
Jo Koy's ‘Just Being Koy' tour set to light up Etihad Arena on May 29
As part of Abu Dhabi Comedy Season, the globally loved comedian is bringing his signature humor back to the stage, offering fans a chance to enjoy a night of fresh laughs and relatable stories.
From his viral jokes about Filipino moms to hilarious takes on everyday life, Jo Koy continues to captivate audiences worldwide with his authentic storytelling and comedic timing.
His ability to turn simple, real-life moments into laugh-out-loud stand-up routines has earned him a loyal fan base across cultures and generations.
'I love performing here,' Jo Koy has said in previous interviews. 'The energy, the love, and the laughter from the crowd are something I look forward to every time.'
Known for creating an inclusive comedy experience, Jo's set will feature new material that touches on family, parenting, and cultural quirks — themes that deeply resonate with multicultural audiences, especially those in the UAE.
His return promises a performance full of energy, charm, and the kind of humor that brings people together.
More than just a comedy show, Just Being Koy is a celebration of shared experiences and the power of laughter to connect communities. Whether you're a long-time fan or seeing him live for the first time, expect a show that's personal, heartfelt, and undeniably funny.
Tickets are now available at etihadarena.ae and Platinumlist. Secure your tickets today.

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Gulf Today
6 hours ago
- Gulf Today
UAE to compete at ‘I-Sing World Finals' in Toronto
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The National
8 hours ago
- The National
Let's Get Loud: Ten Jennifer Lopez songs that defined her career
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Where If You Had My Love kept things cool, Let's Get Loud puts Lopez's vocals in the front and centre. It's full of attitude and became a staple of her live shows, from Vegas residencies to stadiums and sports events around the world. 3. Love Don't Cost a Thing (2001) With its percolating percussions and streamlined groove, it is an almost a picture-perfect snapshot of early-2000s RnB. The sound is sleek, mid-tempo and driven more by attitude than vocal fireworks. A reason the track works so well is Lopez herself, as she serves the song. The delivery is sharp, each line clipped with precision. The lyrics became a kind of cultural slogan, a meme before memes were a thing. At this point, Lopez was in transition to full-blown pop star and you can hear that confidence all over the record. 4. I'm Real (Murder Remix) with Ja Rule (2001) When people talk about the track, they're almost always referring to the remix with hip-hop star Ja Rule. He was at the height of his run back then and his rumbling verses gave the piece the grit it needed. The original version felt flat by comparison. This remix, though, was hazy, unhurried and full of the kind of RnB-rap chemistry flavour defining the early 2000s. Lopez's soft, sultry coos is a great foil for Ja Rule's raspy raps. It was a great collaboration, and a chart-topping summer hit. 5. Jenny from the Block (2002) Maybe it was inspired by the movie roles she was taking at the time, but with this track, Lopez fully orchestrates her origin story. The samples – from The Beatnuts and Boogie Down Productions – nod to her hip-hop influences, but the bigger play here is brand-building. This was less about the music and more about shaping the J-Lo identity: grounded, street-smart and media-savvy. It worked then – but the same strategy hasn't always resonated. You can draw a straight line from Jenny from the Block to the more calculated moments in her later career, like the misfire of her latest album. This was one of the times she got the balance right. 6. Get Right (2005) Lopez has a bunch of tracks that feel like outliers and Get Right is one of them. Built around a squawking sax loop and twitchy percussion, it's one of her most rhythm-driven songs. There's no real hook to speak of, just forward motion. The vocals are clipped, staccato, almost functioning like another part of the beat. It works though. The whole thing holds together, and it quietly marks one of her first proper steps into club territory – something she would go on to perfect with On the Floor a few years later. 7. Que Hiciste (2007) This marked Lopez's move into Spanish-language pop – taken from her album Como Ama una Mujer – but instead of chasing the bright pop energy of someone like Shakira, she leaned into balladry. The production is heavy on cinematic strings and slow builds, but what really stands out is how it opened up her voice. Unlike her RnB material, which is often heavily treated, this kind of Spanish-language pop demands vocal umph – and Lopez rises to the occasion. It's one of the few records where we hear her relatively unadorned vocals. While it didn't make much noise in English-speaking markets, it remains a well-regarded effort. 8. On the Floor with Pitbull (2011) By the the blazing track arrived Lopez had been relatively quiet on the charts for a few years. Hence she went to Moroocan-Swede RedOne – one of the hottest pop producers at the time – best known for his bombastic, dancefloor-ready work with artists like Lady Gaga. The result was On the Floor: a stomping club-ready track that takes the familiar Lambada melody, gives it a new bassline and turns it into a stadium-sized banger. 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Filipino Times
13 hours ago
- Filipino Times
Sofronio Vasquez honored to sing national anthem at Marcos' 4th SONA
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