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Comic-Con goes interstellar with 'Project Hail Mary,' 'Star Trek' updates

Comic-Con goes interstellar with 'Project Hail Mary,' 'Star Trek' updates

SAN DIEGO (AP) — Comic-Con is headed to space for its third day.
Saturday's biggest presentations at the pop culture extravaganza will be for 'Project Hail Mary,' which stars Ryan Gosling on an interstellar mission to save humanity, and for the next series in the 'Star Trek' franchise.
Fans are also getting a sneak peek at 'Coyote vs. ACME,' a hybrid live-action and animated project that was shelved by Warner Bros. in a cost-cutting move but will get a theatrical release in 2026.
The movie features John Cena, who is also a star of the DC series 'Peacemaker,' which will have a presentation Saturday in Comic-Con's massive Hall H.
'Project Hail Mary" is an adaptation of the book by Martin Weir, whose book 'The Martian' was adapted by Ridley Scott in 2015.
An estimated 135,000 people — many in costumes — are expected to attend Comic-Con 2025, which runs through Sunday in downtown San Diego.
So far, fans have gotten previews of 'Five Nights at Freddy's 2,'the upcoming FX series 'Alien: Earth' and 'Predator: Badlands,' which will be in theaters in November.
'Coyote vs. Acme' coming to theaters in August 2026
Wile E. Coyote is getting his day in court – and theaters.
The stars of 'Coyote vs. Acme' delivered a rousing presentation of a movie that at one point wasn't going to be released.
The underdog story – both of the movie and Coyote – was a running theme of the panel. But rather than direct ire at Warner Bros., the real-world studio that shelved the project, the panel focused on the fictional Acme Corp.
'This is purely an Acme decision … and I am saying this for legal purposes,' moderator Paul Scheer said at the start of the panel.
The movie is a hybrid of animation and live action and is based on a 1990 New Yorker article that satirized a legal complaint filed by Coyote against Acme, the maker of the TNT, detonators, rocket shoes, catapults and other products that consistently backfire during the Coyote's fruitless attempts to catch the Roadrunner.
Laughter filled Hall H, the massive 6,000-seat venue as fans watched a montage of Coyote being blown up, flattened and falling into chasms in a scene set to Johnny Cash's cover of 'Hurt.' Coyote is replaying the moments in his lair when an ad for a personal injury lawyer appears on TV.
They also played six minutes of the movie, including a scene of opening statements in the case in which Coyote's lawyer, Will Forte, accidentally unleashes a rocket skate into the courtroom, setting Coyote and the judge's robes on fire. John Cena plays a slick Acme lawyer who wins over the jury, which includes a cartoon character, quickly.
Forte said he didn't think the movie would ever get to audiences.
'I'm pretty speechless. You think back to the journey that this movie has taken. I had kind of given up hope at a certain point,' Forte said. At one point, his comments were interrupted by a man playing an Acme lawyer who stormed into Hall H with cease-and-desist letters.
Director Dave Green said the movie conforms to famed animator Chuck Jones' rules for the struggle between the Coyote and Roadrunner, which include the bird always staying on the road and the Coyote being ultimately more humiliated than hurt when he falls, is crushed or gets blown up by TNT.
The movie, which features cameos from numerous Looney Tunes characters like Foghorn Leghorn, Tweety and Bugs Bunny, will be released on Aug. 28, 2026. Ketchup Entertainment teamed up with Warner Bros. on the film and in the release of 'The Day the Earth Blew Up: A Looney Tunes Movie.'
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Go behind the scenes with the ‘Alien: Earth' cast at Comic-Con 2025
Go behind the scenes with the ‘Alien: Earth' cast at Comic-Con 2025

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Go behind the scenes with the ‘Alien: Earth' cast at Comic-Con 2025

SAN DIEGO — Sydney Chandler has wanted to attend San Diego Comic-Con as a fan for years. So it's 'surreal' that the actor's first experience with the annual pop culture expo is to promote her upcoming FX series 'Alien: Earth.' Chandler stars in the 'Alien' prequel as Wendy, a young girl whose consciousness has been transferred to an android. 'To be able to do it in this capacity is just mind-blowing,' she tells The Times in advance of the show's Hall H premiere on Friday. 'It's emotional because we worked on this for so long and I learned so much. … I'm kind of at a loss of words.' She does have words of appreciation, though, including for what she's learned from her character. 'Her journey of finding out how to hold her own and stand on her own two feet taught me so much,' says Chandler. 'I'm an overthinker. I'm an anxious person. I would have run so fast. I would not be as brave as her, but she taught me … that it's OK to just stand on your own two feet, and that's enough. That's powerful.' Even before the show's Hall H panel, fans have gathered on the sidewalk outside of the Hard Rock Hotel San Diego to catch a glimpse of Chandler and her 'Alien: Earth' cast mates Timothy Olyphant, Alex Lawther, Samuel Blenkin and Babou Ceesay, along with creator Noah Hawley and executive producer David Zucker, on their short trek to the bus that would transport them to the convention center for the show's world premiere. On the ride over, Hawley betrays no nerves about people seeing the first episode. 'I really think, in a strange way, it plays for all ages because it is about growing up on some level,' says the showrunner. 'But it's also 'Alien,' and it is a meditation on power and corporate power. ' Huddled together on the bus with Lawther and Blenkin, Ceesay is surprised to learn that this is the first time attending San Diego Comic-Con for all three. There's plenty of good-natured ribbing as they talk about the early interviews they've completed at the event. 'I just sort of want to make jokes with you all the time,' says Lawther as he looks towards his cast mates. 'I find it quite giddy in the experience, and I had to remind myself that I'm a professional.' 'Sometimes the British sarcasm instinct just kicks in,' Blenkin adds. Their playful dynamic continues as they joke about crashing Ceesay's other panel, and also backstage at Hall H as they try to sneak up on each other in the dark. After the panel, the cast is whisked away for video interviews and signing posters at a fan meet-and-greet at a booth on the exhibit floor. ('Timothy, you're the man!' shouts a fan passing by.) Later, Hawley, Chandler and Ceesay will hit the immersive 'Alien: Earth' activation where they will explore the wreckage of a crashed ship. 'It's such a safe space for people who just enjoy cinema and enjoy film,' Chandler says of Comic-Con. 'And that's me. I'm a complete nerd for all this stuff, so just to be around that group — it reminds me of why I love film so much in the first place.'

Star Trek: Strange New Worlds journeys into zombieland
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Yahoo

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Star Trek: Strange New Worlds journeys into zombieland

What does a zombie represent? Unlike werewolves, vampires, or Frankensteins, zombie stories are usually more about the humans living through them than the monsters themselves. Your classic zombie fable generally settles on the idea that it's the living who are the real monsters, not the living dead. But this week's episode of Star Trek: Strange New Worlds finds a slightly different metaphor to play around with. Here, the 'moss zombies' of the abandoned planet Kenfori serve as a metaphor for the past (literally) coming back to haunt the crew of the Enterprise. Even when our heroes think they've put something behind them, it turns out it can still roar back to life. That's especially true for Dr. M'Benga. Last season introduced the idea that the kindly doctor was also a brutal mercenary in the Klingon War—a history he was forced to confront when self-aggrandizing Klingon defector Ambassador Dak'Rah stopped by the Enterprise for an official visit in 'Under The Cloak Of War.' That episode ended with M'Benga killing Dak'Rah, an act he'd hoped would bring closure to his wartime experience. This week, however, Dak'Rah's daughter B'itha (Christine Horn) shows up demanding justice. (She's not mad her turncoat dad is dead, just disgraced because she didn't get to kill him herself.) Sometimes there are experiences that won't stay buried, no matter how hard we try. In that way, zombies are a fitting metaphor for M'Benga—and for Ortegas and Captain Batel, who are also grappling with their own haunting experiences that refuse to die. But, metaphors aside, do zombies feel like they have a place in the Star Trek universe? I'm not so sure. Though it's delightful to have Captain Pike openly call them 'the z-word' rather than dodge the term like The Walking Dead and 28 Days Later have done, falling back on such a classic monster feels a little cheap for a show about strange new worlds. I can't exactly explain why zombies don't feel Star Trek-y to me while godlike imps, Alien-homages, and even musical episodes do. But that is my gut reaction. Still, the upside of using familiar monsters like zombies is that there's more room for other stuff because you don't have to explain the rules of the villain-of-the-week. And though I'd say 'Shuttle To Kenfori' is more about revisiting the beats of 'Under The Cloak Of War' than adding something new to the conversation, it does so with a sense of style and conviction that helps paper over the weak spots. Or maybe it's just that it's so fun to spend time with these characters and this cast that even when I can see an episode's flaws, I usually still have an enjoyable time watching it. The best thing about 'Shuttle To Kenfori' is that it continues the ensemble vibes of the two-episode premiere. That starts in sickbay, where Batel is taken after collapsing in Pike's quarters. Though she'd been planning to take up a new Starfleet commission, it turns out her Gorn-related illness is back with a vengeance. M'Benga, Spock, and Chapel quickly get creative with their treatment plan. Her best chance is a special Chimera flower known for its 'biological uniqueness' (LOL) and ability to 'move invasive molecules through cell membranes.' The trouble is, the flower only grows on the planet Kenfori, which just happens to be in a restricted no-fly zone right on the border of disputed Klingon territory. To take a trip there would violate multiple treaties—so Pike decides that he and M'Benga will take a shuttle on an off-the-books mission that will hopefully go unnoticed by the Klingons. (Naturally, it doesn't.) While Pike and M'Benga get the bulk of the screen time this week, 'Shuttle To Kenfori' makes a point to keep checking back in on the Enterprise and the characters there too. Little moments like our new nurse (does he have a name yet?) giving Batel pain meds or La'An worrying about Ortegas ensure those characters still feel active even if they don't actually have much to do. Spock, meanwhile, gets woven into Batel's story after he mind melds to help alleviate her pain and accidentally spots a monstrous vision that briefly turns him violent. And Scotty provides some classic comic relief as an artificial-gravity mishap sends the crew floating. Ortegas and Una are the only bridge crew with actual arcs here. Ortegas' willingness to defy orders and provoke a Klingon battle cruiser earns her a two-week suspension from Number One. But the way this episode ensures we get at least a little face time with all of the main players is a great example of how Strange New Worlds is carrying on the ensemble legacy of the '90s Trek shows in a way Discovery and, honestly, even Enterprise never really did. There's nothing like a ready room debate to evoke The Next Generation in the best way. Speaking of character work, this episode's biggest new addition doesn't have anything to do with the Klingons or the Gorn or even the zombies. It's the (slight) retconning of Pike and M'Benga's relationship. During their away mission, the two banter about past missions and joke about his three(!!) ex-wives (and one annulment) in a way that takes them beyond just longtime colleagues and into true old-friends territory. It's a chummy connection that Anson Mount and Babs Olusanmokun sell really well. Where the first season of Strange New Worlds sometimes lazily fell back on making Pike and Spock the heart of the show à la Kirk and Spock in the original series, I like how these past two seasons have consciously tried to mix it up and find new dynamics too. When Pike accepted M'Benga's story about Dak'Rah last season, it felt like a captain dealing with a crewmember. Here he gets to reassure him as a friend. In fact, this whole episode is a chance to square M'Benga the Healer with M'Benga the Killer. As he puts it when B'itha demands the truth, 'A mass murderer gave me the opportunity to kill him and I did, willingly… Was that dishonorable? I don't know. But there was justice.' It's an explicit confirmation of what happened during the purposefully veiled scene in 'Under The Cloak Of War.' But as Pike reminds him, being a flawed man isn't the same thing as being a monster. Of course, you could also argue that this episode retcons in the Pike/M'Benga friendship specifically, so it doesn't have to grapple with how a Starfleet captain should deal with the reveal that their doctor committed an extrajudicial execution of a political ambassador—which feels like it would be a big deal for the honor-bond Federation. If Discovery was sometimes too obsessed with the rules and regulations of Starfleet, Strange New Worlds can be a little too quick to dodge an interesting moral debate in favor of a 'power of friendship' ending. Indeed, having both Pike and, to some degree, B'itha absolve M'Benga of his guilt over killing Dak'Rah risks cheapening the intentional emotional ambiguity of 'Under The Cloak Of War.' The more interesting wrinkle is how M'Benga's time in the Klingon War has given him an understanding of Klingon culture in a way that someone like Pike doesn't have in this era of Trek history. M'Benga agrees to B'itha's ritual combat (even if he ultimately decides not to kill her) and he understands what it means for her to sacrifice herself in order to earn a noble death worthy of Sto'Vo'Kor. That's an interesting perspective for a Starfleet officer to have in an era where Klingons are still very much 'the bad guys.' The other big swing 'Shuttle To Kenfori' takes is to give even more dramatic weight to Pike and Batel's relationship—a romance that always feels kind of grafted onto the series even though, to be fair, the pilot did open on their pairing. Here it turns out she's been hiding the swiftness of her impending death and her plan to turn herself into a human-Gorn hybrid because she thought Pike would make it all about himself. And she's right: That's exactly what he does—at least before taking her into his arms as they both admit they're scared. It's a bit of an odd scene to end on, mostly because this episode starts with Batel, then pivots to M'Benga, and then pivots back to Marie without really drawing any thematic parallels between the two. I guess you could say they're both afraid of becoming monsters or they both have to learn to trust Pike with their dark secrets in order to find peace. But I'm not sure 'Shuttle To Kenfori' totally weaves its disparate ideas together in the end. Still, I'm interested to see what will happen when Batel goes half-Gorn (or whatever that flower is going to do) and how the season will pick up on the Ortegas thread too. After last week's strong two-episode premiere, 'Shuttle To Kenfori' occasionally feels like a bit of a detour. But it keeps this season alive—and sometimes alive is all you need in a zombie story. Stray observations • I was trying to figure out if this episode's title is a play on something. Maybe the famed South Korean zombie movie Train To Busan? • I started rewatching Discovery after revisiting the first two seasons of Strange New Worlds and I'm so glad this show returned to the '90s Klingon look we know and love rather than the truly terrible revamp of Voq & co. • I also love the depiction of the Klingon shuttle, which is even more bird-like than their famed birds of prey. • I'm not sure the hair department has ever quite nailed the right look for Rebecca Romijn. And while it doesn't this week either (the braids look too much like a hat), I'm glad to see it continue to experiment! • It turns out B'itha was able to plant a tracker on M'Benga after he ate the olive on a drink a R'ongovian offered him. What a scheme. • Also, apologies if I'm getting the spelling of B'itha's name wrong. My screeners don't come with subtitles so I'm taking my best stab at Klingon there! • In case you need more of me writing about plant-related zombies, I recapped this most recent season of The Last Of Us too. More from A.V. Club Star Trek: Strange New Worlds boldly finding out if "puppet episode" still feels like a creative gimmick First Star Trek: Starfleet Academy trailer knows not to skimp on the Holly Hunter Staff Picks: A historical fiction podcast, and a drummer gone too soon Solve the daily Crossword

First Star Trek: Starfleet Academy trailer knows not to skimp on the Holly Hunter
First Star Trek: Starfleet Academy trailer knows not to skimp on the Holly Hunter

Yahoo

time44 minutes ago

  • Yahoo

First Star Trek: Starfleet Academy trailer knows not to skimp on the Holly Hunter

Look, if you manage to get Holly Hunter to be the star of your new 'Young adults go to Star Trek school and almost certainly do a ton of smooching' TV show, you use her, right? That's certainly the perspective put forward in the trailer for Paramount+'s new Starfleet Academy, which foregrounds itself with Hunter introducing herself to the first class to enroll at the titular academy in more than a century, and then lets her soothing voice walk viewers through the show's cast of ambitious youths. For the record, that's Sandro Rosta as undeclared human student Caleb Mir, Karim Diané as Klingon science guy Jay-Den Kraag, Kerrice Brooks as first-of-her-kind-at-the-Academy Sam, George Hawkins as wannabe captain Darem Reymi, and Bella Shepherd as admiral's daughter Genesis Lythe. The trailer is also careful to show off plenty of returning faces, including Tig Notaro, reprising her role from Star Trek: Discovery, and Robert Picardo, returning to the series as Star Trek: Voyager's The Doctor. (And if that's not enough fan-service for you, the new Academy also apparently has, like, Choose-Your-Own-Adventure exhibits about some of Starfleet's biggest mysteries; hands up if you paused your video on the one about 'The Fate Of Benjamin Sisko, Emissary Of The Prophets.') That's to say nothing of the guy who merits the big 'end of the trailer' reveal: A whistling Paul Giamatti, who'll be playing the season's villain, Nus Braka, a guy who's part-Klingon, part-Tellurite, all 'guy who wears a lot of rings as a personality statement' Starfleet Academy is being co-showrun by Alex Kurtzman and Noga Landau. The series is expected to premiere on Paramount+ some time in early 2026. More from A.V. Club The biggest news (so far) from San Diego Comic-Con 2025 What's on TV this week—Chief Of War and Eyes Of Wakanda R.I.P. Tom Lehrer, mathematician and musical satirist Solve the daily Crossword

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