This superstar was madly in love with Sridevi, was 13 years elder than her, changed his decision to marry after…, not Jeetendra or Mithun Chakraborty, he is…
Rajinikanth and Sridevi worked together in more than 20 films. Irrespective of the language, the chemistry of this pair set the screen on fire every time. Their films did wonders at the box office, and a deep friendship also developed between the two behind the scenes. The ease and mutual respect between the two were such that people started considering them an ideal couple in real life, too. Rajinikanth, who was 13 years older than Sridevi, gradually started getting attracted to her. The two came close, but what happened next will surprise you.
An incomplete love story of Rajinikanth
An anecdote, shared by late director K. Balachander, sums up Rajinikanth's feelings. He said that Rajinikanth had made up his mind to propose Sridevi and was once about to propose at her housewarming ceremony, but as soon as he reached the house, the power suddenly went off. Rajinikanth considered it a bad omen and left without saying anything. Rajinikanth then married Latha Rangachari in 1981, while Sridevi married renowned producer Boney Kapoor in 1996.
When Rajinikanth fell ill, Sridevi fasted for him
In 2011, Rajinikanth's condition became critical when he was admitted to the hospital due to dehydration and difficulty in breathing. He was taken to Singapore for treatment. Sridevi was extremely worried during this difficult time. She worshipped Shirdi Sai Baba and fasted for seven days for his speedy recovery. Not only this, she also specially visited Sai Baba temple in Pune and prayed for Rajinikanth's well-being. Her prayers and the prayers of millions of fans across the country bore fruit and Rajinikanth returned healthy. Rajinikanth was devastated by Sridevi's death
Sridevi died suddenly on 24 February 2018. She died due to drowning in a bathtub while attending a family wedding function in Dubai. This sad news shocked the entire film industry and the country. Rajinikanth expressed deep condolences on social media and wrote, 'I am shocked and deeply saddened. I have lost a dear friend and this industry has lost a true legend. My condolences are with her family and friends. You will always be missed, Sridevi.' He immediately rushed to Mumbai to bid her a final farewell and paid his last respects to his dear friend with teary eyes.
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Time of India
an hour ago
- Time of India
Ratan Thiyam: A Visionary Who Revolutionized Indian Theatre
Guwahati: Born on Jan 20, 1948, at Nabadwip in West Bengal's Nadia district, Ratan Thiyam, recognised as one of India's greatest theatre innovators, grew up in Imphal, surrounded by art and art-making, which profoundly influenced his life and work. His father, Thiyam Tarunkumar, was one of the most respected gurus of classical Manipuri dance, while his mother, Bilasini Devi, was a renowned dancer. Thiyam passed away at 77 at the Regional Institute of Medical Sciences (RIMS) in Imphal at approximately 1:30am Wednesday. Along with KN Panikkar, BV Karanth, Habib Tanvir, Bansi Koul, and Jabar Patel, Thiyam, affectionately known as 'Oja' (teacher in Meiteilon), was a major pioneer of the "theatre of roots" movement, developed during the 1960s-1970s. This movement sought to reclaim and integrate Indian classical, folk, and indigenous performance traditions with modern sensibilities, a powerful strategy for redefining Indian cultural identity. A graduate of dramatic arts from the prestigious National School of Drama (NSD), Thiyam was not only a powerful stage director but also a complete theatre craftsman and creative visionary. He was a multifaceted genius — a designer, music composer, choreographer, lighting expert, costume designer, architect, playwright, painter, and poet, whose brilliance extended across nearly every element of the performing and creative arts. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 15 most beautiful women in the world Undo Thiyam took Manipur and Indian theatre onto the global stage, creating a new theatrical form by synthesising diverse performance traditions from his homeland. His works showcase the seamless blending of elements from the classical Natya Shastra (Indian theatre style during the second century BC) and Western realistic theatre with Manipuri's rich indigenous performing arts such as martial arts (thang-ta), dance, music, and ritualistic gestures. Through this artistic strategy, Thiyam asserted the socio-political and cultural uniqueness of Manipur, positioning it as separate from the mainland's dominant cultural narratives. This gained him national and international recognition as a playwright and director. His celebrated plays, such as Chakravyuha and Uttar Priyadarshi, brought global acclaim to Manipuri theatre and Indian drama at large. His main contributions to Indian theatre innovations are profound and transformative, significantly shaping the direction of contemporary Indian performance. His influence reverberates through his unique stylistic language, institutional leadership, and continued advocacy for indigenous forms and social consciousness. In 1976, Thiyam established the Chorus Repertory Theatre in Imphal, which became a national hub for experimental, visually rich, and socially responsible theatre. The theatre trained and inspired generations of artists and encouraged the fusion of rural and urban motifs, traditional and modern directing techniques, and innovative stagecraft. His work is celebrated for its striking visual design, choreography, and music, combining scenic minimalism and grand imagery. His plays featured stylised movements, ritualistic gestures, symbolic props, and a deep focus on atmosphere that set new standards for Indian stagecraft, creating a holistic theatre experience. Thiyam's plays often explore profound themes. His Leima Yenlingai Khuna Kaba (1980) addresses the motif of corruption in society transforming into an instrument of religious terror, while Urubhangam (1981), adapted from the Sanskrit play by Bhāsa, focuses on Duryodhana's tragic story from the Mahabharata. Lengshonnei (1986), his adaptation of Bertolt Brecht's version of Sophocles' Antigone, reinterprets the Greek tragedy through classical and traditional Indian forms interwoven with tribal rituals. Another masterwork, Chakravyuha (1984), rooted in the Mahabharata (Drona Parva), is considered one of Thiyam's finest productions, where he presents a powerful meditation on war, entrapment, and the heroism of the young warrior Abhimanyu. Another acclaimed production, Urubhangam (Broken Thigh, 1981), adapted from the Sanskrit play by Bhāsa, is based on an episode from the Mahabharata, focusing on the tragic downfall of Duryodhana. Both Urubhangam and Chakravyuha reflect Thiyam's belief in the timeless relevance of epics, recontextualised to comment on modern dilemmas. One of his most internationally acclaimed works is Uttar Priyadarshi, an adaptation of a Hindi verse play by celebrated poet and writer Agyeya, where Thiyam retells the story of Emperor Ashoka's spiritual transformation. These works exemplify Thiyam's ability to blend ancient texts and diverse performing traditions into cohesive contemporary theatre, addressing social, political, and philosophical questions with a rooted yet innovative dramatic language. A towering figure in contemporary Indian theatre, celebrated for combining classical, indigenous, and modern elements in his plays, Thiyam's death marks the departure of one of India's greatest theatre innovators, whose lifelong dedication elevated Manipuri traditions to the global stage and enriched the country's artistic heritage.
News18
2 hours ago
- News18
Hari Hara Veera Mallu FIRST Review Out: Pawan Kalyan Delivers A One-Man Show With A Solid First Half
Last Updated: Hari Hara Veera Mallu's first reviews are in! Pawan Kalyan's screen presence and Keeravani's music steal the show. Fans praise action, drama, and score. The much-anticipated Hari Hara Veera Mallu: Part 1 – Sword vs Spirit is finally here, and the first reactions are pouring in following its paid premiere shows held on July 23 in select Telugu-speaking regions. As the Pawan Kalyan-starrer prepares for its global release on July 24, early audience responses hint at a promising start for the historical action-adventure. Directed by Krish Jagarlamudi and A. M. Jyothi Krishna, the film is set in the 17th-century Mughal Empire and follows the journey of Veera Mallu, a legendary outlaw-turned-rebel played by Pawan Kalyan. The plot centers around his mission to steal the Koh-i-Noor diamond from the Mughal rulers to free a besieged city. Social media platform X (formerly Twitter) has been flooded with reactions, with many praising Pawan Kalyan's performance and M. M. Keeravani's impactful score. One user wrote, '#PawanKalyan – ONE MAN SHOW 🔥🔥🔥🔥 #Keeravani MUSIC is Absolutely BRILLIANT. First Half DOMINATES The Second Half." Hari Hara Veera Mallu FIRST HALF REVIEW —The first half is solidly executed, with @PawanKalyan 's unmatched AURA and high-octane energy lighting up the screen 🔥. Action blocks are impactful, laying a solid foundation for what's to come. Theatre BGMs are electrifying 🔥🔥.… — Let's X OTT GLOBAL (@LetsXOtt) July 23, 2025 Very good first half Second half first 40 mins avrg Last 40 mins are good !! Keeravani's score is the heart of the film 🔥🔥🔥🔥 Kusthi fight & pre climax fights stand out ,Songs are good Vfx is below par !! Overall a good film with bad vfx #HariHaraVeeraMallureview — HHVM Vinny 🦅🔥 (@Vinny_tweetz) July 23, 2025 One Word – VERGOOD FILM ✅ #PawanKalyan – ONE MAN SHOW 🔥🔥🔥🔥 #Keeravani MUSIC is Absolutely BRILLIANT. First Half DOMINATES The Second Half. #GetsCinema – Reached – HYPEMETER – 88% #HariHaraVeeraMallu #HariHaraVeeraMalluReview — GetsCinema (@GetsCinema) July 23, 2025 Another user noted, 'Very good first half. Second half first 40 mins average. Last 40 mins are good!! Keeravani's score is the heart of the film 🔥🔥🔥🔥. Kusthi fight & pre climax fights stand out, Songs are good." One fan called the first half 'solidly executed," adding, '@PawanKalyan's unmatched AURA and high-octane energy light up the screen. Theatre BGMs are electrifying 🔥🔥. @AgerwalNidhhi looks adorable and fits the role perfectly." While the second half received mixed initial reactions, many are still praising the action choreography and production scale. Particular sequences like the Charminar scene and the 'RAMP" title card have received significant love from fans. The film features a star-studded ensemble including Bobby Deol, Nidhhi Agerwal, Nargis Fakhri, Nora Fatehi, and Sathyaraj. It also boasts technical contributions by cinematographers Manoj Paramahamsa and Gnana Shekar V.S., editor KL Praveen, and a team of action choreographers including Nick Powell, Ram-Laxman, and Peter Hein. Backed by Mega Surya Production and presented by AM Rathnam, the film's digital promotions are handled by Walls & Trends, with music released under Tips Music. First Published: July 24, 2025, 04:15 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Time of India
3 hours ago
- Time of India
Grief & tributes pour in over theatre maestro Thiyam's death
1 2 Guwahati: The death of renowned theatre maestro Ratan Thiyam plunged the nation into mourning, with an outpouring of grief and tributes from political leaders, cultural figures, and theatre communities across India. Manipur governor Ajay Kumar Bhalla and former chief minister N Biren Singh led the the tributes from Manipur, highlighting his significant contributions to India's cultural landscape. In a statement, the Manipur govt said, "With profound grief and deep sorrow, we mourn the passing of Padma Shri recipient and Sangeet Natak Akademi Awardee Ratan Thiyam — a towering figure in Indian theatre and a cultural icon of Manipur. We join the artistic fraternity and the nation in remembering his extraordinary legacy." The Manipur Raj Bhavan said on X, "The Governor stated that his invaluable contribution to Manipuri theatre and culture will always be remembered. Heartfelt condolences to his family, friends, and admirers. " Singh, in a post on X, wrote, "It is with deep sorrow that I express my heartfelt condolences on the passing of Ratan Thiyam, a true luminary of Indian theatre and an esteemed son of Manipur. His unwavering dedication to his craft, his vision, and his love for Manipuri culture enriched not only the world of theatre but also our very identity. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 11 Foods That Help In Healing Knee Pain Naturally Undo His work carried the soul of Manipur — echoing its stories, its struggles, and its beauty. " Assam chief minister Himanta Biswa Sarma called him "a leading light of the Theatre of Roots movement," saying, "Shri Ratan Thiyam dedicated his life to bring indigenous theatre and art practices to the global stage. A Padma awardee, his productions were rich in talent and messaging." Meghalaya chief minister Conrad Sangma said: "He was a visionary who redefined Indian theatre by blending contemporary form with the cultural soul of Manipur. His legacy will continue to inspire." West Bengal chief minister Mamata Banerjee mourned him as "a true legend who put Manipuri theatre on the global map" and said, "His unique blend of tradition and experiment enriched Indian performing arts immensely and resonated worldwide." Congress MP Gaurav Gogoi, deputy leader in the Lok Sabha, also expressed his grief, saying, "Thiyam's legacy will continue to inspire generations to come." Renowned Kolkata-based theatre veterans like Rudra Prasad Sengupta and Kaushik Sen also paid tribute, recalling Thiyam's frequent presence at theatre festivals in the city and his powerful influence on modern Indian theatre. Ratan Thiyam was a trailblazer of the "Theatre of Roots" movement, which synthesised Indian classical, folk, and tribal performance forms with contemporary theatrical expression. He founded the Chorus Repertory Theatre in Imphal in 1976, which became a national and international symbol of rooted yet experimental theatre. His groundbreaking works like Chakravyuha, Urubhangam, Uttar Priyadarshi, and Lengshonnei challenged the boundaries of traditional Indian theatre and brought the richness of Manipuri aesthetics, spirituality, and politics to the global stage. He was the recipient of many prestigious awards, including Padma Shri (1989) and Sangeet Natak Akademi Award (1987). He relinquished the Padma Shri in 2001 in protest against the Centre's decision to extend the ceasefire with the Nationalist Socialist Council of Nagaland. Ratan Thiyam's passing is not only a great loss for Manipur, which he deeply loved and represented through his art, but also for the entire nation and the global theatre community. His relentless pursuit of truth, his seamless weaving of text and tradition, and his unmatched visual poetics have etched his name into the canon of world theatre.
