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Manchester United hope new stadium will host 2035 World Cup final, aim to finish project in 5 to 6 years

Manchester United hope new stadium will host 2035 World Cup final, aim to finish project in 5 to 6 years

New York Times2 days ago
Manchester United hope for their new stadium to host the 2035 women's World Cup final and aim for its development to be complete in the next five to six years.
United announced plans in March to build a new 100,000 capacity stadium, replacing their 115-year Old Trafford home. The cost of the project is forecast to reach £2billion ($2.59bn).
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The 2035 World Cup will be held across England, Scotland, Wales and Northern Ireland. Tournament stadiums have not yet been confirmed, though United hope to be one of the selected venues and hold the ambition to host the final.
Mayor of Greater Manchester Andy Burnham announced a 10-year growth plan for the area on Wednesday as part of the intent to build the stadium and carry out a wider regeneration programme in the city.
The appointment of Lord Sebastian Coe, president of World Athletics and former chairman of the British Olympic Association, as chair-designate of the Mayoral Development Corporation (MDC) for the project was also announced.
'Throughout my career, I've seen the difference that sports-led regeneration can make in fostering strong communities and acting as a catalyst for economic growth,' said Coe. 'That was certainly true of the London 2012 Olympics and Paralympics – and now, I believe, Greater Manchester's moment has come.
'Working with Trafford Council and the Mayor, there's huge potential to bring new homes and jobs to the area around the Manchester United stadium. And looking ahead, I see a chance to bring the FIFA Women's World Cup to a new Old Trafford Stadium in 2035. The home nations are the sole bidder, which presents a rare opportunity to bid to host the global football family.'
The 2035 World Cup will mark the second time that the tournament is contested by 48 teams after the 2031 edition, which will be hosted by the United States and Mexico.
A survey of United supporters last year identified that 52 per cent of fans asked were in favour of building a new stadium from scratch, while 31 per cent preferred to see Old Trafford redeveloped.
London-based architecture firm Fosters + Partners selected will lead the project. The company revealed digital renders of the stadium in March, which included a three-pronged stadium canopy inspired by the Red Devils trident on the club's badge.
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United said in a press release in March that the project has the potential to generate an additional £7.3billion ($9.7bn) for the local economy, create 92,000 job opportunities, build more than 17,000 new homes, as well as drive an additional 1.8 million visitors annually.
The stadium project comes at a tumultuous time at United after finishing 15th in the Premier League and losing the Europa League final to Tottenham Hotspur. Ticket prices have increased for next season to the disapproval of supporters' groups and hundreds of staff members have been made redundant after cost-cutting measures implemented by part-owner Sir Jim Ratcliffe.
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What Jordan Henderson can offer Brentford – a midfield metronome who can fill leadership void
What Jordan Henderson can offer Brentford – a midfield metronome who can fill leadership void

New York Times

time41 minutes ago

  • New York Times

What Jordan Henderson can offer Brentford – a midfield metronome who can fill leadership void

After two years away, including a disastrous six-month stint at Saudi Arabian club Al Ettifaq and a more successful spell at Ajax, Jordan Henderson is set to return to English shores and sign for Brentford on a free transfer. For the west London club, it's a timely arrival after losing captain Christian Norgaard to Arsenal and speculation surrounding the futures of Bryan Mbeumo and Yoane Wissa. Advertisement But the sands of time have worn on. Can a 35-year-old Henderson — once the energetic heartbeat of Jurgen Klopp's high-tempo, all-action Liverpool side — still cut it in the relentless environment of Premier League football? Here, The Athletic examines his time at Ajax for clues about how he has changed since leaving Anfield, and how this version of Henderson might fit in at Brentford. At first, Henderson's move to Ajax looked set to mirror his Saudi misadventure. Parachuted into a struggling, youthful side that had been bottom of the Eredivisie just months earlier, he was a steady but unspectacular presence as Ajax finished in fifth, 35 points adrift of champions PSV. The disarray ran so deep that Henderson even deputised as a right-sided centre-back in a 2-2 draw away at Sparta Rotterdam. His fortunes turned with the arrival of a new manager, and the clarity of a new role. Under Francesco Farioli, Henderson was redeployed as a lone defensive midfielder at the base of a three-man midfield, with Ajax reverting to their traditional 4-3-3. 'With us, he's playing more as a 'No 6' (deep-lying midfielder) than as a No 8 (further forward),' Farioli told Sky Sports. 'It was something different that the coach wanted from my position, both with and without the ball. It was great that even at my age that I could learn something new,' Henderson told reporters at the time. The shift is visible in his passmap, with start locations that cluster in deep central areas, where Henderson acted as the metronomic fulcrum of Ajax's patient build-up play. This marked a clear departure from the right-of-centre zones he occupied during Liverpool's title-winning 2019-20 season. Back then, his relentless box-to-box running and crisp passing helped progress the ball up the pitch, while his defensive work covered the spaces vacated by Trent Alexander-Arnold as the right-back surged forward. Henderson's role as the energetic glue in midfield, rather than a creative spark, has always been hard to quantify — he hasn't recorded more than 10 goal contributions in a single domestic season over the past decade. But thanks to tracking data provider SkillCorner, it's possible to gauge how his off-ball movements have helped Ajax tick over in midfield. Across Europe's top seven leagues, Henderson ranks in the 91st percentile among midfielders for movements coming short to receive the ball, a reflection of his importance in build-up play, where he constantly looks to offer an easy out-ball for his team-mates. An example of how this plays out in practice can be seen in the following screenshot from Ajax's 2-1 home victory against Feyenoord in February, where Henderson drops deep to split the centre-backs. This pattern was seen throughout the game as Henderson patiently controlled the tempo, dictating play with short snappy passes until an opening further upfield presented itself. His preference for these shorter passes is reflected in his high 'link-up play' value — measured in The Athletic's player pizza charts (below) as the percentage of short or medium-distance passes a player has made. Elsewhere, his creative threat ranks in the 88th percentile, though that owes largely to his successful conversion into a set-piece taker at Ajax, something the new Brentford boss Keith Andrews, formerly a set-piece coach, will no doubt have noted. But like any good defensive midfielder, Henderson knows when to slow the game down and when to speed it up. His first-time assist against RKC Waalwijk in January showed a sharp appreciation for when a quick pass can capitalise on a fleeting opportunity. His defensive metrics also paint the picture of a player who has quickly adapted to the demands of playing as a lone pivot. His high tackle success rate and ability to recover loose balls highlight both positional awareness and sharp instinctive timing. As writers at The Athletic have written about previously, Brentford thrive when doggedly capitalising on loose balls, and Henderson should be well equipped to support this. Advertisement His stabilising presence and composed performances from the base of midfield helped transform a floundering Ajax side and took them agonisingly close to a 37th Eredivisie title. Having led the league by nine points with five games to play, Ajax dramatically let their advantage slip. For his part, Henderson scored his sole Eredivisie goal of 2024-25 in Ajax's 2-0 final-day victory at home to Twente, but the damage had been done when they had conceded a 99th-minute equaliser against 10-man Groningen in the penultimate round. Still, the club recognised Henderson's role in making them contenders again. In a statement after his exit was confirmed, Ajax technical director Alex Kroes said: 'Jordan was a true captain for us, both on and off the pitch. An international top player who, through his mentality and leadership qualities, made a significant contribution to our qualification for the Champions League.' For all his intelligence on the pitch, it's his dressing-room personality that sets him apart in the eyes of his coaches. Last season, Farioli — who instantly made Henderson captain — told The Athletic, 'Jordan is an example. It was my decision at the beginning of the season to give him the armband because he personifies the values we want to have here.' Klopp echoed that praise for his character and leadership after Henderson picked up the Football Writers' Association Footballer of the Year award in 2020: 'Hendo's package of leadership, attitude and consistency was really special this year.' Norgaard plays a similarly unfussy but vital quick-passing, tempo-setting game to the one Henderson was asked to show at Ajax, making him a natural — if not quite as physically dynamic — plug-and-play replacement for those aspects of Brentford's build-up. But it's the vacuum of leadership and tenacity that comes with losing a captain like Norgaard that's tougher to fill. Henderson will more than compensate here.

Giorgio Russo's Love Island presence and what it says about women's football
Giorgio Russo's Love Island presence and what it says about women's football

New York Times

time41 minutes ago

  • New York Times

Giorgio Russo's Love Island presence and what it says about women's football

Lionesses and Love Island summer: we hardly knew thee. The advice for England fans seeking levity and distraction amid the team's intense start to their European Championship defence was to flick over to ITV X, the streaming platform for one of the UK's Euros broadcasters, for the wildest subplot of the tournament. Giorgio Russo, brother of Arsenal and England striker Alessia, was in the Love Island villa. Advertisement It was all too brief, though: he was kicked off the island on Thursday. The more chronically online subset of women's football fans usually come into their own in moments like this, and it is with a disbelieving sort of glee that they note the England players have confirmed they are not only watching this each night but, as per captain Leah Williamson in a press conference, discussing it over breakfast. How Alessia Russo is surviving that particular ordeal is beyond me. The Athletic editors dispatched me to watch some of her brother's episodes and even I, no relation, felt like I had to peer through my fingers at the part where an oiled-up Giorgio dressed as a waiter and then covered himself in chocolate. That his sibling had two goals ruled out for offside in as many Euros games, including in a strong showing against the Netherlands, could be a metaphor for how it went for Giorgio, who found himself 'dumped' despite being far and away the kindest male resident of the villa. Alessia went on to be named UEFA's player of the match for the 4-0 win over the Dutch on Wednesday, while droves of X users declared Giorgio too normal for Love Island. Giorgio is trapped with these manchild losers, he's too nice and normal for anyone SET HIM FREE #loveislanduk — Ellie (@ellswindlehurst) July 6, 2025 Giorgio's run seemed to be good-natured. It hasn't occupied the Football Association's thoughts beyond a few light-hearted questions at a pre-Euros press day, even if there's an odd irony in many of the England players avoiding social media during the tournament to eliminate outside noise while also airing his great romantic quest. Love Island feels like an expansion pack to the main tournament for some Arsenal Women fans, whose fanbase is prominent on social media platforms. Fan identity blossoms through in-jokes and the personas built up around a club's most popular players, often referred to by their first names. Such investment is why a good chunk of supporters are tuning in to watch one of their star strikers' relatives. 'Can't watch Love Island, someone record Giorgio in it like you're in a concert pls,' read one post. Advertisement 'Anyone living outside of England and unable to watch Love Island, DON'T WORRY!' joked another. 'There will be a free stream showing the entire season of Giorgio Russo on (Alessia Russo's Arsenal team-mate) Katie McCabe's Snapchat stories.' McCabe, an Arsenal fan favourite known for her uncompromising playing style and effervescent off-field personality, was at the centre of much of the discussion as fans daydreamed about her reaction to it all. Another added: 'I know Katie McCabe is taking Giorgio being on Love Island SERIOUSLY — like that's her Super Bowl, her World Cup.' A post shared by G I O 🤙🏼 (@giorgiorusso__) 'Myself and a lot of other Arsenal fans I follow found it quite funny,' says Kennedy, an Arsenal Women fan based in Melbourne, Australia, for whom social media is key to connecting with other supporters. 'We all love Alessia and we were all curious about what her reactions to watching him would be. Arsenal fans have taken it all in jest, both rooting for Giorgio and joking about it at the same time. Overall, it's been a positive reaction.' 'The (women's football social media) side of it has been so entertaining because a lot of people are tuning in just to see Giorgio when they've never watched Love Island before and didn't know what to expect,' says Summer, an Arsenal Women follower and experienced watcher of the show. 'The fierce defence of Giorgio to anyone talking about him has been hilarious.' There was no mention of the footballing Russo in the week's worth of episodes I watched. Worse, the villa's residents have missed the few clues Giorgio has dropped about her. Love Island has often featured semi-pro footballers (there are two of them in this series) as well as the daughters of Michael Owen and Dennis Wise. 'Giorgio's situation is completely different since his sister is actively playing at the highest level of football,' Summer says. 'With the Euros on, people who watch Love Island live are also seeing Alessia in the ad break.' Mostly, Giorgio seems too well-adjusted for Love Island. 'That's all right,' he says, when dumped by fellow villa resident Helena after four days. 'No worries at all. It is what it is.' In one challenge, contestants are invited to pie members of the opposite sex. One contestant is pied for the way he speaks about and to the women in the villa; Giorgio gets a pie purely because he took the rejection so well the previous night that Helena knows he will cause no drama. They end up high-fiving each other. Advertisement It's all made for lighter conversation around Love Island than the show might be used to. Watching it for the first time, I am struck by the irreconcilable tension between what the programme purports to be — a guilty pleasure with a wise-cracking narrator inviting us all to watch on with an air of disdain and superiority — and the heaviness at each turn. It is not easy, for instance, to watch young women in distress, often over the way the show's men have treated them, and the knowledge that the ulterior motives of fame, money and popularity (there is a public vote at several points throughout the series) underline much of the action. Online discussions veer between judgement, analysis, support and ridicule. The show often spawns worthwhile online conversations about behaviour in relationships, respect and boundaries, but the cost is other people's discomfort. In the UK, the conversation has often been a weighty one. Since the show's revival in 2015, Women's Aid has spoken out against the treatment of female contestants by their male partners. Two contestants, Sophie Gradon and Mike Thalassitis, later died by suicide. There have been thousands of Office of Communications (Ofcom) complaints, and a parliamentary inquiry into TV production companies' duty of care to participants was launched in 2019 as part of a wider societal reckoning in the UK. Love Island no longer attracts the six million viewers of its peak six years ago but it remains one of the UK's most popular programmes among the 16-34 demographic. The UK's summer of 2018 was dominated by the men's World Cup and Love Island. Should England revive their Euros campaign and get into the knockout phase, that twin fever may be replicated in the coming days on a smaller scale. A post shared by G I O 🤙🏼 (@giorgiorusso__) 'Giorgio's inclusion as the relative of a high-profile women's player for the first time on Love Island just shows even further growth of the women's game in England,' Summer says. 'One of the most mainstream TV shows in the country wanted to connect to the game and brought awareness of it to a largely new set of people. 'Even if Alessia hasn't been mentioned on air, Giorgio's Instagram page has gained thousands of followers and four of his six most recent posts showcase women's football. Maybe we'll see some newcomers be influenced to watch the Euros this summer from that increased exposure.' Advertisement England's Lionesses have needed to get used to increased fame and higher stakes since their 2022 Euros triumph, with interest and scrutiny often extending, via social media, to their partners and families. Giorgio made a very conscious step into a different kind of surveillance. Had he stayed in the villa long enough, it could have ended in an especially compelling piece of television. 'With the England men's team being in the last two Euros finals, the contestants have been allowed to watch those finals despite having no communication with the outside world (in the villa),' explains Summer. 'This Love Island season is due to finish after the Women's Euros final (on July 27) happens. 'There was a chance, if England reach the final and Giorgio was still in the villa, they would have let the contestants watch it. That would have been huge.'

Why Bend It Like Beckham director Gurinder Chadha has swapped football for cricket
Why Bend It Like Beckham director Gurinder Chadha has swapped football for cricket

New York Times

time41 minutes ago

  • New York Times

Why Bend It Like Beckham director Gurinder Chadha has swapped football for cricket

Gurinder Chadha's cult 2002 sports film Bend It Like Beckham ends with Jesminder Bhamra's white, Irish boyfriend and football coach Joe playing cricket with her father, who had previously been excluded from the sport after arriving in Britain. This is why he is initially unsupportive of Jess' football career. Advertisement It's a resolution that pulls together harmoniously the film's threads of family, national identity, acceptability and acceptance, community and belonging — reconciling relationships that were knottier an hour and a half earlier. Almost 25 years on, British-Indian director Chadha has made her first foray into sports filmmaking since Bend It Like Beckham's unprecedented success, having been approached by the England and Wales Cricket Board (ECB) to create a blockbuster film trailer to promote the ongoing series against India Women. For the first time, England Women are playing India alongside the countries' men and mixed disability teams. While the men are competing at Lord's this week in the third Test of their summer, with the series locked at 1-1, India's women have made history by clinching their own T20 series with one game still to play — their first such series win on English soil. They will look to build on that success when the three-match one-day international series begins on Wednesday. The trailer spotlights iconic moments from past encounters as well as the British-Indian cricket community across England, and riffs off some of the themes and scenes from Bend It Like Beckham. Players Danni Wyatt-Hodge, Heather Knight and Lauren Filer, who all watched Chadha's movie as children, make their acting debuts. 'They're not really actors, but at the same time, they're performers when it comes to being great sportswomen,' says Chadha. 'My job was to direct them, to make them feel comfortable and not self-conscious. They all spoke about the effect 'Bend It' had on them growing up, and how they still watch it. It was about women in sport, basically — and even though it's cricket, they recognise the power of that. 'In the film, I wanted to make sure women looked super-athletic, and that's what I was also trying to do with the teaser. Shifting images of how people perceive women, particularly sportswomen, in our world is really important to me as a director.' Advertisement The aim is to, in Chadha's words, 'lend the Bend It effect' to women's cricket. It is difficult to encapsulate the breadth of the Bend It effect, from its impact on British-South Asian girls who saw in lead character Jess their first sporting role-model to its part in normalising the ambitions of women and girls in football at a time when a scholarship to the United States' college game was the only route to a professional career. For thousands of women, the movie was their gateway into football. England internationals past and present, including Alex Greenwood, Leah Williamson and Rachel Daly, have spoken of its impact on them. Domestic women's cricket has grown significantly in the past few years, aided by the popularity of The Hundred, a shorter and simplified form of the game played each summer that was designed to attract newer audiences. A March 2025 report from the Professional Cricketers' Association (PCA) noted there were 150 professional female cricketers in England, up from 24 in 2020, and that 320,000 people had been to watch a live women's Hundred game in 2024 compared to 267,000 in the tournament's first season three years earlier. The average Hundred salary in 2021 was £8,000 but will have risen to £29,100 this year; the PCA noted the gap between top men's and women's salaries in the game, however, had increased. ECB statistics have shown growing numbers of women and girls' cricket teams and improving attendances at England Women's matches. Both sports are moving into new eras following decades of neglect by the powers that be. Cricket chiefs will likely have one eye on the popularity of the Lionesses, currently defending their European Championship title in Switzerland, and the Women's Super League, which became fully professional in 2018 — 16 years after Bend It Like Beckham hit cinemas — and opened up a wider pathway for women to have a career as a professional footballer in England. Chadha's work, of course, is about more than events on the field and uses sport to examine evolving ideas of Britishness. Back in 2002, she says, 'the idea of making a film about football and girls was risible' and 'everyone thought it was a joke, that it would never work and no one would be interested — especially in an Indian girl playing football. That was, like, a real joke'. Advertisement Why did she persist? 'Because I believed in it. I thought that was the time. I thought the zeitgeist was changing. Soccer was more than just soccer and it had become a national sport. Taking something about football and the England team at the time and opening it up culturally and gender-wise, to me, felt like the right way to push all the right buttons in terms of what I wanted to say about Britain and what Britain looked like to me compared to what I saw on screen. 'At that time, Britain was changing.' She mentions Norman Tebbit, the British Conservative Party politician who recently passed away but, in 1990, had suggested that those people living in England who support their native countries, including South Asian and Caribbean sides, when they face the English cricket team are not sufficiently integrated; the so-called 'Tebbit test' was a source of significant media coverage and debate. 'So sports and national identity were interlinked,' continues Chadha. 'Now what I find brilliant about cricket is the fans, the followers — the England Barmy Army and the Indian Bharat Army — have a lot of fun at cricket games. They're there to party, really, and support their teams. I think it's a great way of expressing who you are, by following a sports team — but at the same time, it's the coming together of England and India and two nations. 'What I see with cricket is that people celebrate the game as well as their own identities.' Some of Chadha's clearest childhood memories are of her father being 'glued to the telly for days' whenever an India match was being shown. 'No work would get done. My mum would be saying, 'There's no rice in the house! There's no chapati flour! We need to go to the shops!'. And he would go, 'Later! Later! Later!'.' She recalls walking around Lord's, the London cricket ground considered to be the spiritual home of the sport worldwide, while shooting the trailer to see a portrait of Bishan Singh Bedi, who was her father's favourite cricketer. 'I took a selfie with him, for old time's sake,' she says. 'Just walking around the grounds, there's a lot of history for me. It's a shame my father's not around today, but I know he would be super-happy I was doing this.' In 2022, more than 2,000 South Asian women volunteered to deliver cricket sessions via the ECB and Sport England's Dream Big programme, part of a wider effort to open avenues for diverse communities at grassroots level. Partnership with faith institutions and community centres has also helped. 'In India, it's massive as well among women,' adds Chadha, 'because it's more than just the sport. It's important to stress that women are put on the same pedestal and I think that's why a lot of women come out and support it. As long as the players are there and the talent's there, there's no holding women back. Advertisement 'Putting women on equal footing with the men's game is the intention (of the trailer). That's really what I wanted to do. And I think that's what we've achieved. And who knows if there's a cricket fan out there who's got a great script in them?'. Click here to read more cricket stories on The Athletic.

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