
'I was very impure, lustful as hell...' Rekha once made SHOCKING revelations about her life, admitted was in love with....
During an interview with Simi Garewal on her popular chat show 'Rendezvous with Simi Garewal', Rekha went in the look of a married woman. The actress was wearing a yellow colored saree and a necklace around her neck. Rekha had parted her hair into two parts and left them loose. When Simi asked, When will you get married? When Rekha answered this, Simi was shocked. Rekha said, 'You mean a man?' On this, Simi said, obviously not a woman. Interrupting Simi, Rekha immediately said, Why not? I am an impure woman, full of lust. If you ask me, I will say that I am for myself, I love myself, I am married to myself, my profession and my loved ones. When And To Whom Did Rekha Marry?
Rekha married famous Delhi businessman Mukesh Agarwal on 4 March 1990 and her husband died 6 months after the marriage. It was an arranged marriage. A few years later, Rekha's name was also linked with Akshay Kumar. Rekha played the role of a lady don in Akshay Kumar's blockbuster film 'Khiladiyon Ka Khiladi' (1996). Rekha and Akshay Kumar had great chemistry in the film.
In the late 80s, Rekha, who had a close bond with Vinod Mehra, decided to take their friendship forward. It is believed that the duo even secretly tied the knot, which was later denied by Rekha. The relationship did not last long as the actor's mother did not like Rekha. Meanwhile, Vinod Mehra's close friend and popular TV host Tabassum however had confirmed their relationship. On her show 'Phool Khile Hain Gulshan Gulshan', she said, 'He did most films with her. They grew close, they wanted to get married, but sadly that could never happen.'
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Scroll.in
28 minutes ago
- Scroll.in
In ‘Pyre', an elderly couple face loneliness, the prospect of death – and their love for each other
If things had gone according to plan, Pyre would have starred Naseeruddin Shah and Ratna Pathak Shah as an elderly couple in a remote village in the Uttarakhand mountains. But things didn't go according to plan – until they did. It was the year 2020. Naseeruddin Shah got Covid, which made it difficult for him to shoot in higher altitudes. So Pyre 's writer-director Vinod Kapri decided to cast non-professional performers who were from Uttarakhand itself. He found the people he needed. Pyre went into production in 2022. It has been travelling to several festivals. Everywhere the movie is shown, audiences fall hard for the very old and very charming Padam Singh and Heera Devi. Pyre is throbbing romance at its core, Kapri told Scroll. Kapri's third fiction feature after Miss Tanakpur Haazir Ho (2015) and Pihu (2018) revolves around the goat herders Padam and Tulsi. They have been married for over 60 years. Their only son migrated years ago and hasn't been back since. Padam and Tulsi are among the last occupants of one of Uttarakhand's ghost hamlets – villages that have been hollowed out by migration. When Tulsi falls ill, Padam has to summon his faraway neighbours by blowing on a trumpet he keeps specifically for this purpose. The trek to the hospital in the plains takes hours. The Hindi-Kumaoni film movingly explores the couple's isolation, poor health and the prospect of death. What is the point of living, they keep asking each other. Although Padam and Tulsi quarrel constantly and are fond of gallows humour, their mutual adoration is unmistakeable. 'The film is connecting with diverse audiences because of the couple's loneliness, their bonding, the love and even the hate that is between them,' Kapri noted. 'The story has a universal appeal.' Kapri based Pyre on the hardships faced by the people of Kumaon, to which he belongs. The story is directly inspired by an elderly couple he met during a trek in Uttarakhand. 'I saw them grazing some 30-40 goats – that visual fascinated me,' Kapri recalled. When he asked them how they were faring, they told him that their children had gone away. Whenever the woman fell ill, they had trouble arranging for medical help. The old man told Kapri that each time he received help, he gave away a goat. What happens when you run out of goats, Kapri asked. Came the reply: we will be gone before that happens. 'That thing remained with me, and I thought I should tell their story,' Kapri said. He started writing a script for a fiction film. He wanted to cast the same couple to ensure authenticity, and he even shot a few scenes with them, but it didn't work out. After the idea of working with Naseeruddin Shah and Ratna Pathak Shah fell through, and Kapri couldn't find the replacements he wanted, the project was put on ice. Kapri directed the documentary 1232 KMs (2021), in which he followed a group of labourers cycling all the way from Ghaziabad to their homes in Bihar during the Covid lockdown. Previously a television journalist, Kapri's first documentary was the National Film Award-winning Can't Take This Shit Anymore (2014), about sanitation in villages. Sometime in 2022, Kapri met an uncle Padam Singh at a family gathering. The former Army havildar, who was in high spirits, challenged Kapri to try him out as an actor. Kapri asked his uncle to act out a scene – and it worked. 'I sent the video recording to my friends who are theatre and film professionals and they asked, who is this actor,' Kapri said. But Kapri also needed someone to play Tulsi. He returned to the villages in Kumaon. He found a woman who looked the part. Even as he was talking to her, Heera Devi walked by, carrying a pile of wood on her head. When she was told that the film crew was looking for an actor, she said, 'Haa, main hoon na heroine,' Kapri recalled. I can be your heroine. 'I loved that confidence,' Kapri added. 'We asked her to enact a scene, and we realised that we had found our Tulsi.' Kapri's brief to Padam Singh and Heera Devi, who had never faced a camera before, was that they were performing a dramatised version of their lives. In the film, Padam and Tulsi have a sacred relationship with their surroundings and the mountains – which was also the case with the actors. 'People who are especially from the characters' generation consider themselves the children of the mountains,' Kapri said. This reverence partly explains why Padam and Tulsi despite their tribulations cannot bring themselves to move out of their village . The shoot was a challenge on several fronts. Getting untrained actors to play a married couple wasn't easy. Heera Devi, a widow, who was concerned about what her neighbours might think. She was initially uncomfortable playing another man's wife, even though it was for a film. Kapri got Heera Devi's son to persuade her to continue playing the part. The other challenge was logistical. Pyre has been filmed entirely on location in and around Kapri's own village in Kumaon. Cinematographer Manas Bhattacharyya brings out the area's natural beauty as well as the forbidding expanse. The shoot, which took place in the monsoon in 2022, was strenuous. 'Rather than choosing a hotel that was many kilometres away, we decided to stay in my village,' Kapri said. Several people crammed into various houses, living like an extended family. Equipment had to be lugged around for hours. 'There were no toilets, so we built toilets for our crew and handed them to the village later,' the 53-year-old filmmaker said. One of the themes in Pyre is migration. The film's secondary characters prepare to leave the village – and Padam and Tulsi – for work. However, Pyre isn't about the poor job opportunities or underdevelopment in Uttarakhand's hilly regions, Kapri said. 'I didn't want to make a preachy film or spell out the situation,' he said. 'For me, the film is a beautiful love story, like the story about Franz Kafka, the young girl and the doll, or Gabriel Garcia Marquez's No One Writes to the Colonel. I wanted to stick to the story of a couple who love each other and hate each other and fight a lot.' The poignant relationship impressed German editor Patricia Rommel, who edited Pyre, Gulzar, who contributed lyrics for a song for free, and Canadian composer Mychael Danna (Life of Pi, Where the Crawdads Sing). Danna was on a sabbatical when Kapri approached him, but was so moved by the film that he agreed to compose the background score for a pittance, Kapri said. Pyre won audience choice awards at the Tallinn Black Nights Film Festival in Estonia in 2024 and the Asian Summer Film Festival in Spain earlier this month. Kapri has a few more international showings, including the London Indian Film Festival and the Indian Film Festival Melbourne, before he explores a distribution deal in India. 'Independent films with non-actors are almost impossible to make, but the response has been good,' Kapri said about the self-financed movie. Padam Singh and Heera Devi attended the screenings in Tallinn. They had never been on a plane, let alone travelled abroad before. They didn't even have passports. The characters in Pyre are unable to leave, but the actors who play them have gone places.


Time of India
28 minutes ago
- Time of India
Bollywood comes to life? Real-life Drishyam murder: Husband killed, buried under tiles near Mumbai
In a shocking incident reminiscent of the Bollywood film Drishyam, a woman from near Mumbai has been charged with killing her husband and hiding his body beneath the floor tiles of their home. The gruesome crime has left the local community stunned and has garnered attention for its striking resemblance to the movie's storyline. Here's a breakdown of what has emerged so far. Real-life Drishyam murder: Husband buried under tiles As per NDTV, 35-year-old Vijay Chavan had been untraceable for the past 15 days. He lived with his 28-year-old wife, Komal Chavan, in Gadgapada, Nalasopara East, located around 70 km from Mumbai. On Monday, his brothers visited his home during their search. They noticed that some of the floor tiles looked different in colour. When they removed the odd tiles, they found a vest buried beneath and noticed a foul smell, prompting them to contact the police immediately. Nalasopara, Maharashtra: In a shocking incident in Dhaniv Baug, Nalasopara, a woman allegedly murdered her husband with the help of her lover and buried the body under the house floor, later covering it with tiles to avoid suspicion. The crime came to light nearly 15 days later… Police later discovered Vijay's body hidden under the tiles. They now suspect that he was murdered by his wife Komal, who has been missing for two days along with a neighbour named Monu. The two are allegedly in a romantic relationship and are the primary suspects in the case. More details about the case are awaited. About Drishyam, the movie that inspired the horrific murder Drishyam is a well-known Indian thriller praised for its suspenseful plot and emotional storyline. First released in Malayalam in 2013, it was later remade in multiple languages, including a Hindi version in 2015. The film tells the story of Vijay Salgaonkar, a cable TV operator in Goa who lives with his wife and two daughters. Their lives are turned upside down when his daughter accidentally kills a boy who was threatening her with a private video. The boy turns out to be the son of a senior police officer. To protect his family, Vijay uses his intelligence and love for films to plan an elaborate cover-up, faking a timeline and hiding the body to mislead the police. Ajay Devgn plays Vijay in the Hindi adaptation.


Indian Express
an hour ago
- Indian Express
Saiyaara box office collection day 4: Ahaan Panday-Aneet Padda's debut crosses Rs 100 cr mark in 4 days; inches away from surpassing Salman Khan's Sikandar
Saiyaara box office collection day 4: Aneet Padda and Ahaan Panday's debut film Saiyaara is creating a rampage at the box office after getting glowing reviews from the audience and the critics. At a time when Hindi cinema is going through a lull and hasn't experienced many hits in 2025, Saiyaara's success is being applauded, more so because the film features two newcomers. After a dream run over the weekend where it made nearly Rs 83 crore, the film passed the Monday litmus test with flying colours. According to Sacnilk, it minted Rs 22.5 crore on Monday, bringing its total domestic collection to Rs 105.75 crore. The Mohit Suri directorial has been receiving praise from all quarters, with audience reaction videos from theatres going viral on social media. The film began its box office journey on Friday, collecting Rs 21.5 crore. It saw a 20% and 37% jump in its collections on Saturday and Sunday, earning Rs 26 crore and Rs 35.75 crore respectively. With a strong opening and an even better weekend, the film surpassed the total lifetime collections of Alia Bhatt and Ahaan Panday's cousin Ananya Panday's debut films Student Of The Year 1 and 2 within just three days of its release. On Monday, its fourth day in theatres, Saiyaara witnessed a slight dip, earning Rs 22.5 crore. Though the Monday collection saw a 37% drop compared to Sunday, the film still recorded strong numbers for a weekday. It needs to be noted that Saiyaara's collections on Monday were higher than Friday, which is an indicator for a strong film. The film recorded an overall 41.87% Hindi occupancy, with the highest — 59.47% — during night shows on Monday. Saiyaara has surpassed the collections of several big-ticket Hindi films. It has climbed to the 7th spot on the list of the highest-earning Hindi films of 2025. The film outperformed the lifetime domestic collection of Akshay Kumar and Ananya Panday's Kesari Chapter 2, which stood at Rs 92.53 crore. It also beat Sunny Deol-starrer Jaat, which minted Rs 88.26 crore in India. Saiyaara is now poised to surpass Salman Khan's Sikandar, which collected Rs 110.1 crore in domestic earnings. At a time when audiences were craving a good romance film, Saiyaara delivered. It has outperformed many recent romantic releases by a significant margin. For instance, Alia Bhatt and Ranveer Singh's Rocky Aur Rani Kii Prem Kahaani collected Rs 52.92 crore in its first four days — far below Saiyaara's Rs 105.9 crore. Similarly, Shahid Kapoor and Kriti Sanon's Teri Baaton Mein Aisa Uljha Jiya earned Rs 30.75 crore and Ranbir Kapoor's Tu Jhoothi Main Makkaar minted Rs 53.16 crore in the same time frame.