
Take It Outside! 24 Easy-to-Pack Recipes for Summer Picnics, Barbecues and Beach Days
Snacks, sandwiches, sweets and more to grab and go, go, go. Johnny Miller for The New York Times. Food Stylist: Sue Li. Prop Stylist: Sarah Smart. Published May 19, 2025 Updated May 19, 2025
You'd think the first 70-degree day in New York was a government-sanctioned holiday, the way that throngs of winter-weary city dwellers spill out onto patios and piers and into parks. It's a culturally sanctioned holiday, at least, an excuse to grab the portable speaker and some friends, and finally — finally! — eat outdoors. That feverish appetite for summer's arrival is universal. We're all itching to get outside, and the season's restless nature necessitates food that can tag along with us. So below you'll find 24 portable and shareable recipes built for the backyard, the beach and the communal barbecue, along with tips that will make planning and packing for blissfully unstructured days a little bit easier, and a lot more delicious. Kerri Brewer for The New York Times. Food Stylist: Simon Andrews.
No one is more popular at the park hang than the friend who rolls up with a tub of fancy Spanish potato chips or a bag of elusive Japanese butter corn Cheetos. That is, until you show up with Sue Li's snack mix, teeming with crunchy ramen noodles, shrimp crackers, puffed cereal, wasabi peas and more crunchy bits tossed in soy butter.
Recipe: Furikake Snack Mix Julia Gartland for The New York Times. Food Stylist: Liza Jernow.
If you've ever wondered, 'What if a caprese was more ?' you might worry that David Tanis learned how to read minds. His answer is a satisfying one, as he embellishes the classic salad with roasted peppers, caperberries, olives and prosciutto for a luscious grazing meal best sopped up with crusty bread, al fresco.
Recipe: Caprese Antipasto Bryan Gardner for The New York Times. Food Stylist: Lish Steiling.
If this composed snacking plate from Naz Deravian were a summer blockbuster, the critics' blurbs in the trailer would look something like this: 'A sweet little gentle thing.' 'Refreshing.' 'A wonderful, delightful surprise.' 'Summer in a plate.' That's what readers are saying, anyway, about this open canvas of a recipe, ideal for leisurely nights on the patio.
Recipe: Naan-o Paneer-o Sabzi Christopher Simpson for The New York Times. Food Stylist: Simon Andrews. Prop Stylist: Paige Hicks.
What's a day at the beach without a Tupperware of cubed watermelon, pulled from the recesses of the cooler and slick with condensation? This fruit salad, adapted from Malika Ameen by Tejal Rao, is sweet, sour and savory, a vibrant antidote to the salty sea air.
Recipe: Watermelon Chaat Johnny Miller for The New York Times. Food Stylist: Sue Li. Prop Stylist: Sarah Smart.
This creamy dip from Ali Slagle takes a consummate snack for one — a crunchy pickle — and party-proofs it, stretching its briny flavors. This simple, playful sauce calls out for potato or pita chips, or your favorite crisp crudités. Dare we say, cucumbers?
Recipe: Dill Pickle Tzatziki David Malosh for The New York Times. Food Stylist: Simon Andrews.
I checked the Weather app this morning, and it said today's high is cucumber salad degrees. Prepare accordingly with this refreshingly piquant salad from David Tanis, featuring more than a few stars of summer.
Recipe: Spicy Cucumbers With Mint, Scallions and Crushed Peanuts Christopher Simpson for The New York Times. Food Stylist: Simon Andrews.
Alexa Weibel reinvigorates potato salad, that standard-bearer of the picnic spread, with salty capers and bread-and-butter pickles, as well as plenty of parsley, dill and lemon zest. But she doesn't stop there: Rather than just dressing and tossing the potatoes, she builds the salad in layers, alternating sauce and starch for some inspired eating.
Recipe: Potato Salad With Tartar Sauce and Fresh Herbs Julia Gartland for The New York Times. Food Stylist: Samantha Seneviratne.
Fresh with tomatoes, cucumber, bell pepper and serrano chile, yet hearty with beans, this Senegalese salad from the chef Isaiah Screetch, adapted by Korsha Wilson, gets only better with time. Tied together with a lime dressing, it improves as it rests, so you too can rest easily knowing it'll taste even better by the time it reaches its final destination.
Recipe: Saladu Nebbe (Black-Eyed Pea Salad With Tomatoes and Cucumbers) Johnny Miller for The New York Times. Food Stylist: Sue Li. Prop Stylist: Sarah Smart.
Yossy Arefi had the beach and the barbecue in mind when she developed this recipe, which holds up well and packs double the tomato-y punch, thanks to both sweet cherry tomatoes and savory sun-dried tomatoes. 'I wouldn't change a thing about this salad,' one reader wrote.
Recipe: Tomato and Farro Salad With Arugula Yossy Arefi for The New York Times (Photography and Styling)
For those deterred by heavy, one-note, mayo-laden pasta salad, Alexa Weibel has something fresher, brighter, tangier. OK, there's still a little mayo — would it really be pasta salad without it? — but pickles, celery, scallions, capers, dill, citrus, Dijon and a good dose of parsley provide ample texture, bite and distraction.
I made the dressing the night before minus the celery and scallions. It had such a nicely melded flavor the next morning. Then added all the remaining ingredients the next day before my picnic.
Recipe: Macaroni Salad With Lemon and Herbs Johnny Miller for The New York Times. Food Stylist: Sue Li. Prop Stylist: Sarah Smart.
A hero on the beach by any other name — sub, hoagie, grinder — would taste as sweet. It is the canonical 'we're outside' sandwich, and Ali Slagle's version nails the proportions, structure and assembly. Crucially, the wet ingredients (pickles, onions, dressed shredded lettuce) are enrobed in deli meats as to not soak the roll.
Recipe: Italian Hero Sandwich Johnny Miller for The New York Times. Food Stylist: Sue Li. Prop Stylist: Sarah Smart.
Two Southern picnic mainstays — pimento cheese dip and the simple yet sublime tomato sandwich — come together for the collab of the summer in this recipe from Kia Damon. Fresh jalapeño gives the cheese spread a bit more of a jolt, without stealing the tomatoes' thunder.
Recipe: Pimento Cheese and Tomato Sandwiches Johnny Miller for The New York Times. Food Stylist: Sue Li. Prop Stylist: Sarah Smart.
These hand-held delights are a Japanese convenience store staple for their pint-size portability. Priya Krishna stuffs hers with salmon (you could certainly use fish from last night's dinner), but onigiri filling is flexible: Tuna mayo or pickled vegetables would be just as satisfying.
Lay a piece of plastic wrap flat. Scoop rice onto it and spread it out sort of flat. (I often salt the rice a bit at this stage.) Place your filling on top in the center. Using the plastic wrap, fold the rice over the filling so it forms a ball, then shape into a triangle. Unwrap the plastic so you can wrap the nori around the rice, then re-wrap the plastic and you're ready to go!
Recipe: Salmon Onigiri Kerri Brewer for The New York Times. Food Stylist: Simon Andrews.
Ham El-Waylly built these chicken salad-inspired vegetarian subs with an on-the-go lifestyle in mind. The sandwich, not just the hard-roasted cauliflower, walnut, apple and raisin filling, improves after some time to sit, so you needn't worry if your destination is a bit of a ride away.
Recipe: Cauliflower Salad Sandwiches David Malosh for The New York Times. Food Stylist: Simon Andrews.
For long, languorous days at the beach or park, a sog-proof sandwich is in order. Bread lathered in salted butter will hold up better over time than breads drenched in mayo, though each is exceptional in its own way. Ali Slagle punches up the classic French jambon-beurre with fruit preserves and Dijon for a charcuterie-on-the-go feel.
Recipe: Ham and Jam Sandwich Andrew Purcell for The New York Times. Food Stylist: Carrie Purcell. Grilled Chicken Skewers With Tarragon and Yogurt
These skewers from Clare de Boer are tender from a yogurt marinade and fragrant from a tarragon-mint baste brushed over as they char. Be sure to throw some pita on the grill while you're at it, so that not a drop from the juicy chicken goes to waste.
Recipe: Grilled Chicken Skewers With Tarragon and Yogurt Joel Goldberg for The New York Times. Food Stylist: Hadas Smirnoff.
These supremely simple shrimp skewers from Yossy Arefi require only five ingredients (not including salt and olive oil), making grilling on location, be that at the public park or poolside, a cinch. Using a condiment like spicy harissa paste streamlines the marinating process, so you can prepare the skewers quickly before stepping out for the afternoon.
Recipe: Grilled Harissa Shrimp Johnny Miller for The New York Times. Food Stylist: Sue Li. Prop Stylist: Sarah Smart.
The only thing that improves a well-seasoned, crunchy and fresh chicken salad? The smoky notes imparted when the chicken is charred first. Yossy Arefi's recipe, rolled up alongside some crisp lettuce in your favorite wrap, is the sort of finger food you'll want to reach for before you've had the chance to wipe the sunscreen from your hands.
Recipe: Grilled Chicken Salad Kerri Brewer for The New York Times. Food Stylist: Spencer Richards.
This breezy tart from Christian Reynoso tastes best in a grassy backyard dappled in late-morning light. It certainly looks best in that context, anyway. And it can be assembled entirely at the table, if you like: Bake off the store-bought puff pastry, then top it like a pizza when you're ready to eat.
Recipe: Quick Smoked Salmon Tart David Malosh for The New York Times. Food Stylist: Simon Andrews.
Skewers of tender grilled zucchini and eggplant are the sort of low-mess, low-stress thing you'll be happy to lug to the grill, wherever it may be. Melissa Clark marinates the vegetables in a bit of oregano- and garlic-infused olive oil for a subtly summery flavor.
Recipe: Summer Vegetable Skewers Johnny Miller for The New York Times. Food Stylist: Sue Li. Prop Stylist: Sarah Smart.
Rice Krispies treats aren't just fun to eat; they're durable too, their compact nature making them tough to crush in even the most-stuffed cooler bag. Eric Kim embellishes his with butter-fried black sesame seeds and toasted sesame oil for a fragrantly nutty sweet-tooth satisfier.
Recipe: Black Sesame Rice Krispies Treats Mark Weinberg for The New York Times. Food Stylist: Yossy Arefi.
These sandwich bars from Yewande Komolafe are everything you want in a potluck dessert: fruity, colorful, crunchy and, of course, a breeze to share. 'Delicious and easy recipe!' one reader wrote. 'Brought this to a picnic and received many compliments and recipe requests.' Go get your compliment!
Recipe: Strawberry Jam Bars With Cardamom Johnny Miller for The New York Times. Food Stylist: Sue Li. Prop Stylist: Sarah Smart.
Priya Krishna's floral, nutty blondies are reminiscent of the radiant late-afternoon sun, with their amber saffron-infused frosting. And just like the waning light, basking in their glow is best done alongside friends. Thankfully, they're especially shareable.
Recipe: Saffron Pistachio Blondies Dane Tashima for The New York Times. Food Stylist: Barrett Washburne
What's a list of summery treats to take outdoors without a little lemony moment? Surely, real New York Times Cooking fans will know that this five-star recipe for a supple, citrusy loaf cake could come from only one source: the queen of lemons herself, Melissa Clark.
Recipe: Lemon Poppy Seed Pound Cake
Follow New York Times Cooking on Instagram , Facebook , YouTube , TikTok and Pinterest . Get regular updates from New York Times Cooking, with recipe suggestions, cooking tips and shopping advice .
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
18 minutes ago
- Yahoo
F1 Review: I Love The Eye-Popping Races, But The Sports Movie Clichés Are Overwhelming
When you buy through links on our articles, Future and its syndication partners may earn a commission. There is no question that director Joseph Kosinski knows how to shoot things moving super fast. He first demonstrated this expertise about a decade and a half ago with Lightcycles zooming around The Grid in Tron: Legacy, and his collaboration with daredevil Tom Cruise three years ago yielded the wild aerial awesomeness of Top Gun: Maverick. All of this is to say that the filmmaker is a natural fit for a film about Formula 1 racing – a project that offers ample opportunity for Kosinski to make audiences feel like they are moving at extremely high velocity while simply sitting in a comfy chair. F1 Release Date: June 27, 2025Directed By: Joseph KosinskiWritten By: Ehren KrugerStarring: Brad Pitt, Damson Idris, Kerry Condon, Tobias Menzies, and Javier BardemRating: PG-13 for strong language, and actionRuntime: 156 minutes As one would anticipate, F1 is an impressive technical achievement. It repeatedly offers the visceral experience of being strapped to the hood/side/back of one of the title sport's speedy cars, with inventive cinematography and brilliant sound design working in tandem to create the powerful effect. I can say without any reservation that the film met all my expectations in that respect, as I felt like I could practically smell the burning rubber on asphalt. However, it also falls short in some key narrative and storytelling arenas, which very much hamper the 156 minute epic. Brad Pitt is using every ounce of his star power playing driver Sonny Hayes, but the movie nonetheless fails to make it over two key hurdles: fast cars and crashes/explosions can't disguise the fact that the script by Ehren Kruger is excessively trope-ridden and formulaic. For those who don't know the various rules and regulations of the sport going in to the movie, it provides very little assistance and asks that you figure everything out via context (which I normally wouldn't ding a film for, but the reality is that I felt confused more often than desirable for an entertaining big screen experience). If you're a veteran fan of sports movies, this is a tale you'll probably recognize: Sonny Hayes is an aging, but still passionate driver looking for any excuse to get behind the wheel, and out of nowhere, he gets a golden ticket. His old friend Ruben (Javier Bardem) has a team that is desperate to win races and in need of a veteran to train hotshot rookie Joshua Pearce (Damson Idris). Sonny is far from the first choice, but he is the first one to say yes. Things start off rocky as the team fails to synchronize and mistakes are made. But as Sonny and Joshua starts moving in the same direction toward the target goal, personality conflicts are overcome. And with the help of technical director Kate McKenna (Kerry Condon) using her knowhow to make the cars work best for the drivers in the tandem driving sport, they start to win. I don't know if anyone has ever tried to calculate a golden 'cliché to runtime' ratio, but F1 is certainly a film that goes far beyond what it would be. Stock characters and story can be fine if properly packaged into a breezy 90-minute feature, but the Formula One feature asks for an hour-plus more than that, and it's too big an ask. Stakes and emotional investment dwindle when the moviegoer is left waiting for next obvious plot development to unfold, and that comes paired with disappointment as you consistently recognize that the work isn't going to make any effort to try something new. It can't be denied that some people find comfort in a movie like this, as it's a nostalgic throwback to a past era of filmmaking… but if I'm seeking that kind of comfort, I simply go back to watch the titles from the late 20th century that originated it. Anyone's desire to see the storytelling evolve and to get something sincerely fresh out of the experience will be wanting (those seeking a similar aesthetic thrill can also find it elsewhere, with recent titles springing to mind including James Mangold's Ford vs. Ferrari and Neill Blomkamp's Gran Turismo). As for the presentation of the eponymous sport, I will admit to being of two minds. I have vitriol for mindless exposition that gracelessly spoon feeds information to ensure that everyone in the audience understands everything that is going on, and I also understand that Formula 1 has a massive, worldwide fanbase that would be insulted if F1 tried to hold their hand through every racing sequence in the film. All that being said, I am a layman who struggled to fully understand certain mid-race events and found myself disengaged during my screening. I get it: I would hate any baseball movie that felt the need to explain to me that three strikes equals a strikeout and/or what a home run is. But a little hand-holding isn't the worst thing. A great baseball movie can get across the mechanics of the game and potentially turn a non-fan into a fan; after watching F1, I can't say I feel any kind of motivation to learn more about Formula 1 (which offers a kind of disappointment unto itself). Die-hards will love seeing their favorite sport on screen, but newbies like myself are kept at arm's length and won't feel regarded as a target audience (a contrast with everything else about it that screams 'mass appeal'). The various characters are as clichéd as the plot – from Kerry Condon's 'the only woman rebelling in a male-dominated field' to Tobias Menzies' 'slimy executive-type offering back-stabbing deals' – and there is exactly nothing unique about the dynamic between the grizzled veteran and egotistical rookie. F1 is a case of actors elevating material, though. Brad Pitt isn't exactly developing his range playing Sonny Hayes, but there certainly is a proper exploitation that has made him a star in the last 30+ years, and a great deal of credit is deserved for his work actually getting behind the wheel and driving at three-figure speeds. And while this is certainly a case of 'The Brad Pitt Show,' it can be said that Bardem brings a lot of charm as the 'good friend who is way out over his skis' and Damson Idris demonstrates impressive confidence as an up-and-coming performer going toe-to-toe with his A-list co-star. F1 is a movie that seems to have a very clear idea of who it is for, but a consequence is that anyone on the outside of that target won't find much to love. It's a proper big screen experience, as you'll want to feel your chair rumbling from the sound mix and have your entire field of vision dominated by whizzing scenery and blurry asphalt, but thanks to its underwhelming script, its shelf life beyond cinemas is going to be questionable.
Yahoo
19 minutes ago
- Yahoo
Critics Are Calling F1 ‘A Hell Of A Ride,' But They Agree There's One Thing Keeping It From The Finish Line
When you buy through links on our articles, Future and its syndication partners may earn a commission. Brad Pitt's F1 has been one of the most highly anticipated theatrical releases of the year, and now the wait is almost over. Critics had the opportunity to screen the Formula One-inspired sports drama ahead of its June 27 release on the 2025 movie calendar, and while F1's first reactions suggested audiences are in for a wild ride, they all agree it's full of sports movie clichés. So, where do they stand on the movie overall? With Top Gun: Maverick director Joseph Kosinski at the helm, we're no doubt expecting an experience worthy of being seen in 4DX or IMAX with intense race scenes (and yes, Brad Pitt and Damson Idris actually did get behind the wheel). According to Ross Bonaime of Collider, it fulfills those expectations and delivers one of the best racing movies ever, despite hitting all the tropes. He rates it 8 out of 10 and writes: This is the sort of film built for the summer: a loud, exciting movie that just feels expensive that'll make you want to clap with excitement over even the most minuscule moments and high-five the stranger next to you in a packed theater. F1 is an absolute blast and one of the most exciting films to come out this summer, a film that will put you on the edge of your seat and make you glad that filmmakers like Kosinski are still making films like this today. Mae Abdulbaki of ScreenRant agrees, also giving the movie 8 out of 10. The critic says F1 is basically a 156-minute commercial with brands everywhere and a completely unoriginal story, and still, Abdulbaki was riveted by every minute of it, saying: F1 is a theater movie for sure. It's exciting to watch it with a crowd that'll react appropriately, from the laughs to the gasps to the cheers (my theater audience had all three reactions). Even if you're not into the sport or have never watched a race in its entirety (I haven't), F1 will still hold your interest. It might be a Formula One promotional movie at its core, but at least it's a damn good film. Clint Gage of IGN admits that F1 'won't win any awards for originality,' but says the sports movie formula has stayed the same for a reason — it's pretty hard to mess up. Despite giving in to those tried-and-true tactics, the critic says you can tell everyone had fun making this movie, and that enthusiasm is infectious. Gage gives it a 'Good' 7 out of 10 and writes: Top Gun: Maverick's Joseph Kosinski assembles an all-star crew in front of and behind the camera for F1, and they craft a technical marvel of a movie. It's gorgeous and thrilling to look at, with top-notch editing backing up Brad Pitt's IMAX-consuming charisma. It's a faithful devotee to the sports-movie formula that's kept from greatness by a few too many unnecessary components and a finish line that maybe should've been closer than two and a half hours away. But in spite of that, it's still a hell of a ride. Liz Shannon Miller of Consequence gives the movie a B+ for how it captures the adrenaline and danger of being in the driver's seat. The movie (especially the races) is never boring, Miller says, but you definitely start to feel that 2.5-plus-hour runtime. The critic says: Story-wise, the plot is substantial enough to keep F1 from feeling like a two-hour-and-35-minute Formula 1 advertisement. (Yeah, this one's long.) The bad news is that it covers more than a few of your classic sports movies tropes, such as Sonny's tragic past, and of course Sonny and talented up-and-comer Joshua (Damson Idris, who makes the most of his limited character development) wind up butting heads. You'll see some of the other cliches coming a mile down the track, and it feels like there's maybe one more big plot beat than necessary. Witney Seibold of SlashFilm has the least patience for F1's shortcomings from the reviews I read, rating the film 4.5 out of 10. Like Tom Cruise in Top Gun: Maverick, Brad Pitt is a 'previous generation's pretty boy' determined to prove he's 'still got it,' Seibold says. The driving sequences are fun, but the critic says that's not enough, writing: Had F1 been a tight 90 minutes, perhaps a lot of its more glaring writing flaws could be forgiven, or at least ignored (well, the terrible handling of Condon's character notwithstanding). But at a bloated 156 minutes, audiences will have too ample time to ponder the film's many weaknesses. The racing will be exciting — very exciting, in fact — and Pitt is certainly a movie star, but quite frankly, I can have my own midlife crisis, thank you. I don't need to watch Pitt's. The critics seem to agree that F1 goes on a little longer than necessary and doesn't exactly bring the originality. However, at least for most, that's hardly a concern. Sports movie tropes are popular for a reason — they make for good movies, and it sounds like Brad Pitt and Joseph Kosinski have succeeded in making one of those. F1 hits theaters on Friday, June 27.
Yahoo
19 minutes ago
- Yahoo
I Can't Get Enough Of Tom Cruise Honoring Days Of Thunder As Jerry Bruckheimer's New Racing Movie Premieres
When you buy through links on our articles, Future and its syndication partners may earn a commission. F1 finally roared into theaters this weekend, and the Joseph Kosinski-helmed movie features high-octane action and a charismatic performance from lead actor Brad Pitt. Wildly enough, this 2025 movie schedule blockbuster opened on the exact same day that Tom Cruise's Days of Thunder hit cinemas decades ago. The two films also have something else in common (other than the fact that they're about racing). Both are produced by Jerry Bruckheimer, and I'm loving that Cruise honored his colleague and both films. Days of Thunder opened in 1990, which means we've just hit its 35th anniversary. To this day, the sports movie remains one of the signature titles in Tom Cruise's filmography, and he seems to have much affection for it. Such a notion was evidenced by the fact that Cruise took to Instagram on June 27 to share some cool BTS photos from his time making the classic film. The veteran actor also penned a warm tribute in which he reflected on production and shouted out the F1 team: I always love the fun and adrenaline of a racing film. Today marks two racing milestones for my friend Jerry Bruckheimer, the release of F1 and the 35 year anniversary to the day of our collaboration with the great Tony Scott on Days of Thunder. Incredible to look back on this film today, and congratulations to Jerry, Brad, Joe and the whole F1 team on their release! At the time of its release, Tony Scott's beloved racing film received mixed reviews. However, many have seemingly warmed up to it in the years since it hit theaters. The late Scott made great use of special effects in order to provide an exciting depiction of NASCAR racing. As a film buff, I love seeing the behind-the-scenes photos that Tom Cruise dropped on social media. The snapshot with the camera rig on the car, in particular, is a sweet example of how Scott was trying to push the boundaries of filmmaking at that point. More on Days of Thunder I Recently Watched Days Of Thunder For The First Time, And I Didn't Get Why Tom Cruise Would Choose It To Usher Him Into His Sequel Era – Until Now Likewise, Joseph Kosinski, Jerry Bruckheimer and Brad Pitt were also trying to push technical-based boundaries with their own racing movie. Formula 1 fans could certainly argue that F1 isn't always realistic, even if the racing sequences are breathtaking. However, I'd argue that there are still a lot of cool filmmaking techniques at play, which makes the production worthy of at least some admiration. On that note, F1 received praise from some critics in that regard. Jerry Bruckheimer should be proud, considering what he and his colleagues have accomplished and, per reports, he's not done with the world of racing just yet. A Days of Thunder sequel is reportedly in the works, and it's already sparking interest from NASCAR veterans. Details on the project are scarce at the moment, but sources indicate that Tom Cruise is down to reprise his role as Cole Trickle. Paramount Plus: from $7.99 a month/$79.99 a yearTom Cruise fans should hit up Paramount+ for Days of Thunder, Top Gun and the star's other great movies. Grab the Essential plan or go the ad-free route. A larger content catalog is available with Showtime through the Premium plan, which starts from $12.99 a month. Also, get 12 months for the price of 10 using the annual Deal I look forward to seeing what happens on that front, and I'm wondering how the team can possibly match or top what's presented in Joseph Kosinski's latest flick. Of course, unlike a race, this doesn't seem to be a competition. Tom Cruise is clearly excited for the release of this latest racecar movie as he is passionate about the flick he made over 30 years ago. Check out F1, which is playing in theaters nationwide now! Also, those who'd like to stream Days of Thunder can do so using a Paramount+ subscription.