logo
All the Guest Stars on Kendrick Lamar & SZA's Grand National Tour So Far

All the Guest Stars on Kendrick Lamar & SZA's Grand National Tour So Far

Yahoo05-06-2025
Kendrick Lamar and SZA have been sharing the spotlight with each other on their current Grand National Tour, and the 'All the Stars' collaborators are bringing their A-list friends into the fold during select shows.
More from Billboard
Run-DMC's 'It's Like That' Reimagined By LEGO & Global Girls Crew as Women Empowerment Anthem
Offset Deactivates Social Media Amid Ongoing Drama With Cardi B & Stefon Diggs
The Game Picks His Top 100 L.A. Rappers: 'This My List, Punk!'
Playboi Carti was the first guest performer, popping out for 'Good Credit' at the Atlanta show in April after Dot had been performing the MUSIC track solo since the tour's opening night in Minneapolis on April 19. Both Baby Keem and Kaytranada came out as surprise guests, performing 'Family Ties' and Teedra Moses' 'Be Your Girl,' respectively, during the concert at the 'Kill Bill' singer's home state of New Jersey earlier in May. While SZA performed her 'Consideration' collaboration with Rihanna from the latter's iconic 2016 album Anti at the Jersey stop, fans could only hope and dream that RiRi would one day join her on stage.
The stars have also been spotted on the sidelines, as videos of Pusha T attending their Foxborough show went viral.
After AzChike performed during the DJ Hed & Friends portion of The Pop Out: Ken & Friends concert on Juneteenth last year, he became the first featured rapper on GNX to pop out as a guest during the trio of shows in Lamar's hometown of Los Angeles in May, when they performed 'Peekaboo' together. Meanwhile, SZA brought out Lizzo and Justin Bieber during the other two LA nights to perform the remixes of 'Special' and 'Snooze,' respectively.
Billboard rounded up all the guest stars who've popped up at the Grand National Tour, in order of oldest to most recent appearance.
Dot brought out Baby Boi in the latter rapper's hometown of Atlanta at the Mercedes-Benz Stadium on April 29. The Interscope labelmates performed 'Good Credit' off Carti's Billboard 200-topping album MUSIC. 'Good Credit' reached No. 17 on the Billboard Hot 100, while the duo's other collaboration on the album, 'Backd00r' also featuring Jhené Aiko, peaked at No. 25.
Lamar brought out his younger cousin Baby Keem to perform 'Family Ties' at East Rutherford's MetLife Stadium on May 10. The pgLang dynamic duo took over arenas three years ago when Keem was one of the supporting acts for Lamar's Big Steppers Tour. They also headlined Camp Flog Gnaw in 2023, when they were billed as 'The Hillbillies.'
SZA had Kaytranada on the 1s and 2s while they performed his viral remix of Teedra Moses' 'Be Your Girl' during their MetLife Stadium tour stop on May 10. 'The OG of this song raised me . Kaytras version activates meee . Complex simplicity was so nuts . Humblest love to Teedra,' SZA wrote on X. Kaytra also DJed the after party for her Not Beauty brand that same night, which Lizzo and Ty Dolla $ign also attended.
SZA brought out her 'best friend' Lizzo 'for energy and positivity' during her and Dot's first SoFi Stadium stop in Inglewood, Calif., on May 21. They performed their remix of Lizzo's 'Special' from her 2022 Grammy-nominated album of the same name. 'Special' earned Lizzo her first and SZA's second No. 1 hit on Adult R&B Airplay in 2023 and hit the top 10 of Rhythmic Airplay.
SZA invited Justin Bieber to perform their 'Snooze' remix at their second SoFi Stadium stop on May 23. Bieber was featured on the acoustic version of 'Snooze' in September 2023, months after it was released as the sixth single from her 2022 blockbuster album SOS. 'Snooze' reached No. 2 on the Hot 100 and won the Grammy for best R&B song last year.
AzChike popped out to perform 'Peekaboo' with Dot in their hometown during the third SoFi Stadium stop on May 24. 'Peekaboo,' which samples Willie Hale's 1972 track 'Give Me a Helping Hand,' reached No. 13 on the Hot 100. 'Just shared the stage with my muthaf—king dawg, brotha, & the god damn goat tonight @kendricklamar. Hard work do pay off,' he wrote on X later that night, while sharing photos of him and Lamar on stage as well as of him and SZA backstage.
Doja Cat camouflaged herself while appearing in the middle of SZA's outdoorsy set design to perform 'Kiss Me More' at Las Vegas' Allegiant Stadium on May 31. 'Kiss Me More' reached No. 3 on the Hot 100 and won both artists their first Grammy in 2022 for best pop duo/group performance. 'First time performing together in soooo long,' SZA wrote on her Instagram Story with the heart organ emoji. 'THANK YOU @dojacat.'
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

There Is No Concert Like Bad Bunny's Puerto Rico Residency
There Is No Concert Like Bad Bunny's Puerto Rico Residency

Yahoo

time2 hours ago

  • Yahoo

There Is No Concert Like Bad Bunny's Puerto Rico Residency

If Bad Bunny were your standard artist, he could have — and probably would have — orchestrated the kind of tour that guarantees superstardom and an ever-growing fanbase, filling up stadiums across the U.S. and the rest of the globe to rake in more attention and money. But precisely what's made him one of the most beloved and compelling figures in music in recent years is that he's never treated himself like the bottom line — instead, the goal for him has always been to show the world a little bit of Puerto Rico. This is part of the impulse behind 'No Me Quiero Ir De Aqui,' his 30-date residency in Puerto Rico's famed 18,500-person arena El Coliseo de Puerto Rico José Miguel Agrelot. The idea is not just intriguing from an artistic point of view, but genuinely poignant: Not only is it a celebration of home and roots and tradition, it's an invitation for fans outside of Puerto Rico to truly immerse themselves in the place he comes from. But on top of all of that, the residency is also a muscular three-hour, 30-song marathon, intensely high on spectacle and production, that functions as a full-voiced love letter to his country and his fellow Puerto Ricans. More from Rolling Stone 'Happy Gilmore 2': Hooray! Adam Sandler's Brawling Golf Bro Is Back Bad Bunny, Travis Scott, Saweetie, and All the Songs You Need to Know This Week Bad Bunny's Puerto Rico Residency Instantly Sold Out - Here's Where to Find 2025 Tickets Online That love and pride is reciprocal: In San Juan, a day before his show this Friday, bars and cars blasted his music on repeat. Giant murals with his face have gone up in the city; a few others feature Concho, the delightful toad character that's become a staple in videos and promo from his latest album DeBÍ TiRAR MÁS FOTOS, which the show is crafted around. Fans flooded the area outside of El Coliseo, which has turned into a mini-festival block, with food stands and pop-ups, touting flags and jibaro hats before rushing into the arena for the prompt 9 p.m. start time — no one wanted to miss a second of what Benito was about to put out there. Right on time, the lights went out, revealing the decadent stage, designed to look the untouched, undeveloped version of the island's oceans and mountains. Two dancers appeared onstage to talk about the history of Puerto Rico before the percussion of 'ALAMBRE PúA' boomed in. Bad Bunny debuted the song at the first show in the residency earlier this month, and on a Puerto Rican bomba rhythm that's allowed for traditional dancers to take the stage. From there, he bounced between songs from DeBÍ TiRAR MÁS FOTOS, like 'KETU TeCRÉ' and the Christmas cut 'PIToRRO DE COCO.' In between, little video snippets showed Concho the toad talking to Puerto Rican actor and filmmaker Jacobo Morales; both of them have been part of the album's storyline, with Morales playing an old man who has left home for a freezing cold, ice-filled new land and is constantly nostalgic for home. One of the best transitions of the night happens when Concho and Morales are reminiscing about the beaches in Puerto Rico, paving the way for the Puerto Rico band and guests Chuwi to lead the beach-loving chorus of the song 'Welita.' The traditional band Los Pleneros de la Cresta ends the section, giving the audience tons of plena. Also stunning is the range of the show: At one point, Bad Bunny pops up across the arena at a little pink house, known throughout the show as La Casita, and goes into raging house party mode, performing OG classics from his repertoire (like 'Bichiyal' and 'No Me Conoce', plus some of the most charged tracks off DeBÍ TiRAR MÁS FOTOS. Here, the crowd absolutely lost it when Young Miko came out of La Casita for 'Fina.' Following that segment, Bad Bunny remerged on the mainstage, this time with a full salsa band for a sped-up version of 'Callaíta,' and then his chart-topping salsa opus 'BAILE INoLVIDABLE.' For one of the verses, salsa legend Gilberto Santa Rosa came out, sending the audience into absolute chaos. At 62, the salsa bandleader sounded sharp as ever, leaving fans with a rendition of 'La Agarro Bajando' that left everyone screaming for an encore. Throughout the show, Bad Bunny reminded Puerto Ricans that so much of the magic of these shows comes directly from them (the first nine performances, save for some media invites, have been designed specifically for residents-only.) As the residency opens up to more tourists in later weeks, it's clear that the specific alchemy of Puerto Rico's spirit is going to be what creates once-in-a-lifetime experiences for attendees. The performance, yes, is undeniably powerful, but it's all mixed in with the energy and intimacy of being on the island and seeing so much of the experience behind the music firsthand. As the final thrum of 'LA MuDANZA' piped into close the show, Bad Bunny reminded Puerto Ricans that this was possible because of them, and he's done this all for them. Parting words came from bandleader and percussionist Julito Gastón as he exited the stage: 'Nunca paren de tocar su tambor.' 'Never stop beating your own drum.' Set List'ALAMBRE PúA''KETU TeCRÉ''EL CLúB''La Santa''PIToRRO DE COCO''El Apagón''WELTiTA''KLOuFRENS''BOKeTE''Si Estuviésemos Juntos''Ni Bien Ni Mal''Amorfoda''TURiSTA''NUEVAYoL''Tití Me Preguntó''Neverita''Si Veo a Tu Mamá''La Romana''La Jumpa''VOY A LLeVARTE PA PR''Me Porto Bonito''No Me Conoce,' 'Bichiyal,' 'PERRO NEGRO,' and 'Yo Perreo Sola''Efecto''Safaera''VeLDÁ''EoO''CAFé CON RON''LO QUE LE PASÓ A HAWAii''Callaíta''BAILE INoLVIDABLE''DTmF''LA MuDANZA' Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked Solve the daily Crossword

Bad Bunny's Puerto Rico Takeover
Bad Bunny's Puerto Rico Takeover

Yahoo

time3 hours ago

  • Yahoo

Bad Bunny's Puerto Rico Takeover

Few entertainers have redefined the boundaries of language and sound quite like Bad Bunny, whose rise from SoundCloud obscurity to global icon status has made him a genre-shattering force. Even fans who don't speak a word of Spanish find themselves captivated by his poetic lyricism and hypnotic melodies -- proof that emotion and rhythm can transcend any linguistic barrier. Now, as he returns to his native Puerto Rico for an extended residency, it feels like a full-circle moment for an artist who has never stopped waving the flag for his island -- whether on international stages or in the verses that put his homeland on the map. When Benito announced a 30-show residency in January at the Coliseo de Puerto Rico José Miguel Agrelot, we immediately knew it would signify a monumental shift for the industry and a financial boon for the Caribbean archipelago. There was a curious anticipation for what we could expect, but obvious certainty that it would be a thoughtfully curated production packed with certain motifs only understandable by residents who resonate with Bad Bunny's frustration about growing gentrification in Puerto Rico and other political realities. The first organized residency done by any artist in Puerto Rico, it's no surprise people wanted to see for themselves why Bad Bunny is so deeply in love with his homeland. Within four hours of tickets going on sale for the "No Me Quiero Ir De Aquí" residency, they were already sold out for the 18,500-seat venue. The first nine shows were reserved just for Puerto Rican residents, another example of how Bad Bunny prioritizes a community that never doubted his potential from the early days. From there, hospitality officials jumped into action to pull off an extraordinary experience for visitors. Ahead of the three-month residency's start, it was already estimated that it would significantly stimulate the island's economy by at least $181 million and generate well over 35,000 hotel night bookings. Tourism jobs, which typically sit at around 100,000 on the island of 3.2 million people, could see a temporary spike of about 3%. In total, about 600,000 people are expected to visit Puerto Rico for the concert alone, which is roughly double the number of visitors the island usually gets. This is what happens when the biggest artist on Earth reinvests in his roots. From Local Hero to Global Host In front of a full house on July 11, the opening night of "No Me Quiero Ir De Aquí" set the tone for what future attendees can expect. A three-hour ode to heritage, it began with a lesson on Puerto Rico's complex roots. Prior to Benito taking the stage, a giant screen flashed facts and messages in Spanish like "Puerto Rico is an archipelago, not just an island," "Puerto Rico is an unincorporated territory of the United States, but it has its own flag, culture, and identity," and "Puerto Rico has two native musical genres: bomba and plena," an homage to its African and working-class ethics. How do you pack six albums' worth of hits into a few hours? An ambitious task, but no match for the guy whose creativity almost feels limitless at times. The setlist tracks from the 31-year-old's just-released (I Should Have Taken More Photos) and singles anyone with a social media account has heard over and over. In total, over 30 songs spanning three hours and genres such as reggaetón, salsa, bomba, trap, and plena, a true melting pot of the island's diverse sound. It's clear the music is for Puerto Ricans, about Puerto Ricans, from perhaps the most famous Puerto Rican. With enough wardrobe changes to rival Beyoncé, the Grammy Award winner's first look features a beige Taíno-inspired ensemble with straw accents and a winter-trapper-style hat. From there, exquisite suiting in vibrant colors and more casual sets paired with sneakers from his long-running adidas partnership. Between the dancers working overtime and a crowd screaming the lyrics to every song, it's a pleasant display of sensory overload. Puerto Rico has long been a wellspring of cultural influence, with its music, style, and message of resilience symbolizing an abundant reminder that happiness awaits on the other side of conflict. The island never needed Bad Bunny to validate its impact, but through his vision and massive platform, he's created something more: an immersive celebration that invites both residents and visitors to witness its brilliance firsthand. In doing so, he ensures that Puerto Rico's voice isn't just heard -- it echoes, unmistakably and indelibly, across the world. Read More: Film & TV July 25, 2025 In 'Happy Gilmore 2', Adam Sandler Creates a Sequel Worth Cheering For Execs & Entrepreneurs July 25, 2025 How Masai Ujiri Helped Shape the NBA's African Revolution Music July 24, 2025 On Record: Jeezy Talks the Making of 'Go Crazy' and 'Thug Motivation 101' Media July 24, 2025 Taylor Rooks on Building Legacy and Her Next Power Move Sports July 23, 2025 More Than a Game: Boardroom & Chase Celebrate the Rise of the W Sports July 23, 2025 Eugenio Suárez, Seth Lugo, & 10 Key Names to Watch at the MLB Trade Deadline

Hear Hayley Williams Debut New Song ‘Mirtazapine' on Nashville Radio
Hear Hayley Williams Debut New Song ‘Mirtazapine' on Nashville Radio

Yahoo

time3 hours ago

  • Yahoo

Hear Hayley Williams Debut New Song ‘Mirtazapine' on Nashville Radio

Hayley Williams shared a new song, titled 'Mirtazapine,' on Tuesday night on Nashville radio station WNXP. The track, named for a common antidepressant, is a mid-tempo, shoegazey rock number that sees the Paramore singer unleashing her signature howling vocals. Williams posted a fuzzy photo of a bottle of Mirtazapine on Instagram before the song premiered, hinting at its thematic tone. 'Here comes my genie in a screw cap bottle/ To grant me temporary solace,' she sings on the track. 'I could never be without her/ I had to write a song about her/ Who am I without you now?/ Mirtazapine, you make me eat, you make me sleep/ Mirtazapine, you let me dream.' More from Rolling Stone Zac Farro Is One of One on Latest Solo Single '1' Paramore and HalfNoise's Zac Farro Announces Solo Album 'Operator' Billie Eilish Breaks, Mends Our Hearts With 'The Only Exception' Paramore Cover WNXP Nashville revealed earlier in the day that the station would be premiering new solo music from Williams. The station posted the news on X along with a video of a CD that listed two song titles: 'Mirtazapine' and 'Glum.' Williams released her last solo LP, Flowers for Vases/Descansos, in 2021. She recently lent her vocals to Turnstile's song 'Seein' Stars,' off the band's new album Never Enough. She also collaborated with Moses Sumney on his song 'I Like It I Like It,' which dropped in May. In 2023, Paramore released their sixth album, This Is Why. The rock band spent much of last year on the road with Taylor Swift in support of the Eras Tour. Williams spoke about her ongoing struggle with depression in an interview with Rolling Stone around the album, noting that This Is Why was the first time she felt comfortable addressing the issue in song. 'People talk about anger and depression being so related because depression is like when you turn your anger inwards,' she said. 'And I think that there's bits of that anger mixed with bits of this real understanding of how frustrating it can feel to wake up with depression. Depression about your own choices, depression about the state of the world, depression about lost relationships or connections, or purpose. All that stuff is so heavy and you can't control it. So by this point, writing This Is Why — having learned about my own experience and looking at it head on — I think that it's interesting to think of that being a foundational point to the angst and the anxiousness and worry that This Is Why holds.' Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store