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News18
an hour ago
- News18
‘Don' Director Chandra Barot Passes Away At 86, Wife Confirms Long Battle With Pulmonary Fibrosis
Last Updated: Chandra Barot, director of the 1978 film Don, passed away at 86. His wife, Deepa Barot, confirmed he had been battling pulmonary fibrosis for seven years. The director of the 1978 cult classic film, Don, starring Amitabh Bachchan, Chandra Barot, passed away at the age of 86 on Sunday, July 20. His demise has sent shockwaves through the film industry. It was his wife, Deepa Barot, who confirmed the news of his passing and revealed that he had not been keeping well for a while. While speaking to TOI, Deepa Barot confirmed, 'He had been battling pulmonary fibrosis for the past seven years." She further revealed that the veteran filmmaker was undergoing treatment at Guru Nanak Hospital under Dr Manish Shetty. He had also been admitted to Jaslok Hospital earlier. Barot was born and raised in Tanzania. After working at a bank, he decided to move to India and, under the mentorship of Manoj Kumar, joined the film industry. Chandra not only gave Indian cinema the cult classic Don but also worked as an assistant director on films like Purab Aur Pashchim, Yaadgaar, Shor, and Roti Kapda Aur Makaan. Marking a major turning point, Barot and his associates decided to produce Don, bringing on board acclaimed writers Salim–Javed, who provided a script that had been rejected by leading filmmakers like Dev Anand, Dharmendra, and Jeetendra. After Don, Barot directed the Bengali film Aashrita (1989) and Pyar Bhara Dil (1991), but many of his subsequent projects, including Boss and Neil Ko Pakadna… Impossible, remained unfinished or unreleased. Meanwhile, his Don franchise became so popular that it developed its own universe. Shah Rukh Khan starred in the 2006 film of the same title but with a different storyline—an ode to Chandra's work. Later, Shah Rukh made a prequel to his Don, and now Farhan Akhtar is directing the third part in the franchise with Ranveer Singh playing the hero and Kriti Sanon starring as the female lead. At the time of his passing, Chandra Barot had been battling pulmonary fibrosis for several years and was undergoing treatment in Mumbai. He leaves behind a legacy that continues to inspire generations of filmmakers and fans alike. First Published:
News18
an hour ago
- News18
Salman Khan's Battle Of Galwan Set To Go On Floors This August: Report
Salman Khan will star in "Battle of Galwan," directed by Apoorva Lakhia, about the 2020 Galwan Valley clash. Filming starts in August in Mumbai, then Ladakh. After the release of Sikandar, Salman Khan is gearing up for his next major project titled Battle of Galwan. The war drama, directed by Apoorva Lakhia, will depict the 2020 Galwan Valley clash between Indian and Chinese troops which was one of the most intense military confrontations in recent years. According to a new report now, the filming is expected to begin in early August. Sources close to the production revealed to Mid-Day that the shoot will start in Mumbai before moving to Ladakh. A large set is currently being constructed at Mehboob Studio, which is expected to be ready by the end of July. 'The Mehboob Studio schedule is crucial as [the team] has to shoot some of the early character-building moments there before the team heads to Ladakh for the high-octane action. The art and production design team has been working round the clock to recreate the textures inside the studio. It's a detailed set that will add authenticity to the story," a source shared, confirming that Salman will be present from the first day of shoot. The next leg of filming will shift to Ladakh, where the team is preparing for more physically demanding sequences. 'Salman has been in prep mode for the role since May," another insider told the publication. The Ladakh schedule reportedly involves night shoots, combat training, and full-scale battle sequences. Speaking earlier about his preparation for the role, Salman admitted it has been tough on his body. 'It's physically intense. With each passing year, month, and day, it becomes more challenging. I have to invest a lot more time now. Earlier, I could get into shape in just a week or two, but this time I'm running, kicking, punching — doing it all," he said. Battle of Galwan is tentatively scheduled for a May 2026 release, although an official announcement is still awaited. Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
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YRF & Mohit Suri's Saiyaara has a historic initial two days for a debutant film collecting Rs 48.25 crore
Achieved these numbers with just 8,000 shows across India — less than half the average 18,000 shows typically required for a ₹20 Cr+ opener. read more YRF & Mohit Suri's Saiyaara has a historic initial two days for a debutant film collecting 48.25 crore in India, turning Ahaan Panday and Aneet Padda to overnight stars and sweethearts of the entire nation! Saiyaara (Hindi) - All India - NBOC Fri - ₹ 22.00 Cr Sat - ₹ 26.25 Cr Total - ₹ 48.25 Cr G. Total - ₹ 48.25 Cr Note: Friday numbers revised as collections increased due to screen additions by exhibitors to meet surge in demand. STORY CONTINUES BELOW THIS AD Here are the highlights of this monstrous opening : Biggest Opening Day Net Box Office Ever for a debutant-led film in the history of Indian cinema. All-time Biggest Opening Day for a 'pure love story' in Indian cinema. Highest Opening Day Ticket Sales post-2000 for a debutant film. Most Tickets Sold on Day 1 for a debutant film in 25 years — since Kaho Naa… Pyaar Hai and Refugee (2000). Career-Best Opening for director Mohit Suri. Highest Opening Day for a Love Story Post-Pandemic. First Love Story to Cross ₹20 Cr Net in a single day post-COVID. Achieved these numbers with just 8,000 shows across India — less than half the average 18,000 shows typically required for a ₹20 Cr+ opener. And all this without the actors being opened up to public gaze and without any traditional publicity and marketing approach - so zero interviews, zero city visits, no reels, no influencer content, no visibility. Just the power of strong content marketed to the entire nation.
