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‘Top Chef's' Mei Lin returns to fine dining at 88 Club

‘Top Chef's' Mei Lin returns to fine dining at 88 Club

At 88 Club, planks of artful shrimp toast, piles of chewy mung bean jelly noodles and clay pots of mapo tofu spin on well-lighted marble lazy Susans. This is Mei Lin's take on Chinese banquet dining, and it marks a big return for the 'Top Chef' and 'Tournament of Champions' winner.
After closing their lauded contemporary Chinese restaurant Nightshade, and focusing on Sichuan-spiced fried chicken sandwich shop Daybird, Lin and business partner Francis Miranda are returning with a more formal, full-service restaurant for the first time in five years.
'Having Daybird and doing the fast-casual thing was fun, but being in a kitchen and creating food for [88 Club's] type of setting is even more fun, and it gives me a lot of creative juices to do a little bit more,' Lin said.
At 88 Club, Lin is serving the kind of food she grew up eating and cooking but preparing and plating it with a bit more refinement — and in a sleek, low-lighted, marble-adorned setting in Beverly Hills. In comparison to the fine-dining cuisine of Nightshade, where mapo tofu took the form of lasagna and tom yum spice dusted her take on the bloomin' onion, Lin said her approach to 88 Club is more broadly familiar and more straightforward.
'It's very unapologetic and it's straight to the point, and that's the whole approach to the entire menu,' she said, adding, 'It's a lot of the flavors that you know, just turned on [their] head a little bit. It's nothing that you haven't seen before, but it's done to perfection.'
Lin and her culinary team, which includes chef de cuisine and La Dolce Vita vet Nick Russo, cook glossy cha siu made from Iberico pork, rotating through cuts and serving it with a dollop of hot mustard. There's fried whole sweet and sour fish, its sauce poured tableside. Plump wontons practically burst with prawns and bamboo shoots, all swimming in a fragrant chicken stock. For dessert, Lin whips up almond tofu with seasonal farmers-market produce; jasmine milk tea custard buns; a creamy mango coconut sago with tart pops of pomelo; and a light ginger ice cream topped with a chewy almond cookie.
The bar area, which includes five seats and lounge tables, offers a pared-down menu of the dining room's full offerings. (Maybe, Miranda hints, Daybird could pop up in the space one day to bring the Westside a taste of Lin's numbing-spice fried chicken.)
In the background of running Daybird, Lin and Miranda began planning the restaurant over the last two years. Leading up to the launch, they scoured flea markets for Chinese antiques, art and plateware. 'We kind of always have the idea in the back of our heads of doing some classic Chinese flavors,' said Miranda, who is also an owner of Trophies Burger Club and Lock & Key.
Diana curated the wine program, which includes rieslings to pair with the aromatic Chinese food, while Kevin headed up cocktails and nonalcoholic concoctions that re-create classics with a Chinese tinge: The Long Island iced tea riffs on a Hong Kong-style lemon iced tea, and the dirty martini uses house-fermented mustard greens and their brine.
88 Club is open Tuesday to Thursday from 5:30 to 10:30 p.m., and Friday and Saturday from 5:30 to 11 p.m. 9737 S. Santa Monica Blvd., Beverly Hills, (310) 968-9955, 88clubbh.com
A string of new restaurants recently opened inside the Original Farmers Market, adding to the color and variety of the historic 91-year-old destination. For Kamila Zymanczyk, who immigrated from Poland five years ago, it was love at first sight. She and her family knew they wanted to open Stara Pierogi & Sausage there.
'We were looking for some Polish Eastern European cuisine [in L.A.], and we couldn't find many,' she said. 'We thought there should be something else, another place, and we went to the [Original] Farmers Market. We fell in love with this place.'
Zymanczyk grew up cooking at home with her great-grandmother, her grandmother and her mother; most of the dishes served at her casual food stall are made with their traditional recipes. She and her children handmake pierogi stuffed with a range of fillings; fresh paczki, or doughnuts; nalesniki, or crepes; schnitzel; and griddled imported kielbasa sausages with onions.
Nearby, the full-service Savta — which originated in New York City — serves California cuisine with a European bent. Founder Vincent Benoliel offers wood-fired pizzas; crispy artichokes with panko and lemon cream; linguine vongole with bottarga; steak frites with green peppercorn sauce; chicken with honey and hummus; clams au gratin and more.
Upstairs, Benoliel's new hand-roll concept, Sora Temaki Bar, serves classic sushi hand rolls and sashimi in addition to specialty temaki that include panko-fried oysters with ginger tartar sauce; toro with caviar and Santa Barbara-caught uni; plus seared Japanese Wagyu with garlic chips and tare.
On April 25, Mediterranean restaurant Theía — previously located farther west, in Beverly Grove — will reopen in the Original Farmers Market under new ownership. The latest iteration will feature dishes such as grilled lamb skewers, lobster cavatelli and chocolate mousse baklava, along with live entertainment including DJ sets, belly dancers and acrobats.
Stara Pierogi & Sausage is open daily from 9 a.m. to 9 p.m; Savta is open Sunday to Thursday from 11 a.m. to 9 p.m. and Friday and Saturday from 11 a.m. to 10 p.m.; Sora Temaki Bar is open Sunday to Thursday from noon to 9 p.m. and Friday and Saturday from noon to 10 p.m. 6333 W. 3rd St., Los Angeles, farmersmarketla.com
After bringing his vibrant Sri Lankan cuisine to Van Nuys and Tarzana, and then closing both locations, Kurrypinch chef-owner Shaheen Ghazaly is giving Hollywood a taste. Longtime fan and business partner Dr. Nimesh Rajakumar teamed up with Ghazaly to reopen Kurrypinch, this time in a larger and more central location. The Sri Lankan-raised, Pakistan-born Ghazaly meticulously grinds his own chile pastes each morning and painstakingly makes his own roti, all in the name of spreading the allure and awareness of Sri Lankan cuisine.
He and his team serve kiribath-inspired coconut milk risotto with mahi mahi, Ghazaly's signature ghee mashed potatoes, avocado juice, weekend-only biryani and more. The East Hollywood restaurant features a six-seat chef's table overlooking the grill, plus roughly 50 seats in the dining room.
Kurrypinch is open Tuesday to Friday from 5 to 10 p.m., and Saturday and Sunday from noon to 4 p.m., then 5 to 10 p.m. 5051 Hollywood Blvd., Los Angeles, (323) 407-6176, kurrypinch.com
After more than a decade of waiting, the team behind Chinatown staple the Little Jewel of New Orleans opened its adjacent cocktail bar for mint juleps, grasshoppers, hurricane cocktails and more.
Since Little Jewel's launch in 2014, owners and husband-and-wife team Marcus Christiana-Beniger and Eunah Kang-Beniger focused primarily on the operations of their New Orleans-ode restaurant, which is famed for its po'boys, debris fries, gator sausages and other specialties. But all the while they dreamed of opening the Evangeline Swamp Room next door, waiting to begin construction.
Now, after years of readying the space and replicating the scene of a French Quarter watering hole, Christiana-Beniger and Kang-Beniger — along with business partner Evan Mack — serve classics and regional specialties such as the Ramos gin fizz, the vieux carré and the sazerac, alongside frosty, strong libations and a pared-down food menu from the restaurant next door. Look for charbroiled oysters, po'boys, skillet crawfish mac and cheese, fried frogs legs and fried okra, plus special events, including live music and crawfish boils.
The Evangeline Swamp Room is open Sunday, Wednesday and Thursday from 5 p.m. to midnight, and Friday and Saturday from 5 p.m. to 1 a.m. 701 N. Spring St., Los Angeles, (213) 620-0461, swamproom.la
After seven years of street vending and pop-ups, some of the best tacos in Los Angeles now have a permanent storefront. Angel's Tijuana Tacos operates more than a dozen stalls spread across Los Angeles, Orange County and the Inland Empire, filling freshly hand-pressed corn tortillas with trompo-singed al pastor and other specialties dolloped with generous scoops of guacamole. Its first bricks-and-mortar location, in Anaheim, features indoor seating and hand-painted murals, and offers all of the signatures found at the street stands, such as tacos, quesadillas, vampiros, burritos and meat-piled baked potatoes.
There are also a few notable additions: Micheladas can be found only at the bricks-and-mortar, along with French fries that come loaded with cheese, guacamole and your choice of meat — an occasional special at limited stalls.
Angel's Tijuana Tacos restaurant is open in Anaheim Sunday to Thursday from 10 a.m. to midnight, and Friday and Saturday from 10 a.m. to 1 a.m. 3436 W. Lincoln Ave., Anaheim, instagram.com/angelstijuanatacos
Last year, one of L.A.'s most popular smashburger operations expanded from Santa Monica to Studio City, its bright orange-and-red building a beacon for short rib smash burgers, dipped soft-serve cones and tallow fries. Now it's launched a third outpost, and this time it's even farther east. Heavy Handed's signatures can now be found in Silver Lake, taking over the former All Day Baby space with new retail items from owners Max Miller and Danny Gordon as well. In Silver Lake, the wine list skews more natural, funky and experimental, tailored to the neighborhood; the location also features multiple TVs broadcasting a range of live sports, and seats roughly 55. The late-March opening marked the debut of Heavy Handed's take-home buckets of bread-and-butter pickles and squeeze bottles of 'heavy' sauce, which can also be found in Santa Monica and Studio City.
Heavy Handed is open daily in Silver Lake from 11:30 a.m. to 10 p.m. 3200 W. Sunset Blvd., Los Angeles, heavyhanded.la
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'Blossoming Hearts • Intoxicated Ink' - Tam Sing Chuk and Chak Meihing Art Exhibition Grandly Opens in Shenzhen
'Blossoming Hearts • Intoxicated Ink' - Tam Sing Chuk and Chak Meihing Art Exhibition Grandly Opens in Shenzhen

Business Wire

time8 hours ago

  • Business Wire

'Blossoming Hearts • Intoxicated Ink' - Tam Sing Chuk and Chak Meihing Art Exhibition Grandly Opens in Shenzhen

SHENZHEN, China--(BUSINESS WIRE)--On July 17, the 'Blossoming Hearts • Intoxicated Ink' Tam Sing Chuk and Chak Meihing Art Exhibition opened at Heungkong Art Museum in Qianhai, Shenzhen. This exhibition marks a milestone as it is the inaugural event showcasing Heungkong Art Museum's emergence as a cultural landmark and a cross-disciplinary cultural space in the Guangdong-Hong Kong-Macao Greater Bay Area (GBA) and even across the nation. The core significance of this art exhibition lies in its vivid interpretation of the three fundamental pillars that establish Heungkong Art Museum as a sustainable cultural landmark, as well as its pioneering role in shaping a new cultural ecosystem: a platform for disseminating the social value of professional artists, a cultural salon for entrepreneurs, and a closed loop for art philanthropy and cultural and creative values. Mladen Ivanić, former President of Bosnia and Herzegovina, believes that this joint art exhibition represents not only a new beginning in intercultural dialogue but also an innovative practice of cross-disciplinary integration. As the curator of Heungkong Art Museum, Chak Meihing is the core driving force behind this cultural innovation, leveraging her entrepreneurial foresight, artistic sensibility, and philanthropic commitment. The three-pronged model she pioneered—combining a platform for professional artists, a cultural salon for the business community, and a closed loop for philanthropic, cultural and creative values. This exhibition meticulously showcases 70 authentic works by Tam Sing Chuk, along with nearly 50 representative paintings by Chak Meihing herself. The exhibition is not merely a joint display by two artists but also a groundbreaking endeavor by Heungkong Art Museum to forge a new cultural ecosystem. As an artist, Chak Meihing's artistic accomplishments have garnered widespread acclaim within the art circle. Lu Yushun, former President of China National Academy of Painting, commented that her artistic endeavors serve as a vivid testament to the inheritance and innovation of traditional Chinese culture. Xu Qinsong, a consultant to China Artists Association, noted that Chak's works boldly break free from traditional constraints in composition, while her use of color combines vibrancy with depth. Concurrently with the art exhibition, the "Goodness and Beauty Collection" online charity store launched, selling Chak Meihing's painting-derived cultural products with all proceeds supporting rural children projects.

Raymond Saunders, painter who rejected racial pigeonholes, dies at 90
Raymond Saunders, painter who rejected racial pigeonholes, dies at 90

Boston Globe

time10 hours ago

  • Boston Globe

Raymond Saunders, painter who rejected racial pigeonholes, dies at 90

Mr. Saunders prided himself on his independence from movements. In 1967, he published a now-famous polemical pamphlet, 'Black Is a Color,' which rebutted an article by poet Ishmael Reed, a leader of the Black Arts Movement. Breaking with the collective spirit of the '60s, Mr. Saunders argued that Black artists should not feel obligated to share social goals, or to use their work to lobby for political change. He wanted to be seen as an American artist rather than be ghettoized as a Black one. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up 'Can't we get clear of these degrading limitations,' he wrote, 'and recognize the wider reality of art where color is the means and not the end?' Advertisement Still, he was not averse to exploring questions of identity in his work. 'He wasn't throwing his fist in the air,' artist Dewey Crumpler, a friend of his in Oakland, observed. 'It was more subtle.' Mr. Saunders was known for elegant paintings that usually began with an all-black background and ended up as semiabstract compendiums of chalk-scrawled notations and paper scraps. They were often compared to the 'combine paintings' of Robert Rauschenberg, whose voluptuous accumulations of castoff objects exemplified the material plenitude of postwar America. Advertisement Yet Mr. Saunders had a restrained and almost spartan touch. When he glued a choice morsel of collage material — say, a torn-off scrap of Chinese calligraphy, or a panel from a Flash Gordon comic book — to a canvas, he left lots of empty space around it, isolating and framing his finds as if to call attention to their radiance. You could say he foregrounded the magic of art and left blackness in the background. His work was underrecognized for years, but it achieved a new visibility in 2022, when the Andrew Kreps Gallery gave him his first show in New York since 1998. At a time when the art world was determined to correct the racial slights and oversights of the past, Mr. Saunders was an obvious candidate for reappraisal. Last year, Kreps joined forces with the powerful David Zwirner Gallery to organize an expanded view of Mr. Saunders' work in New York. A well-received retrospective followed in short order at the Carnegie Museum of Art, in Pittsburgh, Mr. Saunders' hometown. Mr. Saunders did not attend the shows in New York or Pittsburgh, his friends said. 'His community was here, in the Bay Area,' said Julie Casemore, who represents his work at her Casemore Gallery in San Francisco. 'His home was here.' Mr. Saunders had settled in the Bay Area in 1968 and lived in the Rockridge section of Oakland, in a two-story house that also served as his studio. The interior was crammed with bric-a-brac and mounds of source material for his work, much of which he had gathered on sojourns in Europe and Asia. He did his painting in his yard, on a bright white wooden deck that was designed to receive direct sunlight for most of the day. He called it 'the arena.' A stylish dresser, he liked to exchange his paint-stained duds for the pleated garments of Japanese designer Issey Miyake when he went out at night. Advertisement Mr. Saunders lived within walking distance of the California College of Arts and Crafts (now the California College of the Arts), where he taught painting from 1987 until his retirement in 2013. He was known to invite an entire class to accompany him on his trips to galleries and restaurants, or to stop for lunch at his house. Kevin Demery, a former student of his who now teaches at the Kansas City Art Institute, recalled an afternoon when he and his classmates were seated in Mr. Saunders' dining room sharing 'a robust charcuterie board.' Midway through lunch, the students were alarmed to realize that their professor had disappeared. 'I walked into his living room and saw through the windows that he was painting on his deck,' Demery said in an interview. 'Once we became a vibrant community, he let us thrive without him.' An elusive figure who seldom gave interviews, Mr. Saunders declined to muse on the meaning of his paintings or to disclose details about his childhood, even among friends. He was so private that his friends say they aren't sure whether he was ever married or not. Raymond Jennings Saunders was born on Oct. 28, 1934, in Homestead, Pa., a borough of Allegheny County just across the Monongahela River from Pittsburgh. He and his three sisters were raised by their mother, Emma Marie (Hewitt) Saunders, who struggled to support them on her income as a maid. The family eventually moved into public housing, in the Hill District of Pittsburgh. His nephew Frank said that Mr. Saunders never learned the identity of his father. Advertisement In addition to Frank Saunders, Raymond Saunders is survived by a number of other nephews and nieces and his younger sister, Rossetta Burden. Bucky, as Raymond was nicknamed as a boy, found an early supporter in Joseph C. Fitzpatrick, a white educator who taught art at Schenley High School in Pittsburgh and who also presided over a class for gifted art students every Saturday morning at the Carnegie Institute. Fitzpatrick offered essential encouragement to budding artists, including Andy Warhol, Philip Pearlstein, and Mel Bochner. In later life, asked to name the artists who had shaped his work, Mr. Saunders instead credited his schooling. 'I am from Pittsburgh,' he said, 'and they had an unusual and outstanding program for kids.' By the time he had graduated from Schenley, Mr. Saunders was decorated with awards. Moving to Philadelphia, he attended the Pennsylvania Academy of the Fine Arts on a scholarship from the National Scholastic Art Contest. In 1959, he returned to Pittsburgh and transferred his college credits to the Carnegie Institute of Technology (now Carnegie-Mellon), where he received his bachelor's degree in fine arts the next year. After living in California for a year to earn a Master of Arts in fine arts at California State University, Hayward (now East Bay), Mr. Saunders moved to New York, the country's art capital. Most established galleries declined to exhibit work by Black artists in that era, but Mr. Saunders found an ally in Terry Dintenfass, a well-regarded gallerist on East 67th Street in Manhattan who represented Jacob Lawrence, an older and much-acclaimed painter of Black life and history. Dintenfass gave Mr. Saunders his debut show at the gallery, in 1964. Reviewing it in The New York Times, critic Brian O'Doherty described Mr. Saunders as 'essentially a conservative painter with a good eye.' Advertisement Mr. Saunders returned to California to join the faculty of Cal State in Hayward. He continued teaching, he said, less to earn a paycheck than to repay the educational advantages of his hardscrabble youth. A fervent traveler, he purchased a second home in Paris, a former fire station in the Saint-Germain-des-Prés neighborhood on the Left Bank, where he hosted art classes in the summer. But his influence extended not only to his students. Among his admirers was Jean-Michel Basquiat, the precocious art star who emerged in the New York art boom of the early 1980s. Some of Basquiat's paintings, with their graffiti-style markings and floating masks inscribed against flat fields of blue, bore a curious similarity to Mr. Saunders' tastefully disjointed imagery. Basquiat made multiple attempts to contact Mr. Saunders, apparently without success, before his untimely death in 1988. 'Basquiat tried to reach Raymond Saunders when he came to San Francisco,' Ishmael Reed, with whom Mr. Saunders had sparred decades earlier, told The Amsterdam News of Harlem in 2022. Poet Bill Berkson, who taught at the now-closed San Francisco Art Institute, related that he once offered a scholarship to Basquiat but the artist demurred. 'I'll only come if you get Ray Saunders to teach there,' Berkson quoted him as saying. Mr. Saunders, with his usual aversion to discussing his work and its critical reception, had little to say about Basquiat's regard for his work. Advertisement Crumpler, his Oakland friend, once tried to draw him out on the subject. 'When I looked at Basquiat's work for the first time, I knew he was biting Ray,' Crumpler said in an interview. 'I told Ray, 'Basquiat is biting your work all day and night.' Ray just smiled.' This article originally appeared in

The Best Dishes Eater Editors Ate This Week: July 28
The Best Dishes Eater Editors Ate This Week: July 28

Eater

time15 hours ago

  • Eater

The Best Dishes Eater Editors Ate This Week: July 28

The editors at Eater LA dine out several times a week, if not per day, which means we're always encountering standout dishes that deserve time in the limelight. Here's the very best of everything the team has eaten this week. Xiao long bao tortelloni from Kato's Summer Series with Funke in Downtown LA Xiao long bao tortelloni from Kato's summer series with Funke Rebecca Roland The latest installment of Kato's Summer Series, a dinner collaboration series bringing chefs from across LA to Row DTLA to collaborate with the restaurant, welcomed Evan Funke. On Sunday night, Funke could be spotted in the corner of the spacious tasting menu restaurant, clad in a denim shirt and apron, rolling out sheets of pasta by hand. Each dish channeled a bit of Funke and Yao, like chile crisp-topped burrata and tomatoes, and cacio e pepe tossed with zingy Taiwanese pepper. But the xiao long bao tortelloni stood out among the other dishes, with its carefully folded edges holding back rich broth. The outer was thinner than most pasta and slightly chewier than the usual xiao long bao, filled with pork and prawn. There was only one in the dish, but I would've been happy if the entire meal were just a steamer full of these. It's nice to see a fine dining restaurant let loose a little at collaborations, with hip-hop blaring over the speakers, and menus that read like a chef's fever dream. 777 S. Alameda Street, Building 1, Suite 114, Los Angeles, CA 90021. — Rebecca Roland, deputy editor, Eater Southern California/Southwest Dry pepper fried tofu from Mala Class in Highland Park Dry pepper fried tofu from Mala Class in Highland Park. Rebecca Roland There is something about hot days that makes me crave spicy food, specifically Sichuan spice. On a recent afternoon when the sun was beating down on the city, I found myself in Highland Park looking for some heat. I tucked into jewel-boxed-sized Mala Class, a neighborhood Sichuan restaurant that punches well above its weight, and price point. The tight menu comprises mapo tofu, dumplings in chile oil, dan dan noodles, and a handful of other dishes. My favorite from the lineup was the dry pepper fried tofu, with crispy pieces of tofu dotted in numbing Sichuan peppers. The spice mix was flavorful, while still packing a punch, and the tofu cubes were fried until crispy on the outside with a still-soft interior. Each bite just made me want another, chased by bits of rice and dumplings every so often. 5816 York Boulevard, Los Angeles, CA 90042. — Rebecca Roland, deputy editor, Eater Southern California/Southwest Smoked double-fried chicken wings from Happies Hand Made in the Arts District Smoked double-fried chicken wings from Happies Hand Made in the Arts District. Matthew Kang By now, the word on Joshua Skenes' Happies Hand Made has shown up on multiple social media accounts touting the fried chicken, like Hungry in LA's Eddie Sanchez declaring it his new favorite fried chicken in LA. While declaring anything comprised of chicken tenders (the least-interesting part of the bird) as the best fried chicken is initially suspect, Skenes does make a really delicious bird coated in a salsa macha and dried chile seasoning. Skenes quietly rolled out his double-fried cherrywood smoke chicken wings last week, served over a golden-brown waffle that he once topped with caviar at his temporarily closed Leopardo on La Brea Avenue. The wings are juicy and sweet with smoke flavor, cracker-like on the outside, and incredibly satisfying to eat. Skenes himself is often mixing drinks or prepping orders up front, with the line of customers not realizing the former chef of a three-Michelin-star restaurant (Saison) is making some of the best comfort food in Los Angeles right now. Or maybe they do realize that Skenes has poured so much energy into simple, reasonably priced food, and that's why they're willing to wait. 427 S. Hewitt Street, Los Angeles, CA, 90013. — Matthew Kang, lead editor, Eater Southern California/Southwest Baja tuna tower at the Koast and Crossroads collaborative dinner in Hollywood Koast. Wonho Frank Lee It's always a delight when a dinner collaboration goes right; I always appreciate the effort brought about by chefs and operators preparing a meal together, but the meal is not always a great fit. But when Crossroads chef Tal Ronnen joined Koast chefs Kevin Meehan and Michael Kerner on July 24, everything hit. Ronnen created dishes that reinvented some of Koast's most memorable bites through a vegan lens, like a dreamy watermelon crudo, spectacular lobster mushroom cake, and citrusy rambutan ceviche. My crew nabbed a few Koast dishes a la carte, and all agreed that the Baja tuna tower filled with Baja bluefin tuna, avocado, and tons of tobiko fish eggs is worth returning for. It's as creamy as one would hope and bursting with roe. In short, it's a gorgeous bite of the ocean from the two Koast chefs served in a stunning and intimate room with an entry that's dramatic and fitting for the concept. I've been admiring Ronnen's menu at Crossroads for years, and now it's clearly time for me to make regular stops at Koast to try the rest of the menu. 6623 Melrose Avenue, Los Angeles, CA, 90038 — Mona Holmes, editor, Eater Southern California/Southwest Eater LA All your essential food and restaurant intel delivered to you Email (required) Sign Up By submitting your email, you agree to our Terms and Privacy Notice . This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

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