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Stellan Skarsgård on Ingmar Bergman: ‘The only person I know who cried when Hitler died'

Stellan Skarsgård on Ingmar Bergman: ‘The only person I know who cried when Hitler died'

The Guardian14-07-2025
Stellan Skarsgård has weighed in on famed director Ingmar Bergman's Nazi sympathies as a young adult.
The actor was speaking at the Karlovy Vary film festival in the Czech Republic, where he was promoting Joachim Trier's film Sentimental Value, inspired by the late Swedish director. Skarsgård expressed his personal dislike of Bergman, with whom he worked on a 1986 stage production of August Strindberg's A Dream Play.
'Bergman was manipulative,' said the 74-year-old Swedish actor, as first reported by Variety. 'He was a Nazi during the war and the only person I know who cried when Hitler died. We kept excusing him, but I have a feeling he had a very weird outlook on other people. [He thought] some people were not worthy. You felt it, when he was manipulating others. He wasn't nice.'
Bergman, who died in 2007 at the age of 89, spoke openly of his past sympathies for nazism while growing up in a rightwing Swedish family.
In 1999, the director explained to Maria-Pia Boëthius, author of a book questioning Sweden's neutrality during the second world war, his positive feelings for Hitler after attending a Nazi rally during an exchange trip to Germany in 1934, at the age of 16. 'Hitler was unbelievably charismatic. He electrified the crowd,' he said.
He added that his family put a photo of the fascist dictator next to his bed after, because 'the nazism I had seen seemed fun and youthful.' The book also details how Bergman's brother and friends vandalized the house of a Jewish neighbor with swastikas – and that he was 'too cowardly' to raise objections to the attack.
The director also acknowledged his past Nazi sympathies in his 1987 memoir The Magic Lantern: 'For many years, I was on Hitler's side, delighted by his success and saddened by his defeats.' He told Boëthius that he maintained support for the Nazis until the end of the war, when the exposure of Nazi atrocities in the Holocaust changed his views. 'When the doors to the concentration camps were thrown open,' he said, 'I was suddenly ripped of my innocence.' Bergman went on to explore anguish over the horrors of war in such films as Winter Light, The Silence and Shame.
This is not the first time Skarsgård has criticized Bergman openly – in a 2012 interview with the Guardian's Xan Brooks, Skarsgård said of Bergman: 'I didn't want him near my life.'
'My complicated relationship with Bergman has to do with him not being a very nice guy,' he said at Karlovy Vary. 'He was a nice director, but you can still denounce a person as an asshole. Caravaggio was probably an asshole as well, but he did great paintings.'
Sentimental Value, which premiered to rave reviews at May's Cannes film festival, is tipped for awards success later this year.
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Meet the BABS! Lionesses' 'Brothers and Boyfriends' group ready to roar England to glory
Meet the BABS! Lionesses' 'Brothers and Boyfriends' group ready to roar England to glory

Daily Mirror

timean hour ago

  • Daily Mirror

Meet the BABS! Lionesses' 'Brothers and Boyfriends' group ready to roar England to glory

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Alisha Lehmann loses title of ‘world's most beautiful footballer' as stunning pics of Sweden's Alice Sondergaard emerge
Alisha Lehmann loses title of ‘world's most beautiful footballer' as stunning pics of Sweden's Alice Sondergaard emerge

The Sun

time13 hours ago

  • The Sun

Alisha Lehmann loses title of ‘world's most beautiful footballer' as stunning pics of Sweden's Alice Sondergaard emerge

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I have seen the mischievous side of Sarina Wiegman
I have seen the mischievous side of Sarina Wiegman

Telegraph

time15 hours ago

  • Telegraph

I have seen the mischievous side of Sarina Wiegman

Maybe it started in Gothenburg last summer, the change in Sarina Wiegman that has been more obvious at this European Championship and gives us a far greater insight into the personality behind the world's most successful international manager. As a relatively straightforward press conference was coming to an end, after the goalless draw against Sweden that confirmed England's qualification for the European Championship back in July 2024, I wanted to ask another question. Things were being wrapped up by the FA's press officer, so I raised a hand and asked Sarina if 'I could be naughty...' Before I had a chance to finish my sentence to add that I wanted to ask one more question, Sarina with a hint of mischief and clear amusement replied: 'But you are always naughty...' At the time it felt like nothing more than a light-hearted moment; like I was being gently admonished by a patient, but weary schoolteacher. I had plenty of those during my school days. In fact, I would like to apologise to my former science and maths teachers, in particular, for refusing to shut up in class, for behaving like the class clown for the amusement of my fellow pupils and for generally being a nuisance. It was neither big nor clever, as you repeatedly said at the time. Wiegman was pleased with her joke and the laughter in the room, but graciously allowed me to ask my additional question. I did not think any more of it until I arrived in Switzerland, but there has been a clear change in Wiegman's approach to her media duties. She is more relaxed, more fun. She seems to understand the English better. She is more in tune with our sense of humour; how we perceive life, as well as football. It is in keeping with what insiders have told Telegraph Sport about the changes Wiegman has made. Emotional side was always clear in private When she started work as England manager in September 2021, having won the Euros with her native Netherlands in 2017 and reached the final of the World Cup in 2019, she came in as a disciplinarian. She made rules and drove standards. She was stern, strong in her message, but also a little aloof. Her message was always direct and possibly even a little blunt. She was a new manager, from a foreign country, looking to stamp her authority on the group. But those close to her have always maintained there is a softer side; she is also deeply caring and emotionally intelligent. She forms tight bonds with players as well as her staff. The messaging has remained the same: she is direct and honest, but she also keeps a sense of fun in camp too. 'I am like their mum, yes, sometimes…' she laughed. 'But then I remember that I have tough decisions to make and they are grown-up women.' When she told Mary Earps and Millie Bright before the tournament that they would not be first choice in their respective positions, it upset them. Earps announced her retirement from international football and Bright withdrew from the squad to 'prioritise her mental and physical well-being'. Crucially, though, as upset as some of their team-mates were, they stuck with Wiegman, and the FA was impressed with her decisive handling of the situation. It sent a message to the rest of the squad. Those players do not want to be here, we will move on united without them. The 55-year-old said precisely that in her press conference to announce the squad, adding that 'some players might not like what I tell them… but that isn't something I can control'. In Switzerland, Wiegman has continued to show more of herself. The guard has dropped. At a Nations League game in Coventry last year, spotting me in the audience at a press conference, Wiegman said: 'Oh, you are back…' It is a relationship that has continued to enjoy moments of humour and levity. A clip of our exchange after the opening group-game defeat by France, when I asked if she thought there had been a foul on Alessia Russo in the build-up to the second goal, went viral on social media. I'd asked her why she was so upset, she was animated but enjoyed the jousting. 'I'm not the referee,' she replied to all follow-up questions. When I said, 'that's a shame', she finally laughed. "I'm not the referee!" Sarina Wiegman on France's second goal yesterday... — ITV Football (@itvfootball) July 6, 2025 When I compared Lucy Bronze to the warrior Queen Boudica, the heroine of national folklore after the quarter-final win over Sweden, Wiegman was predictably bemused, but went on to give an unusually passionate answer about Bronze, the player and the person. As the press conference ended, she ushered me over to her, keen to learn more about Boudica and what she meant to England, what she had done and why I had used her in a comparison to Bronze. She listened intently, despite FA officials waiting to whisk her off and replied: 'This Queen Boudica has been reincarnated as Lucy Bronze, I will tell Lucy this, thank you.' Where once her public persona was formal and possibly even a little cold, there is far more warmth. Falling in love with England Before the semi-final against Italy I asked her if she had fallen in love with the English. She did not appear to understand the question. It bothered her so much that she got in touch to apologise for failing to grasp what I had meant and promised to answer it properly if I asked it again. 'I'm sorry, I'm still learning English,' Wiegman said on Friday. 'But yes I have [fallen in love]. Otherwise I would not be sitting here with such a smile on my face. 'I have been here four years and it just feels like my home away from home. I always enjoy it when I'm at work, when I'm in England I love it. 'It is just the people. The sporting culture, I really love the culture and the fans of course. It is the connection I have with the people. We are very, very close. 'The people at the FA, with everyone. But it goes beyond that. Sometimes it can be hard, the discussions you have with the media, because it is sport, but I have always felt so much respect. I really like what I have found in England. It is just really nice. 'This team has always shown so much resilience, I see that in abundance and I see that entirely through the prism of the Lionesses. They are absolutely the most resilient of people. They really want to work so hard and are so committed, I really see that [in the English].' Wiegman also admitted she had 'vowed to enjoy' the moments of success more as a manager, something her time in England has brought out of her normal reserved, studious self. It was in the glorious aftermath of that late, late victory over Sweden that Wiegman, to the surprise of many, let her emotions spill over, singing a song in Dutch, at the top of her voice in the middle of the pitch, surrounded by her team. They sprayed her with a water bottle. The gist of the lyrics was something about we're not going home. A Dutchwoman who has been bewitched by English football, our passion, our refusal to accept defeat and our fighting spirit, might just be bringing football home again.

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