
When Harshvardhan Rane revealed why he hasn't made his web series debut
Tired of too many ads? go ad free now
While the actor has a long list of films on his slate, he has seemingly yet to venture into the web series space. Rane revealed that there was a personal reason behind his decision. He shared in a chat with Outlook India that he has made a promise to himself and a renowned filmmaker, that he would complete 10 Hindi films before venturing into web series. 'I had promised a big filmmaker that I will start considering web series only if I finish 10 Hindi films first''.
'Since I have just finished shooting for my 9th, its 1 more film to go before he calls me up! I have always focused on turning my waiting period into growth period by working on the craft inside out, but finally am grateful that my audience will get to see me in 4 different films before next summers,' the actor revealed.
A scroll through Rane's Instagram posts will reveal that he excitedly teased his upcoming projects saying, "Jaise hi poora details milega I will give you.
So happy, you will hopefully see 2 releases this year, and 2 film releases next year, as I have almost finished 4 Hindi films 1. #KunFayaKun 2. #MirandaBrothers 3. #Dange 4. #F9.'
'Kun Faya Kun' details revealed
As far as 'Kun Faya Kun' is concerned, the film, directed by
featured Rane and Sanjeeda Shaikh in lead roles and also had Kiran Shyam Shroff on board as the creative producer. Adding depth to the narrative, the screenplay was penned by Ghalib Asad Bhopali.
Tired of too many ads? go ad free now
He also announced Miranda Brothers, a sports drama that generated excitement as it marked the first-ever on-screen pairing of Harshvardhan and Meezaan. Directed by Sanjay Gupta, the film promised high-octane action and emotion, bringing together two dynamic actors in a genre that's always a crowd-puller.
Power-Packed Film Lineup
Harshvardhan also has 'Dange' on his slate. The project is a college drama directed by
and promises youthful energy and intense storytelling.
Adding to the excitement was his ninth film, tentatively titled 'F9'. Directed by
, this project featured Harshvardhan in a special appearance, marking another unique addition to his diverse filmography.
Harshvardhan Exits Sanam Sequel

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Indian Express
an hour ago
- Indian Express
Vidhu Vinod Chopra told Vidya Balan to get a nose job before Parineeta, she was terrified: ‘Tera naak bohot lamba hai, surgery karte hain'
Vidya Balan made a remarkable entry into Hindi cinema with Parineeta, an adaptation of Sarat Chandra Chattopadhyay's 1914 Bengali novella. Directed by the late Pradeep Sarkar and produced by veteran filmmaker Vidhu Vinod Chopra, the film marked the beginning of her Bollywood journey. While she fondly remembers her association with Sarkar, who believed in her talent even as a newcomer, Vidya recently opened up about a moment that left her shaken just before filming began. In a candid conversation with Filmfare, the actor recalled how producer Vidhu Vinod Chopra suggested she undergo plastic surgery. 'He told me, 'Tera naak bohot lamba hai, surgery karwate hai.' Main dar gayi (He told me, 'Your nose is too long, let's get a surgery done.' I got scared). And I was like, 'I'm not going to do this'. And I'll tell you why, because to this day I have not touched my face. I get a facial done once in a while, and that's about it. I'm very particular, ki jaisa hai waisa hai, Bhagwan ne diya hai, bohot achha diya hai (The way it is, that's how it is. God gave it to me, and He gave it beautifully).' She also shared another difficult episode from her early years, before Parineeta, when she was working on a Malayalam film. The makers had asked her to change her surname, something she was deeply uncomfortable with. 'During my Malayalam film, they told me there is Manju Warrier, there is Samyukta Varma, who used their community names as their surnames. So you should also be called Vidya Iyer, not Vidya Balan. I changed my name and I cried, but my parents told me, 'You will always be Vidya Balan.' But again, they didn't know, right? The director and producer wrote to everyone saying, 'You're an Iyer anyway, so it's okay.' And then that film didn't happen. So I was very sure—if there is something I'm not comfortable doing, then it will definitely not work out. So when Mr Chopra told me, I was like, main dar gayi, and I came back and spoke to Dada (Pradeep Sarkar). I told him, 'Dada, aap sambhal lo…' and he was like, 'Nahi nahi, main manage kar lunga ('Dada, you handle it…' and he said, 'No, no, I'll manage it)'.' Also Read | Vidya Balan says Rekha is 'desire incarnate': 'I think she was made for the celluloid' Despite the pressures, Vidya reflected warmly on her experience working with Chopra's production house, calling it a 'protected environment' that helped her grow. 'I did my first three films with Vinod Chopra Films, so that's like my alma mater. I came from a protected environment, very disciplined, very professional. All the prep was done beforehand, you didn't waste time on set at all. These are things I learnt early on, and of course they added to my South Indian discipline anyway.' Last month, Parineeta completed 20 years, marking two decades of Vidya Balan in the Hindi film industry. She was last seen in the blockbuster horror-comedy Bhool Bhulaiyaa 3.


NDTV
an hour ago
- NDTV
71st National Film Awards: Was This The Most Commercial Bollywood Year Ever? All Signs Say Yes
New Delhi: For years, the National Film Awards have been the holy grail of artistic validation, often accused, rightly or wrongly, of being indifferent to Bollywood's big-budget extravaganzas. But this year, on a seemingly ordinary Friday in August 2025, something unprecedented happened: Shah Rukh Khan and Rani Mukerji, two of Bollywood's most enduring icons, finally won their first National Awards. And in that moment, the line between 'mass entertainer' and 'award-winner' blurred like never before. The Big Bollywood Comeback The 71st National Film Awards marked a dramatic shift in what had become a familiar pattern during the pandemic years: South Indian cinema sweeping top honours while Bollywood remained largely on the sidelines. Starting around 2020, when COVID-19 disrupted theatrical releases and OTT platforms reshaped viewership, Hindi cinema entered a creative slump, while Malayalam, Kannada, Tamil and Telugu films rose in stature and acclaim. At the 70th National Awards, regional films took home major prizes, including Best Feature Film and Best Actor. Even the year before, regional films dominated categories that Bollywood once called its own. But this year, Bollywood spectacularly reclaimed its lost ground. Hindi films won across all major categories: Shah Rukh Khan bagged Best Actor for Jawan, Rani Mukerji took home Best Actress for Mrs Chatterjee Vs Norway, and 12th Fail, an inspiring real-life drama headlined by Vikrant Massey, won Best Feature Film. Bollywood also secured awards for Best Popular Film (Rocky Aur Rani Kii Prem Kahaani), Best Choreography, Best Child Artist, Best Lyrics, and even Best Hindi Film (Kathal). A still from Kathal Compare this to last year's 70th edition, where Bollywood found itself sidelined. South Indian cinema, Malayalam, Kannada, and Tamil had a near-total sweep. Malayalam film Aattam won Best Feature Film, Best Screenplay and Best Editing, while Kannada film Kantara won Best Popular Film and fetched Rishab Shetty the Best Actor award. Hindi cinema, despite big releases, had to settle for just six awards across all categories, and most of which were not top-tier honours. Even the year before that, at the 69th National Film Awards, it was South Indian cinema again - Tamil, Malayalam and Kannada films - that earned the critical spotlight and national jury approval. Bollywood had receded into the background, mostly with a few wins in less prominent categories. So, What Changed This Year? The big turning point seems to be a shift in how Bollywood now balances spectacle with story. 12th Fail, for example, is a relatively modest Rs 20 crore film, but its powerful real-life story and emotional heft made it both a critical darling and a sleeper hit. A still from 12th Fail On the other hand, Jawan, which cost nearly Rs 300 crore to make, blended mass appeal with socio-political undertones, something that seemed to strike the right chord with both audiences and juries. Shah Rukh Khan, who's been in the industry for over three decades and had never before won a National Award, called the win "something to cherish for a lifetime," adding, "The National Award is not just about achievement, it's a reminder that what I do matters." His sentiment echoed across the industry, where it was widely seen as a moment of overdue recognition. Rani Mukerji, too, called her win a culmination of her 30-year-long career, saying: "It's a validation of my body of work, my dedication to my craft, and my passion for cinema." Her role in Mrs Chatterjee Vs Norway was powerful and rooted in maternal emotion, a far cry from traditional "award-bait" drama. A still from Mrs Chatterjee Vs Norway The Rise Of The Commercial Films This year's awards raise a compelling question: Are we witnessing the most commercial Bollywood year at the National Awards? Going purely by the budgets and scale of the winning films, the answer appears to be yes. Shah Rukh Khan's Jawan is one of the most expensive Indian films ever made, with a budget of around Rs 300 crore. Karan Johar's Rocky Aur Rani Kii Prem Kahaani, which won Best Popular Film and Best Choreography, had a budget of over Rs 160 crore. Even Sam Bahadur, which won for Best Film Promoting National and Social Values, had a budget north of Rs 55 crore. A still from Rocky Aur Rani Kii Prem Kahaani Contrast this with previous winners over the last decade, and the difference is striking. From Village Rockstars (2017, budget: Rs 40 lakh) to Court (2014, under Rs 2 crore), and even Soorarai Pottru (2020, low-budget Tamil film), the National Awards were traditionally a bastion of low to mid-budget regional cinema. Even Best Actor winners reflect that shift: 2017's Riddhi Sen won for the Bengali indie Nagarkirtan (Rs 2-3 crore). 2018 saw Ayushmann Khurrana win for Andhadhun (Rs 32 crore), alongside Vicky Kaushal for Uri (Rs 25 crore). Suriya won for Soorarai Pottru (Rs 45 crore) in 2020. In 2022, Rishab Shetty won for Kantara, a Rs 16 crore film rooted in folklore and performance art. This year's winners, by contrast, are from distinctly big-banner productions with wide releases, international promotion and massive box-office ambition. Why Bollywood Was Losing Until Now In the past decade, Bollywood was often criticised for playing it too safe, chasing box office numbers with formulaic rom-coms or action flicks, while South Indian cinema led with bold experimentation, folk-rooted narratives and social commentary. Films like Kantara, Aattam, and Thiruchitrambalam brought fresh voices and formats that made them jury favourites. South Indian films didn't just dominate the screen; they brought stories that had something to say, often without the frills or pretensions of mainstream cinema. Bollywood, during this time, was also dealing with its internal crisis-calls for nepotism reform, creative stagnation and an identity conflict in the post-pandemic OTT boom. The result was a run of critically underwhelming films with bloated budgets and little innovation. But in 2023-24, Bollywood slowly began recalibrating. A Jury With New Tastes The shift is also indicative of changing jury preferences. For years, National Award juries prioritised thematic depth, regional representation and innovation. Now, as the lines blur between "commercial" and "meaningful", especially with the rise of pan-India storytelling and streaming services, there appears to be greater openness toward recognising films that unite mass and critical appeal. A still from Jawan The fact that films like Jawan and Rocky Aur Rani can now be celebrated alongside indie-style entries like 12th Fail or Kathal points to a more inclusive understanding of cinematic merit. The Final Word Whether this year's National Film Awards signal a permanent shift or simply a new chapter in cinema's cyclical evolution remains to be seen. But one thing is clear: this was the most commercial Bollywood has ever been at the National Awards, and it didn't come at the cost of quality. If anything, the industry finally seems to have found a way to be both dazzling and deserving, crowd-pleasing yet credible. And for stars like Shah Rukh Khan and Rani Mukerji, who waited over 30 years for this recognition, it's the kind of validation that suggests the heart of Bollywood is still very much in the right place, even when the budgets soar sky-high.


News18
2 hours ago
- News18
Vicky Kaushal Reacts To Sam Bahadur's Three National Awards: 'So Proud'
Sam Bahadur is the third Vicky Kaushal film to have won a National Award. Vicky Kaushal's Sam Bahadur has won big at the 71st National Film Awards. The awards were announced on August 1, and Sam Bahadur became the Hindi film to win the most accolades. Now, Vicky Kaushal has reacted to the film's big wins and expressed his pride. Vicky congratulated the team of Sam Bahadur and lauded director Meghna Gulzar. Sharing a post on the film's awards, Vicky wrote, 'So proud. Congratulations, team!" Vicky Kaushal's Sam Bahadur won in the categories of Best Feature Film Promoting National, Social, and Environmental Values, Best Make-Up, and Best Costume. Have a look at Vicky's post here: Sam Bahadur explores the highs and lows of Sam Manekshaw's illustrious career and his journey to becoming the first Indian Army officer to be promoted to the rank of Field Marshal. This biopic sheds light on Manekshaw's unparalleled contributions, showcasing his valour, strategic brilliance, and unwavering dedication to the nation. The film also delves into the intricate dynamics of military and political relations, adding depth to the narrative and providing a comprehensive understanding of Sam Manekshaw's impactful legacy. Interestingly, Sam Bahadur is the third Vicky Kaushal film to have won a National Award. Vicky Kaushal shared the National Film Award for Best Actor with Ayushmann Khurrana for his performance in Uri: The Surgical Strike at the 66th National Film Awards. Sardar Udham was awarded Best Feature Film in Hindi, and it received several other national awards, including Best Cinematography, Best Costume Design, Best Production Design, and Best Audiography at the 69th National Film Awards. Meanwhile, films like Jawan, 12th Fail and Animal also won multiple accolades in the 2023 batch. Jawan won two awards, one for Shah Rukh Khan, who received his first National Award for Best Actor, and another for Shilpa Rao, who was honoured for the song Chaleya. Meanwhile, 12th Fail also won two awards, Best Feature Film and Best Actor for Vikrant Massey, marking his first National Award as well. The Kerala Story gave a neck-to-neck fight, bagging awards in the Best Cinematography and Best Direction categories. Animal won two awards as well, in the Best Sound Design and Best Music Direction categories. Meanwhile, Rocky Aur Rani Kii Prem Kahaani also earned two awards, Best Popular Film Providing Wholesome Entertainment and Best Choreography for Dhindhora Baje Re. First Published: August 02, 2025, 12:23 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.