
'Too Much': How Lena Dunham made the year's most devastating episode of TV
There's that oft-repeated chestnut: It takes half the time you dated someone in order to fully get over them.
Lena Dunham thinks that's bogus. In her semiautobiographical new Netflix series 'Too Much' (now streaming), a frenetic thirtysomething named Jessica (Megan Stalter) moves from New York to London after a scarring breakup, where she falls in love with Felix (Will Sharpe), a mellow indie rocker and recovering addict. But even as they let their guards down with each other, Jessica is still haunted by the specter of her disapproving ex, Zev (Michael Zegen).
'When you're young, you're like, 'Oh, maybe if I am still thinking about an ex-partner, it means that I'm still in love with my ex-partner,'' says Dunham, 39, who married British musician Luis Felber in 2021. But 'what you're put through and what it leaves you feeling stays with you, no matter what. Especially as you get older and accumulate more exes, it's complicated.'
Review: Lena Dunham's 'Too Much' is actually just enough
Jessica struggles to move on from Zev throughout the frequently surreal first season, as he invades her sexual fantasies and she catches herself repeating their old rituals with Felix. But in the show's standout fifth episode, 'Pink Valentine,' we find out why, exactly, Jessica is so plagued by Zev's memory. In an episode-long flashback spurred by ingesting too much ketamine, Jessica reflects on their impossibly sweet meet-cute at a Brooklyn bar, followed by rapid-fire romantic milestones such as meeting her family and moving in together.
They eventually begin to grow apart, as Zev starts to nitpick every little thing that Jessica does: how she dresses, what TV she watches and even which cushions she likes. He begins spending time with Wendy (Emily Ratajkowski), a chic social media influencer, and starved for approval, Jessica sleeps with a mop-haired assistant (Beck Nolan) at work.
Dunham wanted viewers to develop their own opinions about Jessica, both good and bad, before pulling back the curtain on her backstory.
'It's like her Rosebud, finally seeing what really happened between Jessica and Zev,' says Dunham, who created and starred in HBO's lightning rod 'Girls' from 2012 to 2017. 'It was really important to see her in all of her dysfunction first. There might be people who are like, 'Girl, why are you acting like that?' And then once you see in Episode 5 how uncertainly she's moving through the world, you can have a different appreciation. When she has her ketamine incident, it helps her realize that she does love Felix and she has something she needs to leave behind.'
Part of what makes the episode so heartbreaking are the subtle wounds that Zev inflicts, making Jessica second-guess herself and apologize for who she is. In the most crushing scene, Jessica tells Zev that she's pregnant and considering an abortion, which he stoically shrugs off. Through tears, she tries to explain how he's bulldozed her self-worth.
'You don't even know how lonely you've made me feel,' she says. 'I used to feel so special about me.'
Stalter improvised that line, which 'just blew me away,' Dunham recalls. We all know what it's like to grow up and have the world slowly beat us down: 'You go from feeling full of possibility to feeling like you're constantly walking on eggshells and living in fear.'
Most people know Stalter from her viral videos and for playing chaotic fan favorite Kayla on HBO Max's 'Hacks.' But part of what makes her such a great comedian, Dunham says, is that she can tap into a deep well of emotions.
'You can tell Meg a story about a pig you saw wearing boots and she'll cry these big, dewdrop tears,' Dunham says. 'I've never seen such pretty tears – I always tell her, 'Meg, you were made to cry on television.''
Dunham, too, was amazed by Zegen ('The Marvelous Mrs. Maisel'), who didn't play Zev as a villain even as his character does and says unimpeachable things.
'Two people can be really good people, but in a relationship, they're their worst selves, and both leave each other feeling unseen,' Dunham says. 'We could do that episode from Zev's perspective and Jessica might've said 15 things that cut at his sense of who he was. They are two people who probably should've stayed together for six months and instead stayed together for six years. And in the process, they broke each other.'
The flashback ends with Jessica getting an abortion and adopting a scrappy shelter dog who's 'beautiful' and 'traumatized,' just like her. Reeling from the breakup, she moves back in with her grandma (Rhea Perlman), older sister (Dunham) and mom (Rita Wilson), who drives around in a creaky taco truck. In one drolly melancholy scene, she starts belting Carole King's 'It's Too Late' as Jessica sobs on her sister's shoulder in the passenger seat.
'I was little bit inspired by that video of Kim Cattrall scatting,' Dunham says. 'When Rita started singing, it was so beautiful and tender. Then I was like, 'Rita, can you bring a little scat to this?' It's the classic thing where your mother's trying to make you feel better, but then she gets too into the song and suddenly it's just her performance. And it was better than anything we could've dreamed.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
32 minutes ago
- New York Post
She is known as the woman with the ‘world's largest lips'— here's what she looked like before all her surgeries
One too many injections. Spending over $26,000 on lip filler alone will earn you the title of the woman with the 'world's largest lips.' Andrea Ivanova set out in 2018 to alter her appearance by not only getting a wild amount of lip injections — but also chin shaping, enlargement and lengthening, jaw shaping and cheekbone enhancement, according to the Daily Mail. Advertisement 4 Ivanova looks like a real life Bratz doll after all her cosmetic procedures. Jam Press/@andrea88476 By 2022, the Bulgarian woman already had nearly 32 procedures done to make her look like a living Bratz doll. Now, photos of what she looked like prior have surfaced — and the difference is striking. Advertisement 4 Her before pictures are wildly different from what she looks like now. Jam Press/@andrea88476 4 Ivanova before spending thousands on cosmetic procedures. Jam Press/@andrea88476 Although Ivanova is aware that her lack of a love life is most likely due to her overdoing it with cosmetic procedures — that and knowing it's risky doesn't stop her. 'My doctor was afraid to inject more hyaluronic acid into my lips, but I was adamant that I wanted more, and I will not stop,' she said, according to the outlet. Advertisement 'But this time, I wanted to experiment with myself to see how many injections and [amounts of filler] would affect my body.' 4 Doctors once warned the millennial to ease up on all the work she was planning on getting done — but she didn't listen. Jam Press/@andrea88476 Doctors have even warned the social media model that her injection obsession is dangerous — and potentially fatal — but expert advice won't change her mind. In addition to the many alterations to her face — Ivanova has also gone under the knife for a breast augmentation, taking her from a 75C to a 75E bra size. Advertisement As wild as this might sound — Ivanova at least didn't have a procedure gone wrong like one model who claims her butt implants fell out. Chelsea Robinson has apparently spent over $140,000 in total on various cosmetic surgeries. In 2019, the 29-year-old traveled from London to the Dominican Republic to get butt implants. After getting back (and hopefully healed) she was working out in the gym when she felt like something was off. 'My leg went all tingly, and I felt something come out. My implant was hanging,' Robinson told British TV personality Olivia Attwood during a sit-down interview for her UK show 'Olivia Attwood: The Price of Perfection.' The self-procalimed model said she ended up spending $85,567 on corrective surgeries to fix her booty.


Gizmodo
3 hours ago
- Gizmodo
The Spice Girls and Wu-Tang Clan Almost Had Their Own Anime
Now, here's a sentence no one expected to read in the year 2025: Once upon a time, we might have gotten to see the Spice Girls and the Wu-Tang Clan in anime form. In a recent interview with AnimEigo, Lawrence Guinness, a senior VP at Manga Entertainment, distributor of anime such as Perfect Blue and Street Fighter Alpha (and subsidiary of Island Records), revealed the company considered co-producing its own works. Two projects he mentioned would have starred the aforementioned bands, and the Spice Girls idea got far enough along that he had some production stills to show. Had it happened, it'd have been a film called Girl Power: The Anime, courtesy of Production I.G, the studio behind Ghost in the Shell. According to Guinness, Manga had 'very advanced talks' with the British pop group's management at the time this was pitched and would've hopefully appealed to fans of then-popular anime like Studio Ghibli. Even now, Guinness is confident teenage girls 'might've gone to the cinema to see this. In fact, I think you would've stood in a line for a long time to get in to see this. This was the vision. Look, if that's not girl power in action, I don't know what is.' As for the never-realized Wu-Tang project, a series that would have been called The Imperial Warrior, he claimed near everything was in place for the project, except some of the hip-hop group's members didn't sign off on it. His pitch to Island Records founder Chris Blackwell saw Wu-Tang 'challenging the forces of evil through their music and martial arts skills.' The soundtrack and designs for the characters (he mentioned RZA and Ghostface Killah specifically) were 'great,' said Guinness, and it would've been 'revolutionary. That was the project I was proudest of that never happened.' Over the decades, Japanese creators have been open about their love of western music, and artists like the late Prince and Aaliyah have inspired characters in Michiko & Hatchin and My Hero Academia. Making musicians or other celebrities into fictionalized versions of themselves for film and TV is another tale as old as time, and Guinness wanted these two projects to take off to both put Manga on the map and successfully 'synthesize anime with the best of western culture.' When it comes to Wu-Tang Clan, he's sort of gotten his wish, thanks to RZA's involvement in Afro Samurai and developer Brass Lion Entertainment's upcoming action game Wu-Tang: Rise of the Deceiver. As for the Spice Girls, it's a shame they never got their animated due—there are worse ways for a band to be memorialized than an anime movie with some original songs and cheesy action that still holds up years after the fact. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.


Indianapolis Star
4 hours ago
- Indianapolis Star
Ozzy didn't corrupt America's youth. He exposed the hypocrisy of their elders.
Ozzy Osbourne is dead, and some Christians may believe that the devil ushered him straight to the gates of hell. Few pop culture icons were as important, or as controversial, as Osbourne. The British-born rocker became the avatar of American culture wars more than a half-century ago by attempting to showcase the hypocrisy of modern religion. Osbourne launched his career in the late 1960s. Sensitive to cultural currents, he recognized what was happening not just in music, but also in religion and politics. He used it to build on the image of rock as subversive and countercultural. From the start, Osbourne understood how to bring attention to his art. Calling his band Black Sabbath sent a clear message. He aimed to subvert, not honor, Christianity. He integrated crosses, demonic imagery and symbols of the devil such as bats into his performances to highlight what he saw as the absurdity of organized religion. Osbourne sang lyrics in his first album about a 'figure in black' that directed him, and in another song, he took on the persona of Satan himself: 'My name is Lucifer, please take my hand.' In Black Sabbath's "Paranoid" album, released at the height of the Vietnam War, he sang 'War Pigs,' a song in which Satan laughed and spread his wings as political and military elites led the Western world to the doorstep of the apocalypse. Opinion: How faith becomes a weapon: 'If I can't understand it, it's not Christian' Such allusions to the demonic continued in album after album. Osbourne's career developed parallel to a new understanding of Satan. In the post-World War II era, the devil assumed a more prominent role in American life. Anton LaVey's founding of the Church of Satan in 1966 celebrated Satan as a symbol of rebellion, individualism and secular liberation. In other words, Satan was the opposite of everything anxious Cold War parents wanted to instill in their kids. Artists drew on this revamped Satan in their work. Films like "The Exorcist" (1973) and "The Omen" (1976) brought Satan − and fears of Satan's ability to inhabit human bodies − into the imaginations of millions of people. Osbourne made those themes central to his music. In the 1980s, while Osbourne was still releasing albums, fears of satanic ritual abuse swept across the United States. Christian conservatives fretted that Dungeons & Dragons, Ouija boards and horror films were gateways to demonic influence. High-profile cases like the McMartin preschool trial and the publication of memoirs about escaping satanic ritual abuse fueled widespread panic. Law enforcement agencies conducted seminars on occult crime, therapists uncovered repressed memories of ritual abuse and talk shows amplified claims of underground satanic cults. The panic revealed deep anxieties about child safety, cultural change and the perceived decline of Christian values in American society. Perhaps, parents and religious leaders wondered, was Osbourne driving kids into satanism? Perhaps his music was brainwashing the nation's youth? Conservative Christians − including evangelicals, Catholics and Latter-day Saints − believe in a cosmic battle between angels and demons that directly influences human affairs. They believe that unseen spiritual battles determine real-world outcomes, particularly in culture, politics and morality. Opinion: Kan-Kan Cinema is elevating Indy's cinema culture Many of them also believed they had to protect children from music like Osbourne's. This framework encouraged social conservatives to interpret issues like abortion, LGBTQ+ rights and the de-Christianizing of culture as evidence of demonic influence, necessitating counteraction through prayer, activism and political engagement. Osbourne and the genre of hard rock that he helped to promote contributed to their fears. In their minds, Osbourne was encouraging youth to rebel. And he was. Osbourne's fans understood what the rock star was doing. They loved it. The more angry Osbourne could make their parents, and the more he could rile up moral crusaders, the better. And he agreed. Playing with the devil became a hallmark of his long career. Briggs: Born into Jim Crow, she lived to witness DEI debates From witch hunts in Salem to conspiracy theories driving QAnon, Americans have used Satan to facilitate a politics of fear. They have used him to justify persecution, fuel moral panics, shape political and cultural battles, and assess global crises and war. But there has always been another side to Satan, the one Osbourne captured. His devil wasn't the horned villain of Christian nightmares but a trickster, a rebel, a symbol of freedom from sanctimony. In Osbourne's hands, Satan gave a theatrical middle finger to hypocrisy and lifted up a mirror to a society obsessed with sin, and he laughed. His life reminds us that sometimes, dancing with the devil is really just refusing to march in lockstep with the saints.