
The best camping chairs for kicking back in the great outdoors
After many weekend trips testing countless camping chairs, we've whittled it down to the top eight. We've found an option for every scenario or need. Our favorite — the RTIC ultra-tough chair — is foldable, supportive, and comfortable, checking all of the boxes of a great camping chair. But we've also found a hammock-inspired seat that is perfect for stargazing, a two-person loveseat for lounging in by the fire, a heavy-duty chair that can withstand the elements, and a recliner for ultimate relaxation. So, whatever is on your wishlist for the perfect camping chair, our outdoor gear testers have you covered.
How we tested
During a series of weekend trips, we carried and set up camping chairs on bumpy grass, uneven dirt, and smooth concrete, assessing how each one handled the different surfaces. We subjected each chair to a group of testers that ranged in size and body type — for reference, the testers ranged from 5ft 5in to 6ft.
When testing, we considered six key factors:
Comfort: It's no surprise that everyone's opinion of comfort is different, which is why we enlisted the help of multiple testers for this review. We considered whether the seat and backrest provided support, and if there was a headrest or the chair had reclining features.
Portability and setup: If you're lugging the chair on your back, you need it to be easy to carry, so we favored those that had a carrying case or a strap. Similarly, we assessed how quickly each one was to assemble or break down, timing ourselves with a stopwatch.
Weight capacity: We tested each chair to its claimed weight capacity and considered how stable it felt. We have also featured only those that can withstand over 300lbs.
Durability: You want something to last a long time, so materials were analysed and tested — for example, we tugged fabrics to see if seams easily pulled apart. We also considered if each chair felt sturdy or well-constructed, prioritizing those that could handle heavy weights and felt steady on uneven ground.
Additional features: We also looked for useful features — this went beyond simply assessing if it has a cup holder, for example. Instead, we assessed the size of said cup holder and whether it was able to hold a travel mug in it with ease, and whether it felt stable. We also looked for those that had pockets and considered their durability.
Price: As with all of IndyBest's product review round-ups, we considered price and value for money. We assessed whether the added features were worth the higher price point and favored those that checked all of the boxes, yet wouldn't break the bank.
Why you can trust IndyBest reviews
At IndyBest, all our reviews are based on real-world testing. As an outdoor gear tester with nearly a decade of experience, Rachel Cavanaugh (and her team of reliable testers) has reviewed everything from hiking boots and tents to backpacking stoves and travel coolers. When it comes to camping chairs, she knows what to look for when tracking down high-quality models that will be practical and comfortable and will stand the test of time.
The best camping chairs for 2025 are:

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The Guardian
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As a kid, I would see a new casino every time I visited Vegas with my family. They were huge, multimillion dollar investments and even then, I knew that money had come from people losing it in machines. That's probably why I don't gamble. My dad only actually took us into a casino a couple of times, but I remember him believing he would win and my mother being more rational about it. Thinking about it now, it's absurd to take your kids to Vegas. My friend Rich remembers his parents checking him and his brother in at the Circus Circus hotel and casino – I think there was maybe a trampoline for children to jump on while the parents gambled. Afterwards, they'd hand in their ticket and pick the kids up again, like you do with your coat at the theatre. In my 20s, I'd go to Vegas with friends and, while they were gambling, I'd be documenting, running around and taking photos wherever I could. I began to realise that the gap between the absurd commercials we have in the US for casinos that promise the world, and the reality that I was seeing, was huge, almost to a comical degree. The photographs I'd been accumulating started to form a cohesive body of work, showing the contrast between the glamour in the marketing, and the actuality – which is more like going to the airport than a big night out in Monte Carlo. I took trips to places well known for their casinos, such as Reno, Nevada and Atlantic City, and whenever I was somewhere in the US that had one, I would seek it out. I tend to use a hit and run approach when photographing inside them. If I see security looking at me, or if other people are becoming aware of me, I'll just move on – there's always an embarrassment of riches to photograph, you could just go to the next table, or even the next casino. I also don't want to be perceived as someone who might be helping someone cheat, so I try to avoid any card games. I feel like I'm setting the stage for a story, and then you let your mind fill in the blanks. This photograph of an Elvis impersonator is an example of that – one image that says 1,000 words. It's pretty much the iconic image of my Casinoland book. Elvis was the king but there was a darker side to him too, which reflects the difference between the marketing of casinos and their reality. The photograph was taken in 2012 and it epitomises Vegas – not just because of Elvis, but also the lights and the colour. For some reason I feel more emotion when there's more saturation in an image. There's so much distraction going on here, but it all frames the king in the centre. He's kind of slumped back at the slot machine: you see him from the back but you know exactly who he is. Often players go into a particular mental state at the slot machines, where they seem to be aware of nothing else. They get locked into a zone where it's just them and the machine. I could often get pretty close, and was able to capture what was happening without them seeing me. You have to be careful though – people have come at me a couple of times. On one occasion, when I was still shooting on film, the sound of my Olympus woke a guy I'd just photographed slumped across a machine, and he really wanted to fight me. There was no reasoning with him. I managed to dodge into a club and amazingly the velvet rope kept him at bay – he wouldn't cross it. Nowadays I carry a small Fuji, but phone cameras have got good enough for me to use for stealth work. If I pick up my Nikon with its longer lens, it's like I'm about to point a gun at someone. In the age of social media, people are much more suspicious of a photographer's motives than they used to be, but I am a positive person and want the best for everybody. Someone described my work as documenting the fall of an empire in the deserts of Nevada, but I'm doing it with a sense of humour and a light touch. Born: Ohio, 1969Trained: 'Studied art history at the University of San Diego, spent many hours at the Museum of Photographic Arts bookstore in Balboa Park, and regularly snuck into film classes. I fell in love with photography while studying in Florence, Italy, in my second year of college and have been pretty much self-taught since then by looking at paintings in museums and watching great 'Henri Cartier-Bresson, Brassaï, Helen Levitt, Bill Owens, Henri de Toulouse-Lautrec, Hunter S Thompson.'High point: 'As a Pollyanna optimist, I have to believe my high point has yet to happen – but having Edward Snowden share an image I created with The Yes Men stands out.'Low point: 'To survive as an artist you have to accept a barrage of rejection and move on.'Top tip: 'Chuck Close noted that photography is one of the easiest art forms to learn but the hardest to find your voice. I recommend learning as much craft as you can, but at some point you have to look deep inside yourself to carve your path.' Michael Rababy will be signing copies of Casinoland – Tired of Winning on 11 July at Arles photography festival