
We've reached peak lantern festival mania. Experience these magical ones around SoCal
Since then, sky lanterns have taken on a more ceremonial and celebratory significance, marking occasions such as the end of Chinese New Year and the coming of spring. Yet, as wondrously beautiful as these floating mini hot air balloon launches are, the reality is there's only a fine line — and a gust of wind — that can turn a sky lantern into a free-floating Molotov cocktail. Outlawed in many regions due to the fire risk and environmental hazards, the idea of releasing thousands of them indiscriminately into the sky literally wouldn't fly here in Southern California, where memories of the January wildfires are all too fresh.
This is why when OC Japan Fair hosted a lantern release as part of its three-day festival at Costa Mesa's OC Fairgrounds last month, organizers opted for a safer alternative: lantern-shaped helium-filled balloons tethered by string and lit by lithium battery-powered LEDs. I was among the hundreds of people who released their glowing boxy 'lanterns' inside the OC Fair's Hangar after a set by Japanese singer Minmi. For a few seconds, save for a piano playing a few pensive notes, there was silence. All eyes — and cellphones — were focused upward at the flickering white cubes.
'When you let go of a lantern in the air or in the water, you let go of your feelings behind it,' said attendee Charles Mendoza, who drove to the event from West Covina. Anything that's been weighing your thoughts, 'you just let it go.'
Whether you attend a lantern festival to release pent-up emotions, send a message to a loved one you've lost or cast a prayer into the great beyond, the experience can become a quiet moment of reflection. Here are four lantern events happening at various locations in and near Southern California until the end of the year, where, at the very least, you will be awed by the beauty and peacefulness of the idea — one that ironically started from war.
When: May 16-17
What: The Water Lantern Festival returns to Southern California. It happens Friday and Saturday at Lake Gregory Regional Park in the city of Crestline, and on Saturday only at Elm Grove Beach in Lake Elsinore. As the festival name and venues suggest, these are water lantern launches. But just like sky lantern events, they will be visually spectacular and, hopefully, spiritually impactful.
Originally launched in Utah in 2018, the Water Lantern Festival first came to Lake Gregory Regional Park in 2020 and has since expanded nationwide. Though it is a for-profit event, the festival has partnered with Water.org, an organization that helps bring clean water and sanitation to communities in need around the world.
Admission is $57.99 at the event. It includes a drawstring bag with one floating lantern kit with a lantern, tealight and marker to write your wishes, hopes or messages. Beyond the lantern release, the festival offers an array of food via food trucks, shopping, and entertainment. You are allowed to bring your own picnic and snacks, but not alcohol as the event is alcohol-free.
Details: waterlanternfestival.com
When: July 12-13
What: One of Los Angeles' beloved summer traditions — the Lotus Festival — is returning to Echo Park Lake. It began in 1972 as 'The Day of the Lotus,' created to highlight the contributions of Asian American communities in Los Angeles. It was renamed the Lotus Festival in 1990, and each year since, it has spotlighted a different Asian or Pacific Islander culture. The event is timed with the blooming of the lake's iconic lotus flowers, which was once the largest outside Asia.
Last year's celebration honored the Philippines and its L.A.-based diaspora. This year it will honor South Korea, showcasing the richness of Korean culture through live music, traditional dance, cuisine and artisan vendors.
While the highlight of the weekend is usually the Dragon Boat Races — which have drawn competitors and crowds since 1991 — the sentimental favorite is the water lantern release onto the lake. Admission is free, but details on the cost of the water lanterns has yet to be announced. Check the website closer to the date for more information.
Details: laparks.org/lotusfestival
When: Oct. 3-5
What: This fall, Rise Festival returns for three nights at Jean Dry Lake Bed, a desolate patch of Mojave Desert (three miles from Jean, Nev.) that has been used as a filming location for 'The Hangover,' 'Fear and Loathing in Las Vegas' and other movies. In its 10th year, Rise is the only sky lantern release festival on this list. But because it also features large scale art installations and a stage that sets up the night with live music, it is the Burning Man of lantern release festivals. (Though unlike at Burning Man, you can drive less than 20 miles to the Las Vegas Strip when it's done and end your evening with a shower in a hotel room of your choosing.)
Ticket packages start at $129 for the Silver tier, which includes the lantern release ceremony, live performances on two desert stages, access to large-scale art installations, meditation spaces known as Rise Halos, two lanterns per guest, a portable cushion for desert seating, and unlimited water refills. Higher-tier packages add perks such as gourmet dining, open bar access and reserved viewing areas.
Details: risefestival.com/
When: Nov. 9
What: Celebrated for centuries in Germany, Austria and Switzerland, St. Martin's Day honors the life of Martin of Tours, a 4th century Roman soldier turned monk and bishop. He is best known for a simple but profound act of compassion — sharing his cloak with a freezing beggar on a winter's night. That moment of generosity defined his legacy.
When he died, his body was carried by boat along the river to Tours. Legend has it that children bid farewell by standing on the riverbank with candles to light the way. Since then lantern processions, or Laternenumzüge, became tradition, symbolizing the light and the enduring warmth of human kindness embodied by the saint.
On Nov. 9 at around 5 p.m., this tradition continues in Huntington Beach's Old World Village. Children and families will carry illuminated lanterns through the mall while singing traditional songs sung for generations. Hosted by German School Campus of Newport Beach, this St. Martin Lantern Parade is free to attend (but a $5 donation and reserving your spot online is requested).
Details: events.oldworldhb.com/event/st-martin-day-lantern-parade
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
2 hours ago
- New York Post
Elaine Hendrix reveals the 2 ‘Parent Trap' deleted scenes she was ‘really sad to see go'
Not even Meredith Blake clicking sticks could fend off the chopping block. 'The Parent Trap' star Elaine Hendrix revealed two scenes from the 1998 Disney classic that didn't make the final cut. In the film, a remake of the 1961 original, twins Hallie Parker and Annie James (Lindsay Lohan) scheme to reunite their divorced parents. Hendrix plays Meredith Blake, the gold-digging fiancée of the girls' father, Nick Parker (Dennis Quaid). 6 Hendrix as Meredith Blake and Lindsay Lohan as Hallie Parker and Annie James in 'The Parent Trap.' Disney 6 Meredith is the gold-digging fiancée of the twins' father, Nick Parker, played by Dennis Quaid. Walt Disney With a runtime of 2 hours and 8 minutes, Hendrix, 54, said she was surprised any scenes were trimmed at all, noting the movie is already 'pretty long, especially for a little bit older of a film.' 'Nowadays, it's like, 'Oh, it's a short movie, in comparison,'' she exclusively told The Post. 'But there were two scenes that I was really sad to see go that I remember.' Among the cut footage, Hendrix said there was a scene of Meredith and Nick shopping for her engagement ring — a moment she called 'very near and dear to [her] heart' in a 2020 Vulture interview. 6 Hendrix as Meredith Blake and Quaid as Nick Parker in 'The Parent Trap.' Walt Disney 'We shut down Rodeo Drive to shoot it,' she told The Post. 'That was a really big deal.' The 'Dynasty' actress also recalled that the late Variety columnist Army Archerd visited the set while they were filming the scene and later wrote about 'The Parent Trap.' '[He] really singled me out and called me a young Carole Lombard,' she told Vulture. 'He mentioned how only a group of pros would really be worthy of shutting down Rodeo Drive.' 6 Elaine Hendrix during her interview with The Post. Page Six Because of that moment, Hendrix told The Post, 'I was like, 'Oh, I really wanted that scene in the movie.'' The second deleted scene Hendrix was disappointed to see cut put a twist on one that actually did make the final cut. While on a camping trip with Nick and the twins, Meredith starts clicking sticks on her way to the tent. 6 Hendrix, as Meredith, clicks sticks on her way to the tent in 'The Parent Trap.' Walt Disney Quaid, as Nick, asks, 'Meredith, what are you doing?' She replies, 'I don't want the mountain lions to —' but stops short when she notices Hallie and Annie giggling. 'There are no mountain lions up here, are there?' she asks. In the deleted version, Hendrix told The Post that she followed the line with a 'pratfall, a trip out of screen, like I fell down.' 6 Hendrix did most of her own stunts in 'The Parent Trap.' Walt Disney A classically trained dancer, Hendrix tries to do as many of her own stunts as possible — and 'The Parent Trap' was no exception. 'That one in particular, I was so proud of,' she explained. '[It] felt like it harked back to the Vaudeville days — like, 'Watch me be so talented.' And then it got cut, so nobody got to see it.' She concluded to Vulture, 'I was like, 'Damn, that was a good fall.''


Gizmodo
2 hours ago
- Gizmodo
Report: Disney's Attempts to Experiment With Generative AI Have Already Hit Major Hurdles
As Silicon Valley has pushed the world more and more into trying to make the generative AI boom sustain itself, Hollywood is still standing on the precipice of a transformative moment. Studios are grappling with the purported potential (and demands for cost savings) artificial intelligence models may bring, weighed against the legal minefields exploiting such technologies can represent—and an increasing public backlash to the technology. Disney is certainly no exception, as the company is already familiar with both the legal headaches and the PR nightmare generative AI can represent. But a new report from the Wall Street Journal claims that there've been even more attempts behind the scenes at Disney's studio to try and utilize generative AI technologies… neither of which purportedly went very far or well, for very different reasons. Two upcoming productions that tried to navigate potential use of generative AI mentioned in the WSJ report are the upcoming live-action Moana remake and Tron: Ares. For the former, Disney reportedly planned to work with an AI company called Metaphysic to create a digital deepfake of actor Dwayne Johnson, set to reprise his role as the demigod Maui in the remake. In an attempt to reduce the number of days Johnson would be required on set for production, the alleged plan was to have Johnson's cousin, Tanoai Reed, act as a stand-in who would have Johnson's deepfaked face put over his performance in post-production. Although the plan was for a 'small number of shots,' according to WSJ's report, after 18 months of negotiation and work between Disney and Metaphysic, none of the shots using Reed's performance will be in the final movie when it releases in July 2026. WSJ's report cited concerns over data security on Disney's end, as well as the legal question that lingers over any broader embrace of generative AI technology in Hollywood: who, exactly, owns the end product when generative AI models are used to create even a part of it? That thorny question of ownership has already seen Disney take legal action against AI companies over claims of illegal misuse of copyrighted material to train their models. In June this year, Disney teamed up with Universal to sue Midjourney over what the suit described as a 'bottomless pit of plagiarism,' accusing the AI company's image generator of breaching copyright laws to distribute and create images trained on the studios' library of characters and franchises. But copyright is not the only concern Disney faces when it comes to ideas around generative AI: the studio is also increasingly navigating potential publicity nightmares as social backlash to the use of the technology increases. In another example in WSJ's report, it's alleged that Disney executives pitched creatives on the set of Tron: Ares on including a generative AI character in the film, which itself is already about artificial intelligences escaping the digital world of 'The Grid' to be exploited as military contractors in the real world. According to WSJ, the character would've been called 'Bit' and acted as a potential companion to Jeff Bridges' returning Kevin Flynn, and built off of context provided by a writer, the generated character would then be recorded and deliver lines performed by an actor, responding as if the model itself were Bit. The report claims that similarly the idea was stymied again by legal discussions at the time, amid negotiations with unions, as well as the fact that Disney executives were purportedly told to drop the idea internally because 'the company couldn't risk the bad publicity.' Disney is, of course, no stranger to public embarrassment when it comes to its properties and AI, either. Marvel was lambasted for the use of generative AI to create the opening title sequence to its Disney+ series Secret Invasion in 2023, and found itself defending itself from accusations of its use once more for the early marketing campaign for Fantastic Four: First Steps. Earlier this summer, Disney's investment into Epic Games was touted through the arrival of a generative-AI-enhanced Darth Vader avatar in Fortnite to promote the battle royale video game's then-ongoing Star Wars event, 'Galactic Battle', where Darth Vader could be recruited by players, using a deepfake model of the late James Earl Jones' voice to interact with players in real time. Players promptly figured out ways to get around Epic's content restrictions and get the generative Vader to swear and use slurs. Although Epic managed to fix the bugs within 30 minutes of the Vader character's appearance going live in Fortnite, several videos of the exploits went viral on social media. SAG-AFTRA also filed an unfair labor practice charge against Epic over the use of generative AI denying a human actor the chance to voice the role (Jones' estate had already sold the rights to his voice to the Ukrainian tech company Respeecher in 2022 before his passing), but rumors recently swirled that the union dropped the charges in the wake of signing a new contract last month. The legal outcome of Disney and Universal's lawsuit is still to be decided, but what is seemingly clear is that the potential AI takeover of Hollywood that has been feared with the proliferation of generative AI may not be as close as some people (and some companies) expect. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.


Geek Tyrant
3 hours ago
- Geek Tyrant
Liam Neeson Rips Into His STAR WARS Death Scene: 'Oh, Please. Hardly a Master Jedi' — GeekTyrant
Liam Neeson didn't hold back when recnetly critiquing his own Star Wars legacy. While promoting his upcoming comedy The Naked Gun , Neeson sat down with GQ to reflect on some of his most iconic roles, and when it came time to talk about Star Wars: The Phantom Menace , the actor criticized how his Jedi Master went out. During the video, Neeson looked back on playing Qui-Gon Jinn, and called out what he felt was a lackluster demise at the hands of Darth Maul. Neeson said: 'I'm supposed to be a master Jedi, you know. My character fell for that 'Oh! I'm going for your face! No I'm not. I'm going for your stomach.' [makes death noises] 'Oh, you got me!' Like, oh please. Hardly a master Jedi. But still, [making the film] was great.' To be fair, Qui-Gon's death has always sparked debate among fans. While Maul was undeniably a fearsome and highly trained Sith apprentice, Neeson makes a valid point. A Jedi Master who had easily dispatched battle droids throughout the film probably shouldn't have gone down so quickly. Especially when he was supposed to be one of the Order's most powerful and wise warriors, and crucially, the one meant to guide Anakin Skywalker's future. After The Phantom Menace , Neeson did return to the galaxy far, far away for a brief cameo as Qui-Gon's Force ghost in Star Wars: Obi-Wan Kenobi , and also lent his voice to the animated series Star Wars: Tales of the Jedi . His son, Micheál Richardson, even voiced a younger version of Qui-Gon in the show. But as far as doing anything more in the Star Wars universe, Neeson isn't feeling it. 'It's diluting it to me, and it's taken away the mystery and magic in a weird way.' He makes it pretty clear he's not eager to return again. The number of spinoffs and prequels might be chipping away at the specialness that made Star Wars so beloved in the first place. Sure, Maul was a beast in combat, trained by none other than Darth Sidious himself, and Qui-Gon had just come off an exhausting lightsaber duel earlier in the movie. But it still feels like his character deserved more of a legendary send-off. Unlike Obi-Wan's noble sacrifice in A New Hope , Qui-Gon was actively trying to survive and fulfill his purpose. He wasn't giving up — he was taken out. Maybe Neeson's criticism isn't just about his character's death being too easy, but more about how it undermined Qui-Gon's importance and capability. For a Jedi Master who was meant to be pivotal in Anakin's journey, getting stabbed after a simple feint feels like a weak exit. What do you think? Was Qui-Gon Jinn's death scene a letdown or a powerful turning point in the saga?