Literally Just 25 Of The Coolest Products I've Seen Recently
A conical cheese grater with a handle because doesn't this make so much more sense than the unwieldy flat-sided ones that are impossible to hold without feeling like you're going to shave off the tip of your finger?? I guess you could say this option is greater.
Murad's Deep Relief salicylic acid acne treatment, a worth-the-splurge spot treatment meant for those painful, deep zits. In addition to the traditional salicylic acid, it's also got ginger root extract to soothe and calm redness.
Sweet, delicate pit bull charm hoop earrings with colorful stones by rescue-dog-supporting brand Cloud Haven. Proceeds from the purchase go to saving the lives of shelter dogs — something you should def mention each and every one of the many times someone compliments these cuties.
The CUTEST (and softest) Jellycat plush purse that'll hold the essentials and be the perfect finishing touch to your little one's (or tbh, your) adorable 'fit.
Or a more grown-up but equally whimsical New York hot dog corgi purse (yes, you read that right). I honestly don't know where to begin...the fuzz? the toppings?? The I ❤️ NY tag??? The convenient crossbody strap??? The TONGUE?!?!?
A head massager thingy that is so cheap, so simple...yet feels sooooooo good. Just trust me, you need this in your life.
Deco Beauty nail art stickers, which actually stay the heck on and come in soooooo many ridiculously cute designs, it'll be nearly impossible to pick just one set. Luckily, no one's saying you have to.
Briotech hypochlorous acid spray, a simple yet magical concoction reviewers swear by for everything from piercing irritation to rosacea to acne. Plus, it's super similar to the famous Tower 28 spray but HALF the price.
An effortlessly chic, comfy sweater tee which has become a staple in my wardrobe and probably will be in yours, too. It adds a perfectly cozy texture to a look that plain T-shirts don't, without being bulky like a full-on sweater.
A sweet teddy bear mug to add some whimsy to every morning (and evening) and match your cutesy, demure aesthetic.
A Bridgerton-esque puff-sleeve embroidered gown, aka what your romantic fantasies are made of. Turns out your soulmate might actually be this dress.
A hilarious pasta-box-shaped candle with a fitting "Italian Villa" scent (which includes notes of fig leaves, bergamot, jasmine, moss, and cedarwood) because I guess a tomato basil scented candle might not be the vibe.
Cart-dividing grocery bags that not only divvy up your haul so checkout and unloading when you get home are effortless, but they can each hold up to 60 pounds and have straps long enough to be toted on your shoulder! Plus, each set comes with an insulated bag to keep groceries hot or cold and one bag with special pockets for fragile goodies like eggs and wine. Basically all your grocery bag struggles = solved.
Heartbreak Is The National Anthem, a new book by the brilliant Rolling Stone music critic Rob Sheffield, that gives Taylor Swift the analysis and reverence she deserves. Serious Swifties will be swooning over this deep dive written by a fellow fan.
A fun cat tree available in tons of sizes to fit your home and kitty's needs, and that will make your fur baby feel like they rule the Mushroom Kingdom. It's a meow, Mario.
A luxe-looking set of velvet and rhinestone hair clips from Scünci's Wicked collab that aren't just for theater-going — they'll be in your night-out rotation for good.
A fold out rom-com checklist to pin to your wall and give yourself a swoon-worthy project for the year. This little work of art groups the flick picks by subgenre and also includes bonus facts and activities!
An on-trend sweater vest available in everything from bright patterns to staple hues. It's a serious sartorial serotonin boost. Try saying that three times fast...or better yet, add three different versions of this to your cart, fast.
A funky apron by It British brand Damson Madder so you can bring a bit of high fashion to your kitchen. If you've been coveting one of the label's dresses but want something a bit more affordable and that you'll get more use out of, this is a swoon-worthy solution!
A pack of Squish-a-long figures, aka the perfect solution for anyone who's obsessed with the cuteness of Squishmallows (same) but doesn't realistically have space in their home for all the v tempting plushies (also same). These slightly squishy plastic figurines allow you to display several Squish friends in a — *Genie's voice* — iiiiitty bitty living space. Use them as decor, share 'em with the kiddos in your life, or divvy them up amongst your friends!
And! Squee-worthy Tonymoly x Squishmallows pimple patches so your breakout can turn into a brea-cowt (sorry). These cuties are infused with anti-inflammatory niacinamide that can help tame oil, redness, and discoloration.
Mood-boosting floral sequined platform sneakers sure to ~kick~ your spring style up a notch. Cuff your jeans or toss on a mini dress to really show 'em off.
An absolutely OMG-worth Rapunzel Bitty Baby doll featuring Tangled-tastic accessories (screaming over the Pascal bottle and Maximus bib). Millennials, if you're getting weirdly emotional about the chance to gift this collab between two of your childhood faves to your kiddo, I don't blame you.
And for more Disney magic, the most wonderfully whimsical Ratatouille cardigan that'll make you want to curl up, grab a plate of charcuterie, and stream the movie for the zillionth time. If you do venture outside, prepare for more compliments than there are members of Remy's family. 😅
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NBC News
15 hours ago
- NBC News
Talking Shop with Miranda Kerr
Talking Shop is our series where we talk to interesting people about their most interesting buys. Miranda Kerr has walked runways as a Victoria's Secret Angel, modeled for some of the biggest brands across the world and appeared on dozens of magazine covers in full glam. She's worked with some of the top fashion designers, makeup artists and hairstylists throughout her decades-long career, but off the clock, her makeup and hair care routine are far more toned down than you might think. 'Over the years, I've stayed loyal to the ethos of picking multitasking products that feel like skin care first and makeup second, so I've loved most of my favorite things for a while,' she says. 'They evolve slightly with seasonal trends, but the core simplicity remains the same.' Below, I talked to the model and managing director of Kora Organics, the skin care company she founded in 2009, about her all-time favorite beauty and wellness products, including the silk sleep mask she doesn't travel without and the conditioner that prevents her hair from getting dry. 'At the heart of it, I've always stayed true to that 'barely there, but better' philosophy. I want makeup to enhance my features, not mask them,' Kerr says. 'I keep things super simple and skin-focused. I usually start with a light-coverage, something sheer that evens my complexion without feeling heavy. I've been using the RMS UnCover-Up for years. It seamlessly blends into the skin and looks natural.' 'On my lashes, I keep it minimal: one coat of a clean, lengthening formula to open up my eyes without clumping,' says Kerr. Tower 28's MakeWaves Mascara is Kerr's go-to. It comes in two shades, an espresso brown and a jet black, and you can also get a mini version to travel with. To complete her eye look, she typically uses a clear or tinted gel to lightly groom and set her brows. 'I love a cream blush for that natural flush look,' says Kerr. 'Merit's Flush Balm in a soft peachy-pink is one I return to constantly because it melts into the skin and feels so nourishing.' The balm, which is multiuse, comes in a small pot and it's shaped like a dome on top so you can dab the color on the apples of your cheeks and lips. It's sheer, lightweight and buildable, plus it's made with vitamin E to nourish skin. 'My lips are always prepped with a hydrating balm,' says Kerr. 'This one from Kosas in Pulse is a favorite for every day. It has just a hint of color with a glossy finish that keeps my lips moisturized.' The lip balm is made with hyaluronic acid and wild mint. 'I'm very intentional about choosing hair care that feels clean, nourishing and protective,' says Kerr. 'My go-to products right now are from Rahua, a line I love for its plant-based, cruelty-free formulas.' She uses the brand's classic shampoo and conditioner, which you can buy as a set or individual products. 'I use this gentle, sulfate-free shampoo most mornings,' she says. 'It lathers beautifully without stripping natural oils, so my hair never feels overly 'squeaky.' After shampooing, she follows with the Classic conditioner, which has oils that smooth frizz and strengthens hair, according to Kerr. 'My biggest concern is dryness — between sunshine, saltwater and heat styling, my hair can easily feel brittle. This conditioner keeps it soft, manageable, and glossy without weighing it down.' 'I apply a few drops of this lightweight hair oil to the mid-lengths and ends every time I towel-dry, but never at the roots,' says Kerr. 'It's infused with nourishing seed oils and antioxidants, so it protects against UV exposure and keeps split ends at bay. If I'm on a shoot or during more humid months, this oil is my secret weapon for taming flyaways and adding subtle shine.' Kerr takes her beauty sleep seriously, and this eye mask is key to a good night's rest. 'I've used Slip eye masks for years — they're a must-have in my sleep ritual,' she says. 'The pure silk feels so luxurious and gentle on my skin, and it really helps block out light so I can fully unwind. I wear one every night and even take it with me when I travel. It's the ultimate little luxury for better sleep and waking up refreshed.' 'To me, the most important philosophy is that true beauty comes from nurturing your mind, body and skin,' says Kerr. Her Oura Ring helps her check in with her body, especially when she's busy chasing after her four young sons, running Kora Organics and on-set for shoots. 'My Oura Ring is like my wellness accountability partner,' she says. 'I wear it every day to track my sleep, recovery, heart rate and overall readiness. It gives me insights into how my body is doing, so I can adjust my habits accordingly. It's helped me stay consistent with my health routines.' Why trust NBC Select? I'm a reporter at NBC Select who writes our Talking Shop series, interviewing people like Chace Crawford, Dorinda Medley, Jing Gao, Tiler Peck and Sara and Erin Foster. To write this piece, I interviewed Miranda Kerr about her all-time favorite beauty and wellness products.
Time Magazine
17 hours ago
- Time Magazine
The Trippy Experience of Watching the Fantastic Four Birth Scene While Pregnant
Warning: This post contains light spoilers for The Fantastic Four: First Steps. I knew, based on the title The Fantastic Four: First Steps, that Marvel's latest superhero movie would introduce a pregnant superhero, Sue Storm, and deal with the birth of her super-baby, Franklin Richards. I did not expect, when I stepped into a screening eight months pregnant myself, an exegesis on the anxieties of pregnancy and early parenthood. I certainly did not anticipate (spoiler alert) a zero-gravity birth scene during a high-speed space chase that played like an extreme version of my nightmare of giving birth in a taxi en route to the hospital. And yet the film, from its opening scene, is preoccupied with all the worries that come with parenthood. In the first minutes, Sue (Vanessa Kirby) takes a pregnancy test and shows it to her husband, Reed Richards (Pedro Pascal). He is shocked. They had tried for years without success. His shock turns to elation, and then the wheels start spinning. Sue and Reed, along with Sue's brother Johnny Storm (Joseph Quinn) and their pal Ben Grimm (Ebon Moss-Bachrach), were exposed to cosmic radiation in space that altered their DNA and gave them superpowers. But what if their altered cells impact the baby in some way? Will he be OK? Sue calms Reed's nerves, but the brilliant scientist's tendency to spin out will be familiar to anyone who has struggled to conceive, dealt with a disquieting diagnosis for their child while they were still in utero, or, as I have, had a miscarriage. I'm all too familiar with the quick succession of hope and panic when a positive sign pops up on a pregnancy test, a joy that after a loss cannot be trusted. Reed obsessively runs tests on Sue and the fetus, building his own machine to do so. Whether these efforts soothe his anxiety or exacerbate it is unclear, like those smart devices that monitor your baby's breathing overnight—but may cause heart palpitations when they deliver a false read or disconnect from WiFi. Meanwhile, Sue keeps repeating, 'nothing is going to change,' the delusional mantra of the expecting parent. Reed and Sue argue throughout the movie about Reed's catastrophic thinking. Sue accuses him of conjuring up the worst case scenario for every circumstance, including the health and safety of their child. He shoots back that he is preparing for the worst and protecting their family. By contrast, Sue's insistence that everything will be all right is so plainly unrealistic that the audience is waiting for some actual catastrophe to shake her out of her stupor. Again, it's a fight familiar to any couple who has disagreed about how much prenatal testing to do or the best way to prepare for challenges in pregnancy and parenthood. Ultimately, Reed's fears aren't totally misplaced. When the big bad of the movie—a planet-eating giant named Galactus—sets his sights on Earth as his next snack, the Fantastic Four fly to space to try to negotiate. In a Rumpelstiltskin-esque turn in the story, Galactus offers to spare earth if Reed and Sue will give him their baby. Galactus senses some sort of universe-bending power in the little one and wants to take him on as an apprentice. Sue and Reed reject this offer, only for Sue to immediately go into labor. They run back to their ship, with Galactus' minion, the Silver Surfer (a shimmery Julia Turner), in hot pursuit. The birth scene that comes next is not exactly traumatic, but it is not what I would choose to watch shortly before my own labor. Sue begins having contractions on the ship in zero gravity. The Silver Surfer at one point is able to actually get her hand onto Sue Storm's belly (perhaps even into it—I didn't follow the physics of this villain's powers) during labor—an unimaginable bodily violation. Sue screams at her brother, Johnny, to kill the Silver Surfer because she's trying to murder his unborn nephew. Fair enough! Meanwhile, Sue has to use her powers to make the ship invisible between her contractions in order to hide it from the baddies. Johnny tries to shoot the Silver Surfer; Reed pins Sue down to a table so she can use gravity to push; Ben stands at the ready to catch the baby; and their handy robot sidekick Herbie pilots the ship. If I had to stretch this metaphor, and I did while watching the movie because I couldn't help myself, I would say this scene is akin to giving birth in a Waymo while your husband coaches you, your brother fights someone trying to murder your unborn child, and a good friend (but still just a friend) watches your baby emerge from your body, a sight you would prefer to reserve for only people wearing scrubs. Oh, and you have to perform intense pilates maneuvers between contractions, because why not? Points for originality: I don't believe I have ever seen a baby born in a Marvel movie before, let alone one born in space. Honestly, I can think of very few space births off the top of my head besides the body-horror versions in various Alien movies, and this one thankfully ends more happily than the self-imposed C-section to remove an alien from Noomi Rapace's character in Prometheus. I do have some notes. It seems to be a specific male fantasy that women can perform immense physical feats while also in labor, especially without an epidural. I was reminded of an interview I once conducted with the brilliant James Cameron about (among other things) the choice to feature a pregnant Na'vi played by Kate Winslet going into battle in Avatar: The Way of Water, a decision I found at once empowering and unrealistic. Cameron told me—and this has stuck with me for years—'Pregnancy is treated as a condition or affliction as opposed to a natural part of the human life cycle.' He went on to muse that women have been delivering babies in precarious circumstances for centuries. 'They might be giving birth, and 10 seconds later spearing a saber-toothed tiger that happened to attack the camp. They don't have a choice. That's how we evolved,' he said. 'If people don't buy it, they need to do their research.' I gave birth for the first time myself about a year later and was fortunate to experience a relatively smooth labor. I also lost a lot of blood, vomited, and needed medication immediately after they placed my daughter on my chest. I was not prepared to take on a tiger, saber-toothed or otherwise. James Cameron is a man, and all of the credited screenwriters on Fantastic Four: First Steps are men. While I respect their admiration for the strength of a woman bringing forth a new life, and perhaps many of them have personally witnessed childbirth, I suspect had they gone through the experience themselves, their creative license on the multitasking and supreme energy levels of women in labor might be tempered. For that matter, the writer of Rosemary's Baby was a man. So were the writers of Knocked Up and Children of Men and many of the most famous birth scenes you know from film. Once Reed and Sue's baby is born, the drama centers around questions of whether the baby does have superpowers and the fact that, if he does, he's in peril of being kidnapped. You didn't think Galactus was going to give up on raising a fellow planet killer that easily, did you? I didn't personally love that either, but more because The Incredibles did it first—and better—with baby Jack Jack. But children in danger seems to be a new superhero trend: Superman recently featured a scene in which the hero played by David Corenswet must hold an alien baby aloft in a time-bending stream of death. In Thunderbolts* (a.k.a. The New Avengers), David Harbour's Red Guardian saves a little girl only for the villain to disappear her into a dark void seconds later. In all three cases, I knew these children weren't actually going to be (permanently) hurt. But I wondered why I was sitting through the unnecessary agony of watching helpless babes in peril. Perhaps the point is to forge new ground in an increasingly tired genre. The Fantastic Four does actually capture well many of the anxieties of pregnancy and early parenthood, even if the stakes are exaggerated because it is a superhero movie. At a moment when the Marvel Cinematic Universe is in desperate need of new ideas, focusing on family and parenthood in particular feels novel. Matt Shakman, the director of First Steps, produced and directed WandaVision, the only other MCU property that has dealt with the challenges of parenthood in an emotionally significant way. In that Disney+ show, as in this movie, a mother (Elizabeth Olsen's Wanda Maximoff) goes to extreme lengths to create and protect new life—she forms her twin boys with magic—and come to terms with what she can and cannot control as a parent. (Though much of that emotional work in WandaVision was unfortunately undone by Doctor Strange in the Multiverse of Madness, which transforms Wanda into the least subtle version of the crazed mama-bear trope imaginable.) Attending a movie while pregnant can be hazardous. The editor of this piece had to sit through Hereditary while expecting, an experience that conjured nightmares of a demon fetus, and a friend recently recalled squirming while watching a talking fetus that communicates telepathically with her mother in Dune Part 2 while she had a baby in her own belly. I do admire Shakman's willingness to take on the oft-ignored topic of labor, one that, when it is addressed, is more often the stuff of comedy (Knocked Up) or prestige drama (Children of Men), not popcorn movies that largely cater to a young, male audience. Even so, take heed if you are expecting and in any way squeamish. You may want to stream this particular birth postpartum.
Cosmopolitan
a day ago
- Cosmopolitan
Fancy some Regency-era audio porn voiced by Tom Blyth?
It's no secret that modern dating can leave a lot to be desired. Swiping to meet, deciphering confusing texts, navigating the minefield of buzzword bad behaviours. It's no wonder that so many of us are escaping into fantasy RN — whether that's via romantasy novels and monster erotica, closing our eyes and disappearing into an audio porn story, or getting stuck into passionate period dramas like Bridgerton. We're all craving a romantic love story, and ideally one that doesn't involve technology (in the story, that is — headphones and TVs obvs essential for our escapism). If this plight sounds familiar, audio erotica app Quinn might just have the thing for you. The latest iteration of its star-studded Original series is The Muse: a Regency-era romance drama starring The Hunger Games' Tom Blyth. Blyth voices William, a struggling pianist and composer, who takes what he thinks will be a fairly mundane job teaching piano to the adult daughter of a wealthy Lord. As Blyth reveals in the series trailer, though, she's 'not exactly your typical debutante' — rather, Aurelia is 'fiery', 'plays by her own rules', and, as per Quinn, unnerves and inspires William. As their lessons progress, sparks begin to fly. 'The Muse explores the electric tension between teacher and student, the line between discipline and desire, and the transcendent power of artistic connection,' says Quinn. 'This is a story of restraint unraveling — of intimacy, music, and mutual obsession, set against the lush, candlelit backdrop of early 19th-century London.' As is usually the case with Quinn's stories, the listener plays a lead role — this time, you're Aurelia, and Blyth (as William) is speaking directly to you. Yep, it's hot. If you're into fantasies of power, forbidden love, and Blyth's sensual voice whispering in your ear, then you should head over to Quinn now to listen to the first two eps. Don't binge them too quickly, though, as the final episode of the three-part series won't land until next week (31 July). Talk about teasing! And good news: if you join our new Club Cosmo membership, you can get a whole month's subscription for free. The best bit? Club Cosmo is also totally free to join. So there's really no excuse. Plus, if celeb audio porn is what you're after, then Quinn is the place to go. Blyth follows in the footsteps of the app's previous big-name narrators, including Andrew Scott, Emily in Paris' Lucien Laviscount, You's Victoria Pedretti, and many more. To mark the premiere of The Muse, Quinn has shared an exclusive excerpt with us, so you, Aurelia, can try before you buy. Read on for some Regency-era erotica. (And FYI, as William is talking to you, listener/reader, the below is all from his POV.) I feel as if I've been shot out of a cannon and thrust into a beautiful new world. Has London always been this lovely? It feels as if the entire course of my life has been redirected in just a matter of days. First, an unexpected offer of employment from a generous patron, and now… how to even quantify this magnitude of feeling? This outburst of passion for Aurelia… it's all-consuming. Excuse me, good sir! I shall watch my step. What beauty lays before me in this pleasure garden. I don't recall ever stepping foot in this sanctuary. For how long have I been stumbling around London like a blind fool? I suppose I have been ignorant to the casual beauty of everyday life, but now all is transformed, all thanks to Aurelia. William, you are in trouble… Of course, I must preserve my employment with Lord Haddington, if only to be near Aurelia, but whenever I am with her, I lose all sense of myself. I am at the mercy of her hunger, passion, and wit. And her physical form… it's all a potent, all-consuming intoxication. I've never met a woman like her. But her predilection for being discovered could be my… nay, our downfall. Her father could end me, and I do not wish to tarnish her reputation. Please excuse me ladies, do have a lovely afternoon. To think that I would have categorised Aurelia as a dilettante not a few days ago if I were to have passed her in this very garden. I was prepared to sit on my hands, bite clear through my tongue, and tame my racing thoughts… but my passion for her is matched by her passion for… dare I say it… for me. Aurelia is leading me to that sensual life — that life of artistry — I've always craved.
