‘I always feel very much at home there': Julianne Moore gushes about Toronto
Julianne Moore joked this week that maybe 'someday' she'll end up in Toronto, after professing her love for the city where she started her illustrious career nearly 40 years ago.
'You know, I love Toronto,' Moore told CTV Your Morning's Anne-Marie Mediwake when asked what she considers to be 'uniquely Canadian.'
Moore has previously stated that she's 'practically Canadian,' and has the film and television credits to prove it.
'I've been working there for years. One of my very first jobs was in Toronto in the mid '80s,' pointing to the 1987 miniseries 'I'll Take Manhattan.'
The star of the new Netflix dark comedy series 'Sirens' said that since then, she's seen an 'incredible evolution' in the city 'where it's just become so incredibly diverse and multicultural.'
'There's so much to do there and the food is excellent, and it's just a lovely place to be,' Moore said.
The love affair between Canada's biggest city and the American actor has blossomed since the '80s. Moore returned to Toronto to star in Atom Egoyan's 'Chloe' in 2009 and David Cronenberg's 'Maps to the Stars' in 2014.
'Every time I've worked up there I've worked with so many talented actors and so many great crew members, and I always feel very much at home there,' she said.
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Amazon Web Services software analyzes and logs every movement, detecting millions of details in the piece, including the strokes, brush pressure, pigment and speed. "We like to think of AI as a powerful magnifying glass," said Patricia Nielsen, AWS Canada's head of digital transformation and AI. "It can detect those patterns and the anomalies that might be invisible to the human eye ... so art experts, historians, can dig in further." With that data, Acrylic's robotic arm can then paint a replica so precise, Ryan says it's indistinguishable from an original — exactly what Dingle needed to put Norval AI to the test. A mutual connection put him in touch with Ryan last August. Shortly after, they got to work. Because Morrisseau isn't alive to paint images on Ryan's tablet, Acrylic's robot (Dingle affectionately calls it Dodo) had a more complicated feat to accomplish. Dingle would send Ryan a hi-resolution image of one of Morrisseau's works. 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Concerns of harming artists Newer editions of the Morrisseaus are about 69 per cent accurate and expected to improve even more. But Dingle admits, "I have kind of been holding back on getting to 100 per cent." He's scared of developing anything too perfect before he and Acrylic Robotics have found a foolproof method for ensuring a Morrisseau recreation can't be passed off as the real thing. It's a concern Ryan shares. "The worst thing that could happen is that we release this without consultation with groups that have been harmed by art forgery and this technology is used against artists," she said. WATCH | Winnipeg Art Gallery painting part of Morrisseau fake investigation: Painting in Winnipeg Art Gallery collection part of investigation into Norval Morrisseau fakes 1 year ago A case investigators have called Canada's largest art fraud investigation has revealed one of thousands of paintings falsely attributed to renowned Anishinaabe artist Norval Morrisseau was once on display in Winnipeg's biggest art gallery. They're currently exploring markings or other features that can be embedded in pieces to denote they're not originals. Once they settle on an ideal method, they'll have an avenue to disseminate recreations of Morrisseau's work — responsibly. While some might think that's the last thing an estate plagued by forgeries would want to do, Dingle sees it as a way to bring Morrisseau's work to the people who would value it most. "There's two schools named after Norval. There are healing institutions. There are academic institutions. There are remote Indigenous communities," said Dingle, sitting in front of a rarely-shown Morrisseau.
