Evan Davis says it was ‘tough' for BBC boss to tell him to stop hosting podcast
Davis, who hosts the BBC Radio 4 current affairs programme PM and Dragons' Den, was told a few weeks ago that the Happy Heat Pump Podcast could be seen as a breach of rules around presenters speaking about issues of public policy.
It is believed that the podcast focusing on one possible solution to reducing carbon emissions, when responses to climate change are a matter of public policy, was the issue.
Sad news about the Happy Heat Pump Podcast.
Sorry to say, that after about 20 episodes, we're drawing it to a close at the request of the BBC which worries it may be seen as steering into areas of public controversy.
1/2https://t.co/6LgsdfjhtD
— Evan Davis (@EvanHD) April 22, 2025
Davis told the PA news agency on Wednesday that the BBC felt 'there's a danger he will be seen' as having a view on heat pumps and being in favour of the efficient heating technology in his capacity as a PM presenter.
'Perception matters, so they thought it was probably unhelpful,' he said.
'I just did it for the sort of fun of it, but they do always regulate what you do outside, and I totally accept that they have to make those judgments.'
Davis, who says he received no money for the podcast, and is not involved in any heat pump business arrangements, added that he is 'not bitter' about the decision.
However, he does not 'agree with this judgment, because I thought we were promoting an understanding of heat pumps, not promoting heat pumps'.
When asked if he thought political opposition to net zero was the issue, Davis said it was 'very much probably in the minds of the BBC'.
'If you don't like net zero, you're probably not going to think we need to install heat pumps, and … that's a perfectly legitimate point of view,' he said.
Davis admitted that heat pumps 'have been an issue that's been argued about, which is why the BBC didn't want me to do it'.
He also said there is an 'irony' that air conditioning has not been in the 'middle of a cultural war', unlike heat pumps, when the technology uses a similar refrigerant liquid to make rooms hot and cool.
Davis said: 'There were some conversations internally about it, and the decision was finally confirmed about two weeks ago, and we wanted to record a little mini last episode, just closing the series down so that's why we didn't announce it until yesterday.
'I actually chatted to (director-general of the BBC) Tim Davie about it, he thought it was very tough decision and a very finely balanced thing, we had really grown-up conversations about it, it's not like it's been a sort of horrendous process.
'Tim appreciated that for me, this was a bit of a hobby, and I am very interested in this transition, or this potential transition.'
Davis, who has heat pumps in his home in France, and a gas boiler in his London house, said he was not 'attacking the BBC decision'.
He added the BBC does not want him to take down the 20 or so episodes of the show, and the corporation has said they 'should talk about doing something for the BBC on heat pumps'.
Evans hosted the podcast with Bean Beanland, who works at the Heat Pump Federation (HPF), with the first episode being uploaded in December 2024 to YouTube.
In March, Tory leader Kemi Badenoch said she will task shadow ministers with finding 'achievable solutions' to delivering cheap, clean energy after declaring that reaching net zero by 2050 is 'impossible'.
A BBC spokeswoman said: 'The BBC editorial guidelines are clear that anyone working for the BBC who does an external public speaking or writing engagement should not compromise the impartiality or integrity of the BBC or its content, or suggest that any part of the BBC endorses a third-party organisation, product, service or campaign.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Hamilton Spectator
2 hours ago
- Hamilton Spectator
Bringing Bublé to Burlington: An Interview with Jay Davis
Jazz on the Plaza has become a staple of the Burlington Performing Arts Centre's summer lineup. Every year, jazz enthusiasts gather on the corner of Elgin and Locust streets to enjoy the kind of old-fashioned tunes that had flappers swirling cocktails in the Roaring Twenties. It's that snazzy and animated kind of music that welcomed in radio programming, and lively voices and sounds are the essential ingredients of the genre. This year, Burlingtonians can anticipate a distinguished program of hearty jazz singers that includes Amanda Martinez, Heather Bambrick, and Alex Pangman, among others. Jazz on the Plaza runs from Friday, August 8, to Sunday, August 10. Staring the weekend off strong is Ontario-based musician Jay Davis. On Friday, August 8, at 6:00 p.m., Davis will be the lead of Feeling Bublé, a tribute act that honours the accomplishments of Canadian singer and songwriter Michael Bublé. Davis and his band are also slotted to perform again at the Burlington Performing Arts Centre on December 6, 2025, for their festive Jay Davis — Feeling Bublé Christmas show. Davis, who was born in Elmira, Ontario, comes from a musically gifted Mennonite family and has enjoyed a busy and varied music career that has stretched three decades. Davis has agreed to speak about his five-year tenure as a Michael Bublé tribute singer and what he brings to his performances all around Canada. Answers have been condensed and lightly edited for clarity and flow. What is it about Michael Bublé's songs that really resonates with you? What I really enjoy about Bublé is the way he phrases stuff. What I mean by phrasing is the musical sentences that he creates. He does his pop stuff and his jazz stuff, but he's always surprising you. The first time you listen to one of his songs, it doesn't sound like how you would expect it to sound, whether it's a cover of 'Come Fly With Me' or 'Moondance.' The first time you listen to one of his songs, it's surprising and it's exciting. I thought to myself when I started, maybe I can absorb Bublé's knowledge of the jazz phrasing and the timing. Through doing this over the past five years, I've grown so much as a singer and as a musician. It's been a great endeavour for me, and I'm really happy that it continues to provide me with all sorts of positive things. How do you blend your own personal style with Bublé's music? I would say that I've now developed my own jazz style. I love singing. I practice all the time. If I'm in my truck driving from one place to another, I'm singing the whole time. I'll sing until my voice is raw. It's something that just brings me so much joy. You know, after all these years, it's funny you're asking me that question today because I sang the whole three hours up the cottage, as you can probably hear in my voice. I've been singing my heart out. Depending on what time signature you're playing in, and when you're playing with three other guys, you just feel where that phrase is going to land. You have freedom, especially in jazz. You can pretty much do anything before that moment in time lands. The question is, what makes a really good musical sentence? You've got the setup and then the payoff. These are the things I've just been really nailing down these past five years. You can land right on the one or the four or whatever the end of the phrase is. Maybe you even keep it suspenseful, and you four-phrase a little before you get into the chorus. Experimenting with and refining that stuff has been very exciting. It's one thing to perfectly emulate Michael Bublé's phrasing. The feel might just be a little different depending on what tempo we've landed at. I try to sound like him and do his little '-isms' while at the same time giving myself the freedom to really just blend with what's happening at that moment in the music. What would you consider the key to success when it comes to being a tribute singer? I don't know! Pick a good person to do a tribute of, I guess. I'm still really new compared to so many other people who are veterans in this business. I follow all these guys on Facebook, and when I was first getting into it, I would go and watch them. I would be like, 'What is this all about? What are they doing with Bublé?' I went down a different path. I'm not an exact match for Michael Bublé. I'm a different sort of body type. We are the same age and we're both Canadian. My voice sits a little bit higher than his. I do raise his songs up a semitone, generally. I used to have several versions of the show where I would pretend to be him. And those all worked out fine. But as we've gone along, I've realized that I like to sing the songs a bit different. My style is sort of departing and separating from his as it naturally would. What can the people of Burlington expect from the upcoming Christmas show in December? A lot. I've been working on it. We did one version of the show last year in Owen Sound, and it sold pretty well. That is what people really relate to when they think about Michael Bublé. They think about Christmas. He's sort of become the face of the start of the Christmas season, like in that meme where he comes out of the cave. What we've been working on as a band is adding backup vocals, which I think adds a whole new element to the music. We were also thinking about starting with a second keyboard player for extra sounds and then a saxophone player for horns. To the people of Burlington, I want to say, come out and support us. We're going to give you the same charming, funny show with world-class music. We plan on sticking around, so if we can all get on board and support this thing, who knows what it could turn into in the future? Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .
Yahoo
8 hours ago
- Yahoo
If even Pride & Prejudice has to have a ‘diverse' cast, the English period drama is dead
Five years ago the BBC website published an article headlined: 'Is It Time the All-White Period Drama Was Made Extinct?' Well, it clearly is now. These days every period drama has an ethnically diverse cast, regardless of when it's set: the 1920s (Wicked Little Letters), the 1530s (Wolf Hall: The Mirror and the Light), even 1066 (King and Conqueror, the BBC's forthcoming serial about the Battle of Hastings). So it came as no surprise to read, this week, that Netflix's new adaptation of Pride & Prejudice will have a diverse cast, too. Personally I find this a fascinating trend. Producers of period dramas always go to the most painstaking lengths to ensure that costumes, furniture and decor look scrupulously authentic. Yet when it comes to casting, they do the opposite – and pretend that, 200 or 500 or 1,000 years ago, England was every bit as multicultural as it is in the 2020s. They would die of embarrassment if, in the background, viewers were to glimpse a set of solar panels, or double yellow lines. But black Anglo-Saxons? No problem at all. It's a peculiar combination. If we've decided that historical verisimilitude no longer matters in casting, surely we should be consistent, and decide that it no longer matters in clothing or behaviour, either. Let Regency noblemen wear Arsenal shirts. Show the Normans riding into battle in Chinooks. Have Sir Thomas More take a selfie on the scaffold. At any rate, the author of the BBC's article about making the 'all-white' period drama extinct seemed to approve of this new trend in casting. 'Finally,' she wrote, 'the industry is demonstrating that period drama is a genre in which racial diversity can be both reflected and celebrated.' This is all very well. The trouble is, it makes it look as if racial diversity has been 'celebrated' throughout our history. To viewers, this must be puzzling. In recent years, we've been endlessly told that Britain's past was shamefully racist. Yet period dramas tell us it was a multicultural utopia, in which people of all races were welcome at every level of society. Still, we mustn't carp. I'm sure this colour-blind approach to casting applies equally to all. I look forward to the BBC airing a period drama about the Windrush, in which the main passengers are played by Hugh Grant and Keira Knightley. At last: a Labour policy I actually like Normally I believe that a job should always go to the best-qualified candidate, and that preferential treatment should not be given to 'under-represented' groups. On this occasion, however, I'm going to be brazenly hypocritical and toss my principles aside. This is because, from now on, the Government wants all civil service interns to be working-class. And I think it sounds like a great idea. Of course it's not meritocratic. But Whitehall is the one place that might actually benefit from a bit of naked class warfare. Remember that Laura Kuenssberg documentary from 2023, which revealed that, the morning after the EU referendum, civil servants were 'in tears'? How many working-class staff would have reacted like that? If Nigel Farage is worried that a Reform government would be stymied by Brexit-hating mandarins, this dramatic change in recruitment policy should please him no end. The trouble with the 'Islamo-Left' In 1999, the writers of the satirical website The Onion published a very funny book called Our Dumb Century. It consisted of spoof newspaper front pages, inspired by the key events of the previous 100 years. And among its countless highlights was the headline of a story about Japan entering the Second World War on the side of Nazi Germany. It read: 'Japan Forms Alliance with White Supremacists in Well-Thought-Out Scheme.' I always remember that phrase 'Well-Thought-Out Scheme', whenever I read about the Western anti-Israel LGBTQIA+ group that calls itself Queers for Palestine. Yet, no matter how often critics argue that it might as well call itself Chickens for KFC, its members remain undeterred. Mind you, they aren't the only ones who believe there's a happy and united future for the so-called 'Islamo-Left'. The new party led by Jeremy Corbyn and Zarah Sultana is likely to attract many others who see no drawbacks to forming an alliance between one group that's extremely liberal on social issues, and another that is sometimes, shall we say, a bit more conservative. I wonder how many of these adorably well-meaning Corbynites are aware of what happened a few years ago in Hamtramck, Michigan. When the city elected America's first ever all-Muslim council, local progressives were jubilant. This was a glorious victory for marginalised minorities – and a crushing defeat for small-minded bigots. Imagine their shock, therefore, when the Muslim council then banned the flying of the LGBTQIA+ Pride flag from city property. According to the Washington Post, the local progressives felt not just appalled, but 'betrayed'. 'We welcomed you,' wailed a retired social worker. 'We created nonprofits to help feed, clothe, find housing. We did everything we could to make your transition here easier – and this is how you repay us, by stabbing us in the back?' Sadly, as Robert Burns more or less put it: the well-thought-out schemes o' mice an' men gang aft agley. Way of the World is a twice-weekly satirical look at the headlines aiming to mock the absurdities of the modern world. It is published at 6am every Tuesday and Saturday Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more. Solve the daily Crossword


Cosmopolitan
a day ago
- Cosmopolitan
Where is Destination X filmed? All the mystery locations revealed so far and theories on the next stop
Destination X is the brand new BBC show that has got every talking - think: The Traitors meets Race Across the World. Hosted by Rob Byrdon, the new show sees 13 players aboard the X-bus with one key question: Where the X are they? With blacked-out windows, players must figure out their location based on limited clues. At the end of each episode, they place an X on the map. The closest players remain in the game, while the furthest player is eliminated. At the end of the series, one winner will bag a £100,000 prize. So far, two episodes of the show have aired and their locations have been revealed. Episode three will air on Wednesday 6th August, and viewers think they've already guessed the location. Here's everything you need to know. After much guessing, the location for episode one was revealed to be Paris. Lots of viewers guessed the French region of Alsace which many clues pointed to, and only one contestant, Dawn, successfully guessed Paris. After the contestants locked in their guesses, it was revealed that Deborah had put her X furthest away from their location. She was asked to step off the bus, where she immediately spotted the Eiffel Tower. At the start of the episode, the players flew from Baden-Baden, Germany to Alsace, then traveled north before ending up in Paris. Along the way, several clues were dropped - including a caricature of Kylian Mbappé (formerly of Paris Saint-Germain), a lookalike of Emily in Paris, classic French desserts, and a pun from Brydon, who said: "I fell in love" as a play on the word "Eiffel." At the end of episode two, Matterhorn, Switzerland was revealed to be Destination X. All the players successfully guessed Switzerland, but it was Dawn who had guessed the furthest away, opting for Lake Geneva. There was only a 5km difference between her and another player. After leaving Paris, the train drove through Dijon into Switzerland and then through Plage Des Pins in Yvonand. The players then headed to the Alps in the Swiss Italian border where many clues pointed to Switzerland and Matterhorn specifically. The Caution Highway Fault sign linked to CHF, which is the international code for the Swiss Franc and the +41 is the phone code for Switzerland. At the lake, the sign featured all four languages for Switzerland, and the sign spelled out the words Throne Mart - which when rearranged spelled Matterhorn. Additionally, the letters 'Terh' which Nick spotted (and didn't tell the others) are the middle letters of Matterhorn. Episode three is yet to air, but viewers are speculating that the players will be heading to Munich, Germany. In episodes one. several airports were shown on the departure board, including Charles de Gaulle Airport, Sion Airport in Switzerland, Salzburg Airport, Munich and more. Viewers believe this to be a dead giveaway, considering episodes one and two saw the contestants head to Paris and Matterhorn, which is right next to Sion. "Surely wouldn't be this obvious, right?" one viewer asked on X (formerly Twitter), as they suggested Munich for the next destination. Viewers will have to wait until the next episode for the destination to be revealed, but the it's adding up. Other potential spots include Pisa (PSA), Venice (VCE), and Trieste (TRS), which were all shown on the departure board. New episodes of Destination X air on BBC One and BBC iPlayer on Wednesdays and Thursdays.