
Shakti Bhatt Prize concludes with 2025 award to Zara Chowdhary for debut memoir ‘The Lucky Ones'
First instituted in 2008 to recognize debut authors from the subcontinent, the Shakti Bhatt Prize has, over 17 years, evolved into a broader recognition of literary excellence across genres and geographies in South Asia. Its conclusion marks the end of an influential chapter in the region's literary history.
Originally called The Shakti Bhatt First Book Prize, the award was created in memory of editor and writer Shakti Bhatt, and quickly became a launchpad for new literary voices. It celebrated writers from India, Pakistan, Bangladesh, Sri Lanka, and across the diaspora, championing works that were bold, urgent, and unafraid to challenge the status quo.
Over the years, the prize has recognized a diverse array of genres, from fiction and memoir to journalism and political critique. Some of its most notable awardees include:
In later years, the prize shifted its focus from first books to lifetime contributions, allowing it to honour more established voices. Yet, its return to debut writing for the final award with Zara Chowdhary feels like a full-circle moment.
This year's winner, Zara Chowdhary, was recognised for The Lucky Ones, a memoir that recounts the 2002 Gujarat riots through the lens of a 16-year-old Muslim girl growing up in Ahmedabad. The book interweaves personal memory with historical trauma, tracing her family's multigenerational story against the backdrop of sectarian violence and social unrest. It has been praised for its emotional depth and literary craftsmanship.
The Foundation credited its longevity to the support of prominent patrons, including journalist and Padma Bhushan awardee TJS George, journalist Sheela Bhatt, Stanford professor Thomas Kailath, and author Arshia Sattar. Their backing helped sustain the prize through changing political and cultural climates, offering recognition, and often moral courage, to voices from the margins.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
2 hours ago
- Time of India
Banu Mushtaq brought honour to Karnataka: Prakash Raj
Mysuru: Actor-activist Prakash Raj on Friday hailed Kannada writer Banu Mushtaq for bringing laurels to Kannada by winning the first International Booker Prize for Kannada. It was an honour for the Kannada intellectual who also brought pride to Karnataka, he said. He was speaking after Banu was felicitated at a function organised in the city by Abhiruchi Publications which celebrated its 30 years. Raj recalled that he came to know Banu when she was writing for Kannada tabloid Lankesh Patrike. Mushtaq wrote stories in Kannada depicting women-centric struggles, injustice and discrimination against women and explained her inner voice in her writings. Kannada writer Latha Mysuru highlighted the resistance from some Muslim community members during Banu's initial years of writing. Her family not only faced ostracism but was also boycotted, prevented and restricted by her writings. However, the writer overcame such struggles and penned more than 40 books, including fiction, novels, and collections of short stories during her 40-year literary career, she said. Banu thanked the International Booker Prize selection committee jurists for selecting her short stories. Recalling her Mysuru connection, Banu said she studied in a primary school in KRS, where her father served as a health inspector. She also stressed the need to protect the heritage buildings of Mysuru like the United Kingdom protected its heritage structures. There are a lot of similarities between London and Mysuru, like its palaces and its salubrious environment. Banu said she would continue to fight against injustice and inequality as a writer and advocate. Historian PV Nanjaraje Urs, state information commissioner Harish Kumar and publisher BN Sriram were present.


The Hindu
8 hours ago
- The Hindu
‘Kapata Nataka Sutradhari' movie review: Dhiraj MV debuts with a brave political satire
In Dhiraj MV's Kapata Nataka Sutradhari, a 1000-year-old temple, known for producing miracles, opens only twice a year. Despite boasting such a special temple, the fictitious town Raya Bagha is a surprisingly quiet place, or rather, it's an ignored town, as there is nobody to look into a transgender woman's complaint of the absence of a toilet for her, or why there is only one school in the entire village. It takes a Hindu-Muslim conflict for the village to come alive. At the centre of the controversy is a Muslim man, Mohammad Ismail (played by Dhiraj), who gets stuck below an elephant idol. It is believed that those who crawl below the idol will have their wishes fulfilled. The overweight Ismail takes the risk of following the ritual, and gets stuck below the idol. All hell breaks loose when he reveals his identity. Naturally, people are divided about the situation, with one group vocal about the safety of Ismail while the other vociferously behind the protection of the idol from destruction. Kapata Nataka Sutradhari (Kannada) Director: Dhiraj MV Cast: Abhirama Arjuna, Dhiraj MV, Murali Shankar Shastry, Varun Gururaj Runtime: 92 minutes Storyline: In a 1000-year-old Hindu temple, all hell breaks loose when a Muslim boy gets stuck below a elephant idol. What unflods is a political satire that aims at addressing societal prejudices and inequalities humorously. Kapata Nataka Sutradhari conveys how religion is used as a political tool by the power-hungry. The character Abhirama, who nurses political ambitions, senses an opportunity and fuels communal discord. In the 90-minute film, Dhiraj populates his screenplay with strong characters. Apart from the evil-minded Abhirama, the film has a young woman with a mind of her own. In a backward town, it's refreshing to see her discuss her desires with her potential husband. A perennially drunk guy who spits facts is also a hoot. He represents many homeless strangers in villages who are more intelligent than they appear. The sarcasm in the writing is on point. My favourite is when a YouTuber gets ridiculed as a product of the free internet. Kapata Nataka Sutradhari takes sharp potshots at the TRP-obsessed television media, reminding us of the Hindi film Peepli Live (2010). The idea, which works brilliantly to an extent, becomes the film's undoing when the director gets stuck with showcasing media's exploitation of the ill-fated, moving away from the core concept of religious harmony. From a political and religious satire, the movie suddenly becomes a media satire. A twist reveals how those in authority are ineffective and biased in handling religious conflict. Kapata Nataka Sutradhari works best when it subtly reflects the current state of affairs. Despite many proposing a possible idea to ensure both — Ismail's safety and the idol remaining unharmed — the situation remains the same in the film, showing how people want to or get conditioned to contest and quarrel instead of coexisting peacefully. And the elephant idol, perhaps, reflects our flawed system. While an innocent like Ismail gets stuck beneath it, the gullible get brainwashed by powerful people with vested interests. ALSO READ:The short film surge in Kannada: Young filmmakers are oozing promise with relatable stories After deftly handling a sensitive subject for most of the movie, Dhiraj throws his hands up in the climax. He opts for a rosy, idealistic finish, dampening the effect of the movie. The climax reveals how filmmakers are worried about their films being pulled from theatres. Movies with important subjects pivot to convenient climaxes to avoid censorship troubles. That said, Kapata Nataka Sutradhari is a promising debut for Dhiraj, who also makes a mark as a writer. The film speaks about the temple's capacity to deliver miracles. In the end, you witness a miracle, too good to be true. Kapata Nataka Sutradhari is currently releasing in theatres


News18
10 hours ago
- News18
Sonakshi Sinha Blames Zaheer Iqbal For Pregnancy Rumours; Posts Screenshot Of Their Chat
Sonakshi Sinha recently took a dig at her pregnancy speculations by sharing a playful chat with husband Zaheer Iqbal. Sonakshi Sinha and Zaheer Iqbal got married last year. Since then, she has faced multiple pregnancy speculations. The actor has mostly made it a point to silence her pregnancy rumours either in interviews or via cryptic Instagram posts. This time, she 'exposed' her husband, unveiling their playful chat on WhatsApp. What we also noticed is the nickname she used to save his number on her phone – 'Brat" in capital letters, is what it reads. Sonakshi Sinha's Instagram Story featured a screenshot of their conversation. Zaheer asked his wife if she's hungry. 'Not at all, stop feeding me", she replied in two separate chats. 'I thought holiday had started", he wrote, expressing his disappointment over the fact that his wife has refused to eat. Sonakshi responded, writing that she had dinner right in front of her. The conversation ended with adorable 'love you" and 'love you more" notes. However, what was more fun was Sonakshi taking a 'not-so-subtle' jibe at her pregnancy rumours. She wrote separately while sharing the screenshot: 'The reason why everyone thinks I'm preggos. Stop it @iamzahero." Take a look: Sonakshi Sinha and Zaheer Iqbal appeared together in 2022 film, Double XL. Last year, they got married in a civil wedding, without much fanfare. Their interfaith relationship, with Sonakshi being Hindu and Zaheer, a Muslim, sparked even more curiosity. Many even questioned, 'Is Sonakshi Sinha pregnant?". Sonakshi, however, has chosen calm over chaos. In a recent interview with NDTV, she reacted to the relentless noise surrounding her private life. 'I have found a way of shutting out the noise," she said. 'I live a very happy life off screen when I am not at work, and I am okay and peaceful, so when I am at work and I have to deal with such things, I just end up dealing with it better," the actress added. Earlier this year, Sonakshi Sinha lashed out at a troll, claiming that her divorce from Zaheer Iqbal isn't far. She penned a strong response, rebuking the social media user. 'Pehle teri mummy papa karenge, phir hum. Promise." (First, your parents will get a divorce. Then we will — promise)," she said. The couple dated for about seven years before tying the knot on June 23, 2024. They registered their wedding at their home, followed by a party for their industry friends in the evening. First Published: