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‘Our Hero, Balthazar' Review: Jaeden Martell Is an Edgelord Obsessed with a Would-Be School Shooter in ‘Good Time' Producer's Angsty Debut

‘Our Hero, Balthazar' Review: Jaeden Martell Is an Edgelord Obsessed with a Would-Be School Shooter in ‘Good Time' Producer's Angsty Debut

Yahoo09-06-2025
To revel in anarchy without an initial critical perspective about gun culture or social media addiction is the point of director Oscar Boyson's feature debut, 'Our Hero, Balthazar,' co-written with Ricky Camilleri, a movie wrestling with both topics. The 'Good Time' producer and 'Uncut Gems' executive producer's first film as a director stars 'Midnight Special' and 'It' breakout Jaeden Martell as a spoiled New York City private-school edgelord adept at making himself cry on self-cue for his online followers.
Balthazar's (Martell) compulsion toward on-iPhone faux tears contributes to a broad satire of an ever-widening genre of curated suffering wrought by social media users. The ones who lather themselves up over causes (see Selena Gomez's tearful direct-to-camera confession about Trump's deportation policies, which went viral earlier this year) to signal their virtues, and often emptily or at least confused.
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Boyson captures this phenomenon, mostly poking rather than prodding, until the film's dramatic and very bloody finish puts a not moralizing but perhaps prescriptive cap on the endgame of its own expanding satire: 'Our Hero, Balthazar' follows Balthy, as he's known by his absentee mother (a perfectly uptight, power-dressed Jennifer Ehle), into a dark obsession with the also biblically named Solomon (Asa Butterfield), an internet troll with aspirations of shooting up his Texas school and maybe more.
Balthy, though, doesn't have many virtues, and here the world of edgelords and online rage-baiters is a scuzzy one that cinematographer Christopher Messina and editors Nate DeYoung and Erin DeWitt plunge us into with all the subtlety of the Safdies' clock-ticking New York crime odyssey 'Good Time.' The synthy, pulsing electro art score by James William Blades further brings to mind those early Safdie movies, now generational touchstones for emerging filmmakers.
Boyson doesn't entirely peel away from the Benny-and-Josh-established aesthetic that's now the expected parlance of millennial filmmakers seeking to capture an unvarnished, on-edge New York — Boyson, after all, co-founded the Safdies' Elara Pictures before the brothers split creatively. The stylized filmmaking becomes its own sort of critical point of view here, revving up the audience and probably encouraging even a few in the room to endorse its agonized worldview via the movie's compelling craft. 'Our Hero, Balthazar' is both a cautionary tale and an entertainment, and how Boyson straddles the highwire cutting between those two opposing forces is what makes this promising debut most fascinatingly restless.
It's present day, and when 'Our Hero, Balthazar' begins, Balthy is weeping into his iPhone camera. 'This loneliness is killing me,' he says. But it's all fakery, as staged as the active-shooter drills at Balthy's private Manhattan school, crocodile tears welled up to weaponize his narcissism against the bleeding hearts of passive, smash-the-freaking-like-button social media sheep. Balthy is barely attended to by his single mom, Nicole (Ehle), who's so distracted by a romance with a rising politico (David M. Raine) that she goes out of town with the guy on Balthy's birthday weekend. Meanwhile, Balthy's nonexistent father just cuts the checks while remaining upstate in Westchester.
Balthy appears to have no social life outside the internet-only interactions inside his high-rise bedroom overlooking the city. He's attracted to an activist classmate (Pippa Knowles), who sounds off on the 'monetization of narcissism' after one of those school-shooting drills, but he alienates her entirely after trying to make out with her while watching dark-web-dispatched closed-circuit footage of an actual Arkansas school massacre. (As in last year's 'Red Rooms,' about a woman perversely drawn to snuff films, Boyson keeps the carnage off-camera, letting the sounds of guns popping and screams overheard ooze into our imagination.)
Balthy's preoccupation with school shootings entwines him over Instagram exchanges with Texas-dwelling convenience store worker Solomon, played by an unrecognizable Butterfield in brassy bleach-blond hair in desperate need of a rinse of purple shampoo. Solomon is lonely, too, ignored by his father, a Frank Mackey-type motivational speaker who used to be an amateur porn star and now peddles a powdery testosterone supplement called Thrush. The angsty teen, who's got far too much access to firearms and fantasizes about blowing up his peers, lives with his ailing, Franzia-wine-box-guzzling grandmother (Becky Ann Baker, hilarious and sweatily confined to an easy chair). He's loathed by (and perhaps in love with) his coworker, played by a crassly funny Anna Baryshnikov who again trashily steals the scene as she did in 'Love Lies Bleeding,' there as a lesbian stalker with gingivitis.
So Balthy, using all the AI chicanery disturbingly at his disposal, poses as a nympho online female sex bot to lure Solomon's attention via DMs and to eventually meet up with him in a sad pocket of rural Texas. Balthy goads Solomon's forming Oedipal desire to murder his father, while cautioning as Solomon suits up for the kill, 'It's not even a school — nobody's gonna care.' Balthy, meanwhile, hopes that in stopping Solomon's parallel planned school shooting he can somehow win back the affections of Eleanor (Knowles), who begs Balthy to stop reaching out but seemingly hasn't learned how to block a caller.
Is Balthy a hero? Is Solomon a murderer? Or are they both just hopeless casualties of an epidemic of over-interneted incel-adjacents who've turned being online at all these days into a pervasive existential risk? Car chases and police standoffs blare and beam from Solomon's grandmother's TV, giving 'Our Hero, Balthazar' an ever-on-the-edge-of-apocalypse vibe that literalizes our society-addling fixation on spectacle violence and if-it-bleeds-it-leads cable news, where the last tragedy is the latest news item.
Though hardly transgressive if you've kept up with the recent crop of indies that blend New York-at-night thriller with Gen Z-skewering social messaging (Olmo Schnabel's queer Manhattan caper 'Pet Shop Boys' from last year comes to mind), the contradictions in the thrilling pleasures of this film's craft alongside its darkly comic warning letter about gun culture make for a potent if ultimately ambivalent first venture. But it's ambivalence by design, as Boyson ends his movie on a painfully inevitable, macabrely funny finale that brings the whole thing full circle, Balthy once again crying on his own command for all the world (or at least a handful of followers and news watchers) to see.
Martell makes a strong dramatic impression as a seriously fucked-up kid, but is he more fucked-up than any kid — or any of us — is lately? It's Butterfield's pathos and toxic teendom that give 'Our Hero, Balthazar' its emotional anchor, if the film has one at all. Boyson seems more enamored with the pyrotechnics of filmmaking — and as a first-time feature director, why wouldn't he be? — than with sticking to an emotional landing. 'Our Hero, Balthazar' isn't cold by any means, but the result comes off as more ethnographic in tone than the in-your-face bravado of the approach would suggest.
'Our Hero, Balthazar' premiered at the 2025 Tribeca Festival. It is currently seeking U.S. distribution.
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This Billionaire Is Partnering With The Ellisons On The Paramount Deal
This Billionaire Is Partnering With The Ellisons On The Paramount Deal

Forbes

time7 minutes ago

  • Forbes

This Billionaire Is Partnering With The Ellisons On The Paramount Deal

T he year-long saga of Skydance Media's $8 billion Paramount takeover is fit for its own Paramount+ mini-series. There's political intrigue with critics slamming departing boss Shari Redstone's apparent capitulation to Donald Trump to get the deal approved, including Paramount's agreement to pay $16 million to Trump's future presidential library to resolve a lawsuit over a 60 Minutes segment on Kamala Harris followed by CBS News' announcement that it was cancelling popular Trump critic Stephen Colbert's late-night show in 2026 (supposedly for financial reasons). Trump celebrated both announcements vociferously. Then there is the potential family intrigue worthy of a Succession spinoff: David Ellison, the Skydance founder and former Biden backer behind such films as 'Top Gun: Maverick' and 'True Grit', is teaming up with his staunch Republican father Larry Ellison who is the second richest person in the world and founder of software giant Oracle. Flying under the radar, beneath all the high-stakes drama, is Gerry Cardinale, a private equity investor who is poised to be an influential figure in the new-look Paramount. His firm RedBird Capital Partners is a shareholder in Skydance, having first invested in 2020. Now the firm is putting in $1.8 billion towards the $8 billion purchase price. Cardinale will join Paramount as a director and will appoint a yet-to-be-named second director. Jeff Shell, former CEO of NBCUniversal who chairs RedBird's sports and media business, will join Paramount as president. Andy Gordon, head of RedBird's West Coast office, will become Paramount's chief operating officer and chief strategic officer. Under the new ownership structure, RedBird will hold 22.5% of Paramount's voting rights, while David Ellison will hold 50% and Larry, who is Skydance's biggest investor, will hold the remaining 27.5%. This complicated familial-financial dynamic is likely to make Cardinale a pivotal voice in scenarios where the Ellisons butt heads. Paramount will become Cardinale's highest-profile investment but it's hardly his first big bet. In the worlds of sports, entertainment and media, the 57-year-old investor has been striking high-stakes deals for over a quarter of a century, first at Goldman Sachs and for the last decade at RedBird, which he founded in 2014. RedBird bought Italian football club A.C. Milan for $1.2 billion in 2022, and has backed household names like Lebron James, Dwayne 'The Rock' Johnson, and Ben Affleck and Matt Damon in their independent entertainment ventures. It has also hired big names like Jeff Zucker, former CNN president, who is now leading its acquisition of British broadsheet The Telegraph (alongside co-investor Abu Dhabi-based firm IMI) for $675 million. The firm has also invested a smaller portion of its funds capital ($1.5 billion) on financial services companies. Its willingness to dive into the nitty-gritty of portfolio companies and their operations has helped RedBird grow to $12 billion in assets under management with 100 investment professionals across six global offices. 'I like playing shadow entrepreneur and solving problems with capital,' Cardinal said on Bloomberg podcast The Deal last year. It's been a winning recipe so far: RedBird has delivered 2.5 times gross multiple of capital and a 33% internal rate of return, according to a person familiar with the matter. Cardinale owns 100% of RedBird, filings show, and Forbes estimates he is worth $1.8 billion. (He declined to comment on his net worth or be interviewed for this article). W all Street glory was not always in the cards for Cardinale, who once harbored dreams of being a diplomat. Born in 1967, he grew up in the leafy Main Line suburbs outside Philadelphia, the son of a trial attorney. He later studied social studies at Harvard, where he rowed heavyweight crew and graduated with honors before studying politics and political theory at Oxford as a Rhodes Scholar. Later on, he took a job at a Japanese think tank in Tokyo where he got a front-row seat to the effects of globalization. At the time, he was still considering law school, or getting his PhD in political theory. 'I wasn't one of these Wharton kids who knew I wanted to go to Wall Street from day one,' Cardinale recalled on The Deal. But meeting with investment bankers in Tokyo convinced Cardinale that finance would be a rewarding (and no doubt lucrative) career path. He joined Goldman Sachs as an analyst in 1992, the same year he published an article on Japanese anti-American sentiment and rising trade tensions in the academic journal Asian Survey . (His strong interest in Japan is something he shares with Larry Ellison, who has a Japanese art collection and modeled his Woodside, California home after a 16th century Japanese emperor's palace.) Cardinale worked at the bank's Hong Kong and Singapore offices before settling in the New York office in 1997 to work in the telecom, media and technology group as an investment banker. He later joined the bank's principal investment division, where he made his name persuading Yankees owner George Steinbrenner to launch the YES regional sports network in 2001. The project was finalized the day before September 11, and Goldman Sachs ended up backstopping the deal with a $335 million private equity investment after another investor pulled out. Though risky, the deal turned into a huge success, and Goldman made Cardinale a partner in 2004. A few years later in 2008, he persuaded Dallas Cowboys' billionaire owner Jerry Jones to team up with Steinbrenner to create the sports stadium concessions business Legends Hospitality, which investment firm Sixth Street Partners acquired a majority stake of in 2021. Cardinale left Goldman in 2013 and briefly worked at merchant bank BDT, founded by fellow Goldman alum Byron Trott, whom he'd previously done deals with. (BDT later merged with Michael Dell's family office to become BDT & MSD, and the firm has advised outgoing Paramount boss Shari Redstone). Cardinale founded RedBird in 2014 and raised $665 million for an inaugural fund from high-net-worth backers he'd met while at Goldman (their identities have not been disclosed) and an anchor investment from the Ontario Teachers' Pension Plan, which he also had a preexisting relationship with. RedBird became Skydance's second largest investor in 2020 when it led a $275 million capital raise. It backed Skydance again in 2022 when it raised another $400 million at a $4 billion valuation. RedBird's $1.8 billion cash outlay to buy Paramount represents 15% of its total assets under management. T he potential rewards from investing in Paramount are great but so are the risks: Between the inexorable decline of linear television, competition between streaming platforms, an existing $14.2 billion long-term debt load, and possible viewer blowback to perceived capitulation to Trump, Paramount faces a raft of challenges under its new ownership group. '[It] has the potential to overwhelm RedBird's portfolio,' Paul Wachter, the founder of Main Street Advisors, said earlier this year in a Harvard Business Review case study on RedBird. 'Turning Paramount around is going to be an enormous amount of work.' (Wachter also said he believes the investment will be a success 'because the executives are smart and highly motivated.') From Cardinale's perspective, the new Paramount—with its more than 1,200 film titles, distribution rights to another 2,400 films, and roster of television networks emblazoned in the American viewer psyche—is the perfect candidate to receive the RedBird treatment. 'What we do at RedBird is we look for ways of monetizing world-class IP. This is an over 100-year-old business…with really high-quality intellectual property,' he said last year on The Town, Puck founder Matthew Belloni's podcast, after the Skydance-Paramount deal was announced. 'We're not just deal guys looking to do a deal; we're not just private equity guys looking to go buy something.' While investors eye the numbers, media critics and consumers will be waiting to see how Skydance follows through on what the FCC described as its 'written commitments to ensure that the new company's programming embodies a diversity of viewpoints from across the political and ideological spectrum' and to 'adopt measures that can root out the bias that has undermined trust in the national news media.' There are reasons to believe the new Paramount will be less Trumpy than some fear: David Ellison gave around $1 million to Joe Biden's reelection campaign, and Cardinale, while not a megadonor, has previously given to both Democrats and Republicans. In any case, Cardinale has more to worry about than politics. With its massive debt load and facing structural headwinds, the new-look Paramount is crying out for a financier who understands the industry and is willing to stake his reputation on it. The test begins when the deal closes - which could happen any day now. More from Forbes Forbes How The World's Second-Richest Person And His Son Pulled Off The $8 Billion Paramount Deal By Phoebe Liu Forbes Inside Private Equity's $29 Trillion Retirement Savings Grab By Hank Tucker Forbes Want To Hedge Against Inflation? Buy A Forest By William Baldwin Forbes The New Owner Of The San Diego Wave Soccer Team Is The World's First Woman Private Equity Billionaire By Giacomo Tognini

A Graceland discovery inspired Peter Guralnick's myth-busting biography of Colonel Tom Parker
A Graceland discovery inspired Peter Guralnick's myth-busting biography of Colonel Tom Parker

Yahoo

time11 minutes ago

  • Yahoo

A Graceland discovery inspired Peter Guralnick's myth-busting biography of Colonel Tom Parker

As the author of multiple books about Elvis Presley — including his magisterial 1994 biography 'Last Train to Memphis' and its 1999 sequel, 'Careless Love' — Peter Guralnick has interviewed hundreds of subjects and combed through a tall mountain of archival material in his quest for the truth about the most consequential American musical artist of the post World-War II era. But as it turned out there was more material, far more than Guralnick could squeeze into his Elvis biographies, and that material is the basis for his latest deep dive, "The Colonel and the King." A visit to the Graceland archive shortly after the publication of 'Last Train to Memphis' revealed a trove of correspondence written by Presley's manager Colonel Tom Parker, the rotund, blustery operator that shepherded the musician's career from the mid-1950s until shortly before his death in 1977. A cursory sift through the material revealed tens of thousands of letters tracing in minute detail the inner workings of Elvis business, from publicity campaigns to the finer points of his recording and movie contracts. These missives exploded the myths around a man who has for decades been derided as a cynical and unscrupulous opportunist that cheapened Presley's legacy while enriching himself at his client's expense. 'I read the letters and thought, 'Oh my God, this is nothing like the person that has been portrayed,'' says Guralnick from his Massachusetts home. What Guralnick found was a scrupulously honest businessman in love with what he called 'the wonderful world of show business' and the art of the handshake deal, in thrall to his star client's talent and willing to do whatever was necessary to keep him front and center. Guralnick's new book is the story of an immigrant scrapper who became a kingmaker with his unerring instinct for the main chance. The first half of the book is Guralnick's narrative; the second half contains a generous selection of Parker letters. Born Andreas Cornelis van Kuijk in Holland, Elvis' manager-to be-dropped out of school at 12. "His uncle owned a small circus," Guralnick notes. "He did every sort of job, like how to site the tent so it would have the maximum visual impact. He knew how to water the elephants, he studied the acrobats.' After a few false starts, he stowed away in 1929 on a ship bound for New Jersey, adopting the name Tom Parker shortly after reaching American soil. There was an Army stint in Hawaii, some odd jobs, and then he found what he loved: the itinerant world of the traveling carnival. At home in this milieu, Parker mastered the art of grassroots promotion, of pulling in large crowds by plastering the town with loud, hyperbolic placards. "In the world of the carnival and the circus, nobody questioned your pedigree," says Guralnick. "Your handshake was your word, and everyone trusted and supported each other." Parker scouted talent and took them on as clients. By the time he witnessed Elvis performing at the Louisiana Hayride in the summer of 1955, he had already enjoyed big success with singers Hank Snow and Eddy Arnold and had adopted the Colonel moniker. Elvis, he sensed, was different. 'He sees in Elvis someone without limits, a great creative artist with great drive,' says Guralnick, "and Parker was prepared to throw over all of what he had achieved with Arnold and Snow in order to cultivate this untested talent. And he put everything he had into it.' Even a cursory reading of Parker's voluminous correspondence reveals a man not prone to passing over even the smallest detail in order to please his client. Working with a small staff of loyalists including his trusted associate Tom Diskin, Parker oversaw every aspect of Elvis' business, from meals to publicity to hotel accommodations. Work was play, it consumed his life, and this is exactly how he liked it. "It is of course these funny letters and my feeling that One must enjoy his work or grow stale keeps me on the go," he wrote to his friend Paul Wilder in a 1957 letter. He was a tireless proselytizer for his star client. Shortly after signing Elvis to a management deal, he immediately set about convincing the William Morris Agency of the greatness of his charge, writing to agent Harry Kalcheim that Elvis "has the same type of personality, and talents along the line of James Dean," and that "if you ever follow one of my hunches, follow up on this one and you won't go wrong." Elvis, for his part, deeply appreciated Parker's enthusiasm and loyalty. "Believe me when I say I will stick with you thru thick and thin and do everything I can to uphold your faith in me," Presley wrote to Parker in November 1955, shortly after he had secured a recording contract with RCA. "I love you like a father." "Parker defended Elvis against every single entity with which he was dealing," says Guralnick. "RCA wanted to turn him into a mainstream artist, like a crooner, and Colonel wouldn't allow that to happen. When Kalsheim asked Parker to rein in Elvis, because he was too wild on stage, Parker refused." "The Colonel and the King" debunks some of the most stubborn myths about Parker, refuting the notion that Parker destroyed Elvis' career by force-feeding awful material down his throat. While Parker was a hawk when it came to contract negotiations, he had no say in any artistic decisions and fended off record and film executives with designs on grabbing Elvis' ear. "He completely removed himself from Elvis' creative life," says Guralnick. "It was a partnership of equals, but Parker didn't get involved in that aspect of Elvis' career." For many Elvis fans of long standing, Parker's hands-off approach as revealed in his letters will be hard to square with the singer's enlistment in the Army in 1958 and his subsequent posting to Germany, which, so the conventional wisdom tells us, killed the first vital phase of his career and kick-started the descent into awful Hollywood movies that effectively turned this erstwhile force of nature into a B-movie hack. Read more: Heartbreak estate: Inside the legal battles of Elvis Presley's financial legacy Parker endorsed Elvis' Army move — his client wasn't about to be a draft dodger — but the decision to push Elvis into movies was a bilateral strategy that both men agreed was the best way to generate income at a time when Presley was reeling from his mother's death and fretting about money — as was Parker. 'It was actually financial and psychological,' says Guralnick about the left turn that changed Presley's career. 'And so the Colonel needed to reassure him, to say, 'things are even better now than when you went into the Army, and when you get out you'll be making even more money.'' But even 'Clambake' and 'Harum Scarum' couldn't douse Presley's musical artistry and fire. His triumphant 1968 comeback TV special kick-started an artistic renaissance. The hits returned: 'In the Ghetto,' 'Suspicious Minds,' 'Burning Love.' In 1969, Parker booked Elvis for a triumphant series of dates at the International Hotel in Las Vegas. The downside of this was that Parker picked up a nasty gambling habit, while his client soon became dependent on prescription drugs. Presley and Parker grew distant, as Presley insulated himself with sycophants and his behavior both on and offstage grew increasingly erratic. Read more: Col. Parker Dies; He Made Elvis a Star Parker was cast adrift by Elvis' death in 1977, retreating to his Palm Springs home. Ten years later, he was brought back into 'Elvisland' by Priscilla Presley and Elvis Presley Enterprises President Jack Soden, coordinating an Elvis festival at the Las Vegas Hilton and selling all of his memorabilia to the estate. But he never regained his standing at the top of the Elvis hierarchy, much to his dismay. In assessing Parker's legacy, Guralnick thinks that it all comes down to 'the great music he helped Elvis bring to the world — not through any musical contributions of his own, obviously, but by creating the conditions necessary to ensure Elvis' creative independence from the start. Not to mention all the joy he himself delivered and derived from what he always liked to call the Wonderful World of Show Business.' Get the latest book news, events and more in your inbox every Saturday. This story originally appeared in Los Angeles Times. Solve the daily Crossword

Dave Franco and Alison Brie Walk Hand-In-Hand to Answer Fans' Burning Questions, Plus Michael B. Jordan, Chris Pratt and More
Dave Franco and Alison Brie Walk Hand-In-Hand to Answer Fans' Burning Questions, Plus Michael B. Jordan, Chris Pratt and More

Yahoo

time17 minutes ago

  • Yahoo

Dave Franco and Alison Brie Walk Hand-In-Hand to Answer Fans' Burning Questions, Plus Michael B. Jordan, Chris Pratt and More

Stars have been everywhere this week. In Los Angeles, Alison Brie and Dave Franco prepare to answer questions about their new film, Together. In New York City, Paul Kelly looks just like John F. Kennedy Jr. while filming American Love Story and Chris Pratt drops by SiriusXM Studios with the cast of The Terminal List: Dark Wolf. Meanwhile, in London, Michael B. Jordan is at work filming The Thomas Crown Affair. Here are the best photos of celebs out and about this week. Come back tomorrow for more of the latest A-list outings! 'Together' Forever Alison Brie and Dave Franco hold hands ahead of a Q&A at a screening of their new film Together in Los Angeles on Aug. 3. Marvel-ous Man Chris Pratt arrives at SiriusXM Studios in New York City with the cast of The Terminal List: Dark Wolf on Aug. 4. Back in Time Paul Kelly channels his best John F. Kennedy Jr. on a bike while filming American Love Story in New York City on Aug. 3. Sleek and Sexy Michael B. Jordan looks suave in an all-black outfit on the set of The Thomas Crown Affair in London on Aug. 4. Time for the Fans Josh Brolin interacts with fans as he exists an interview at Hudson Yards in New York City on Aug. 4. Radio Ready Luke Hemsworth and Tom Hopper pose with Andy Cohen during a visit to SiriusXM Studios in New York City on Aug. 4. Streetwear Aaron Paul attends a screening of Point Blank in Hollywood, California on Aug. 4. America's Pastime Tim McGraw performs ahead of the 2025 MLB Speedway Classic in Bristol, Tennessee, on Aug. 2. Movie Magic Naomi Watts sits pretty on the set of Love Story in New York City on Aug. 4. Friendly Banter Taylor Kitsch speaks during the Sirius XM Town Hall for The Terminal List: Dark Wolf on Aug. 4 in New York City. Peace Out Kristin Chenoweth is dressed in denim all the way down in New York City on Aug. 4. Coffee Date Joshua Jackson steps out with Priya Jain for coffee in New York City on Aug. 3. Start Your Engines Jamie Dornan is seen on the grid at the 2025 Formula 1 World Championships in Budapest, Hungary, on Aug. 3. Out of the Office John Krasinksi poses for pictures after the final performance of his off-Broadway production, Angry Alan, in New York City on Aug. 3. Man of the People Young Thug engages with his hometown community in Atlanta, signing autographs and riding horses for Hosea Help on Aug. 2. Star of the Show Keke Palmer arrives to showcase her visual album in Nashville on July 30. Casually Iconic Rihanna steps out in a casual shirt and jeans, holding her baby bump in Santa Monica, California. Hats Off Wednesday star Jenna Ortega steps out in a sleek hat and blazer combo in New York City on Aug. 4. Back on Duty Mariska Hargitay and Christopher Meloni are happy to be reunited on the set of Law & Order: SVU on Aug. 3 in New York City. Everything Is Blue Halsey rocks her iconic blue hair on the red carpet for a Los Angeles screening of Americana on Aug 3. 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Dear Bananas, Count Me In Pop-punk band All Time Low surprises fans with an appearance with viral baseball team, The Savannah Bananas in Baltimore, Maryland. Giving Back with Laughs Jay Pharaoh brought comedy to USO service members in the United Kingdom. Festival Fun Nelly Furtado performs during the All Together Now Festival in Waterford, Ireland, on Aug. 3. Taking the Stage Will Smith takes the stage at the Monte-Carlo Summer Festival in Monaco on Aug. 2. New York Minute Reneé Rapp steps out for a stroll in N.Y.C. on Aug. 1. Panel Discussion Anthony Ramos speaks onstage during DreamWorks' Animation Special Screening of The Bad Guys 2 at The Whitby Theater in N.Y.C. on Aug. 3. Snapping Selfies Molly Sims snaps a selfie with Stacey Bendet at the Good+ Foundation Summer Dinner hosted by Jessica Seinfeld at her East Hamptons, N.Y. home on Aug. 2. Stunt Queen Doechii puts on an unforgettable show at the 2025 Lollapalooza Music Festival in Chicago on Aug. 2. 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Support for Canines Nikki Glaser is sleek and sophisticated in an all-black look as she attends the charity comedy show Paws For Comedy, benefiting MaeDay Rescue, on Aug. 2 in Los Angeles. Glowing Goddess Sophie Monk is ethereal in a billowing white gown on the red carpet at the 2025 TV WEEK Logie Awards on Aug. 3 in Sydney. She's Still the One Shania Twain performs onstage for the Shania Twain: Live in Concert at the Hard Rock Live in Hollywood, Florida, on Aug. 1. Furry Friend Jackie Tohn poses with a cute dog at the charity comedy show Paws For Comedy, benefiting MaeDay Rescue, on Aug. 2 in Los Angeles. Proud Performance Mariah Carey performs live on stage during Brighton Pride 2025 at Preston Park in Brighton, England, on Aug. 2. On Set Ashley Graham films a scene for The Devil Wears Prada 2 at the Museum of Natural History in N.Y.C. on Aug. 1. Summer Fun Luann de Lesseps sports a neon bikini and cover-up in Sag Harbor, N.Y., on Aug. 2. Host with the Most Madelyn Cline co-hosts the Reign Storm Fit Collective with Reign Storm Clean Energy on Johns Island, S.C., on Aug. 2. After Party David Dobrik smiles for the cameras at his Lollapalooza afterparty at IT'­SUGAR in Chicago on Aug. 1. Night at the Museum Stanley Tucci and Meryl Streep sport elegant black tie looks on set while shooting The Devil Wears Prada 2 at the Museum of Natural History in New York City on Aug. 1. Dazzling Performance Olivia Rodrigo performs at Lollapalooza Festival at Chicago's Grant Park on Aug. 1. Summer Suit Naomi Watts is tailored chic in pinstripes as she attends the Ralph Lauren Summer luncheon on Aug. 1 in East Hampton, New York. Fresh-Faced Beauty Molly Gordon opts for a minimal make-up look and casual attire while attending the Ralph Lauren Summer Luncheon in East Hampton, New York, on Aug. 1. Off to the Races Twisted Metal's Anthony Mackie attends the final practice ahead of the F1 Grand Prix of Hungary at Hungaroring on Aug. 2 in Budapest, Hungary. Time to Shine Joe Keery of DJO smiles to the crowd as he performs at Lollapalooza on Aug. 1 in Chicago. Good Vibes Only Wiz Khalifa performs onstage as he brings his Good Vibes Only Tour to Phoenix on Aug. 1. Red Sox Fan Tom Schwartz poses with the Boston Red Sox mascot Wally while attending the Houston Astros vs. Boston Red Sox game in Boston on Aug. 1. Vibrant Look T-Pain sports a colorful outfit onstage while performing at Lollapalooza on Aug. 1 in Chicago. Icon on the Move Mariah Carey is iridescent as she boards her tour bus in London on Aug 1 ahead of her performance at Brighton Pride. Rapper's Delight LL Cool J joins Busta Rhymes as the latter is honored with a star on the Hollywood Walk of Fame on Aug. 1. Giving Back George Clooney and Amal Clooney arrive in Lake Como, Italy on July 30 ahead of their upcoming Clooney Foundation for Justice gala. The Gang's All Here Chad Michael Murray, Jamie Lee Curtis, Sophia Hammons, Lindsay Lohan, Julia Butters and Manny Jacinto pose together at a Freakier Friday TikTok Q&A held in London on Aug 1. Off to Work Natalie Portman makes her way to set as she continues filming Good Sex in New York City on Aug 1. Hydration Break Maya Jama is refreshed and relaxed while grabbing a bottle of water on her way to the airport in London on July 31. Award-Winning Smile Giancarlo Esposito poses with the "Colonna d'oro" prize in Soverato, Italy on Aug 1. Record Breakers Aaron Pierre, Gabriel Luna, Lake Bell, Jackie Tohn, Tate Donovan celebrate packing a record-breaking 7500 pounds of food for Feeding America at Los Angeles Regional Food Bank on Aug. 1. Picture Perfect Dame Prue Leith poses for a portrait during Wilderness Festival at Cornbury Park on Aug. 1 in Charlbury, Oxfordshire. (Pet)a Josh Hutcherson shows love to shelter animals as part of Hill's Pet Nutrition and NBCUniversal Local's Clear The Shelters initiative in Pasadena, California, on July 31. Floral Fav Corinne Bailey Rae shines on stage at the Kendal Calling Festival 2025 in Cumbria, England. Moves Like Jagger Adam Levine and Maroon 5 break out the hits at the Today Citi Concert Series in New York City on Aug 1. The Big Guns Julia Garner and Josh Brolin make a splash as they arrive at the premiere of their new film, Weapons, in Los Angeles on July 31. She Wolf Shakira celebrates the debut of her hair care line, Isima, in Los Angeles on July 31. Star Power Mariska Hargitay is back as Olivia Benson while filming Law and Order: Special Victims Unit on July 31 in New York City. A-Ok Also on the Law and Order: Special Victims Unit set, her costar and longtime friend Ice T gestures to photographers in between takes on July 31 in New York City. Faces of Country A masked up Orville Peck arrives at the Grammy Museum L.A. Live event alongside collaborator and woman of the hour, Noah Cyrus on July 30. Lethal Looks Paul Scheer and June Diane Raphael conquer the carpet at the premiere of Weapons in Los Angeles on July 30 Game On Brie Larson gets her head in the game at EA's Battlefield 6 reveal celebration on July 31 in Los Angeles. Dinner Date Nicky Hilton Rothschild attends the Brunello Cucinelli Hamptons Dinner in Sagaponack, New York with her husband, James Rothschild on July 31. Party Rockin' LMFAO's Redfoo performed for an audience of Zumba instructors at ZINCON in Orlando, Florida on July 31. The Way It Is Keyshia Cole takes the stage in Oakland, California on July 31. Hot in Here Nelly brings his hits to the north during his Toronto concert on July 31. Green Thumb Suki Waterhouse is shaded up and chic as she searches for a new plant in London on July 31. Famous Friends Long time besties Olivia Rodrigo and Conan Gray spend some time out in Notting Hill, England on July 30. Dazzling Darling Julia Butters arrives in green for the Freakier Friday red carpet in London on July 31. Bombshell in Beige Sara Paxton strikes a pose at the premiere of Weapons in Los Angeles on July 31. Late Night Livin' Danielle Brooks is colorful in purple on Late Night With Seth Meyers on July 31. Stopping in Liza Koshy makes an appearance at SiriusXM Studios on July 31 in Miami Beach. Let Me Blow Your Mind Eve wows fans as she takes the stage at Budweiser Stage in Toronto on July 31. Director's Cut Spike Lee is playful while chatting with Jimmy Fallon on The Tonight Show on July 31. Suited Up Alexandra Daddario arrives in style to the Brunello Cucinelli Hamptons Dinner in Sagaponack, New York on July 31. Radio Ready Kat Graham makes an appearance on The Big Tigger Morning Show with Jazzy McBee on Aug 1 in Atlanta. Mother-Daughter Duo Christie Brinkley and Sailor Brinkley Cook attend the Brunello Cucinelli Hamptons Dinner in contrasting looks in Sagaponack, New York, on July 31. Seeing Red Hilary Swank rocks it in red at the Remus Lifestyle Night in Palma de Mallorca, Spain on July 31. Star Arrival Blink-182 drummer Travis Barker arrives in a casual, fun fit at EA's Battlefield 6 reveal in Los Angeles on July 31. Cast Photo Film legend Billy Crystal poses with the cast of Heathers: The Musical on July 31 in New York City. Games and Glam Amaya Espinal and Ariana Madix are all smiles at EA's Battlefield 6 reveal in Los Angeles on July 31. Guest Speakers Marc Maron and Jim Gaffigan pose for pictures ahead of their talk at 92NY in New York City on July 31. Leading Man Jeremy Piven is spiffy as ever at the premiere of Numbered Lives in Melbourne, Australia, on Aug 1. Happy Together Lindsay Lohan and Jamie Lee Curtis share a laugh while attending the London premiere of Freakier Friday at Odeon Luxe Leicester Square on July 31. Rockstar Attitude Chad Michael Murray channels his inner motorcycle-riding heartthrob while attending the Freakier Friday premiere at Odeon Luxe Leicester Square in London on July 31. Wonderful Wednesday Jenna Ortega continues her goth streak in a brown ruffled dress at the premiere of the second season of Wednesday in Paris on July 31. Starstruck Emma Stone wears shades paired with a baseball jersey while walking on the field after the San Diego Padres played the New York Mets at PetCo Park in San Diego on July 30. Walk in the Park Natalie Portman wears complimenting shades of blue while strolling in New York on July 31. Face Value Mark Ruffalo flashes a dazzling smile while leaving the set of his upcoming movie Good Sex in New York. Hosing Off Winnie Harlow cools off in a light brown triangle bikini while on holiday in Formentera, Spain on July 30. Rocking the Boat Travis Scott wears a red flannel jacket with bright red pants to team up with Verde Beach for a live performance in Saint-Tropez. Enter Emily Emily Blunt gives a wave while leaving the set of The Devil Wears Prada 2 in New York on July 30. Fearless, Fierce and Fabulous Brie Garcia, Jade Cargill and Nikki Garcia pose for a stylish image while visiting SiriusXM Studios in New York on July 31. GOAT Boat Michael Jordan steps out in a black T-shirt and patterned shorts in Saint-Tropez on July 31. Stage Star Nicole Scherzinger is the essence of simple elegance on The Tonight Show Starring Jimmy Fallon days after the closing of Sunset Blvd. in New York on July 30. Laughing in La-La Land Longtime friends Seth Rogen and Rose Byrne share some giggles at the premiere of Platonic season 2 in Los Angeles on July 30. Mama Bear Moment Mariska Hargitay and her son August Hermann take a break from the heat on the set of Law and Order: Special Victims Unit on July 30 in New York. Read the original article on People

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