
Steve Horton: We could all use Superman's ‘poptimism' of hope
Around the globe, it doesn't seem much better. Amid all of this turmoil, with humanity seemingly at one of its lowest points, we could really use a Superman in our lives. In fact, we've never yearned for such a person to be real as much as we do now.
Instead, we got the next best thing: James Gunn's 'Superman,' a bastion of hope on the silver screen, about the best example of what analysts call 'poptimism' that we're ever likely to find: optimism in pop culture in the face of doom all around us. See him stop wars! See him rescue kids and squirrels! See him take down a bald technocrat billionaire! (Whose look predates a couple of egg-shaped billionaires we're contending with now.)
And soon after, we've got Superman times four, with 'The Fantastic Four: First Steps,' featuring Marvel's beloved First Family. This one's an equally optimistic throwback story with the fabulous foursome up against Galactus, the devourer of worlds, who could be seen in this day and age as a metaphor for climate change.
In the recent past, superheroes on the big and small screen have tended to be quite dark and cynical, perhaps as a contrary response to the 'hope and change' Barack Obama era. 'The Boys' and 'Invincible' are deliberately satirical and bloody. The 'Spider-Verse' movies are on a yearslong cliffhanger with the hero captured by his dark alternate self. Even Superman was not immune: 'Man of Steel' featured a dark blue suit and a neck-snapping climax.
It seems that as the world makes a running dash down a Slip 'N Slide toward fascism, much of our pop culture, from music and television to streaming and big-screen movies, is going hard toward bright and sunny, to shine a little light in the darkness, provide a much-needed escape and show all of us how things could be, if only we tried a little harder. Even shows such as 'Ted Lasso' deal with the concept of toxic positivity or going too far toward being positive that you fail to deal with real problems.
In the yawning void that is the absence of Superman in our own world, and in between forays into fiction where he exists, it behooves us to act more like Superman in our own little corners of the world. What would the Fantastic Four or Superman do? Superman's three pillars these days (revised in the comics after it seemed a bit jingoistic to have him care at all about the American Way, whatever that is):
Seeing an uplifting film about an immigrant refugee who gets the job done or a fantastic foursome that watches over humanity makes us look for bright spots elsewhere in our current worldview. For example, the undeniable rizz of New York City mayoral candidate Zohran Mamdani. It inspires us to try to look for silver linings wherever we can, no matter how tiny.
In the absence of much leadership from the resistance side of things against creeping authoritarianism, or many real-life role models or leaders who are interested in anything other than holding on to their own jobs, pop culture like 'Superman' shows us the way.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
James Gunn once again confirms that Robert Pattinson's Batman won't be part of the DCU, and I'm pretty disappointed
When you buy through links on our articles, Future and its syndication partners may earn a commission. James Gunn has once again confirmed that the DCU Batman won't be Robert Pattinson – and I'm still disappointed. "We've talked about it before, but it's not what's happening right now," Gunn told Entertainment Tonight. "Everything's in flux, so we'll figure out what we're doing next." Before Superman, I was pretty opposed to the concept of Pattinson's Batman joining the main DCU, because I loved The Batman so much I didn't want to muddy the waters with a crossover. But, after watching the first DCU Chapter One: Gods and Monsters movie, the idea of seeing Pattinson's grim Dark Knight teaming up with David Corenswet's optimistic Supes really grew on me. So, I'm fairly sad that it doesn't seem to be on the cards. Still, I am looking forward to the DCU's Batman project, which is titled The Brave and the Bold and will feature Batman and the Damian Wayne version of Robin. "There's really no new updates," Gunn told us recently of the movie. "I mean, we're working on a script. We have a screenwriter who's hammering away at it. I'm very involved, and so, you know, we'll see what happens next. I wish I had more news for you, but I don't." The Batman 2, meanwhile, is due in October 2027. The latest update on the Elseworlds movie is that Matt Reeves has turned in the script. Next up for the DCU is Peacemaker season 2, which arrives next month. The next theatrical release is Supergirl, which is landing next year. In the meantime, check out our guide to all the upcoming DC movies and shows for everything else the studio has in store. Solve the daily Crossword


Tom's Guide
3 hours ago
- Tom's Guide
'Fantastic Four: First Steps' proves why the MCU needs to get weirder to shake its post-'End Game' slump
I fell off the MCU hard after "Avengers: Endgame" — and I'm far from the only one. Marvel has struggled to regain its momentum post-Thanos snap, a fact made crystal clear last year when Robert Downey Jr. was announced to rejoin the franchise. Between a convoluted jumble of multiversal plotlines and TV spin-offs, the prominent exit of the MCU's next big bad, and extensive reshoots that left big-ticket sequels like "Captain America: Brave New World" a hot mess, the MCU is facing a reckoning. Don't think that the MCU's stumbling means audiences are any less hungry for superhero flicks. The success of James Gunn's 'Superman' proves there's still a strong appetite for caped crusaders. It's the highest-grossing solo Superman film to date after earning $292.4 million domestically at the box office, overtaking the $291 million total of the 2013 "Man of Steel." The critical success of recent MCU entries like "Thunderbolts" is a promising sign that Marvel may be close to finding its groove again. After seeing "The Fantastic Four: First Steps" in the theaters, I'm confident Marvel can keep this momentum going — but only if it commits to getting weirder from here on out. When it comes to the MCU, weird works. That much was clear even before "Endgame." Taika Waititi's "Thor Ragnarok" was a huge middle finger to the previous Thor movies, steeped in '80s rock opera camp with a comedic bent. It injected new life into one of the most underdeveloped Avengers after his snoozefest of a second film. In that same vein, "Wandavision" is the jewel of the MCU's catalogue of shows on Disney Plus, and it marked a stark departure for the franchise with its mix of sitcom shenanigans, fourth-wall breaking, and horror vibes. I wasn't surprised to learn the show's director, Matt Shakman, is in the director's chair for "First Steps, because both the TV show and the movie share a seriously impressive commitment to a distinct aesthetic. With the Fantastic Four's track record of big-screen adaptations, I wasn't looking forward to this summer's "The Fantastic Four: First Steps." Then I saw the trailer, and I was immediately sold on the look, if nothing else. As a huge "Fallout" fan, the retro-futuristic aesthetic instantly caught my attention. Marvel was able to craft such a unique style for "First Steps" because it's set on a new Earth apart from the rest of the MCU, one where the Space Age never came to a close. And that fact shines through in every shot of this strange, colorful retrofuturistic version of Manhattan. It feels straight out of a comic book, a fever dream of mod fashion, Flash-Gordon-inspired rocket ships, flying cars, and midcentury modern pizzazz. It's visually distinct from anything in the MCU we've seen so far, and I sincerely hope it paves the way for even more stylish (and strange) versions of Earth in future MCU outings. Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.
Yahoo
6 hours ago
- Yahoo
‘Fantastic Four: First Steps' review: Ugh, here we go again
movie review FANTASTIC FOUR: FIRST STEPS Running time: 115 minutes. Rated PG-13 (action/violence and some language). In theaters July 25. Calling 'Fantastic Four: First Steps' the best 'Fantastic Four' movie is not exactly a quote I'd advise Disney to slap on the poster. Talk about grading on a curve. The last three pathetic attempts to put the story of Mister Fantastic, the Invisible Woman, the Human Torch and the Thing onscreen have made miserable viewers go, 'Global annihilation? Sounds nice.' Not to be deterred, the Marvel Cinematic Universe is dragging the raggedy group out of storage for their 37th movie. That figure is unfortunately not a typo. The result? 'First Steps' marks a slight improvement from the preceding trilogy of terror. But Marvel still can't nail what should be one of its premiere attractions. 'Fantastic Four'? Forgettable, 1 ½. The movie begins, appropriately, with a pep in its step. Dropping the heroes in the retro-futuristic NYC that appears to be a technologically advanced 1960s is the right call by director Matt Shakman and his army of screenwriters. There's 'Jetsons' visual panache that sets the film apart from the other, oy, 36. The team's New York lair could be the TWA Hotel at JFK. Also, gold star for racing through the exposition in a newsreel at the beginning — four years ago some astronauts got neat powers in space, yada yada — to avoid the usual origin story portentousness. However, trembling in fear, 'First Steps' can't resist the comic-book urge to contort the mood ASAP to grave, gloomy and un-fun for most of the runtime. The stakes may be stratospherically high, but our serotonin levels are low, low, low. For the supes, Marvel has recruited some super-serious actors. There's Pedro Pascal, who has probably been frowning so much because he's overworked, as stretchy Reed Richards; Vanessa Kirby, making Medea seem like the life of the party, as vanishing Sue Storm; Joseph Quinn, nervously tip-toeing around genuine comedy, as flaming Johnny Storm; and Ebon Moss-Bachrach with a Zen take on rocky Ben Grimm. They're all fine, if oddly joyless for people wearing powder-blue 'Star Trek' uniforms. I can't say I ever want to see them play these parts again. Good thing they've been cast in at least two more MCU films through 2027. The Four face a couple foes. There's the humongous Galactus, who is essentially Megatron from 'Transformers.' And his shiny cowabunga henchwoman, the Silver Surfer, played by Julia Garner. Whose dumb idea was it to cast Garner, one of the most expressive and electric actors working today, as a slab of metal that speaks in monotone? Fee-fi-ho-hum Galactus is going to gobble up the world. But he offers the Four another option: He'll slow his roll if Reed and Sue hand over their new baby. The doting parents aren't on board with that plan. So, in a scene that lasts — I kid you not — two minutes, they try and fail to teleport the Earth to another part of the universe. In the end, Galactus goes Godzilla and stomps around Manhattan crushing skyscrapers. The Thing, a dude made of rocks, is the closest the movie comes to a fleshed-out person. And only because he cooks pasta and flirts with Natasha Lyonne twice. I'll give 'First Steps' this: It doesn't tie itself in knots making tedious connections to the rest of the MCU. The story is relatively simple, if poorly paced, and the neat aesthetic imagines what an Apple Store would look like during the Kennedy administration. But that's just not enough to prevent Shakman from joining the sorry ranks of filmmakers who couldn't wrap their heads around what the tone of the Fantastic Four should be. Are they funny? Are they grounded? Are they deep? The film is so unbalanced, one wonders if the director and writers donned a blindfold and threw a dart. How dramatic and depressing can a character named Mister Fantastic possibly be? Just you wait. During the climactic battle scene, Galactus torturously stretches Mister Fantastic nearly beyond his limits as Pascal wails an excruciating cry worthy of 'One Life to Live.' I, on the other hand, let out a big laugh. Solve the daily Crossword