logo
Wes Anderson's ‘The Phoenician Scheme' Tees Up Strong Indie Weekend With Angelika Film Center Takeover

Wes Anderson's ‘The Phoenician Scheme' Tees Up Strong Indie Weekend With Angelika Film Center Takeover

Yahoo01-06-2025

Focus Features has done a full takeover of the Angelika Film Center with on all six screens for filmmaker Wes Anderson's latest. There's a lobby and café redesign for full immersion, a jazz band, custom cocktails, t-shirts and totes as the film, which clocked a lengthy standing ovation at its recent Cannes world premiere (see Deadline review) bows theatrically in limited release at six locations including NYC's Alamo Brooklyn and AMC Lincoln Square and AMC's The Grove, Century City and Burbank in LA.
Around this time in 2023, Anderson's Asteroid City, also from Focus, delivered a massive jolt to the arthouse and specialty world with a $790k three-day weekend, also at six theaters, including a takeover of the Landmark LA. That opening per-theater average of $132k was the biggest in years for a helmer known to energize the specialty box office. His Grand Budapest Hotel in 2014 opened at $800k on four screens for a PSA of $200k — still considered the one to top in absolute.
More from Deadline
'Jane Austen Wrecked My Life', 'The Last Rodeo', 'Friendship' Counterprogram 'Lilo & Stitch' & 'Mission: Impossible' Holiday Weekend - Specialty Preview
How Wes Anderson Devised 'The Phoenician Scheme' - Crew Call Podcast At Cannes
Wes Anderson Teases Next Project With Richard Ayoade & Roman Coppola - Cannes
The Angelika's immersive experience features a Marseille Bob's themed bar with customized menu items including a signature champagne cocktail and photos taken by a film-inspired Egyptian elevator and vintage train. The theater is offering a premium ticket for $60 with a t-shirt, large popcorn and drink (including cocktail) combo and King Size Hershey's Bar. A standard experience ticket is $30.
Q&As Friday with Anderson and cast members Benicio del Toro, Mia Threapleton and Michael Cera at the 4:40 pm and 5:40 pm shows.
Del Toro stars as wealthy businessman Zsa-zsa Korda, who names his only daughter (Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
Anderson (The Grand Budapest Hotel, The French Dispatch, Moonrise Kingdom, Fantastic Mr. Fox, The Darjeeling Express, Isle Of Dogs, Rushmore and more) will be introducing shows at 7 pm. and 7:20 pm.
The director's large and devoted following is welcome as independent films have generally struggled post Covid and the 2025 indie box office only recently perked up from a long post-holiday lull. It's been feeling some love in recent weeks from a lively Cannes and an overall crush in ticket buying at the North American box office.
'Wes means a huge amount to me personally as an artist, and I feel like I'm probably not the only one in the room who would say something like that, and just getting to be even a small part of any of his movies truly means the world to me,' said Focus Features chairman Peter Kujawski at screening of The Phoenician Scheme at Jazz At Lincoln Center this week. 'I can speak for all of us at Focus when I say it is just such a joy, such a pleasure, such a point of pride to be part of this ride with Wes and the entire team.'
New openings: IFC debuts period action-drama written and directed by John Maclean in moderate release on 412 screens. Set in the rugged landscape of 1790s Britain, the film follows Tornado (Kōki,) who finds herself caught in a perilous situation when she and her father's traveling puppet show crosses paths with a ruthless criminal gang led by Sugarman (Tim Roth) and his ambitious son Little Sugar (Jack Lowden). In an attempt to create a new life, Tornado seizes the opportunity to steal the gold from the gang's most recent heist. World premiered at the Glasgow Film Festival in February.
Music Box Films presents , Jonathan Millet's debut feature that opened Cannes in 2024 (Deadline review here). Inspired by true events, the drama-thriller follows Hamid, a former literature professor from Syria, (rising French-Tunisian star Adam Bessa, César-nominated for his performance), living in France two years after being released from one of Bashar El-Assad's's jails. Haunted by the traumatic memories of his imprisonment, Hamid tirelessly searches for the man who tortured him, helped by members of a secret cell of other exiled Syrians hunting down war criminals. The film excavates the moral dilemmas migrants confront as they struggle to rebuild their lives and take control of their destinies. Written by Millet and Florence Rochat, also stars Tawfeek Barhom, Julia Franz Richter and Hala Rajab.
Abramorama opens Jack Sumner's documentary at the Quad in NYC. In a career spanning sixty years, concert promoter and impresario Ron Delsener was the name behind virtually every major contemporary music concert in New York City for generations — from promoting the Beatles at Forest Hills Tennis Stadium, to bringing David Bowie to Carnegie Hall and Patti Smith to the Palladium, to somehow convincing Simon and Garfunkel to bury the hatchet and play the biggest concert of all time in Central Park. Features Jon Bon Jovi, Jimmy Buffett, Cher, Art Garfunkel, Billy Joel, Lorne Michaels, Bette Midler, Gene Simmons, Paul Simon, Patti Smith, Bruce Springsteen, Paul Stanley and Steven Van Zandt.
Live events: Trafalgar presents j-hope tour , a live broadcast of the BTS star's concert from Osaka to 2,700+ cinemas including 631 across North America. Select encores on Sunday.
Fathom is on about 800 screens in North America with and Rossini's Il Barbiere di Siviglia (The Barber of Seville). Encores on Sunday.
Noting A24's Friendship, which has had a great run, is on 1,280 screens in week 4 (the distributor is opening horror wide on 2,400 screens), and Sony Pictures Classics Jane Austen Wrecked My Life, which had a strong debut last week, jumps to 526 screens from 60.
MORE
Best of Deadline
Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds
'Poker Face' Season 2 Guest Stars: From Katie Holmes To Simon Hellberg
2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Cannes is done with huge cruise ships. The French city is joining the overtourism backlash
Cannes is done with huge cruise ships. The French city is joining the overtourism backlash

Yahoo

time8 hours ago

  • Yahoo

Cannes is done with huge cruise ships. The French city is joining the overtourism backlash

PARIS (AP) — The French Riviera resort of Cannes is imposing what its city council calls 'drastic regulation' on cruise ships, banning any vessels carrying more than 1,000 people from its harbor starting next year. The home of the world's premier film festival is joining a growing global backlash against overtourism, which recently saw uproar over Jeff Bezos' and Lauren Sanchez' Venice wedding this weekend, water-gun protests in Spain and a surprise strike at the Louvre Museum. 'Less numerous, less big, less polluting and more esthetic' — that's the aim of Cannes city councilors who voted Friday to introduce new limits on cruise ships in its ports starting Jan. 1. Only ships with fewer than 1,000 passengers will be allowed in the port, with a maximum of 6,000 passengers disembarking per day. Larger ships will be expected to transfer passengers to smaller boats to enter Cannes. France — which drew in some 100 million visitors last year, more than any other European country and more than the country's population — is on the front line of efforts to balance economic benefits of tourism with environmental concerns while managing ever-growing crowds. 'Cannes has become a major cruise ship destination, with real economic benefits. It's not about banning cruise ships, but about regulating, organizing, setting guidelines for their navigation,' Mayor David Lisnard said in a statement. Cruise operators have called such restrictions damaging for destinations and for passengers. Two cruise ships were scheduled to dock in Cannes on Sunday, each bigger than the upcoming 1,000-passenger limit and with a combined capacity of more than 7,000 people. Their owners did not immediately respond to requests for comment on the new restrictions. The nearby Mediterranean city of Nice announced limits on cruise ships earlier this year, as have some other European cities.

Summer In A Bottle
Summer In A Bottle

Forbes

time16 hours ago

  • Forbes

Summer In A Bottle

Does any wine signal summer more than a refreshing rosé? 1958, outside the Carlton Hotel, Cannes. Yep, that's rose. Depending on what part of the country you live in, when the first day of summer hit on June 21, it was either a continuation of a heat wave or, in the northeast, an unseasonable chilly day (I was wearing fleece in upstate New York). But that didn't stop me from thinking about rosé wines that are truly summer in a bottle, no matter how fickle Mother Nature is. Pop open one of these rain or shine and transport yourself to summer, whatever your local weather.A quartet of roses that sing summer Château Gassier Rosé, Cotes de Provence. Stone fruit and tangerine join the red-berry party, accompanies by flecks of pink grapefruit. Pretty label makes a nice presentation on the table. Blend of traditional southern France grapes: Grenache, Syrah, Cinsault and Vermentino, the latter adding a zesty character. Cuvaison Grenache Rosé 2024, Los Carneros. Estate-grown baby red fruit from the market with raspberry and strawberries making a tender appearance along with watermelon and sweet florals—not heady, but present and pretty. As it opens, a deeper red fruit shows up—currant and pomegranate. Lively and happy; zesty and fresh all around. Leos Cuvee 'Augusta' Rosé, Isle-sur-la-Sorgue. Named for the winemaker's mother, this is a rather atypical blend of Grenache, Bourboulenc, a tropical-fruited white grape of southern France typically used in blends; and Vermentino, which always adds a punch. An area to watch: at the crossroads of the Luberon, Mont Ventoux (Provence's highest peak and known as the killer leg of the Tour de France) and the Alpilles, it delivers delicious wines such as this as a good bargain (this one from $20 - $24). Portlandia Rosé 2024 Columbia Valley, Washington State. Tart and fresh, with a splash of red-berry fruits—not market basket fresh, but more like freshly picked off the bush—and a little bramble. Made of 100% Syrah, this has a little more structure, so it wants a food partner. I liked it with salmon with a grilled crispy crust. Quartet 2, oh sing thee of summer! Revelation by Goose Ridge 2023, Goose Gap AVA, Washington State. Super splashy and zesty with a provocative illustration on the label from this multi-generational woman-owned winery. While the bottle is a conversation starter, so is the wine: fresh and sassy with light baby strawberries and early-summer red fruits. Uplifting acid. Saracina Rosé of Grenache, Mendocino. From a Mendocino County winery producing in the northwest California Mayacamas Mountains, this is almost costal, almost Russian River adjacent. Copper penny pink with plenty of white florals on the nose followed by fresh mountain-side strawberries and tangerine on the palate. Fine on its own, but also a good sip with starters. Soleil Vin de Bonte 'Le Rosé' Vin de France. With an illustration of the sun on the label, you really can't go wrong calling this summer in a bottle. And, indeed it is! Berries and citrus, easy drinking, versatile as an aperitif wine or with light plates of soft cheeses and charcuterie or a seafood composed salad. Studio by Miraval Mediteranee IGP. Grapefruit meets ripe nectarine and plush tropical fruits such as guava in a pretty-in-pink juice from the venerable Famille Perrin. Dry and crisp but that lush expression lingers til the end. Stylish bottle is a good party guest.

A Conversation With Autodesk CMO Dara Treseder On The Drivers Of Her Enduring Success + Leveraging AI To Raise The Floor + Ceiling To Continually Reimagine The Marketing Function
A Conversation With Autodesk CMO Dara Treseder On The Drivers Of Her Enduring Success + Leveraging AI To Raise The Floor + Ceiling To Continually Reimagine The Marketing Function

Forbes

time21 hours ago

  • Forbes

A Conversation With Autodesk CMO Dara Treseder On The Drivers Of Her Enduring Success + Leveraging AI To Raise The Floor + Ceiling To Continually Reimagine The Marketing Function

Marketing has never been in a more complex place of transformation and that says a lot for a historically dynamic function that has often left many once successful marketers in its wake. Key to those who succeed is often an appetite for creative destruction as Joseph Schumpeter coined it. And what that simply means is a tolerance for incessant change, that while uncomfortable at times, is often a necessary unlock for continued growth. Dara Treseder On The Drivers Of Her Enduring Success + Leveraging AI To Raise The Floor + Ceiling To ... More Continually Reimagine The Marketing Function Today's environment is calling for CMOs to lead not just the marketing of their organizations, but the growth of their respective businesses, often doing so in lockstep directly with the CEO. In order to achieve this goal, AI must now be seen as critical to the mix. One of the key topics coming out of Cannes was how AI will change the game. Some predictions were apocalyptic, while others seemed steeped in denial. The reality is the pendulum is swinging, but not necessarily in one direction or the other—yet rather in a manner where we must all accept the fact that AI is here to stay. What however will likely separate the winners from the losers will be those who figure out how to best use it to help marketers be more proficient at their craft, versus thinking they can simply leverage the technology to replace them. As a result of all these shifts, I wanted to speak to someone with an amazing track record of stewarding some of the leading marketing organizations in the world through successful transformation, poising them for long-term success. Dara Treseder is currently the CMO of Autodesk. She is an industry veteran who has previously held senior roles at companies such as Peloton and GE. Following is a recap of our conversation: Billee Howard: You have a storied history as a successful CMO which is rare. What are the most critical things CMOs need to be focused on today to succeed? Dara Treseder: There are three things that I believe CMOs need to do well today to succeed. First, you have to be agile. Marketers today are walking a tightrope. We're navigating a fine line to cut through without getting cut out. The pace of change is relentless. Technology is evolving, and the rules of engagement are constantly shifting. Agility is what keeps us relevant. That means moving fast, scenario planning in real time, and giving our teams the space and freedom to do the same. The marketers who thrive are the ones who are brave enough to change course. Second, you have to be a business leader first, and a marketer second. When people ask me what my objectives and KPIs are, I say: my objectives are the same as my CEO's. As CMOs, we have to ensure our marketing initiatives are in service of the corporate objectives and goals. Third, creativity is our currency. Creativity is what transforms good marketing into standout, unforgettable marketing. But creativity doesn't just happen; it has to be cultivated. It needs space, support, and protection. As leaders, we have to fund it, back it, and foster a culture where testing, learning, and even failing are embraced. People don't believe what you say—they believe what you do. That's why we must lead by example and make creative thinking welcomed and expected. Howard: How are you working to pivot a 40-year-old software brand to be at the forefront of both culture and commerce? Treseder: We like to say our walk track is the talk track at Autodesk. In other words, we do the work first, and then we tell the story. We're also not the hero of our stories because our customers are. They're the architects, engineers, designers, and makers shaping the world around us. Our role is to empower them to bring their visions to life. For nearly three years, a key part of our strategy has been to celebrate these stories of human ingenuity and peel back the curtain on the role our technology plays in those outcomes. For example, sports are a fundamental component of our culture, and the LA28 Games are at the heart of the conversation. I'm proud of how we're telling the powerful stories of the people behind the LA28 Games. Autodesk is the Official Design and Make Platform of the LA28 Olympic and Paralympic Games Team USA. We're helping retrofit over 40 venues across Los Angeles to support the Games' no-new-permanent-venues plan, making LA28 one of the most sustainable Olympics in history. And we've earned the right to tell this story. Our technology has quietly powered past Olympic Games, including Paris 2024. So, this isn't just storytelling. It's a reflection of the real, foundational work we're doing to help bring LA28 to life. Howard: The power of partnerships is evolving, and you are at the precipice of that evolution with your new collaboration with the LA Olympics. Can you share more about your strategy and vision here and explain how the partnership will power your storytelling strategy for the next four years? Treseder: Autodesk is evolving from being known as the AutoCAD company to becoming recognized as the Design and Make company. This shift from a house of brands to a branded house allows us to tell a unified story, go to market more efficiently, and drive growth more effectively. The LA28 Games are one of the most powerful cultural stages in the world, and as the Official Design and Make Platform of LA28, Autodesk isn't just sponsoring the Games, we're helping build them. Our technology is supporting everything from venue and infrastructure design to delivering more sustainable, accessible fan experiences. This partnership isn't about putting our logo on a banner and calling it a day. It's about showing up in culture and proving the impact of our tools on an Olympic scale. What's especially exciting is that we have four full years of storytelling, a luxury in today's short attention-span world and a CMO's dream. This gives us a platform for long-term, authentic engagement. We'll highlight the architects, engineers, and builders shaping LA28, and we're working with athletes and Olympians who are aspiring designers and engineers, like French judoka Shirine Boukli, who's not only a world-class Olympian but also an aspiring engineer. Athletes are so much more than their sport, and we have an opportunity to help them develop the skills they'll need for careers in the industries we serve. What made this partnership a win across the C-suite is that it's both a long-term storytelling engine and a significant commercial growth opportunity. I hope it proves that B2B brands not only belong in culture -- they can shape it. Howard: Coming off of Cannes, so much was discussed about AI and how it ties to the end of marketing as we know it. We know CMOs are investing millions in AI but few seem to have a gameplan on what it all means and how it should be operationalized across the entire marketing organization. You mentioned AI is here to stay and that it should be used to both raise the floor and ceiling. Can you share more? Treseder: AI is absolutely here to stay, but its power is only fully realized when paired with human ingenuity. One thing rang especially true for me at Cannes Lions this year: AI is raising the floor, but it's also raising the ceiling. If marketers rely solely on AI without continuing to hone their craft, they'll get stuck at the floor. And that's not where competitive advantage lives. What will differentiate great marketers is their ability to use AI as creative horsepower to elevate their vision. We're not just using AI within Autodesk's worldwide marketing team to work do more, better, faster. We're also building AI-powered tools for our customers to do the same. Take Autodesk Flow Studio, our AI-powered visual effects platform that's used by marketers, advertisers, creators, and filmmakers to streamline 3D animation, scene integration, and more. What makes it special is that it was created by artists for artists. So instead of forcing creators into predetermined outcomes, it keeps them in control. Ultimately, we're seeing the need for AI fluency continue to accelerate. We recently analyzed nearly 3 million job listings, and the signal couldn't be clearer: since 2022, the demand for AI skills have surged more than 640% across job listings. Not just for engineers and roles you may expect AI to appear in, but for everyone. And in marketing and advertising, that shift is happening nearly twice as fast.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store