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Angus Stone: ‘I just wanted to have a beer and write music'

Angus Stone: ‘I just wanted to have a beer and write music'

Each week, Benjamin Law asks public figures to discuss the subjects we're told to keep private by getting them to roll a die. The numbers they land on are the topics they're given. This week, he talks to Angus Stone. The ARIA- and APRA-award-winning singer-songwriter, 39, has recorded six albums alongside his sister, Julia, the latest of which is Cape Forestier. He performs solo as Dope Lemon. His latest album is Golden Wolf.
RELIGION
Did you grow up with religion? We weren't an overly religious family. In a way, music was more our religion. Dad was a wedding singer and we grew up listening to all the greats being played, falling asleep underneath wedding tables in an orbit of love and joy. Watching and listening to him do that was really powerful.
Does making music – whether in the studio or on stage – feel like a spiritual experience? Definitely. I can walk down the street now and a stranger will come up to me and treat me like family. We've never met, but they've lived alongside different chapters of my life through my albums. It's almost this parallel universe of togetherness. [Playing live] is a place where time stands still. I'll close my eyes and walk through my own short films. And it's therapeutic, the way that I can tell myself things that I wouldn't necessarily be able to otherwise. I love being able to go to those places. Music allows me to do that.
What particular Commandments do you have for making music? I'm a completionist. For me, it's really important – no matter what idea is on the table – to make sure that you give it the justice it deserves and see it through. It may not reveal itself to be this great thing at the beginning but, if you stick with it, great things can occur.
Complete this sentence for me. 'Others go to church. I go …' Fishing. There's something about watching the land disappear and you're out in the deep blue, just a droplet in the ocean.
BODIES
So much of your work involves travelling, late nights, playing in front of an audience. Adrenaline up, adrenaline down. How do you make your body go through that night after night? For me, something that has taken a lot of years to figure out, is that you really need routine. Another is making sure that I go for a run each day, followed by a sauna and steam. So, I'll sweat it out, go for a nice cold beer, then walk on stage after that.
You've been performing from such a young age. A lot of people get messed up by performing so much – and getting famous – so young. How have you managed your mental health? For me, it's the music itself. I grew up writing down how I was feeling and what I was going through. There's a therapeutic value I get from sitting back and listening to something that I've penned, whether it's on a voice note or on the bus. It's like a puzzle piece that I can push back into place. Also, a stranger might walk up to you on the street and share a story about how the music has affected them in a profound way. Those are the moments where it all makes sense; they bring so much joy to your heart.
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Guy Sebastian announces 100 Times Around The Sun Australian tour to play RAC Arena Perth in May
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Guy Sebastian announces 100 Times Around The Sun Australian tour to play RAC Arena Perth in May

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Huge Aussie artist announces Perth concert for new album
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Sweet and sour moments as DOPE LEMON plays hometown show
Sweet and sour moments as DOPE LEMON plays hometown show

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time2 days ago

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Sweet and sour moments as DOPE LEMON plays hometown show

MUSIC DOPE LEMON Enmore Theatre, July 31 Reviewed by NADIA RUSSELL ★★★½ As a thrumming psychedelic groove takes its hold over the crowd, a young woman in the audience holds up half of a cut, squished lemon to take a photo of it in front of the band – this is a DOPE LEMON concert. Australian singer-songwriter Angus Stone has been using the moniker for almost a decade. But he has been in the industry for more than twice that time, and it shows. From the moment he takes to the stage to the second he leaves, he is comfortable and at ease in front of the 2000-plus odd people who've come out on a cold, rainy Sydney night to Enmore Theatre. More importantly, he's enjoying himself as he grooves along to the beat, even dancing with a member of the band at one point. This wasn't just any show, though, on this leg of the – this was a hometown show, which Stone acknowledged throughout, playing a cover of Midlake's Roscoe, and making the audience feel that little bit more special. But for the most part, DOPE LEMON leant into a setlist that was solid – albeit including only a few tracks from the new album and missing a few niche hits – with transcendent guitar solos interspersed throughout. It's a groove that put you under its spell, and when each song ended the trance broke, leaving the audience wanting more. The band did not break up the songs too much, with plenty of seamless transitions just giving Stone time to change guitars, which he did for nearly every song. They started strong with Stonecutters, before dipping into a slower pace that only ramped back up about halfway through when the audience seemed to have warmed up enough (and perhaps had more to drink) to really vibe with the music. Many performers have back-up dancers and DOPE LEMON featured women with their faces hidden under large animal masks that came on stage for a select few numbers to sway along like it was the 1960s. They started as two and finished as six, also including a stoner and, of course, a lemon. Although harmless, as this was the only presence of women on stage in a performance by an all-male band it left a sour taste. The band, however, were richly talented and brought great energy to the stage. Both the guitarist and bassist came to the edge of the stage to interact with the crowd while Stone held back, confined by the guitar in his hands and the microphone stand. But that didn't seem to matter to the audience who were enthusiastically enjoying the music. Stone would eventually venture to the crowd from his spot on centre stage, with the closing number of the set, Uptown Folks, putting the crowd in raptures. It finished the initial set on such a high that the response to the first encore Yamasuki - Yama Yama was underwhelming until Home Soon brought the energy back up again. It would have been great to have seen more of this energy from Stone earlier in the set, but the more laid-back attitude suits him and his music.

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