because [the second Nagorno-Karabakh War] was going on in Artsakh at that time between [the Armenian breakaway state Artsakh and Azerbaijan], and we decided we needed to say something. We all got on the phone and I said, 'Hey, I got this song 'Protect the Land,' and it's about this exact topic.' So, I pulled it off the Scars record and shared it with System. You released the eponymous Scars on Broadway album in 2008, almost exactly two years after System went on a four-year hiatus. Did you form Scars out of a need to stay creative? At the time, I knew that if I wanted to keep releasing music, I needed a new outlet, so Scars was something that had to happen or I would have just been sitting around all these years and nobody would have heard from me. You played a few shows with Scars before your first album came out in 2008, but you abruptly canceled the supporting tour and only released one more Scars song before 2018. That was a really strange time. I wanted to move forward with my music, but we had worked so hard to get to the point we got to in System, and not everyone was in the same boat when it came to how we wanted to move forward. I just wasn't ready to do a tour with Scars. Was it like trying to start a new relationship after a bad breakup? I might have rushed into that second marriage too quick. I had [System drummer] John [Dolmayan] playing with me, and I think that was [a sign that] I was still holding onto System of a Down. That created a lot of anxiety. A few years later, you announced that you were working on a new Scars album and planned to release it in 2013. Why did it take until 2018 for you to put out "Dictator"? I was writing songs and thinking they were amazing, but in my head I was conflicted about where the songs were going to go. "Should I take them to Scars? Is that premature? Would System want to do something with them?" I underwent this constant struggle because Serj and I always had this creative disagreement. I finally moved past that and did the second album, but it took a while. System of a Down played nine concerts in South America this spring, and you have six stadium gigs scheduled in North America for August and September. Is there any chance a new System album will follow? I'm not so sure I even want to make another System of a Down record at this point in my life. I'm getting along with the guys really well right now. Serj and I love each other and we enjoy being onstage together. So, maybe it's best for us to keep playing concerts as System and doing our own things outside of that. The cover art for "Addicted to the Violence" — a silhouette of a woman against a blood-red background holding an oversize bullet over her head, and standing in front of a row of opium poppies — is the work of your father, Iraqi-born artist Vartan Malakian. Was he a major inspiration for you? My approach to art and everything I know about it comes from my dad, and the way we approach what we do is very similar. We both do it for ourselves. He has never promoted himself or done an art exhibition. The only things most people have seen from him are the album covers. But ever since I was born, he was doing art in the house, and he's never cared if anyone was looking at it. Do you seek his approval? No, I don't. He usually is very supportive of what I do, but my dad's a complicated guy. I admire him a lot and wish I could even be half of the artist that he is. And if he and my mom didn't move to this country, I would not have been in System of a Down. I would have ended up as a soldier during Desert Storm and the Second Gulf War. That's my alternative life. It's crazy. Have you been to Iraq? When I was 14 years old, I went there for two months to visit relatives and it was a complete culture shock. I'm a kid that grew up in Hollywood, and I went to Baghdad wearing a Metallica shirt and I was a total smart aleck. Everywhere we went, I saw pictures and statues of Saddam Hussein. I turned to my cousin and said, 'What if I walked up to one of the statues and said, 'Hey Saddam, go f— yourself?'' Just me saying that made him nervous and scared. Talking like that was seriously dangerous and I had no idea. That was a definite learning experience of what I could have been. And it inspired me later to write 'Satan Hussein.' You had a glimpse of life under an authoritarian regime. Do you have strong feelings about the Trump administration and the way the president has, at times, acted like a dictator? I don't hate the guy and I don't love the guy. I'm not on the right, I'm not on the left. There are some things both sides do that I agree with, but I don't talk about that stuff in interviews because when it comes to politics, I'm not on a team. I don't like the division in this country, and I think if you're too far right or you're too far left, you end up in the same place. Is "Addicted to the Violence," and especially the song 'Killing Spree,' a commentary on political violence in our country? Not just political violence, it's all violence. 'Killing Spree' is ridiculous. It's heavy. It's dark. But if you listen to the way I sing, there is an absolutely absurd delivery, almost like I'm having fun with it. I'm not celebrating the violence, but the delivery is done the way a crazy person would celebrate it. So, it's from the viewpoint of a killer, the viewpoint of a victim, and my own viewpoint. I saw a video on social media of these kids standing around in the street, and one of them gets wiped out by the back end of a car and flies into the air. These kids are recording it and some of them are laughing like's it's funny. I don't want to say that's right or wrong, but from what I'm seeing, a lot of people have become desensitized to violence. You're releasing "Addicted to the Violence" about six weeks before the final six System of a Down dates of 2025. Have you figured out how to compartmentalize what you do with System of a Down and Scars on Broadway? There was a time that I couldn't juggle the two very well, but now I feel more confident and very comfortable with where System and Scars are. I love playing with System, and I want to do more shows with Scars. I couldn't tell you how either band will evolve. Only time will tell what happens and I'm fine with that as long as it happens in a natural way. Everything we've experienced has brought us to where we are now. And now is all we've got because the past is gone and the future isn't here yet. So, the most important thing is the present. Get notified when the biggest stories in Hollywood, culture and entertainment go live. Sign up for L.A. Times entertainment alerts. This story originally appeared in Los Angeles Times.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store