
Bruce Springsteen, Pink Floyd, Fleetwood Mac: 2025's Notable Reissues So Far
We're still in the throes of summer, but it's never too early to think about some of the archival music and reissues that have been released so far this year for the discerning music fan (And before the blink of an eye, it'll be the holiday gift-giving season). The first half of 2025 has seen some interesting offerings by several heavy hitters for both die-hard and casual fans, with more to come in the second half from the likes of David Bowie, Nick Drake and Genesis. Meanwhile, here's a rundown of releases currently available that mostly feature all the bells and whistles: remastered sound, attractive packaging, liner notes and, most importantly, previously unreleased tracks.
Cover of 'Pink Floyd at Pompeii.'
Pink Floyd
Pink Floyd at Pompeii - MCMLXXII
Predating 1973's The Dark Side of the Moon, Pink Floyd's performance at the ancient Roman amphitheatre in Pompeii, Italy — featuring the classic lineup of David Gilmour, Roger Waters, Nick Mason and Richard Wright — has since become legend. More than five decades later, the film version of the concert was restored and digitally remastered in 4K. The release of a standalone live album, which includes performances of 'Echoes' and 'One of These Days," from this important moment in Floyd's history coincided with the film's re-release.
Cover of 'Listen Like Thieves.'
INXS
Listen Like Thieves (40th Anniversary Deluxe Edition)
INXS' fifth studio, which came out in 1985, proved to be the Australian band's breakthrough release in the U.S., thanks to the Top 10 hit 'What You Need.' The record was a turning point because it marked the beginning of INXS' working relationship with producer Chris Thomas and yielded other beloved songs including the title cut, 'Shine Like It Does' and 'Kiss the Dirt. More importantly, Listen Like Thieves' mix of sleek dance rock and funk provided the template for the group's blockbuster Kick album two years later. This 40th anniversary 2-CD edition of Listen Like Thieves also features a brand new 2025 remix of the album, plus several B-sides, remixes and live recordings from that period.
Cover of 'The Warner Reprise Years.'
The B-52's
The Warner Reprise Years
The first eight records by the legendary Athens, Georgia, party band during their 13-year tenure with Warner Bros. and Reprise Records are finally collected in this 9-LP set. From their iconic 1979 self-titled debut album to 1992's Good Stuff (and including the Mesopotamia EP and the Party Mix compilation), the collection, which has been pressed on colored vinyl, is guaranteed to liven up any shindig.
Cover of 'Gratest Hits.'
Grateful Dead
Gratest Hits
Celebrating the 60th anniversary of the famed jam band's formation, the single-disc Gratest Hits — billed as the Grateful Dead's 'first real greatest hits' collection — strictly caters to the casual fan or first-timers who just want to hear the popular studio tracks. The new set delivers on that promise with the inclusion of classics like 'Casey Jones,' 'Truckin,'' 'Friend of the Devil,' 'Box of Rain' and 'Touch of Grey.' A more adventurous listener might opt for previous Dead compilations with deeper cuts and the extended live performances, but for the uninitiated, Gratest Hits is a fairly serviceable introduction.
Cover of 'Fleetwood Mac: 1975 to 1987.'
Fleetwood Mac
Fleetwood Mac 1975-1987
On the occasion of the 50th anniversary of Fleetwood Mac's self-titled album — which marked the debut of Lindsey Buckingham and Stevie Nicks in the lineup — a new box set collection features the five studio albums recorded by the band's most commercially successful and beloved configuration: Fleetwood Mac, Rumours, Tusk, Mirage and Tango in the Night.
Cover of 'Tracks II: The Lost Albums'
Bruce Springsteen
Tracks II: The Lost Albums
Nearly 30 years after the release of Tracks, its long-awaited sequel has arrived, featuring seven previously unreleased albums by the Boss — from LA Garage Sessions '83 to Perfect World (1994-2011) — and containing a total of 83 tracks. 'The Lost Albums were full records, some of them even to the point of being mixed and not released,' Springsteen said in a press release. 'I've played this music to myself and often close friends for years now. I'm glad you'll get a chance to finally hear them.' Like its 1998 predecessor, Tracks II represents the Holy Grail for the Boss' devoted following.
Cover of 'Still Living in the Past.'
Jethro Tull
Still Living in the Past
Jethro Tull's first-ever compilation, 1972's Living in the Past, arrived at a time when the British band led by Ian Anderson was riding high off the success of the Aqualung album. This collection of singles, album tracks and outtakes became a success in its own right, featuring classic Tull cuts as 'A Song for Jeffrey,' 'Christmas Song,' 'Teacher,' 'Sweet Dream' and 'The Witch's Promise.' This new 5-CD/Blu-Ray set version of the original record contains new remixes of the songs by Steven Wilson along with the band's 1970 concert performance at Carnegie Hall.
Cover of 'The Journey Part 3.'
The Kinks
The Journey, Part 3
The third and final installment in the legendary British group's anthology series marking their 60th anniversary, The Journey covers the Kinks' latter output, particularly their tenure with RCA and Arista from 1977 to 1984. It was a productive period that resulted in a second wind of hits for the band, including 'Destroyer,' 'Better Days,' 'Come Dancing,' and '(Wish I Could Fly Like) Superman.' The second disc of this compilation contains a previously unreleased 1993 Royal Albert Hall concert, showcasing the Kinks' classic songs and material from their then-most recent record Phobia.
Cover of 'The Dream of the Blue Turtles.'
Sting
The Dream of the Blue Turtles (Expanded Edition)
Released 40 years ago, The Dream of the Blue Turtles launched Police frontman Sting's successful solo career. Stylistically, the album marked a departure from his former band's New Wave sound and went for a more sophisticated jazz-pop sound. It was a hit thanks to the songs 'If You Love Somebody Set Them Free,' 'Russians, 'Love Is the Seventh Wave' and 'Fortress Around Your Heart.' Marking the anniversary milestone, the album has been reissued as a digital release and accompanied by a B-side, remixes and a non-album track.
Packshot of 'A Love Supreme.'
John Coltrane
A Love Supreme
The jazz legend's spiritual and sublime masterpiece turned 60 earlier this year. To celebrate that anniversary, Impulse! Records released a limited-run diamond-clear vinyl pressing of A Love Supreme, which is an absolute must for any music fan regardless of the occasion or format.
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Eric Meier (left) and Morgan Freeman (right) co-own Ground Zero Blues Club in Clarksdale, ... More Mississippi, partnering for this summer's launch of the 'Morgan Freeman's Symphonic Blues Experience' concert tour Since 2001, actor and narrator Morgan Freeman has owned and operated Ground Zero Blues Club in Clarksdale, Mississippi, celebrating blues music in the birthplace of the artform. Located just about a mile from the infamous crossroads at the intersection of Highways 61 and 49, where lore has it that legendary bluesman Robert Johnson sold his soul to the devil, Ground Zero showcases the sound of blues artists young - like 26 year old phenom Christone 'Kingfish' Ingram, who was born in Clarksdale - and old - Bobby Rush, 91. While he was born in Memphis, Tennessee, later moving to places like Chicago, Illinois and Gary, Indiana, Freeman was raised in Charleston, Mississippi, about an hour northwest of Clarksdale in the Mississippi Delta region, where he discovered blues music. 'Well, my mother was a musician. And she played the piano. So, me and music were kind of intimate early on,' Freeman explained during a recent video call. 'I don't know when I first actually heard the blues - but I was no more than 5. I don't know that it actually resonated with me - it was just sort of there. But I think by the time we got up to rock and roll, I knew where rock and roll came from.' Co-owned by legendary actor Morgan Freeman, Ground Zero Blues Club has operated in Clarksdale, ... More Mississippi, the birthplace of blues music, since 2001 Freeman, 88, was born in June of 1937, a year before Johnson's death at the infamous age of 27, about two years prior to the start of World War II and 14 years before Ike Turner's 'Rocket 88' began racing up the charts as arguably the first rock and roll single. 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More Francisco, running across North America into November 'This is kind of like any start up where you keep prototyping and piloting it but the general concept is remaining the same, which is, how do you take kind of the soulfulness and energy of blues music and pair it with kind of the refinement and gravitas of the symphony? It's super hard to do,' said Ground Zero president and co-owner Eric Meier. 'What is music about? Rhythms,' added Freeman. 'And classical music and blues music you're able to synthesize. By that, I mean you're able to bring the two together seamlessly. It's surprising how well it works.' On paper, adding blues to classical music doesn't necessarily add up. Blues is driven by improvisation whereas classical is a far more precise, exacting sound. But on stage it does, with the live orchestra providing a cinematic backdrop that helps Freeman drive the narrative. CLARKSDALE, MS - SEPTEMBER 23: Actor Morgan Freeman poses on the pool table at Ground Zero blues ... More club on September 23, 2005 in Clarksdale, Mississippi. (Photo by) Following pilot performances in Savannah, Georgia, Dublin, Ireland and Salzburg, Austria, the 'Symphonic Blues Experience' examines the roots of a distinctly American sound. 'Look, it's storytelling, right? It's emotion,' Meier explained. 'And we're very blessed to have our music director, Martin Gellner from Vienna,' he said, referencing the versatile composer who frequently collaborates with famed film score composer Hans Zimmer. 'But the beauty of what Morgan is doing is really providing that backdrop of this 100 year journey. And, obviously, we're doing some very cool photo imagery to accompany the storytelling that kind of helps you fill in the pieces,' Meier explained. 'When we did the Savannah venue, we didn't have that. Now we've started and I think it adds a lot of depth to the exercise and to the event,' Freeman concurred. 'You think of the symphony orchestra and you don't think of storytelling. It's just classical music. Now, with the blues, it's storytelling. Put those two together and I think what happens is that the blues is enhanced.' The legendary crossroads of highways 49 and 61 outside Clarksdake, Mississippi. In the juke joints ... More around Clarksdale, Mississippi, Robert Johnson was known as the kid who could barely play the guitar he often carried. Stories are told of musicians inviting Johnson to join them on stage, knowing that, before he got very far, the audience would be laughing. He disappeared for a while. When he returned, no one who heard him could believe he was the same man. He blew everyone away, playing the songs that would make him famous, among them "Cross Road Blues" and "Me and the Devil Blues." Rumours started and a myth was born: Johnson did a deal with the devil here at the crossroads of highways 49 and 61 and sold his soul in return for his musical abilities. | Location: Clarksdake, MS, USA. (Photo by Louis Quail/In Pictures Ltd./Corbis via Getty Images) For Freeman, this tour is an opportunity not to portray the experience of another but to detail his own while examining the story of a sound closely aligned with American history, one which grew out of field hollers in the south at places like Dockery Plantation, 45 minutes from Ground Zero Blues Club, where future blues artists like Johnson, Charley Patton and Howlin' Wolf all worked. Reembracing the blues was born out of a move back to Mississippi, where Freeman still lives today. 'I was living in New York. And I began to get ill. Concrete buildings, tall buildings - you were living in a cave. And that just began to get to me very, very viscerally,' he began. 'On one of my trips back to visit my parents - I think it was 1986, might have been '83 - I realized that this was where I was most comfortable. Life was most agreeable for me,' said Freeman of making the move. 'And that realization made me decide with my then wife that we would make our home here in Mississippi. A little town of Charleston where I was until I was 6 and a half years old. It's sort of ancestral grounds. Well, Mississippi is anyway. But along with that came back this appreciation for the original music: and that's the blues.' In Clarksdale, 40% of residents live below the poverty line. But embracing its blues roots has begun to help revitalize the town, with places like the crossroads and Ground Zero standing as legitimate tourist attractions, hallowed ground boasting visits from legendary rockers like Led Zeppelin's Robert Plant. Kingfish was born there with contemporary blues artists like Ghalia Volt spending time there. Anthony 'Big A' Sherrod, who performs on stage as part of the 'Symphonic Blues Experience,' calls Clarksdale home and teaches music as part of the Delta Blues Museum's blues and education program. The Ground Zero Arts Foundation stands as the philanthropic arm of Freeman and Meier's club, with a portion of proceeds from the 'Symphonic Blues Experience' finding direct placement within the Clarksdale community, a critical element of the outing. 'It's essential,' said Meier. 'You look at Kingfish - clearly a child prodigy. But he learned his craft at the Delta Blues Museum and played on stage at our club at the ripe old age of 12 or 13. And people like Anthony Sherrod and others kind of helped teach him. If he didn't have that exposure, I would imagine he'd be living a very different life at this point,' he said. 'So, our goal is a portion of the proceeds. And we've got an album we're going to release and it's also to benefit the local artists through supportive services - which includes education. There's healthcare needs and just basic business planning. And we want to make sure that we're doing our best to support the artists and artist community.' While a sister location has operated in Biloxi, Mississippi since 2022, Ground Zero Blues Club's Clarksdale location will celebrate its 25th anniversary next year. Successfully navigating COVID while supporting artists via a series of livestreams, the club thrives today as an economic driver in the Delta region. CLARKSDALE, MS - SEPTEMBER 23: Actor Morgan Freeman waits for his turn to shoot pool against local ... More musician James "Super Chikan" Johnson at Freeman's Ground Zero blues club. (Photo by) For Meier and Freeman, the goal at the heart of the 'Symphonic Blues Experience' tour was simple. 'The reason we're doing this is because it's hard to get to Clarksdale a little bit. So, we kind of said, 'We're gonna come to you.' And, fortunately, the symphony kind of becomes the vessel in which to tell the story of the blues here,' said Meier. 'Now I'm in the blues business at this late stage - partly because of just happening to be in the right place at the right time,' said Freeman with a smile. 'Bill Luckett and I were working on getting the restaurant started across the street from where we were working and saw a young couple of backpackers. And Bill, being the social maven that he was, went out to talk to them,' said the actor, citing Luckett, the former Clarksdale mayor who partnered in Ground Zero until his death in 2021. 'Well, they were obviously lost. And it turns out that they were looking for some place to hear blues music. They were in the Mississippi Delta in this storied place - well, we couldn't tell them. So, that was a catalyst,' he explained. 'It's all a music experience of America rooted in the blues,' said Morgan Freeman. 'I think it's absolutely a story of a people. And a lot of the music is anchored there,' he continued. 'You're listening to lament, sorrow, love lost, love won. Where am I going?' he explained. 'Put that to music and it's magic.'