Katie Holmes Abandons Ballet Flats for Gilded Zimmermann Orchid Sandals at the Brand's Fall 2025 Show In Paris
The 'Batman Begins' star sat front row in a pair of gilded sandal heels hailing from Zimmermann's spring 2024 collection. Currently retailing for $725, the delicate Orchid style features statement-making metallic gold leather uppers accompanied by open square toes and intersecting thin straps that travel up the foot and around the ankles, kept in place with gold adjustable buckle closures.
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Blooming gold orchid accents adorn the front of the shoes in clusters, imparting a dainty and whimsical quality. Finally, 3.3-inch sculptural stiletto heels round out the set, offering a subtle and walkable boost. Holmes' footwear pick is currently available in a range of sizing options on the designer brand's website.
Accompanying her floral footwear, the 'First Daughter' actress sported a butter yellow oversized jacket that sat off the shoulders, layered over a brown top of some kind. On the bottom, Holmes sported equally baggy cargo pants with gold accents and turtleshell buttons. On the accessories front, the thespian toted a brown leather bucket bag partnered with gold jewelry.
Holmes is best known for her classic 'everywoman' style, often re-wearing beloved pieces year-round. On the footwear front, the 'All We Had' director keeps her selections classic with Veja and Adidas sneakers, Gucci loafers, ballet flats and Bottega Veneta mules. Holmes is particularly fond of Adidas' Samba style, having been spotted in the on-trend silhouette on numerous occasions.
Beyond her sharp off-duty shoes, Holmes' ties to the fashion industry have also earned her an Olay brand ambassador title. The thespian has also starred in campaigns for Bobbi Brown Cosmetics, Miu Miu and Ann Taylor. Adding to her impressive fashion resume, Holmes was also the co-founder of the fashion line Holmes & Yang, which she launched with her then-stylist Jeanne Yang, from 2011 to 2014.
Katie Holmes' Red Carpet Shoe Style Through the Years [Photos]
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Launch Gallery: Katie Holmes' Red Carpet Shoe Style Through the Years [Photos]
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New York Times
5 hours ago
- New York Times
The return of Paul Pogba – no vengeance, no regret, but the hard work starts now at Monaco
Paul Pogba is back — but not as you know him. Six hundred and sixty-nine days after his last appearance as a professional footballer — and following a shortened doping ban — the 32-year-old French midfielder was presented as a Monaco player on Thursday. When Pogba rejoined Manchester United for a then-world record €110million (£94.7m; $130m at current rates) fee in 2016, the Premier League side announced his signing with the hashtag #POGBACK across social media platforms. One video showed a hooded figure holding a ball before revealing himself to be Pogba, a red devil shaved into his dyed blonde hair. Another from Adidas featured him dancing to Stormzy lyrics. Advertisement The announcement of his Monaco signing was very different. There was some of Pogba's usual bravado in a video entitled 'La Renaissance' — rebirth — which showed his face being carved into a rockface, Mount Rushmore style. He joked around while holding a pickaxe, a reference to the literal translation of his nickname 'la pioche' — a joker, in Pogba's case. French fans once serenaded him as that after their 2018 World Cup win. But the clip that went viral was far more private. It showed Pogba fighting back tears as he signed his new Monaco deal, with the club's chief executive Thiago Scuro watching on. 'Thanks for the trust,' Pogba says in English, once he has regained some of his composure. 🥹 — AS Monaco 🇲🇨 (@AS_Monaco) June 28, 2025 What was going through his head in that moment? 'It's true you saw a lot of emotion. It's very rare to see me cry like that, so I hope you enjoyed it,' Pogba said with a laugh at his Monaco presentation. 'A lot of images came into my head. The story of doping, injuries and so on, to come back and sign for a club that believed in me. All that came back when I was signing the contract. I couldn't hold back. It was a moment of joy, too, and that was important for me. A lot of determination, but also a lot of joy.' Some things never change with Pogba. He still attracts media attention like almost no other player, silencing Monaco's packed press room as soon as he walked in. He also commands the same respect from fellow pros. Just look at the love heart emojis posted under that video of him crying by former team-mates such as Raphael Varane and Paulo Dybala. Or how fellow Monaco signings Eric Dier and Ansu Fati spoke about him in their presentations on Thursday. Dier called his arrival a 'great thing for the club and for the league', while Fati said he had admired Pogba since he was a kid at Barcelona's academy. Advertisement Pogba said he still likes dancing, haircuts and nice clothes. He spoke of his wish for his three kids to celebrate one of his goals with a 'dab' (below, with Jesse Lingard), a reminder of a bygone era when he had the world at his feet. He laughed and joked with reporters while speaking of the importance of living in the present. But it was hard to believe him when he said he was 'the same Paul Pogba, but with another, maybe bigger determination'. After all, so much has happened since that return to United, the club he once joined as a youngster from French side Le Havre. He lifted the Europa League and the League Cup in that second spell at Old Trafford but often incurred fans' wrath for mixed performances. Then there was an ill-fated return to Juventus, where he made just 10 appearances in his first season back, even before the doping ban, due to repeated injuries. Off the pitch, that sanction capped an extremely turbulent few years. In 2022, Pogba was the victim of an extortion attempt by his brother Mathias, who was handed a suspended prison sentence after being found guilty in December 2024. Then, in February 2024, Pogba received a four-year suspension for a failed doping test the previous August, seemingly marking the end of his elite career at 30. His last game before that ban was a 2-0 win for Juventus against Empoli in September 2023. The test, carried out after a game against Udinese the month before, detected testosterone not produced in the body. At the time, Pogba said he felt 'sad, shocked and heartbroken that everything I have built in my professional playing career has been taken away from me' and vowed to clear his name. The Court of Arbitration for Sport (CAS) eventually ruled he had ingested the substance dehydroepiandrosterone (DHEA) unintentionally after 'erroneously' taking a supplement prescribed by a Florida doctor. According to CAS, he had claimed to treat 'several high-level U.S. and international athletes' and had assured Pogba he would be 'mindful' of his anti-doping obligations. Pogba accepted he had committed a strict liability offence and, in October, his ban was cut to 18 months, meaning he could return to training in January this year and play competitively again in March. The question was: where? Even playing again did not seem guaranteed when he had his Juventus contract terminated by mutual agreement in November. Advertisement 'It's true there were moments or times of doubt when in my head there was an angel and devil, let's say: 'Are you going to return, maybe not, maybe it's finished',' Pogba said. 'It was difficult at times. But my family, above all my wife, pushed me (by saying), 'You're going to return, you're going to be back on the pitch'. There were always people around me who (said), 'No, Paul, this will pass'.' What was his day-to-day life like? 'Dropping the kids off at school,' he said with a smile. 'I was a very present dad. And after that, I'd go to training and then pick the kids up from school. 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New York Post
11 hours ago
- New York Post
New Knicks guard Jordan Clarkson brings style to MSG — see some of his best fits
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Hypebeast
15 hours ago
- Hypebeast
Inside adidas' Ode to Black Excellence
By Erin Ikeuchi Under the roof of a former perfumery along Atlanta's Westside Beltline, adidas gathered hundreds of artists, athletes, musicians, writers, designers and leaders for the final act of its Honoring Black Excellence (HBE) capstone – an ode to the cultural architects at the helm Black creativity, innovation and brilliance. The iconic three stripes have long understood the transformative power of teamwork and sportsmanship, and in recent years its taken its steadfast commitment to community and social impact off the pitch and into the wider cultural bloodstream. Launched in 2019, HBE initiative has become a pivtal platofrm platform for the brand, honoring Black voices shaping today's creative and social landscapes. A cross between experience and exhibition, this year's edition unfolded as an embodiment of memory and momentum. Centered around the theme of 'Pathways & Pipelines,' the event spotlighted those who not only preserve legacy, but voices who are pave the way forward. To curate the event, adidas tapped Rog & Bee Walker, the duo behind Paper Monday, to transform the sprawling, industrial space with their sublime visual language, bringing their love for narrative and storytelling into a new, experiential dimension. The night featured a tender short film directed by the Walkers, alongside a series of immersive installations — a mosaic of the honorees' iridescent worlds: A willow shades over the belles of Gee's Bend Quilters, the Alabama-based collective whose quilted odes to Black Southern life sit at the heart of American art history; testimonials from mothers who have been impacted by Jaycina Almond's Tender Foundation, a grassroots rewriting narratives around single Black motherhoods, sing from the cozy, corner nursery. Elsewhere, framed jerseys's from Sekou Thornell's label Kitboys Club sits beside a stack of lockers. Fueled by his love of the game, Thornell blends streetwear and soccer to empower the new wave of Black creatives, both on and off the field. Peppered throughout the space are portraits taken by the Walker's — tender captures screen-printed on sheer veils of fabric, catching the light as if exhaling with the room itself. The images serve as a visual throughline, threading each installation with a dignity that doesn't just captures its subjects, but holds them tight. Ahead of the HBE Capstone Experience, we caught up with Rog & Bee to discuss their practice and the vision that brought it all together. 1 of 9 2 of 9 3 of 9 4 of 9 5 of 9 6 of 9 7 of 9 8 of 9 9 of 9 'It's definitely a balancing act, and what we do together is greater than the sum of our parts.' How would you describe your practice in your own words? Rog Walker: Visual storytelling sums it up. We use photography, film and pretty much any medium to capture identity, which is at the core of our work. It's about exploring our stories and the stories of people around us. Bee Walker: Through working we've discovered other dimensions of our practice that maybe weren't initially intended, but are so beautiful to see. This whole HBE event has turned into 100's of people coming out to Atlanta to screen the film and see the photographs and meet the featured honorees – that element of our work has been really surprising. It's amplified really beautiful messages and it's become a really important part of it all. What are you respective backgrounds and how have those paths led you to where you are today? RW: Bee's been taking photos since she was like 13, whereas I started kind of late. I come from a standard, working-class family, and photography was not a choice that was even allowed. There was a lot of backlash, but it only made me want to pursue it even more – to tell my story and explore this path. BW: To be honest, I wouldn't call my background a creative one either. I did start taking pictures young because my father bought me a camera, but when I met Rog, it coalesced into something that we both loved doing and we just grew from there. It's been such an amazing journey. 1 of 8 2 of 8 3 of 8 4 of 8 5 of 8 6 of 8 7 of 8 8 of 8 'True collaboration starts with the trust that someone believes in your vision, even if you've never done it before.' As both creative and life partners, how do you strike a balance when approaching a new project? RW: Just taking a step back, our personalities are so different: Bee is really outgoing and I don't like talking to people, whereas I'm really technical and she just doesn't like to fuss with that stuff. Our personalities just mesh well. But, also we fell in love with each other and with photography at a time when there was a lot of excitement. I remember running around on the street with our friends, and so many things were happening at that time, and we just loved it. We were exploring culture and having fun, which made it easy to collaborate. BW: It's definitely a balancing act, and what we do together is greater than the sum of our parts. It helps me stay focused and when I drop off a little bit, I always remember that none of this would be possible if it weren't for both of us or our whole family now being a part of it. 1 of 8 2 of 8 3 of 8 4 of 8 5 of 8 6 of 8 7 of 8 8 of 8 How has your experience running Paper Monday inform your curatorial vision for this event, and the immersive installations within them? RW: The adidas Purpose team reached to see if we wanted to curate the event, and though we'd never done this before, we saw how these stories are more than pictures, they're real narratives. It was a matter of research, we were looking at Carrie Mae Weems, Tyler Mitchell and grasping onto different elements. True collaboration starts with the trust that someone believes in your vision, even if you've never done it before. Courtesy of adidas. Event photography by Yvette Glasco. Portraits by Rog & Bee Walker.
