Netflix's Gabby Petito series lays bare hidden patterns of domestic violence
Gabby Petito caught the nation's interest in 2021 when she went missing while on a cross-country van trip with fiancé Brian Laundrie.
After an extensive search, the 22-year-old woman's body was discovered near a camp ground in Wyoming, and a medical examiner ruled that she had been strangled.
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Laundrie, 23, also went missing, after he returned alone to his parents' home in Florida. His body, along with a written confession that he had killed Petito, was found in a park, and his death was ruled a suicide.
Now, a new Netflix documentary series, "American Murder: Gabby Petito," uses text messages, social media videos and interviews with family members to weave a vital narrative about domestic violence.
One thing the documentary does well is to dispel myths about abusers. It also highlights the primary element of abuse − coercive control.
One myth is that abusers are always violent from the start. That might be true in some cases, but often it's the opposite. The abuser conceals red flags early in the relationship, but abusive language, domineering control and physical violence creep in over time.
In the documentary, Laundrie initially seems like a regular guy. While I did sense that something was off about him early in the series, he doesn't appear to be violent. If anything, he comes across as quiet and insecure.
He charms Petito, and the two engage in a whirlwind romance. It's common for abusers to quickly push a new relationship to the next level, so a victim is emotionally entangled before abusive behavior fully emerges.
That doesn't mean that every romantic partnership that moves quickly involves abuse. But almost all abusive relationships move rapidly through the initial stages of getting to know someone as a person and as a romantic partner.
Physical violence rarely happens early in a relationship, but elements of emotional abuse often begin right away, as we see in the documentary.
Like most abusers, Laundrie shows several signs of controlling behavior, although they're subtle enough that I can see where Petito and her family missed them. The documentary shows text messages in which he complained about her work and the time she spent away from him, including with friends. He called her names in some messages and appeared jealous of her at times.
But the two would quickly make up, and it's clear that Petito wanted to make the relationship work. That's another common factor in abusive relationships − the victim is emotionally invested enough to overlook the early signs of destructive behavior.
Laundrie quickly starts to isolate Petito, which is another common tactic. While she was onboard with their decision to drive across the country in a converted van, the trip also worked to separate Petito from her support system. The couple also were often without cell service while traversing Utah, which created a ripe opportunity for an abuser to take advantage of his victim.
I first paid attention to the Petito case when police bodycam video was released in 2021. Scenes from that video are shown in the documentary, but they're presented with text messages and journal entries that provide context about what had happened and would happen in the relationship before and after the encounter with police.
With that context, the video, recorded less than a month before Petito was reported missing, is nauseating and shows a classic example of an abusive dynamic in a relationship.
After receiving a 911 call about a potential domestic violence incident, police in Moab, Utah, confronted the couple. The caller described seeing Laundrie slap Petito, but the police focused on scratches on his face. Although Petito is crying, it's Laundrie who claimed that she slapped him.
Police separated the couple to speak to each separately. When an officer asked Petito why she was crying, she blamed herself: "We've just been fighting this morning. Some personal issues."
The couple told officers the same story − they were arguing and both became violent. But their body language told a different story. While Petito struggled to calm down, Laundrie was relaxed, almost charismatic, as he joked with officers. He seems chummy with the police, even though his fiancée was distraught.
Incredibly, the police bought the story. 'You're the victim of a domestic assault,' one officer told Laundrie.
They sent him to a hotel for the night for refuge, and Petito was left alone on the road in the van.
The scene is infuriating, not only because of what happened to Petito but also because the police overlooked a common dynamic in abusive relationships. Abusers crave control, and they maintain it by turning the tables on their victims to keep them disoriented and confused.
Abusers are able to gaslight their victims and others into thinking they are charming and kind. They're not abusive, their partners are. Abusers play the victim often and well, cycling from bully to supposed victim with ease.
Abusers are often so good at this, they can fool therapists and police − the very people victims look to for help.
Petito's story is heartbreaking, but it can help people understand just how common it is for women to suffer violence and abuse. The World Health Organization reports that globally, 1 in 3 women experience physical or sexual violence in their lifetimes.
After her death, Petito's parents started the Gabby Petito Foundation to help people learn about the cycles and signs of abuse. The foundation offers training programs and other resources on domestic violence. Online resources that allow victims to search in private are key to helping them learn the signs of an abusive relationship and how to escape.
Policy changes also can help. Thanks in part to the public support of Petito's parents, Utah Gov. Spencer Cox in 2023 signed a law that requires police responding to a report of domestic violence to ask specific questions to determine if a person is at risk of being hurt or killed by their partner. Every state should adopt such a measure.
Yet, the best way to stop abusers is for women but especially men to stand in the gap, to force a spotlight on this insidious behavior and to demand that it stop.
The Netflix documentary ends with scenes from the only video that Petito uploaded to her vlogging channel. She is shown running along a beach on a sunny day. She is young, pretty and carefree. Her whole life appears to be ahead of her.
We know, of course, that her life would end far too soon. She became a victim of a violent abuser, another life cut short by the evil of domestic violence.
Nicole Russell is a columnist at USA TODAY and a mother of four who lives in Texas. Contact her at nrussell@gannett.com and follow her on X, formerly Twitter: @russell_nm. Sign up for her weekly newsletter, The Right Track, here.
This article originally appeared on USA TODAY: Gabby Petito documentary reveals domestic abuser in action | Opinion

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New York Post
a day ago
- New York Post
Amy Bradley case hinges on ‘somebody remembering' as investigators hunt for new leads 27 years later: expert
The disappearance of a recent college graduate from her cruise ship stateroom nearly 27 years ago continues to baffle investigators as a new documentary hopes to breathe fresh air into the search for a woman who seemingly vanished into thin air. In March 1998, Amy Bradley embarked on a Royal Caribbean International cruise with her family for a seven-day trip to the tropics. The 23-year-old had recently graduated from college and was preparing to pursue a master's degree in sports psychology. Her story is now being revisited in the new three-part Netflix documentary series, titled 'Amy Bradley Is Missing.' On the evening before her disappearance, Bradley joined her brother Brad at the Rhapsody of the Seas nightclub, where the pair remained until the early morning hours of March 24. Bradley's father, Ron, last recalled seeing his daughter asleep on the cabin's balcony. Bradley vanished about a half an hour later, as the ship was preparing to dock in Curaçao. 5 An image of Amy Bradley. Courtesy of Netflix An extensive search for the recent college graduate ensued, but authorities were unable to locate Bradley. The vessel continued its scheduled stops and ultimately returned to Puerto Rico four days later. Countless rumors swirled around what happened to Bradley, including theories that she had fallen overboard and drowned, or that she had intentionally jumped to take her own life. Her parents, however, have never wavered from their belief that their daughter was kidnapped and could still be alive, according to the documentary. As the investigation into Bradley's death remained ongoing, Netherlands Antilles Coast Guard Lt. Sjoerd Soethout told reporters she could have fallen from the ship's balcony, The Associated Press reported. At the time, an FBI spokesperson said authorities had 'no evidence of foul play,' with the case ultimately running cold. 'There is decidedly little evidence of a fall or push, nor would there be,' Peter Valentin, chair of the Forensic Science Department at the University of New Haven and a former Connecticut State Police detective, told Fox News Digital. 'There would be next to no evidence unless there would be a struggle prior to the push.' One year after Bradley's death, her parents filed two lawsuits against Royal Caribbean. The family claimed the cruise line acted negligently in the handling of their daughter's disappearance, with Royal Caribbean releasing a statement at the time insisting they acted 'appropriately and responsibly at all times.' 5 In March 1998, Amy Bradley embarked on a Royal Caribbean International cruise with her family for a seven-day trip to the tropics. Courtesy of Netflix The lawsuits were subsequently dismissed in 2000. Royal Caribbean did not immediately respond to Fox News Digital's request for comment. 'The room was cleaned before the FBI agents had access,' Valentin said. 'Whether they realized it or not, they de-emphasized the value of physical evidence in that room.' Years later, Bradley's family received a set of sexually explicit images of a woman from an adult website based in the Caribbean from an anonymous tipster, further solidifying her family's fears surrounding her being forced into sex trafficking. In the photos, the woman, identified as 'Jas,' posed provocatively while deliberately covering any identifiable markings, such as Bradley's tattoo of a Tasmanian Devil spinning a basketball. Investigators were also informed of alleged sightings of Bradley. 5 On the evening before her disappearance, Bradley joined her brother Brad at the Rhapsody of the Seas nightclub. Courtesy of Netflix Tourist Judy Maurer told the documentary that she witnessed a woman she believed to be Bradley while in a restroom in Barbados, before three men allegedly escorted the woman away. David Carmichael also told filmmakers he may have seen Bradley while visiting Curaçao, adding that she was 'flanked by two people.' Another Curaçao sighting was reported by Navy veteran Bill Hefner, who believes he saw a distressed Bradley at a local bar. However, Valentin is skeptical of the potential sightings. 'Eyewitnesses can become very convinced of what it is they say they saw, even though the forensic evidence makes it quite clear that they could not have seen what they said they saw,' Valentin told Fox News Digital. The former investigator added that the reported eyewitness accounts of Bradley should be compared to look for similarities. 'Combine it with other forensic techniques and electronic evidence and it certainly suggests that investigative efforts should be focusing on a particular area,' Valentin said. 5 Bradley's father, Ron, last recalled seeing his daughter asleep on the cabin's balcony. Courtesy of Netflix Additionally, investigators previously looked into Alastair 'Yellow' Douglas, a member of the ship's band who Bradley was seen dancing with hours before her disappearance. Valentin points to roadblocks facing authorities regarding the lack of electronic evidence at the time of Bradley's disappearance. 'Any connection between that musician and Bradley, however fleeting it might be, could be explored through the electronic evidence,' Valentin said. 'So this really is a generational leap in terms of what we're capable of doing now with electronic evidence.' Throughout the years, Douglas has vehemently denied any involvement in Bradley's disappearance. While questions still swirl surrounding how Bradley vanished from her stateroom within such a short timeframe, Valentin highlights a potential point of interest in answering what happened to the young woman. 'I would have been very keen to know if she was missing a pair of shoes, or did she take her shoes with her?' Valentin asked. 'If all the shoes are accounted for, that's an interesting observation because that actually makes it a little less likely for some of the scenarios that were discussed about her leaving on her own accord.' 5 At the time, an FBI spokesperson said authorities had 'no evidence of foul play,' with the case ultimately running cold. Courtesy of Netflix In 2017, the FBI previously released age-progressing images of Bradley with the hopes of igniting new leads within the search. Despite the numerous leads, authorities have never charged anyone with a crime relating to Bradley's disappearance. Valentin suggests the passage of time since Bradley's disappearance could encourage anyone with information to speak up. 'This case is one that I think is probably going to hinge on somebody remembering that they know something,' Valentin said. 'Because of this case reemerging in the public eye.' Anyone who believes they have information pertaining to Bradley's disappearance is asked to contact their local FBI office or the nearest American embassy or consulate. 'Amy Bradley Is Missing' is now streaming. Fox News Digital's Stephanie Nolasco and The Associated Press contributed to this report.
Yahoo
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When you buy through links on our articles, Future and its syndication partners may earn a commission. Netflix just dropped the first trailer for 'Two Graves,' a new Spanish crime thriller series directed by Goya Award-winning filmmaker Kike Maíllo. The story follows a grandmother's frantic search for her missing granddaughter and her friend, who vanished mysteriously two years earlier. What starts as a quest for answers quickly spirals into a relentless pursuit of revenge. 'Two Graves' is set to premiere on Netflix on August 29, and judging by the trailer, it looks pretty brutal. The trailer introduces Isabel (Kiti Mánver), the grandmother of one of the missing girls, who, with nothing left to lose, takes justice into her own hands and launches an off-the-books investigation. We also meet Rafael (Álvaro Morte), the father of the other girl who went missing alongside Isabel's granddaughter. In the trailer, Isabel confronts him directly, accusing him of knowing more than he's letting on. He simply responds with: 'I owe my daughter this revenge.' This is a clear signal that the story will shift from a slow-burn mystery into full-blown revenge thriller territory. The rest of the footage is pretty brutal at times. Quick flashes show Isabel smashing someone's knee with a hammer in a desperate attempt to extract information, and another scene depicts someone being crushed under the weight of a car. It's gritty, violent, and clear that neither character is holding back anymore. 'Two Graves' on Netflix — what we know right now Along with the first trailer, we also got an official synopsis: 'Two years after the disappearance of Verónica and Marta, two 16-year-old friends, the investigation is declared closed due to lack of evidence and suspects. 'The grandmother of one of the two girls, Isabel, who has nothing to lose, decides to carry out an investigation beyond the law. Isabel will do whatever it takes to uncover the truth about what happened that night and what begins as the search for a culprit, soon becomes a story of revenge.' The rest of the cast includes Hovik Keuchkerian, Nadia Vilaplana, Joan Solé, Zoe Arnao, Nonna Cardoner, Carlos Scholz, and Salva Reina. 'Two Graves' was created by Agustín Martínez and helmed by director Kike Maíllo. With a track record of emotionally gripping and visually compelling movies, Maíllo's distinctive style will likely be instantly recognizable in this upcoming series. He first gained major recognition with 'Eva,' a sci-fi thriller that won him the Goya Award for Best New Director. His subsequent works, such as 'Toro' and 'A Perfect Enemy' show his versatility in crafting tension-filled narratives across genres. Martínez is a celebrated Spanish novelist and screenwriter, best known for crime dramas like 'Monteperdido.' When creating 'Two Graves,' he told Netflix: 'Two Graves is a revenge story led by a character rarely seen at the heart of fiction, someone who could only find her place on a platform like Netflix: a grandmother willing to do whatever it takes to seek justice for the loss of her granddaughter. 'A thriller full of emotion and unexpected twists, brought to life by Kiti Mánver, Álvaro Morte and Hovik Keuchkerian, characters I truly enjoyed writing.' Even though 'Two Graves' isn't officially labeled as a revenge thriller, the trailer definitely leans into that concept with its brutal scenes. Even the shot of Isabel casually wiping blood off her piano made me chuckle (in a good way). But what makes the series stand out isn't some lone, haunted antihero like John Wick. Instead, we get a grandmother and a father, both fiercely determined to seek justice… the bloody way. It's a refreshing twist to say the least. 'Two Graves' looks like it could be a gripping ride packed into just three episodes. If stories about grief turning into a violent reckoning are your kind of thrill, this crime thriller series belongs on your watchlist. You can stream 'Two Graves' on Netflix starting August 29. Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button. More from Tom's Guide All the new movies and shows on Netflix in August 2025 Netflix added a movie that's like 'Dead Poets Society' but with a penguin Netflix's new action-thriller series is a relentlessly gripping ride


Fox News
2 days ago
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Joe Berlinger wanted to understand how one man who seemingly came from a loving home went on to terrorize New York City. The Oscar-nominated director has launched a new true-crime docuseries on Netflix, "Conversations with a Killer: The Son of Sam Tapes." It features newly unearthed audio interviews between David Berkowitz and crime reporter Jack Jones, which took place in 1980 at Attica Correctional Facility. The three-part series also highlights a phone conversation Berlinger had with Berkowitz, 72, who is serving multiple life sentences for his murders. "David Berkowitz is very different from other serial killers," the filmmaker told Fox News Digital. "He wanted no human contact. He didn't want to know his victims. There's an anecdote about a snowstorm when he had a gun in his pocket. He came upon some people stuck in the snow, and he decided he'd rather be a hero than a killer, because he had a human interaction with those people. He is more about rage and alienation and having to express that rage." "I liken him to the school shooters of today rather than the sexual sadistic killer that most of these other serial killers are," Berlinger shared. "Serial killers, particularly Ted Bundy, John Wayne Gacy and Jeffrey Dahmer, needed to be intimate with their victims. Bundy and Gacy, in particular, got sexual gratification out of killing somebody and watching them die in their hands. Dahmer took that intimacy to the next level by consuming body parts. . . . But with Berkowitz, he needed to satisfy his rage." In the mid-1970s, Berkowitz, a postal employee, plunged the city into fear with a series of shootings using a .44-caliber revolver that killed six people and wounded seven. He appeared to target young women with long brown hair and couples canoodling in a lover's lane. The New York Police Department formed a 200-person task force to hunt down the killer, The Associated Press reported. Frightened women began cutting their hair short and dyeing it blonde, while many others rushed home before nightfall. He went on to send taunting letters to the police and the press, where he called himself the "Son of Sam" and claimed that a demonic-obsessed dog belonging to his neighbor had ordered him to kill. Berkowitz's reign of terror came to an end when he was arrested on Aug. 10, 1977. According to Berlinger, more newspapers were sold for the "Son of Sam" being caught than for the assassination of President John F. Kennedy. Berlinger said he wanted the film to also address rumors about the slayings that have persisted for decades. "There's still this belief that there were multiple Sons of Sams," Berlinger explained. "There's this conspiracy theory that there were multiple shooters, and they all belonged to a satanic cult. . . . It's preposterous. . . . It just further spurred me on to want to tell a clear-eyed, factual story about what happened. And just from a common-sense standpoint, the shootings stopped after Berkowitz was arrested. If there was a nationwide satanic cult, why weren't there more killings?" "There's just no forensic evidence to support that theory," Berlinger stressed. According to the docuseries, Berkowitz was brought up by Jewish parents in the Bronx. He was traumatized by both the startling revelation that he was adopted and the death of his adoptive mother from cancer. In 1971, he joined the army, and he distinguished himself as a talented marksman, reported. But after returning to New York, his mental health began to deteriorate severely. He was later diagnosed as a paranoid schizophrenic. "I think it's a slippery slope to blame it on a bad childhood," Berlinger pointed out. "He had a good childhood by all accounts. He was just shocked that he was adopted. I had a rough childhood, and I'm the opposite of somebody walking around with a lot of rage and wanting to do terrible things." "Some people go through horrible experiences early in life and end up stronger and better," said Berlinger. "Others … end up doing terrible things. [What we do know is] that Berkowitz felt alienated and disconnected to the degree that he had to satisfy his rage." Berlinger admitted that at first, he was hesitant to speak with Berkowitz. WATCH: TED BUNDY'S EX-GIRLFRIEND INSPIRES HAUNTING NETFLIX BIOPIC ON THEIR ROMANCE: 'HE WAS A MASTER MANIPULATOR' "I debated whether it was appropriate to include his present-day thoughts, because it broke with the former," he explained, referring to his previous documentaries. "People are very sensitive about giving a platform to a serial killer. But … you are dissecting human behavior as a cautionary tale." Berlinger described Berkowitz as "disarming," someone eager to please and "wants to say all the right things." Still, it took some convincing for Berkowitz to speak out for the docuseries. And when he did during their phone conversation, there was one comment that Berlinger said took him aback. "It wasn't his final comment in the interview, but it's the final comment in the show," said Berlinger. "His chilling admonition to the younger David Berkowitz to just run and get help, meaning run from that horrible decision to get a gun and kill people randomly. I felt it was just so chilling, because it could have been so different for him." "The deeply sick, psychological disturbances of these other killers who liked looking into the eyes of their victims as they were expiring or eating body parts … it exists, but I don't think it's common," Berlinger continued. "But I do think youthful young men feeling disconnected, feeling rage, feeling unfulfilled - that's not uncommon in our society right now. I found that comment so chilling because it could have been so different had he just gotten help. I think with these school shootings, for example, there were so many signs where, if people had gotten help, maybe the outcomes would've been different." "… I think we have an epidemic of [poor] mental health in this country," said Berlinger. "I think young people, particularly young men – a lot of young men – feel alienated and lost. And I think that's important." GET REAL-TIME UPDATES DIRECTLY ON THE TRUE CRIME HUB In addition to hearing Berkowitz speak, the film also highlights interviews with detectives, journalists, loved ones, survivors and others closely connected to the case. Berlinger said it was important for him to get the blessing of the survivors, in particular, to move forward with the project. "It's always important to include the victim's point of view in these shows," Berlinger explained. "I always reach out to victims and want their participation, or at the very least, their blessing. I have canceled shows in the past where the victims have said, 'This will hurt us if you do this.' And it was heartbreaking to hear the accounts of the survivors in this film. These were young people doing quintessential things that people in their youth do. This random act of violence snuffed out their hopes and dreams and reverberated for decades." Berlinger noted that the primary reason he agreed to reach out to Berkowitz was because of Wendy Savino. She was recently confirmed by the New York Police Department as Berkowitz's first known victim. The director wanted to see whether Berkowitz would weigh in on that shooting. "I believe that she was a victim of his," said Berlinger. "I can't say whether he believes it or feels a need to deny it." Berkowitz now claims he is a born-again Christian and feels remorseful. He previously appeared to relish the media attention he received and sold his exclusive story rights to a publishing house, reported. According to the outlet, New York State was the first to adopt a nationwide series of laws that take the proceeds a criminal earns from selling their story and instead gives them to a victims' compensation fund. It's unclear whether Berkowitz is sincere about being remorseful, but his message to his younger self has stayed with Berlinger. "When I asked him, 'If you could speak to the young David, what would you tell him? ' he said, 'Run, get help. I could have talked to my father,'" Berlinger recalled. "That touched me deeply," he said. "… If you're feeling rage or disconnection, and you're concerned about this level of rage that you live with every day, get help."