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Air Max Phenomena by Nike hits $500 resale pre-release

Air Max Phenomena by Nike hits $500 resale pre-release

Fashion Network3 days ago

The online frenzy surrounding a Nike Inc. sneaker loafer that has yet to be officially launched has pushed resale prices past $500.
The Air Max Phenomena is joining the so-called 'snoafer' trend that took off last year, according to sneaker website Hypebeast. The shoes, which combine a loafer upper with a sneaker sole, were initially dismissed but have since gained popularity with New Balance, Puma and Hoka for mixing comfort with a professional aesthetic.
Shoppers want to see 'fun, wacky, whimsical designs,' said Drew Haines, senior marketplace director at StockX, the resale site where Nike's snoafer is listed. They 'don't want to see footwear brands playing it safe anymore.'
For Nike, any buzz is welcome at this point. The world's largest sneaker maker, which reports earnings on Thursday, has been struggling, with sales and its stock sinking over the last year. Some critics say the company's innovation has fallen off, with it focusing too much on a handful of old styles.
Nike declined to comment.
In the sneaker market, brands often supply photos and samples to influencers and websites to boost interest. Buzz about the Air Max Phenomena started about a week ago with images posted on social media, including from Japanese sneaker retailer Atmos, which said on its Instagram account that the shoe is being released on June 27.
Hypebeast then quickly weighed in, reporting that the Serena Williams Design Crew led the shoe's creation. That group, a collaboration between Nike, Williams and young designers, has released collections under the Nike banner.

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The Japanese shine in Paris with Junya Watanabe, Mihara Yasuhiro, Comme des Garçons, and Kenzo
The Japanese shine in Paris with Junya Watanabe, Mihara Yasuhiro, Comme des Garçons, and Kenzo

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The Japanese shine in Paris with Junya Watanabe, Mihara Yasuhiro, Comme des Garçons, and Kenzo

Japanese designers once again captivated in Paris, where they unveiled inventive and sophisticated collections during this year's Men's Fashion Week dedicated to Spring/Summer 2026. Like Junya Watanabe Man, who revisited tailoring, Maison Mihara Yasuhiro, who celebrated everyday fashion, Comme des Garçons Homme Plus, which reinterpreted the suit, and Nigo at Kenzo, who mixed genres with a zest of madness. See catwalk After last winter's deep America and lumberjacks, Junya Watanabe Man this time looked to more refined shores, brilliantly interweaving styles and eras. A Chopin waltz on the piano plunged guests into a chic, baroque past, where men sourced their clothes from the finest weavers. The classically tailored jackets were made-to-measure in sumptuous brocades and damasks, precious fabrics, and striped velvets. Most were upholstery fabrics sourced from antique markets. Jackets were worn shirtless with slightly flared pants and jeans, sometimes with a sailor shirt. Dark glasses add the finishing touch to this new dandy style. The same fabrics were used in denim jackets worn over his peasant overalls. "This time, I was interested in something old but seemingly new, or something new, born of the reproduction of old objects," said Junya Watanabe in his note of intent, who also multiplied collaborations as with each of his men's collections, calling on Camper, Lee, Levi's, New Balance, and Tricker's, among others. The music suddenly turned jazzy, while the rebel vein showed its nose in tweed suits with tight, knee-length pants constructed like biker pants and paired with little camel trench coats. Long, loose-fitting white bib shirts hybridized with chunky metal chains, ties, or silk scarves, which were also found embedded in jeans. A series of superb jacquard sweaters closed the show with soothing bucolic images, while in the final looks jackets and coats reproduced tapestry-like views of Venice and Florence. 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A bit like the percussive music that accompanied the show, whose musician was none other than a child tapping and rubbing on a table with two pencils. A few playful accessories underlined this everyday life, which could suddenly turn out to be extraordinary. These included a banana worn as a pendant, a tube of toothpaste threaded through a metal case suspended from a chain, and a paper bag-shaped handbag containing a wand and a bouquet of flowers. And let's not forget the patches scattered across pants and shirts, where the letters of the slogan "ordinary people" were displayed in disorder in the fun graffiti of Navinder Nangla, the dyslexic street artist from Northampton. "Don't tag me" also appeared in large letters on some of the T-shirts. As usual, Mihara Yasuhiro mixed different pieces together, playing on stratifications and surprising constructions with dual identities, front and back. The shirt came in a striped poplin on the front and denim on the back, while the khaki nylon jacket on one side became a silver bomber on the other, and the canvas pants were nothing more than tracksuits seen from behind. Other facetious garments included double-collared shirts, three-in-one hoodies, jackets worn by two or tops with two pairs of sleeves in two different sizes. Very practical. See catwalk Mischievous humor also ran through the Kenzo collection, where creative director Nigo resurrected the joyful, playful spirit of founder Kenzo Takada with an energetic runway show at Maxim 's, an emblematic address in Belle Epoque Paris, transformed for the occasion into a nightclub, where girls and boys raided their wardrobes to create the craziest looks. The collection's eclectic mix-and-match of styles and influences, from Kenzo Takada's 1970s studio to Nigo's streetwear community and Andy Warhol's Factory, was a mix of retro inspiration, Japanese culture, subversive punk, pop, and couture. Silk shirts were tied at the collar with a lavaliere-style ribbon. Tuxedo jackets were offered in vibrant colors and ended up as satin-trimmed kimono jackets. Proud red officer or hussar jackets were also available. Archival prints, such as big flowers and tiger stripes, took over many pieces, including shirts, pants, and hooded jackets with teddy bear ears. Pants were loose and baggy. Accessories were not to be outdone, with hotel slippers, vertiginous platform bowling shoes, bags, and caps covered in patches, colorful straps falling down the sides, long glamorous knitted gloves. A collection rich in ideas and references. Perhaps a little too much.

The Japanese shine in Paris with Junya Watanabe, Mihara Yasuhiro, Comme des Garçons, and Kenzo
The Japanese shine in Paris with Junya Watanabe, Mihara Yasuhiro, Comme des Garçons, and Kenzo

Fashion Network

time10 hours ago

  • Fashion Network

The Japanese shine in Paris with Junya Watanabe, Mihara Yasuhiro, Comme des Garçons, and Kenzo

Japanese designers once again captivated in Paris, where they unveiled inventive and sophisticated collections during this year's Men's Fashion Week dedicated to Spring/Summer 2026. Like Junya Watanabe Man, who revisited tailoring, Maison Mihara Yasuhiro, who celebrated everyday fashion, Comme des Garçons Homme Plus, which reinterpreted the suit, and Nigo at Kenzo, who mixed genres with a zest of madness. See catwalk After last winter's deep America and lumberjacks, Junya Watanabe Man this time looked to more refined shores, brilliantly interweaving styles and eras. A Chopin waltz on the piano plunged guests into a chic, baroque past, where men sourced their clothes from the finest weavers. The classically tailored jackets were made-to-measure in sumptuous brocades and damasks, precious fabrics, and striped velvets. Most were upholstery fabrics sourced from antique markets. Jackets were worn shirtless with slightly flared pants and jeans, sometimes with a sailor shirt. Dark glasses add the finishing touch to this new dandy style. The same fabrics were used in denim jackets worn over his peasant overalls. "This time, I was interested in something old but seemingly new, or something new, born of the reproduction of old objects," said Junya Watanabe in his note of intent, who also multiplied collaborations as with each of his men's collections, calling on Camper, Lee, Levi's, New Balance, and Tricker's, among others. The music suddenly turned jazzy, while the rebel vein showed its nose in tweed suits with tight, knee-length pants constructed like biker pants and paired with little camel trench coats. Long, loose-fitting white bib shirts hybridized with chunky metal chains, ties, or silk scarves, which were also found embedded in jeans. A series of superb jacquard sweaters closed the show with soothing bucolic images, while in the final looks jackets and coats reproduced tapestry-like views of Venice and Florence. See catwalk Tailoring was also at the heart of Comme des Garçons Homme Plus' collection for the next summer. The suit was revisited and reinterpreted in two contrasting versions. In technicolor or black and white, in masculine fabrics or harlequin fantasies, classic or unstructured cuts. The first part of the collection featured a series of suits in cheerful prints with graphic and colorful patterns, composed of straight, tight pants and frock coats inflated at the sides and draped at the back. This was followed by models in black fabric with exploded construction. Sleeve tops unravel as they fall to mid-arm, ruching ribbons escape down trouser legs through zipped slits, and hips take on volume via whalebones. "I feel like we could really use someone powerful like a shaman to bring us back to peace, love, and brotherhood," commented designer Rei Kawakubo in a note, who also interpreted the Bermuda suit in black or white cotton piqué with short jackets and fluctuating pants. Then everything seemed to blend together. The fluid jackets of light-toned pleated suit-tailors were enhanced by XXL collars and lapels in brightly colored felt. Long, multicolored vests slipped over double-breasted banker suits or micro-check suits, sometimes adorned with ruffled collars. Models presented themselves with long hair waving down their backs or tied in thick braids, a giant double-cuffed cap screwed onto their heads, and boots and fishnet socks on their feet. See catwalk In these times of war, Mihara Yasuhiro viewed her new collection as an ode to ordinary people and the everyday wardrobe. Her fashion seems to be built from the smallest of elements, a veritable eulogy to simplicity, as illustrated by this crocheted cap. An old tracksuit, a worn-out sweater, or a pair of faded pants were plucked from the back of the wardrobe and put together in a totally improvised way. A bit like the percussive music that accompanied the show, whose musician was none other than a child tapping and rubbing on a table with two pencils. A few playful accessories underlined this everyday life, which could suddenly turn out to be extraordinary. These included a banana worn as a pendant, a tube of toothpaste threaded through a metal case suspended from a chain, and a paper bag-shaped handbag containing a wand and a bouquet of flowers. And let's not forget the patches scattered across pants and shirts, where the letters of the slogan "ordinary people" were displayed in disorder in the fun graffiti of Navinder Nangla, the dyslexic street artist from Northampton. "Don't tag me" also appeared in large letters on some of the T-shirts. As usual, Mihara Yasuhiro mixed different pieces together, playing on stratifications and surprising constructions with dual identities, front and back. The shirt came in a striped poplin on the front and denim on the back, while the khaki nylon jacket on one side became a silver bomber on the other, and the canvas pants were nothing more than tracksuits seen from behind. Other facetious garments included double-collared shirts, three-in-one hoodies, jackets worn by two or tops with two pairs of sleeves in two different sizes. Very practical. See catwalk Mischievous humor also ran through the Kenzo collection, where creative director Nigo resurrected the joyful, playful spirit of founder Kenzo Takada with an energetic runway show at Maxim 's, an emblematic address in Belle Epoque Paris, transformed for the occasion into a nightclub, where girls and boys raided their wardrobes to create the craziest looks. The collection's eclectic mix-and-match of styles and influences, from Kenzo Takada's 1970s studio to Nigo's streetwear community and Andy Warhol's Factory, was a mix of retro inspiration, Japanese culture, subversive punk, pop, and couture. Silk shirts were tied at the collar with a lavaliere-style ribbon. Tuxedo jackets were offered in vibrant colors and ended up as satin-trimmed kimono jackets. Proud red officer or hussar jackets were also available. Archival prints, such as big flowers and tiger stripes, took over many pieces, including shirts, pants, and hooded jackets with teddy bear ears. Pants were loose and baggy. Accessories were not to be outdone, with hotel slippers, vertiginous platform bowling shoes, bags, and caps covered in patches, colorful straps falling down the sides, long glamorous knitted gloves. A collection rich in ideas and references. Perhaps a little too much.

Amazon tycoon Bezos says 'I do' in Venice as activists line the canals urging to 'Tax Billionaires'
Amazon tycoon Bezos says 'I do' in Venice as activists line the canals urging to 'Tax Billionaires'

LeMonde

timea day ago

  • LeMonde

Amazon tycoon Bezos says 'I do' in Venice as activists line the canals urging to 'Tax Billionaires'

Amazon founder Jeff Bezos and Lauren Sanchez tied the knot Friday, June 27, at a sumptuous ceremony with the rich and famous on an island in Venice's lagoon. "This city seems impossible! It can't exist and yet, here it is!" an enchanted Bezos told a La Repubblica journalist Thursday who got close to the magnate as he whizzed around the canals by boat. But protesters had a different view, wondering how long Venice can endure: While the billionaires party, activists say the fragile city is sinking, overrun by tourists, and a victim of depopulation as locals unable to pay soaring rents are forced out. "No Kings, No Bezos" read a sign in green neon projected on the St Mark's Campanile tower on Thursday night. "Tax Billionaires," read protest signs along the city's canals. "In the time it takes you to read this, Jeff Bezos's wealth has increased by more than your monthly salary," they read in English and Italian. Bezos and Sanchez, a former news anchor and entertainment reporter, celebrated their nuptials with guests including Kim and Khloe Kardashian, Oprah Winfrey and Orlando Bloom. The tech magnate, 61, and Sanchez, 55, are staying at the Aman hotel, a luxury 16th-century palazzo on the Grand Canal with a view of the Rialto bridge. Other A-list guests are staying at the Gritti Palace and the St. Regis. The couple exchanged vows at a black-tie ceremony on the island of San Giorgio Maggiore Friday afternoon, according to Italian and US media reports. The newlyweds were to be serenaded by Matteo Bocelli, son of the famed opera singer Andrea Bocelli, reports said. Michelin-starred chef Fabrizio Mellino prepared the wedding dinner, while the cake has been made by French pastry chef Cedric Grolet, the Corriere della Sera said. Sanchez is alleged to have prepared 27 outfits to wear during the festivities. Sanchez late Friday posted a photo on Instagram – under a new name, laurensanchezbezos – showing her in a long flowing white dress and Bezos in a black tux. Vogue, in a digital cover story featuring the bride, later posted that the gown was Dolce&Gabbana, "inspired by the one Sophia Loren wore in the 1958 film Houseboat." Mega yachts and dozens of jets Wedding guests snapped by paparazzi as they hopped into boats included Jordan's Queen Rania, French luxury goods executive Francois-Henri Pinault, American football player Tom Brady, US fashion designer Spencer Antle, the singer Usher, and Ivanka Trump, daughter of US President Donald Trump, and her husband, Jared Kushner. Bezos and Sanchez are donating three million euros ($3.5 million) to the city, according to Veneto's regional president Luca Zaia, and are employing historic Venetian artisans. Venice's oldest pastry maker Rosa Salva is baking 19th-century "fishermen's biscuits" for party bags that will also contain something by Laguna B, renowned for its handblown Murano glass. Help us improve Le Monde in English Dear reader, We'd love to hear your thoughts on Le Monde in English! Take this quick survey to help us improve it for you. Ivanka Trump and her family visited a glass-blowing workshop on the small island of Murano on Wednesday, according to the owner. "They were amazed and enchanted by the magic of glass," Massimiliano Schiavon told the Corriere della Sera, adding that the family had a go at blowing glass. Venice, home to the oldest film festival in the world, is used to VIPs whizzing around in speed boats, and happily hosted the star-studded nuptials of Hollywood actor George Clooney in 2014. Italy's tourism ministry said Friday it expected the wedding to bring the city nearly one billion euros, with about 895 million of that estimated to come from the "media visibility" generated. Environmental activists have also pointed to the carbon footprint of the mega yachts and dozens of private jets – at least 95 – bringing the rich and famous to the city. Meanwhile, Italy's health ministry has issued a red heat alert for Venice for the weekend, part of a heatwave affecting much of southern Europe.

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