
For Sharon Van Etten, making her latest album was both spiritual and psychological
Although most of Van Etten's bandmates have been with her for several years, this was her first time writing songs with them, so playing with that relationship felt apt. But when the indie musician approached her collaborators with the idea for the title and band name, there was one stipulation: 'They said, 'I don't mind you calling it 'The Attachment Theory,' as long as we don't have to talk about our attachment styles,'' Van Etten laughed.
As they gear up for a fall tour, announced Monday, Van Etten spoke with The Associated Press about her stream-of-consciousness style of writing and how being a mom has made her more cognizant of how much time she spends on her phone. The interview has been edited for clarity and brevity.
AP: What prompted the change in how this record was made?
VAN ETTEN: Writing as a band was a complete accident. We were rehearsing in 2022 for the 'We've Been Going About This All Wrong' tour and figuring out how to take this album, which we recorded piecemeal during the pandemic because we couldn't all be in the same room together. I thought the best way to reconnect after recording the album from afar was to rent a house and a studio in the desert and have it be more like a literal band camp, instead of doing one of those sterile rehearsal environments, just to have a way for us to reconnect as people as well as musicians.
As we got to the end of the week, we realized we had gone through the whole set that we were planning for that tour, and I asked the band if they would want to jam. I was so tired of hearing myself. I was very inspired by the sonic palette that we had created together, and I wanted to see what would happen. And in an hour or two, we wrote two songs without really trying. And we laughed it off, we packed our bags and we left the next day. But my engineer recorded those jam sessions, and I remember playing them for my partner at home, saying, 'I think creatively this is the next thing I want to do.' And so, after we did that first tour for the previous record, I booked a writing session right away and we returned to that same studio and worked for a week with the intention of writing. And it was a very prolific week.
AP: Did you have the lyrics written beforehand?
VAN ETTEN: All of the writing in the desert was from the ground up. I didn't have anything going into it, which I've never done before either. My process from being solo is something that I brought into the session with the band, where I find the melodies first and I sing stream of consciousness.
AP: Singing stream of consciousness sounds very spiritual, almost like speaking in tongues.
VAN ETTEN: It very much is. There's something about it that, if I'm going through something emotionally that I don't have the words to express yet and I can sit at an instrument and just sing, I get something out of me and release something in a way that I still don't really know how to describe to people. Even if it's something I end up writing about later, it's more of like, I get the emotion out, but then I turn the song into something else that hopefully is more healing than the moment that I'm trying to get over.
AP: How did you come up with the album name?
VAN ETTEN: The name The Attachment Theory at first was a bit tongue-in-cheek because I am interested in psychology and I am from a big family. I think being in a family and being in a band are very similar because you become a family, you become each other's chosen family, and you go through a lot together. So from rehearsing to touring to making a record together, you create these dynamics with each other, and you also become each other's support systems. And I know attachment theory is mostly about your connection with your parents but it's also a little bit about how you connect as a unit.
AP: I'm sure your attachment styles came up in the desert.
VAN ETTEN: Yes, and they will remain unnamed.
AP: I love your song, 'Idiot Box.' I wondered, as an artist, how you think about our addiction to entertainment.
VAN ETTEN: Oh my gosh, well that's a can of worms right there. I mean, we're all addicted to our phones. We all have screens. I'm also a mom, and I tell my kid not to do the things that I do. And I think now more than ever, I have to be way more mindful about when I choose to interact. But I don't really have an answer. It's more of an acknowledgment that we need to check in with each other when we feel like we're getting lost in that scrolling zone and I just feel like it's a constant battle.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Toronto Star
an hour ago
- Toronto Star
Did the stars align? Katy Perry and Justin Trudeau's buzzy dinner date has us wondering
Pop star Katy Perry and former prime minister Justin Trudeau had dinner together in Montreal a few days before Trudeau was spotted at her Lifetimes Tour show at the Bell Centre in the city this week. Andy Kropa/Frank Gunn/The Associated Press Opinion articles are based on the author's interpretations and judgments of facts, data and events. More details


Toronto Sun
an hour ago
- Toronto Sun
'And Just Like That ...' to end after third season
Published Aug 01, 2025 • 2 minute read This image released by HBO shows Sarah Jessica Parker, from left, Kristin Davis and Cynthia Nixon from the series "And Just Like That." Photo by Craig Blankenhorn / AP Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. And just like that, a universe of fun, friendship and fashion is coming to an end. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Michael Patrick King, showrunner of the 'Sex and the City' sequel 'And Just Like That …,' announced on Instagram that the series will end after the third season concludes. Fans have a two-part finale to savor later this month. 'It's with great gratitude we thank all the viewers who have let these characters into their homes and their hearts over these many years,' he wrote. King said he decided to wrap things up while writing the season's final episode. He then split the finale into two episodes. The last episode will drop Aug. 14. In a long, heartfelt Instagram post of her own, Sarah Jessica Parker, who played the iconic Carrie Bradshaw character in both series, called the sequel 'all joy, adventure, the greatest kind of hard work alongside the most extraordinary talent.' She included a montage of Carrie's fashion and moments. Parker added: 'I am better for every single day I spent with you. It will be forever before I forget. The whole thing. Thank you all. I love you so.' This advertisement has not loaded yet, but your article continues below. Parker, Kristin Davis and Cynthia Nixon returned for the sequel. Largely absent was Kim Cattrall and her Samantha Jones, though Cattrall did make a brief, uncredited cameo in the Season 2 finale. Samantha's absence was explained as a move to London. Reports of pay and personal disputes bubbled over behind the scenes. The original series ran from 1998 to 2004, taking pop culture by storm with the style and drama of the 30-something friends in New York City. They shopped. They brunched. They dated, leaning on each other as Parker's Carrie, a writer, chronicled it all. The sequel picks up their lives in their mid-50s, to mixed reviews. Carrie became a widow. Nixon's Miranda Hobbes came out as queer. Davis' Charlotte York Goldenblatt copes with husband Harry's prostate cancer diagnosis. Fashion remains ever-present, including all those iconic heels still clacking through New York's brownstone-lined streets. In her farewell post, Parker wrote of her stylish Carrie that she, 'Changed homes, time zones, boyfriends, her mind, her shoes, her hair, but never her love and devotion to New York City.' She called Carrie 'my professional heartbeat for 27 years.' Canada Toronto Blue Jays Toronto & GTA World Celebrity


Winnipeg Free Press
2 hours ago
- Winnipeg Free Press
Grateful Dead guitarist Jerry Garcia has childhood street named for him in San Francisco
SAN FRANCISCO (AP) — A few hundred people gathered Friday to name a tiny San Francisco street after legendary Grateful Dead guitarist Jerry Garcia on what would have been his 83rd birthday and as part of a citywide celebration to mark the band's 60th anniversary. Harrington Street, which is one block long, will also be called 'Jerry Garcia Street.' He died in 1995, but the band's popularity has only grown as younger generations discover the Dead's improvisational music, which blended rock, blues, folk and other styles. Garcia spent part of his childhood in a modest home in the city's diverse Excelsior neighborhood. He lived with his grandparents after the death of his father, Jose Ramon 'Joe' Garcia. 'I hope that you all get a chance to enjoy the music, dance, hug, smile,' said daughter Trixie Garcia, growing emotional during her brief remarks. 'Cherish what's valuable, what's significant in life.' Tens of thousands of fans are in San Francisco to commemorate the Grateful Dead's 60th anniversary with concerts and other activities throughout the city. The latest iteration of the band, Dead & Company, with original Grateful Dead members Bob Weir and Mickey Hart, will play Golden Gate Park's Polo Field for three days starting Friday. An estimated 60,000 attendees are expected each day. Formed in 1965, the Grateful Dead played often and for free in their early years while living in a cheap Victorian home in the Haight-Ashbury neighborhood. The band later became a significant part of 1967's Summer of Love, and the Grateful Dead has become synonymous with San Francisco and its bohemian counterculture. On Friday, fans in rainbow tie-dye and Grateful Dead T-shirts whooped and cheered as the sign was unveiled. Nonfans with shopping bags and some using walking canes maneuvered around the crowd on what was for them just another foggy day in the working-class neighborhood. Afterward, devotees peeled off to pose for photos in front of Garcia's childhood home. Jared Yankee, 23, got the crowd to join him in singing 'Happy Birthday.' Yankee said he flew in from Rhode Island for the shows. He got into the music about a decade ago. 'It's a human thing,' he said of his impromptu singing. 'I figure everyone knows the words to 'Happy Birthday.''