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What We Are Reading Today: ‘A Beautiful Mind'

What We Are Reading Today: ‘A Beautiful Mind'

Arab News20-07-2025
Author: Sylvia Nasar
Sylvia Nasar's 'A Beautiful Mind' from 1998 chronicles the extraordinary life of John Nash, the mathematician who shared the 1994 Nobel Prize in Economic Sciences with John Harsanyi and Reinhard Selten for groundbreaking work in game theory.
Nasar explores Nash's genius, his battle with schizophrenia, and his unexpected recovery, crafting a rich portrait of one of the 20th century's most complex minds.
Born in Bluefield, West Virginia, Nash's exceptional intellect distinguished him from an early age.
Nasar carefully traces his academic journey, spotlighting revolutionary concepts like the Nash equilibrium, transformative for economics and strategic thought.
Nasar also unflinchingly details his paranoia and delusions, and the heavy toll they took on his career and family. Most compelling is Nash's eventual recovery — a slow, medically unusual journey central to his story.
Nasar's writing blends insight with precision. She weaves personal history, scientific context, and accessible explanations, making the mathematician graspable while honoring his resilience. This balance ensures value for scholars and casual readers alike.
The 2001 movie starring Russell Crowe is certainly gripping and brought Nash's story to a huge audience. I remember being moved by it myself, but it takes massive creative liberties, simplifying the science and dramatizing his relationships for the screen.
I would suggest reading Nasar's book by way of contrast as it feels like it uncovers the real, layered truth behind the headlines.
After reading it I appreciated so much more deeply the messy, complex reality of his life as opposed to the cinematic hero arc.
It is not just more accurate; it offers a richer, more profound understanding of who Nash truly was — honoring both his towering intellect and the quiet, enduring strength he and his wife Alicia showed.
This elegant mathematical insight, a result of his turbulent genius, transcends economics to illuminate everything, from nuclear standoffs to everyday competition.
That such a universal principle emerged amid his personal struggle with mental illness makes 'A Beautiful Mind' not just a biography, but a testament to the fragile duality of brilliance.
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Tom Lehrer, song satirist and mathematician, dies at 97
Tom Lehrer, song satirist and mathematician, dies at 97

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  • Al Arabiya

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Tom Lehrer, the popular song satirist who lampooned marriage, politics, racism, and the Cold War, then largely abandoned his music career to return to teaching math at Harvard and other universities, has died. He was 97. Longtime friend David Herder said Lehrer died Saturday at his home in Cambridge, Massachusetts. He did not specify a cause of death. Lehrer had remained on the math faculty of the University of California at Santa Cruz well into his late 70s. In 2020, he even turned away from his own copyright, granting the public permission to use his lyrics in any format without any fee in return. A Harvard prodigy (he had earned a math degree from the institution at age 18), Lehrer soon turned his very sharp mind to old traditions and current events. His songs included 'Poisoning Pigeons in the Park,' 'The Old Dope Peddler' (set to a tune reminiscent of 'The Old Lamplighter'), 'Be Prepared' (in which he mocked the Boy Scouts), and 'The Vatican Rag,' in which Lehrer, an atheist, poked at the rites and ceremonies of the Roman Catholic Church. (Sample lyrics: 'Get down on your knees, fiddle with your rosaries. Bow your head with great respect, and genuflect, genuflect, genuflect.') Accompanying himself on piano, he performed the songs in a colorful style reminiscent of such musical heroes as Gilbert and Sullivan and Stephen Sondheim, the latter a lifelong friend. Lehrer was often likened to such contemporaries as Allen Sherman and Stan Freberg for his comic riffs on culture and politics, and he was cited by Randy Newman and Weird Al Jankovic, among others, as an influence. He mocked the forms of music he didn't like (modern folk songs, rock 'n' roll, and modern jazz), laughed at the threat of nuclear annihilation, and denounced discrimination. But he attacked in such an erudite, even polite, manner that almost no one objected. 'Tom Lehrer is the most brilliant song satirist ever,' recorded musicologist Barry Hansen once said. Hansen co-produced the 2000 boxed set of Lehrer's songs, The Remains of Tom Lehrer, and had featured Lehrer's music for decades on his syndicated Dr. Demento radio show. Lehrer's body of work was actually quite small, amounting to about three dozen songs. 'When I got a funny idea for a song, I wrote it. And if I didn't, I didn't,' Lehrer told The Associated Press in 2000 during a rare interview. 'I wasn't like a real writer who would sit down and put a piece of paper in the typewriter. And when I quit writing, I just quit. … It wasn't like I had writer's block.' He'd gotten into performing accidentally when he began to compose songs in the early 1950s to amuse his friends. Soon he was performing them at coffeehouses around Cambridge, Massachusetts, while he remained at Harvard to teach and obtain a master's degree in math. He cut his first record in 1953, Songs by Tom Lehrer, which included 'I Wanna Go Back to Dixie,' lampooning the attitudes of the Old South, and 'Fight Fiercely, Harvard,' suggesting how a prissy Harvard blueblood might sing a football fight song. After a two-year stint in the Army, Lehrer began to perform concerts of his material in venues around the world. In 1959, he released another LP called More of Tom Lehrer and a live recording called An Evening Wasted with Tom Lehrer, nominated for a Grammy for best comedy performance (musical) in 1960. But around the same time, he largely quit touring and returned to teaching math, though he did some writing and performing on the side. Lehrer said he was never comfortable appearing in public. 'I enjoyed it up to a point,' he told The AP in 2000. 'But to me, going out and performing the concert every night when it was all available on record would be like a novelist going out and reading his novel every night.' He did produce a political satire song each week for the 1964 television show That Was the Week That Was, a groundbreaking topical comedy show that anticipated Saturday Night Live a decade later. He released the songs the following year in an album titled That Was the Year That Was. The material included 'Who's Next?' ponders which government will be the next to get the nuclear bomb…perhaps Alabama? (He didn't need to tell his listeners that it was a bastion of segregation at the time.) 'Pollution' takes a look at the then-new concept that perhaps rivers and lakes should be cleaned up. He also wrote songs for the 1970s educational children's show The Electric Company. He told AP in 2000 that hearing from people who had benefited from them gave him far more satisfaction than praise for any of his satirical works. His songs were revived in the 1980 musical revue Tomfoolery, and he made a rare public appearance in London in 1998 at a celebration honoring that musical's producer, Cameron Mackintosh. Lehrer was born in 1928 in New York City, the son of a successful necktie designer. He recalled an idyllic childhood on Manhattan's Upper West Side that included attending Broadway shows with his family and walking through Central Park day or night. After skipping two grades in school, he entered Harvard at 15, and after receiving his master's degree, he spent several years unsuccessfully pursuing a doctorate. 'I spent many, many years satisfying all the requirements, as many years as possible, and I started on the thesis,' he once said. 'But I just wanted to be a grad student; it's a wonderful life. That's what I wanted to be, and unfortunately, you can't be a Ph.D. and a grad student at the same time.' He began to teach part-time at Santa Cruz in the 1970s, mainly to escape the harsh New England winters. From time to time, he acknowledged a student would enroll in one of his classes based on knowledge of his songs. 'But it's a real math class,' he said at the time. 'I don't do any funny theorems. So those people go away pretty quickly.'

Nih cuts spotlight a hidden crisis facing patients with experimental brain implants
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Nih cuts spotlight a hidden crisis facing patients with experimental brain implants

Carol Seeger finally escaped her debilitating depression with an experimental treatment that placed electrodes in her brain and a pacemaker-like device in her chest. But when its batteries stopped working, insurance wouldn't pay to fix the problem, and she sank back into a dangerous darkness. She worried for her life, asking herself: 'Why am I putting myself through this?' Seeger's predicament highlights a growing problem for hundreds of people with experimental neural implants, including those for depression, quadriplegia, and other conditions. Although these patients take big risks to advance science, there's no guarantee that their devices will be maintained – particularly after they finish participating in clinical trials – and no mechanism requiring companies or insurers to do so. 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'While companies stand to profit from research, there's really nothing that helps ensure that device manufacturers have to provide any of these parts or cover any kind of maintenance,' said Lázaro-Muñoz. Some companies also move on to newer versions of devices or abandon the research altogether, which can leave patients in an uncertain place. Medtronic, the company that made the deep brain stimulation or DBS technology Seeger used, said in a statement that every study is different and that the company puts patient safety first when considering care after studies end. 'People consider various possibilities when they join a clinical trial.' The Food and Drug Administration requires the informed consent process to include a description of reasonably foreseeable risks and discomforts to the participant, a spokesperson said. However, the FDA doesn't require trial plans to include procedures for long-term device follow-up and maintenance, although the spokesperson stated that the agency has requested those in the past. While some informed consent forms say devices will be removed at a study's end, Lázaro-Muñoz said removal is ethically problematic when a device is helping a patient. Plus, he said some trial participants told him and his colleagues that they didn't remember everything discussed during the consent process, partly because they were so focused on getting better. Brandy Ellis, a 49-year-old in Boynton Beach, Florida, said she was desperate for healing when she joined a trial testing the same treatment Seeger got, which delivers an electrical current into the brain to treat severe depression. She was willing to sign whatever forms were necessary to get help after nothing else had worked. 'I was facing death,' she said. 'So it was most definitely consent at the barrel of a gun, which is true for a lot of people who are in a terminal condition.' Patients risk losing a treatment of last resort – Ellis and Seeger, 64, both turned to DBS as a last resort after trying many approved medications and treatments. 'I got in the trial fully expecting it not to work because nothing else had. So I was kind of surprised when it did,' said Ellis, whose device was implanted in 2011 at Emory University in Atlanta. 'I am celebrating every single milestone because I'm like: 'This is all bonus life for me.'' She's now on her third battery. She needed surgery to replace two single-use ones, and the one she has now is rechargeable. She's lucky her insurance has covered the procedures, she said, but she worries it may not in the future. 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'Lilo & Stitch' stars reflect on film's success and are eager for a sequel
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