
'Trailblazer' Lola Kirke visits USA TODAY Acoustic to perform songs from her album
The multitalented artist kicked off the Nashville edition of USA TODAY Acoustic with a four-song acoustic set drawn from her third full-length album. Her title track, "Trailblazer," opens with the line, "If I got what I wanted, I never would've gotten to meet me," a poetic thesis that sets the tone for her introspective storytelling.
"That sounds kind of like a wall quote you'd see at your grandmother's house or something," she jokes before delving into the project's deeper meaning. "I wanted to set the scene of where the album was coming from because so much of it is about blazing your own trail and trying to understand who you are when your life looks different from what you thought it would look like."
Lola Kirke's 'Trailblazer' country album latest in a trio of new introspective projects
The Nashville-based artist from New York played alongside steel guitarist Nick Larimore.
Kirke is having a standout year in 2025, not only releasing "Trailblazer" but also publishing the book "Wild West Village" with Simon and Schuster.
During the taping, Kirke sat tucked into a nook awash in soft blue fluorescent light and reflected on her creative process.
"Lately I've gotten really interested in sitting down and observing everything," she says. "Like I guarantee, if you went downstairs and just sat on the street and observed how people cross the street and what they're doing and what people are saying to each other, it would reveal so much about this world that we live in."
Kirke tells stories through song, prose and acting. One of her breakout roles was in "Gone Girl" portraying Greta, a mysterious woman who crosses paths with Amy at an Ozark campground. She's since appeared in "Gemini," "Lost Girls" and HBO's "Winning Time."
When it comes to putting poetry to paper, Kirke takes inspiration from musical writing legends.
"I was listening to a Joni Mitchell interview the other day where she said, 'I write about me to show you you,'" Kirke said. "I think that's the value of songwriting or any kind of writing or storytelling."
For USA TODAY Acoustic, Kirke performed a 17-minute set of "Hungover Thinkin'," "Trailblazer," "Marlboro Lights and Madonna" and "Mississippi, My Sister, Elvis and Me."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
8 minutes ago
- Yahoo
Major Celebrity Training For In-Ring Debut At WWE SummerSlam
WWE SummerSlam is set to be a star-studded affair, as one celebrity is set to make their in-ring debut at the event. Singer/actor Jelly Roll is set to appear on Friday's episode of WWE SmackDown at the Bridgestone Arena in Nashville. WWE is heavily advertising him for the show, and as it turns out, it's for a good reason. According to a new report from Jelly Roll is set to make his in-ring debut at SummerSlam. The outlet reports that Jelly Roll has been training to make his WWE in-ring debut. It's expected that the 'Son of a Sinner' singer will align with a 'top babyface' ahead of SummerSlam, which takes place on August 2 and 3. That babyface's identity is still unknown. However, when PWInsider asked if the top babyface was Cody Rhodes, they were told no. This would be the second consecutive appearance at SummerSlam for Jelly Roll. He was featured at the 2024 event, where he got physically involved and chokeslammed Austin Theory. He was advertised as performing 'God Bless America' at the event. In addition, he participated in the surprise in-ring segment that also featured R-Truth and The Miz. After the appearance, Jelly praised Theory for helping him shine in the moment. At the time, Jelly Roll told Pat McAfee that his noticable weight loss was for a reason. The singer said he was trying to get fit and had unfinished business in the ring. 'Yeah, we might just get rid of the roll and just be 'Jelly'. We'll let it jiggle just a little bit. We might get rid of the rolls and keep the jelly. I think I'd still be sexy,' Jelly Roll said. 'Yeah, man, I mean I've got to [be fit] by next year dude,' he said. 'Because I've got unfinished business in the WWE.' Read More: The post Major Celebrity Training For In-Ring Debut At WWE SummerSlam appeared first on Wrestlezone.
Yahoo
2 hours ago
- Yahoo
WWE SmackDown results, highlights (July 11): The Wyatt Sicks win tag-team gold
Nashville hosted a chaotic night of "WWE SmackDown" before the massive weekend of pro wrestling events. Despite all the action taking place down south, not every title could fit on Saturday Night's Main Event. Take the WWE Tag Team titles as Exhibit A. Super powered WWE did it. The Wyatt Sicks are the new WWE Tag Team Champions after being booked to be impossible to defeat. In a general sense, The Street Profits absolutely should still be tag team champions. But WWE booked themselves into the corner where this change had to happen, otherwise the Wyatts would be buried by a singular loss. The match was fine. It was nothing special, especially compared to everything else the division has to offer. Again, this was more about hitting the story beats properly, and now it will be a matter of presumably picking off The Wyatt Sicks one by one to dethrone them. There still hasn't been an explanation why they would even want to be champions, but hey, this is where we are. Advertisement 👑 Uncrowned Gem of the Night 👑 Why not set the stage immediately, huh? "WWE SmackDown" cooked right out of the gate with a fatal-4-way match between members of the women's tag teams competing for the title at WWE Evolution on Sunday. It was Sol Ruca vs. Alexa Bliss vs. Kairi Sane vs. Roxanne Perez. There was no way this could be bad, right? Right. It ruled and was the Uncrowned Gem of the Night. OK, in all transparency, this was an excellent display for NXT's Ruca, and not just because she was in the match, but she felt like it was supposed to be a highlight for her. It was certainly that and more. Everything she did with any of her three opponents was flawless, and the double Sol-Snatcher was sick. I didn't love her looking like an idiot at the end when distracted by Charlotte Flair and the unnecessary outside scuffle, but that's just how it goes. The finish came right after Ruca got done taking care of business, as Sane went for the In-Sane Elbow on Bliss. Flair's new frenemy countered the dive with a double kick and hit the Sister Abigail DDT for the win. Bliss is just wildly over right now, and if this isn't a launching pad to get gold around her waist again, then WWE is wasting its time with her. Advertisement 🥴 WTF of the Night WWE went through a time machine to the early 2010s in Nashville. Where do we even start with the Jelly Roll appearance? The artist came out midway through the show to start performing. I love music, but this wasn't for me simply because of the genre, so it began on a missable foot. It was unclear whether this would be part of an angle or if WWE would merely allow a small concert to take place. Ultimately, it was an angle — maybe? This was a cluster. Logan Paul, the perfect heat magnet for this moment, came out to disrupt the sing-along and lambast Jelly Roll with all the claims that can be made about him as a wrestler. Clout-chasing, not belonging in the ring, saying it was "his world," etc. Advertisement He landed a solid roast line, and then a fired-up Randy Orton arrived to verbally unload on Paul, only to get kicked with a Claymore by Drew McIntyre. Paul then continued the assault on Orton, and Jelly Roll grabbed and threw him out of the ring. What? The McIntyre and Orton element was shoe-horned into this purely for Saturday Night's Main Event "hype," but it all felt so weird. And in a way, like it's setting up for ... Paul vs. Jelly Roll? This whole segment served no one. Now, Jelly Roll will be in Orton's corner against McIntyre. Alright, I guess. 👍 FRIDAY NIGHT FIRE 👍 LA Knight is still as over as ever, but he was a part of the first bit of this show's overall random nature. He and Jimmy Uso beat Solo Sikoa and JC Mateo in a tag team match that was set up by the opening segment. Knight cut a great promo (as always) on Seth Rollins and his boys, which led to the Paul Heyman interruption before Sikoa and his squad followed. I don't know why, but it led to Uso coming to Knight's aid before he got attacked by the four Samoans. The match was fine, and the Knight-Uso duo got along better than I'd have expected. Their win came via a Uso roll-up on Sikoa after outside distractions from a returning Heyman, who teased Knight with a call to Bron Breakker and Bronson Reed. This was all the set-up needed to help Knight get the win at Saturday Night's Main Event tomorrow, because Sikoa was pissed at Heyman. We'll see if that comes to fruition, but either way, it was an interesting way to end "WWE SmackDown." 🤷 IT HAPPENED 🤷 "WWE SmackDown's" return to two hours is already suffering from the "cram-in" effect. Like the Jelly Roll segment, Trish Stratus and Tiffany Stratton's segment was almost the exact same thing. (Minus the musical guest element.) Advertisement It was essentially a complete copy and paste of the infamous Stratton-Flair promo segment before WrestleMania 41. Wade Barrett mediated, and they exchanged playful barbs as if they were never friends the last time we saw them. The Nashville crowd did not react to anything either said before Naomi came out to tease her eventual cash-in. Can you guess what happened within seconds? Yep. Jade Cargill attacked her for a pull-apart brawl on the ramp. No real substance anywhere to be found. 👎 DOWN & OUT 👎 Ron Killings beat Aleister Black in their singles match. That should be a positive, and is without context. However, with context, this doesn't feel like the right direction to go with Killings after the hot angle WWE had in the palm of its hand with his release saga. Advertisement Killings won via a roll-up after he brought a chair into the fold, and they each tried to get disqualified by using the weapon. It was a three-minute match at most, and Black angrily tried to attack Killings on their way out of the ring. I guess this is how we get to Damian Priest doing something again, because they came to blows afterward. 👑 This show was a scattered sprint more than it was a race. Without that Fatal 4-Way to kick things off in the ring, we'd be in rough territory. I give this show a Crown score of: 6/10.👑

Hypebeast
3 hours ago
- Hypebeast
Tropical Futures Institute & Eastern Margins Dive Into Asia's Digital Diaspora
Tropical Futures Institute(TFI), Chris Fussner's tropics-inspired label, has linked withEastern Marginsto produce a special capsule inspired by their overlapping focus on Asian underground culture and diasporic identity. Together, TFI and the London-based collective described as the 'home of Alternative Asian culture' propose a new aesthetic that draws from the realms of digital culture, Drain Gang, and tropical themes. The collaborators describe the collection as 'built for heat, 'born from the tropics,' and 'styled for the margins.' Comprising a pink baby tee, a cobranded bike jersey, a graphic t-shirt, an embroidered trucker cap, and a sarong, each piece encapsulates the visual language of DIY aesthetics and rave art throughout East and Southeast Asia. The sarong is a highlight, borrowing a common garb traditional to various tropical Asian cultures and using it as the canvas for the 'tropical drainer' design by Bea Cruz. Elsewhere, the bike jersey features an airbrushed retro floral illustration on the backside and bold typography on the front. TFI was founded by Chris Fussner in 2017 in response to what he saw as a lack of investigation surrounding contemporary culture in the tropics, particularly in the Philippines and wider Southeast Asia. In a recent statement, Fussner shared that TFI aims to represent diverse expressions across the tropics, 'bridging art, design, and research.' Some may be familiar with TFI's work withDenim Tears, which popularized the now ubiquitous 'LATE CAPITALISM' graphic emblazoned on caps and tees. First released at Dover Street Market Singapore, the collaboration is now available at theTFI web store. See the gallery above for a look at the campaign shot by Khristiandt Lerona.