
Major tax reform probably 'a bridge too far': CBA
At the same time Luke Yeaman has urged Treasurer Jim Chalmers to consider increasing means testing to raise more revenue.
Mr Yeaman, the former deputy Treasury secretary under Dr Chalmers who now leads the Commonwealth Bank's economics team, said a "grand bargain" between the federal and state governments on tax reform was unlikely, at least in the short term.
While the government could find some joy in improving areas like housing and energy infrastructure approvals and capital gains tax, large-scale reform around areas like the GST would likely prove too difficult.
"There's no doubt that Australia needs a bolder reform agenda," Mr Yeaman said as he released CBA's economics update for the 2026 financial year on Wednesday.
"We've had a successful economy, steady growth that has led to a feeling of complacency in the system."
With Labor holding a large majority in parliament and Labor governments in most states, expectations will be high for the government to deliver something substantial a the August roundtable, he said.
But given fiscal challenges faced by all levels of government and Dr Chalmers's requirement that reforms be at least budget neutral will likely make large-scale reform around GST "a bridge too far" in the short term, although it could lay the groundwork for reform down the track.
Governments have typically needed to "buy" reform by spending extra to compensate people who are made worse off.
Increasing means-testing on major spending programs should therefore be revisited to achieve the government's aims of fixing the budget deficit and help fund tax cuts elsewhere to boost work incentives and abolish inefficient taxes such as stamp duty and payroll tax.
Large outlays in recent years on energy rebates and Medicare spending have typically benefited everyone, even high-income earners with more capacity to pay.
"So I think there's an opportunity to look at some of the key spending programs and whether you can drive more means testing and user contributions through that," Mr Yeaman said.
Another potential area for reform was around planning and zoning, where Mr Yeaman said he saw a real appetite for change.
Senior government figures, including Housing Minister Clare O'Neil and Assistant Minister for Productivity Andrew Leigh, have called to slash red tape slowing approvals for important projects like residential construction and clean energy generation.
"If the government wants to achieve its goals in infrastructure, housing, net zero and future industries - without that, I don't think you'll achieve those objectives," Mr Yeaman said.
"I think there's been too much focus on new regulation to protect and manage risk. There's an opportunity to rebalance that towards a more growth-focused agenda on regulation."
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Bush, until Senate question time two days later when the Coalition's then-shadow arts minster Claire Chandler rose to her feet. By all accounts, Chandler's questions sparked panic. Soon after, around 3pm, the CEO, chair and head of public affairs held a call with Creative Australia's external communications advisers, who concluded the negative media narrative around the artist and his prior artworks posed a significant risk to the reputation of Creative Australia if the stories continued to run. Burke then called Adrian Collette at 3.30pm asking why he was not alerted to the contentious artwork. He later insisted he did not demand Sabsabi's head. The report found that the minister's statement was consistent with the information received by the panel during its review. Loading Collette later recalled in testimony to Senate estimates: 'We anticipate always that the selection of the Venice artist will be controversial. It has been from time immemorial. 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She resigned the next day. Officially, the board said it acted to avoid the unacceptable risk to public support for Australia's artistic community of a 'prolonged and divisive debate'. The panel found the board felt compelled by 'a strongly negative narrative [that] was expected in the media around the artworks and the artist, and the decision to select the artist had become a matter of political debate'. Another factor that may have been weighing on some board members was the potential for the controversy to be used as a battering ram to reduce the funding and independence of Creative Australia. With an election imminent, Creative Australia faced an existential threat from cuts, real or imagined, as conservatives made every noise they would follow the playbook of Donald Trump in stirring up the culture wars. Notably, it is in a more benign political environment with Labor securing a thumping majority that Sabsabi and Dagostino have now been reinstated. 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