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South Florida non-profit helps kids tap into their creativity to express themselves

South Florida non-profit helps kids tap into their creativity to express themselves

CBS News22-04-2025
Darius Daughtry may look like a traditional classroom teacher, but he's not anymore.
"When I was teaching, I saw this gap that existed in a lot of schools. I began to go around to different schools and see that some schools have these arts programs, but then other schools didn't have them and I knew what it did for me," he said.
So taking his love for his students and art into consideration, Daughtry founded the
Art Prevails Project
non-profit.
It was born from his own experience as a child who needed an escape.
"I realized that was a place I could go when I needed to just express myself and over the years the idea of expressing and writing, putting things on paper just became a place of refuge for me," he said.
Daughtry set out on a quest to make art accessible for every child. The Art Prevails Project started in his car but has blossomed into much more.
With his signature programs, like Speak Your Piece and Write Out, Daughtry goes into schools to help students tap into their creativity and learn life skills.
"For our students who need to learn self-advocacy and those independent functioning skills, this is huge to help them prepare to go into their work-related fields," Hollywood Hills High School assistant principal Sara Pierce said. "What I think I love most is it really opens them up to possibilities they didn't think of before."
While Daughtry isn't a teacher by title anymore, he is still teaching students how to overcome obstacles and making Miami Proud.
"Like Whitney Houston said, I believe the children are the future," Daughtry said. "As a world, if we're ever going to be what we're destined to be, it's going to be in the hands of the children."
Send us your story at
MiamiProud@cbs.com
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Thirty Years Later, 'Jagged Little Pill' Is Still the Perfect Conduit for Female Rage
Thirty Years Later, 'Jagged Little Pill' Is Still the Perfect Conduit for Female Rage

Elle

time12-06-2025

  • Elle

Thirty Years Later, 'Jagged Little Pill' Is Still the Perfect Conduit for Female Rage

Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy. When Alanis Morissette was brainstorming songs for her first internationally-released album, Jagged Little Pill, which marks its 30th anniversary on June 13, her intention was to make a record that would absolutely blow her mind. 'That's all I wanted and it was all I could think about,' the singer-songwriter says. It was the mid-'90s and after Morissette's first two albums (released in Canada only), the 19-year-old Ottawa native had become known for a dance-pop style—an image and sound that industry insiders wanted her to keep. Morissette remembers record bosses in Canada who belittled her desire to express herself more boldly in both her lyrics and composition in her third album. 'Your contribution to the song you co-wrote is basically 0.08 percent,' she says they told her, dismissing any creative input she made. 'It was just the ongoing reduction of my contribution during my teenage years.' She took the artistic confinement as a cue to move to Los Angeles so that she could make music on her terms—only to come up against more of the same obstacles. Nobody wanted her to wander out of her musical niche: 'They were like, 'Oh you can't do that because that's not what you're known for, sweetheart,' or 'Oh, your publisher won't like it,'' Morissette tells me from her home in L.A., looking bare-faced and casual. The idea of being an artist who musically repeated herself made no sense to her. 'These people didn't get it—they didn't understand my evolution and what music meant to me,' she recalls. 'I wanted to write a record that marked what was actually happening.' She silently vowed never to be anyone's echo chamber: 'I said to myself I'm writing a record that is a direct fucking reflection of where I'm at or bust,' she adds. Many of the lyrics were ripped from her own experience. Jagged Little Pill's fifth track, 'Right Through You,' for example, calls out talent managers who prey on young women artists instead of supporting their careers: 'You pat me on the head/ You took me out to wine dine 69 me/ But didn't hear a damn word I said.' Setting the lyrics to an alternative rock melody felt rebellious and not only conveyed her anger, but also drove the accusation home. 'These were the things that were keeping me up at night,' she says. To say that Jagged Little Pill was far from a bust is a gross understatement. The gut-wrenching 12-track compilation not only gave Morissette global recognition and commercial success—it took on a life of its own, becoming what media outlets like Rolling Stone called 'a landmark moment for the music industry and the soundtrack of a generation.' Thirty years, five Grammys—including one for Album of the Year—and 33 million copies sold later, the record continues to permeate pop culture and be an effective conduit for female rage. 'Her epic war against Mr. Man, begun when both of us were teenagers, still appeals,' Megan Volpert, author of Why Alanis Morissette Matters, writes in her book. 'She is our raging sage. She is our punk rock. Something inside of me is frozen there, at 14 going on 40. And whatever that thing is, it's got Alanis on repeat because there is the laugh of Medusa in it.' In the 1990s, angst among women was practically endemic. As increasing numbers of women defied gender expectations and attained power, the more noxious the misogyny grew to counter their progress. Those who excelled faced a special kind of sexism that reduced them to chauvinistic stereotypes and repulsive, often violent, sexual fantasies—what Time magazine called ''90s bitch bias' and 'bitchification.' 'Women have been having their asses kicked since forever, but there was an abject hatred of women at that time,' says Morissette. 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'Alanis tapped into something—she challenged something so deep and profound about human nature and how we exist on the planet together,' she says. 'That album wasn't a period album for the nineties. It was from the nineties, but it feels like she could have written those songs yesterday, for these characters in the world we're living in today.' When Paulus, a theater and opera director at Harvard University, joined the Broadway adaptation, there wasn't even a story yet. 'I just knew that her music demanded to be made into theater—epic, visceral, physical, ritual theater,' she tells me from New York in between rehearsals for a new show. Morissette was adamantly against the musical being a biopic. 'She didn't want it to be 'The Alanis Morissette Story,'' Paulus says. 'She wanted an entirely new story that speaks to our lives today. And that was exciting.' At its core, the album is all about the human condition. 'What the musical dealt with was how the songs just naturally break people open,' says Lauren Patten, the 32-year-old actress, who had a starring role. 'Like the album, the musical was about navigating trauma and coming out the other side—something that was very important to Morissette.' Over time, Morissette has learned to harness her anger as a force for good. 'Part of it is what I'd like to think is my maturity, so I channel that rage through activism, showing up, answering in a certain way, or setting a boundary when something isn't working for me,' she says. As Volpert adds, 'Her ideas are everywhere—she's keynoting at psychology conferences and writing forewords for books.' There was also an advice column called 'Ask Alanis' for The Guardian for 1.5 years. More recently, there's Conversations with Alanis, a podcast series where she calls on experts to discuss in-depth subjects like neurobiology and philosophy. Morissette will also begin a residency in Las Vegas this fall. And she's still producing new music. 'Alanis is one of the very few artists from the nineties that is actually doing new work—new, evolving, musical work, and not just reunion tours or summer festivals,' Volpert explains. Just last month, Morissette tells me she was back in the studio to start on what will be her 11th studio record ('I'm terrified,' she adds). She isn't one to listen to her own music for self-soothing or inspiration, but there have been times in her life when she has gone back to Jagged Little Pill to reconnect with her younger self. 'I haven't done it in like 15 years, but there were times when I lived alone on and off where I felt lost and I would listen to my own music,' she says, adding in a mock-whisper: 'Don't tell anybody,' with a laugh. 'I would listen to it just to be reminded that there's a human here, there's a perspective here. 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Daughtry, Seether co-headlining tour coming to Youngstown
Daughtry, Seether co-headlining tour coming to Youngstown

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time03-06-2025

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YOUNGSTOWN, Ohio (WKBN) – Seether and Daughtry will be bringing their tour to Youngstown this fall. The rock bands will be co-headlining the 24-city 2025 tour. The Youngstown show will be on Monday, October 20, at the Covelli Centre. Daughtry's latest single, 'The Day I Die,' dropped in April, following the release of their album 'Shock to the System (Part 1)' in September 2024. Daughtry's debut album was the top-selling album in 2007, and won four American Music Awards and seven Billboard Music Awards. Seether released their ninth studio album, 'The Surface Seems So Far,' also in September 2024. The band, which formed in South Africa in 1999, has a global fanbase and boasts three platinum and two gold albums, 22 #1 singles, 21 Top 5 multi-format hits, single sales topping $17 million, and over 2 billion streams. Tickets are available now, with limited early bird pricing available at select venues. Presale tickets go on sale Thursday at 10 a.m. with the code GONE. General tickets will go on sale Friday at 10 a.m. on Seether's and Daughtry's websites, or on Ticketmaster. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Daughtry, Seether to rock Rose Music Center in October
Daughtry, Seether to rock Rose Music Center in October

Yahoo

time03-06-2025

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Daughtry, Seether to rock Rose Music Center in October

DAYTON, Ohio (WDTN) — Two rock bands are heading to the Miami Valley to rock Huber Heights this fall. At 6:30 p.m. on Oct. 10, Daughtry and Seether will performing with Kami Kehoe and P.O.D. at Rose Music Center at The Heights in Huber Heights. Spotify shows 'Home,' 'It's Not Over' and 'Over You' as recognizable songs for Daughtry. The platform also lists 'Broken,' 'Fake It' and 'Fine Again' as songs Seether is best-known for. General sale tickets go on-sale June 6 at 10 a.m. To purchase tickets, click here. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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