Melanie Lynskey's Daughter Makes Her Red Carpet Debut as the Cutest Publicist in Hollywood
On May 17, E! News shared a truly adorable video of Lynskey and her daughter. They shared the video to X, the app formerly known as Twitter, with the caption reading, 'Melanie Lynskey's daughter is her personal publicist at the #LiloAndStitch World Premiere. ❤️'
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In the heartwarming photo, we see Lynskey posing for the cameras at the premiere, rocking a floral denim mini-dress. Then, off to the side, we see her daughter in a Hawaiian-inspired ensemble, holding her mom's name card over her face! She's both keeping her anonymity and becoming her mom's lil publicist.
For those who don't know, Lynskey and Ritter started dating in 2013, later getting engaged in Feb 2017. They later married in 2020.
They welcomed a daughter in 2018, but didn't announce it until 2019; and have yet to release her name to the public to keep her privacy.
In a previous interview with People, the Yellowjackets star talked about how much she loves being a mom. 'I feel so fortunate to have my daughter, and I love her,' she said. 'It's like the joy of my life. Every day, I'm like, 'Thank you, thank you, thank you for this child.' I want to spend every minute with her.'
Before you go, click to see more celebrity kids following in their parents' acting footsteps.
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Hamilton Spectator
5 hours ago
- Hamilton Spectator
In her gripping whodunnit ‘Fox,' Joyce Carol Oates jolts with a superb twist ending
Have you ever wondered why turkey vultures are bald? The answer is not pleasant. Turkey vultures feed on the viscera of dead animals, and sliding their heads into and out of carcasses — preferably through the anus — is easier without feathers. Turkey vultures are scavengers; they see opportunity where others can't bring themselves to look. In this they bear some resemblance to serious novelists, like Joyce Carol Oates , who, at 87, has made an astonishing career in part by turning over what others wouldn't touch, sliding into the darkest orifices, pushing forward until she's found all the tenderest bits. Her novels can be hard to stomach, but for this she can blame reality. Some truths are revolting. Oates's latest novel is 'Fox' (Hogarth), which begins at the Wieland Swamp in southern New Jersey, where turkey vultures circle ominously over what turns out to be a human corpse. At first, the corpse is unidentifiable — due to 'significant animal activity,' as the police chief puts it — but is found alongside a vehicle belonging to Francis Fox, a popular new teacher at the prestigious local prep school, the Langhorne Academy. 'Fox,' by Joyce Carol Oates, Hogarth, 672 pages, $42. In an interview with People , Oates described the novel as a 'classic whodunit,' and the unfolding of the police inquiry — and multiple related storylines — is mostly propulsive, despite the novel's 672 pages and some tiresome stylistic tics ( so many words are in italics ). The most impressive structural feature is the superb twist ending. This is a book that continues to change shape until the very last page. But the novel's real interest lies in its anatomy of the crimes of Francis Fox — a predator, as his name implies, who preys on his middle-school students — and the institutions and norms that make his behaviour possible. Oates does not seek out the origins of his conduct in some childhood trauma or — as in the case of 'Lolita''s Humbert Humbert — a thwarted erotic encounter, but in Fox's own sense of superiority. Fox is the product of a partial Ivy League education — he was ejected from a Columbia PhD program for plagiarism — and the heir to a Romantic tradition that insists on the individual's right to transgress convention in pursuit of his own personal ideal of beauty. Fox quotes Blake and Thoreau as his grandiloquent authorities — 'God himself culminates in the present moment, and will never be more divine in the lapse of all the ages' — as he flatters himself that his obsession with prepubescent girls is a sign of esthetic refinement. Fox keeps a bust of Edgar Allan Poe — who married his 13-year-old cousin, Virginia — on his desk, and fills his apartment with the paintings of the controversial French Polish painter Balthus, best known for his prurient portraits of very young female models. In this way, Oates's analysis of child abuse goes beyond the psychology of the criminal to indict American society, where every educated child is expected to know Poe's poems and where Balthus's portraits hang in the Met. On a more immediate level, the adult characters in 'Fox' are guilty of extreme neglect. In the same interview with People, Oates described Fox as a 'charming con man,' but the novel has no sympathy for the adults who let themselves be conned. Teachers on hiring committees neglect to look into Fox's past, though several red flags call out for closer scrutiny. Later, rather than raising alarm bells, the attention Fox receives from his female students elicits jealousy from his petty colleagues. Parents, too, are fooled by Fox, and lulled into a moral stupor by their reluctance to believe the worst. Even those who harbour suspicions prove unwilling to jeopardize their professional status by levelling accusations against a teacher who has made himself a favourite of the headmistress. One of the few adult characters to see through Francis Fox is a lawyer Fox hires to help him through his first scandal with a student. (Fox tries to quote Kierkegaard to the lawyer: ' The crowd is a lie … The individual is the highest truth. ') The lawyer has nothing but contempt for Fox, but professional pride makes him pursue the best possible settlement for his client — an outcome that all but ensures that Fox will be able to continue teaching. How did things get so bad? The novel hints that the community's (almost complete) failure to stop Fox has something to do with the fragmentation of the community itself. The rich and the poor of 'Fox''s Atlantic County have almost nothing to do with each other. Instead, the locals — 'poor whites,' 'old families that have failed to thrive in the twenty-first century, left behind by the computerized, high-tech economy' — are filled with resentment for the smug nouveau riche who try to ignore them while enjoying a much more comfortable existence, one they seek to make hereditary by sending their children to Langhorne and onward to the Ivy League. Political scientists like Katherine Cramer have been warning of the growing rents in the American social fabric caused by the increasing distance between the well-off and the hard-done-by. As Cramer and her co-author put it in a recent piece in the Hill , 'Constitutional democracy flourishes when people feel common purpose with one another, and it is impossible for people who never come into contact to build that common purpose.' The institutions depicted by Oates serve not to advance a common purpose — or enforce a shared morality — but to prop up the strivers while grinding down the rest. This is an unflattering portrait, but not a hopeless one. Over a long and illustrious career — including a National Book Award for Fiction (1970), a National Humanities Medal (2010) and a 'by the same author' page in 'Fox' that looks like the sides of the Stanley Cup — Oates has sometimes been accused of trafficking in moral turpitude for its own sake. A 1991 review of 'Heat and Other Stories' claimed that 'Ms. Oates … is as cavalierly cynical as a teenager. Her stock in trade is precisely not to be shocked, and she pretends to be equally, mildly, analytically interested in all forms of human behaviour, however grotesque.' But 'Fox' reads more like a quiet jeremiad against complacency and hypocrisy, masquerading as a coolly analytic murder mystery. In a 1972 article about the role of literature in America, Oates claimed that the serious writer must recognize that his or her destiny is inescapably 'part of the nation's spiritual condition.' More than 50 years later, Oates has become an integral part of her nation's spiritual condition, circling its revolting truths as the tireless turkey vulture circles a kill. A weak stomach is no excuse for looking away.


USA Today
9 hours ago
- USA Today
UFC 318 results: Dustin Poirier loses final bout to Max Holloway, bids emotional farewell
Not many, if any, fighters get the farewell party Dustin Poirier did Saturday in New Orleans. While the storybook ending didn't take place at UFC 318, Poirier (30-10 MMA, 22-9 UFC) retired at Smoothie King Center with his head held high. After his "BMF title defeat by unanimous decision to Max Holloway (27-8 MMA, 23- 8 UFC), Poirier signed off in front of his home state crowd." "I feel loved by the fans, Louisiana, and the company," Poirier said in the cage, before an emotional tribute video played for him. "I didn't know I'd touch as many people as I did just by chasing my dreams." The scorecards were 48-47, 49-46, and 49-46. Poirier overcame being dropped by a Holloway right early. The moment audibly sucked the energy out of an arena that was riled up by Poirier's grand introduction – one that included the presence of Louisiana-bred rap legend Lil Wayne. A shot of adrenalin would inject back into the arena in Round 2, however. After Poirier sustained another knockdown, he turned the tables on Holloway and put him on the canvas with a blow of his own. In true Poirier fashion, he hopped the guillotine. Holloway rolled and escaped, however. Round 3 was a strong showing for Holloway, as the two fighters continued to get the other's timing down. Round 4 was closely contested, as was five. Over the course of 25 minutes, the dance never really paused. Both men went tit-for-tat, in a controlled yet nerve-racking way. In the final seconds, Poirier accepted Holloway's signature challenge to stand and bang, though the Hawaiian appeared to get the best of the exchange. Poirier, 36, retires as one of the most violent, exciting and popular fighters in UFC history and he will likely find himself in the promotion's Hall of Fame. He won the interim UFC lightweight title in 2019. Outside of the cage, his charitable contributions to his community and beyond earned him the first-ever Forrest Griffin Community Award from the UFC. Holloway retains his "BMF" title and bounces back from a knockout loss to Ilia Topuria. He moves to 4-1 in his most recent five fights. The bout avenges two prior losses to Poirier. Up-to-the-minute UFC 318 results include:
Yahoo
10 hours ago
- Yahoo
Jennifer Lopez & Ben Affleck Continue To Take Major Decisions Together, Says ‘Source'
Former spouses and Ben Affleck continue to be in the limelight even after they officially parted ways in January. Irrespective of the split, the duo continues to make important decisions together, especially regarding the sale of their Beverly Hills home. Now, a latest update, as per a source, suggests that the ex-spouses have decided to take the mansion off the market. Jennifer Lopez and Ben Affleck took their Beverly Hills mansion off the market, says 'source' As per PEOPLE's source, Jennifer Lopez and Ben Affleck have taken their Beverly Hills house off the market after failing to find a buyer for a year. In June 2024, the news outlet reported that the ex-couple tried to sell the mansion off the market for privacy. The following month, Lopez and Affleck listed the mansion for sale at an asking price of $68 million. However, they were unsuccessful in finding a buyer for 10 months. As a result, the two stars decreased the asking price by $8 million. This brought the price of the property from $68 million to $59.9 million. Nevertheless, Lopez and Affleck failed to find a buyer for their house for a year and have now taken it off the market. PEOPLE's source stated, 'While they've been hoping to sell the property, they've also been hesitant to take a big loss.' The individual added that the ex-couple 'lowered the price to get more interest,' but when that did not happen, 'they were advised to take it off the market.' The insider said, 'It was a business decision that they made together.' A real estate source also commented on this situation, stating, 'It's a rough sellers market and especially for that price point. Taking it off the market until it's more of a seller friendly climate, seems like the smartest decision.' As of now, the public real estate records show the removal of the sale from the market. Jennifer Lopez and Ben Affleck purchased the estate in May 2023 for $60.8 million. After listing the estate, the 'Accountant' actor bought a new house for himself in Los Angeles for $20.5 million. Meanwhile, Lopez reportedly purchased a new house near the city for almost $18 million. The post Jennifer Lopez & Ben Affleck Continue To Take Major Decisions Together, Says 'Source' appeared first on Reality Tea. Solve the daily Crossword