logo
Jack Draper laughs off snub as Emma Raducanu picks Carlos Alcaraz for US Open

Jack Draper laughs off snub as Emma Raducanu picks Carlos Alcaraz for US Open

Raducanu and world number two Alcaraz are among 16 big-name pairs announced by Flushing Meadows organisers on Tuesday.
Asked if the two current British number ones could have got together instead, Draper said: 'A wise person once told me you should find the best partner – and that's what she did. I don't blame her at all for that.
A STAR-STUDDED 🤩 lineup of teams have officially entered the reimagined US Open Mixed Doubles Championship!
More info: https://t.co/bIMJGbf3qI pic.twitter.com/Hw1yA87pgj
— US Open Tennis (@usopen) June 17, 2025
'He's obviously the best player in the world probably right now, along with (Jannik) Sinner. Great at doubles, as well. She's gone about and chose the best partner, for sure. Hopefully they do well.'
Draper, currently world number six, has linked up with Olympic champion Qinwen Zheng of China.
'I think it's a good format for the players to get prepared for the US Open, having a shot at playing with another top player,' he added.
'Qinwen I know from the Tour. I have seen her around. Obviously a great player herself and has a really good game.
'It will be fun to get out there and play with her and see how we get on. It was me who messaged. It was nice to get that together and let's see how we get on.'
Alcaraz, who joined Draper in the second round at Queen's Club on Tuesday, said: 'She's gonna be the boss!
'I'm super excited about it. I think it's going to be great. It was an amazing idea for the tournament.
'I've known Emma since a really long time ago, so we know each other. I have a really good relationship with her. We are going to enjoy it, for sure.
'I will try to bring my doubles skill. We will try to win. But obviously it's going to be really, really fun.'
It was announced earlier this year that the US Open mixed doubles event will be played over two days in the week before the main tournament.
It was an attempt to attract more high-profile players, and it has certainly worked.
As well as 'AlcaRad', Sinner will play with American Emma Navarro while other pairs include women's world number one Aryna Sabalenka and Grigor Dimitrov, Naomi Osaka and Nick Kyrgios, Novak Djokovic and fellow Serbian Olga Danilovic and off-court partners Paula Badosa and Stefanos Tsitsipas.
The event will take place on August 19 and 20, with the winners scooping a prize pot of one million US dollars (approximately £750,000).
Not all the pairs announced on Tuesday might make the cut, with entries open until July 28.
The top eight teams with the best combined singles ranking – which currently would not include Raducanu and Alcaraz – will qualify directly, with eight further teams given wildcard spots.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Netflix quietly adds 'best show ever' as 'obsessed' fans cancel their weekend plans
Netflix quietly adds 'best show ever' as 'obsessed' fans cancel their weekend plans

Daily Mirror

time13 minutes ago

  • Daily Mirror

Netflix quietly adds 'best show ever' as 'obsessed' fans cancel their weekend plans

Netflix viewers have admitted they're cancelling their weekend plans to binge-watch a beloved series that has finally been added to the streaming platform Netflix subscribers have confessed they're scrapping their weekend arrangements to binge-watch a cherished series that's just landed on the platform. ‌ US comedy-drama Shameless originally premiered in 2011, based on Paul Abbott's British programme of the same title. The American adaptation, located in Chicago's South Side, Illinois, lasted for 11 seasons before concluding in 2021. ‌ The show centres on the troubled Gallagher clan, headed by Frank, a negligent alcoholic dad to six children. Whilst he wastes his days jobless, getting intoxicated and high, his offspring Fiona, Phillip, Ian, Debbie, Carl and Liam battle to earn money, resorting to cons, relationships and criminal activity to get by. ‌ Despite tackling gritty themes including serious problems and family dysfunction, supporters have labelled it "hilariously genius" and have started rewatching the programme once more. The cast features William H Macy as Frank, plus Emmy Rossum, Jeremy Allen White, Cameron Monaghan, Ethan Cutkosky and Emma Kenney, reports the Express. ‌ The programme boasts an average Rotten Tomatoes score of 82%, with multiple seasons achieving flawless ratings individually. One viewer gushed: "I can talk about this show 24/7 when I started the first episode nothing could stop me for watching it I stayed up all night all day infront of my laptop watching this masterpiece." Another commented: "Seriously Shameless is the best show I have ever watched." ‌ A third posted: "Shameless is the best series ever created, I'm not kidding. the only series that talks about important issues without making them boring or too heavy." "I can't believe it's taken this long for me to get obsessed with this show. It's amazing-the type you can't miss for a quick bathroom break or you'll miss the storyline. Every individual character was cast so well and each one is unbelievable and grows on you in a hilariously genius way," someone else praised. ‌ "This is probably one of the most raw and impressively jarring dramedies on television. From its witty humor to its exposure of deep human emotions, Shameless is a masterpiece of intelligent screen writing and chaos," another echoed. Upon hearing it had landed on Netflix, some devotees even went as far as scrapping their weekend arrangements. One person declared: "Shameless is now on Netflix, weekend plans cancelled." ‌ Another penned: "Proud to say every season of Shameless is now on Netflix, I'll be rejoining the Gallagher family soon." "All 11 seasons of Shameless are on Netflix. Nature is healing. What a perfect time to be on sick leave man," someone else remarked. ‌ The programme left supporters heartbroken when it concluded in 2021 following an 11th series, with showrunner John Wells subsequently discussing how various plotlines remained unresolved and the possibility of a future spin-off. When quizzed about a potential comeback, he told The Hollywood Reporter: "There is nothing planned. But never say never. It's a crazy world out there with people reviving shows and characters. "But we get to tell a lot of great stories with these people and wonderful actors, writers and directors. If we never tell another story with them, I think we did a lot that I'm proud of and that we're all proud of. "You never know. But we're surely not planning anything."

Andy Brown began windsurfing on Loch Insh, now he's world champion
Andy Brown began windsurfing on Loch Insh, now he's world champion

The Herald Scotland

time30 minutes ago

  • The Herald Scotland

Andy Brown began windsurfing on Loch Insh, now he's world champion

Earlier this month, Brown made history by becoming iQFOiL windsurfing world champion. It was a remarkable achievement for someone who was up against men who hail from nations in which windsurfing is a far more mainstream sport than in Scotland and his victory has, he hopes, set him on a path that will lead all the way to Olympic gold. Brown has long been a fan of what he calls 'niche sports'. His first love was not football which so dominates his home city but trapezing over water, which he spent most of his afternoons as a child practicing at the Western Baths in Drumchapel. With opportunities to make a career out of trapezing unsurprisingly limited in his home country, Brown's attentions soon turned to windsurfing, for which he'd found a love after trying it at a summer camp aged just 10. In the early days, Brown may have been operating on a relatively low level but he quickly became aware of quite how thrilling a sport windsurfing can be as one's abilities progress and that, he admits, was a major attraction for him. 'When you're 10 years old, you're not going super-fast but I saw the older guys doing tricks and at the top level, you can reach about 31 knots (over 35mph) which is pretty fast and I really liked the look of that,' the 25-year-old says. "It's a great sport in that you're out on the water all day and at my local club, there was a good bunch of guys and a great coach so I just really enjoyed it right from the start.' Brown progressed through the ranks, going from club competitions through to Scottish, British and then international events. Silverware at the Youth World Championships highlighted his potential and although his early years as a professional brought him considerable success, it wasn't a patch on what he achieved earlier this month at the World Championships. After a competitive battle with Frenchman Tom Arnoux, Brown came out on top to take the world title and the Dorset-based Scot admits that although his hopes had been relatively high going into the World Championships in Aarhus in Denmark, becoming world champion was well beyond what he'd ever imagined achieving. Andy Brown won his world title in Aarhus (Image: Sailing Energy / iQfoil Class) 'Going into the Worlds, my confidence was pretty high and I was hoping for a top five performance. Top five would have been a bit of a dream so to actually win was just incredible,' says Brown, whose celebrations for becoming world champion have been relatively tame - merely a few trips to the pub. 'Anyone in the top 15 in the world could probably win these major competitions because it's very small margins in this sport. It's about doing everything perfectly in the build-up and then everything going your way on the day. 'It's my best World Champs result ever by far - I was fifth in 2021, but last year I finished in the 30s so when I realised I'd won this one, my main feeling initially was shock. It felt pretty surreal and I didn't really believe it.' Andy Brown with his gold medal (Image: Sailing Energy / iQfoil Class) Brown has been a full-time windsurfer since 2017 and his career trajectory has not, he admits, been smooth. But throughout even his greatest disappointments, there was one thing that kept him going and the bank of experience he's accumulated over the years went a considerable way to helping him claim his maiden world title, and will, he hopes, help him successfully defend it on home waters when the 2026 World Championships are held in Weymouth and Portland on the south coast of England next summer. 'I've definitely not had the smoothest path to this point. I've had some good results but I've also had some pretty bad results along the way as well, so it's been quite a journey,' he says. 'But what has always kept me going is how much I love doing what I'm doing. If I didn't love it as much as I do, I would have stopped a long time ago. 'The struggles are all part of the journey and to consistently perform at the top level in this sport, you do need to go through years and years of struggling and figuring things out before you figure it out.' Brown (left) is now targeting the 2028 Olympics (Image: Sailing Energy / iQfoil Class) Brown's discipline, the iQFOiL class, became an Olympic event for the first time last summer, in Paris. Brown was forced to face the disappointment of missing out on a place in Team GB but that blow of failing to become an Olympian only served to strengthen his will to not only be at the LA Olympics in 2028, but emerge as Olympic champion. 'Missing out on Paris was tough, but I didn't really deserve to be there because I wasn't at the required level at the right time. I feel like I only want to go to the Olympics when I'm in a position to contend for a medal, and I wasn't ready for that,' he says. 'I feel like I've learned from it, though, and I've used it to drive me on. 'I'm at the point now where I've made a lot of the mistakes and so I'm much more aware of what to do and what not to do and that hopefully will help me when I get to the Olympics in 2028.'

Peter Kosminsky: We need a BBC that is brave
Peter Kosminsky: We need a BBC that is brave

New Statesman​

time43 minutes ago

  • New Statesman​

Peter Kosminsky: We need a BBC that is brave

Photo by Bailey-Cooper/Alamy One could be forgiven for thinking that British television is at the strongest it has ever been. More than 12 million of us tuned in to watch the Gavin and Stacey finale. Mr Bates vs The Post Office sparked a wave of national anger and forced the government into action after years of journalist trying to raise awareness of the Horizon Post Office scandal. Baby Reindeer, Adolescence and Toxic Town have all been enormous successes on both sides of the Atlantic. But those at the very top of the industry are worried. 'We're in dire straits,' Peter Kosminsky, one of the UK's most highly respect TV professionals and the man behind the BBC's Wolf Hall, told the New Statesman podcast. While we are able to watch a variety of high-quality programming, dramas that are 'peculiarly British' are under threat of extinction. The likes of Netflix, Disney+, Prime Video and Apple TV will not make them. 'The streamers say they're speaking to an international audience, and they make programmes that are of interest to an international audience,' Kosminsky explained. 'What they actually mean is American audiences.' 'Mr Bates vs The Post Office doesn't get made' in this world, he warns Kosminsky has worked in the television industry for 45 years, and for all of the UK's major public service broadcasters. A director, writer and producer, he has won every accolade possible: multiple Baftas, Royal Television Society awards, Golden Globes along with individual recognition for what he has personally contributed to British television. His most recent triumph was the final part of Wolf Hall, broadcast in 2024. But the cost of making high end drama, documentary and comedy has soared in recent years – 'by a factor of five or six', Kosminsky says. Not because of inflation, but because the streamers have driven up the costs. 'They've arrived here, competed to use our crews and our facilities, and they have deep pockets, and they pay a lot of money.' The homegrown sector – BBC, Channel 4 and ITV – have been priced out. They can't compete. 'It's interesting talking to Patrick Spence, the producer who developed Mr Bates vs The Post Office,' Kosminsky says. 'He said he wouldn't develop it now. Why? Because there would be no prospect of it getting made. And that's really worrying.' Both Mr Bates and Wolf Hall were turned down by all the big streamers, Kosminsky told the New Statesman. Actors and executives on both took significant pay cuts to make sure they even made it to screen. Both Kosminsky and executive producer Colin Callender waived 90 per cent of their production fee. Peter Straughan who wrote the adaptation and actor Mark Rylance who played Cromwell 'also made a huge financial sacrifice'. Kosminsky dismisses those who cite the success of Adolescence or Toxic Town – both written by Jack Thorne and both snapped up by Netflix – as a challenge to his argument. 'Adolescence was a fantastic drama, and I applaud Netflix for making it. But just stop and think for a moment. What's adolescence about at root? It's about a murder carried out in a school of one pupil by another pupil. Not a problem they're unfamiliar with in America.' The same goes with Toxic Town, Kosminsky says of the drama depicting the fight by a group of Corby mothers to get justice for their children damaged by contaminated waste from the nearby steelworks. Stop again and think about the subject, Kosminsky says. 'Anyone watched Erin Brockovich recently?' Reflecting on his career, Kosminsky is someone trying to 'challenge the orthodoxy'. He wants to ask uncomfortable questions of the rich and powerful. A television maker, yes, but a public service journalist at heart. Audiences don't want to be 'harangued all the time', he says, 'but occasionally it's our job to say, hang on a minute, have you thought about it like this? And actually, are you really comfortable with this? And if not, what could we possibly do about it?' He has made powerful dramas on the Israel-Palestine conflict (The Promise), British peacekeepers who bear witness to ethnic cleansing in Bosnia (Warriors), the experience of young British Muslims post 7/7 (Britz), and the role of scientist Dr David Kelly in the run-up to the Iraq War (The Government Inspector). Subscribe to The New Statesman today from only £8.99 per month Subscribe Kosminsky places the blame for the British TV's current predicament firmly at the Government's door. He says they 'refuse' to help public service broadcasters make these programmes by rejecting the idea of a streamer's levy. A levy would make it compulsory for the streaming giants to pay 5 per cent of all money earned from British subscribers into a separate fund to be used to make programmes where a UK public service broadcaster is part of the commission. Similar schemes are in place in 17 European countries, including France and Germany where Netflix unsuccessfully tried to take legal action to prevent the levy being introduced. 'When I asked one of the founders of Netflix, whether they would challenge it in the court if it was brought in here in this country, he said, 'No, as long as it was a level playing field across all the streamers,'' Kosminsky said. So why is the Government saying no? 'Because they fear that it would be perceived by the current administration in America as a tariff.' This misses a fundamental point, he stressed. The streamers can get some of the levy back if they partner with UK broadcasters on productions. 'So, it's not a tariff,' Kosminsky insists: no other tariff allows you to get some of your money back. 'And the British government has failed to make that argument… I think the truth is that… the British government currently is disappointingly craven,' Kosminsky said in a damning rebuke. 'There's a proud 100-year tradition of public service broadcasting in this country. Stand up for it. Defend it. Don't just say, 'Yes, Donald; you're not very happy. Allow us to bow down and lick your boots.' It's pathetic. It's embarrassing.' On 22 July, the Guardian reported that Kosminsky had written to the Culture Secretary, Lisa Nandy, accusing her of trying to 'bully' the BBC over its Gaza coverage. In recent weeks, Nandy has levelled intense criticism the corporation, refusing to say she has confidence in the leadership of its director general, Tim Davie, and asking why no one has lost their job over the broadcast of a documentary about Gaza, narrated by the 13-year-old son of a Hamas official. The letter reminded Nandy that past attempts by government to place political pressure on the BBC had ended badly. 'There's a dreadfully dishonourable tradition of this,' he told the New Statesman. (He cited both the suicide of David Kelly shortly after being revealed as the source for a BBC's reporting on the dodgy dossier behind the Iraq war, and the Thatcher government's attempt to pull a 1985 BBC documentary on Northern Ireland.) 'I think you have to be very careful as a government when you hold the purse strings of what is supposed to be an impartial broadcaster whose job is to speak truth to power in a democracy,' Kosminsky said. 'When you call for sackings and by implication the sacking of the chief executive of the BBC, I think that is deeply troubling… It feels like you're placing financial pressure on the organisation. You're saying, 'Do what I'm asking you to do and otherwise you won't get the money that we all know you want.'' Was the Culture Secretary really 'bullying' the BBC, or was she simply saying to its upper echelons, on behalf of the nation, 'get your house in order; we've had enough'? Davie's tenure has been plagued with difficulties. Soon into his role it emerged that the BBC religion editor Martin Bashir had misled Princess Diana's brother, Earl Spencer, to secure a Panorama interview with her 25 years earlier. Davie bears no responsibility whatsoever for the original misdemeanour. A host of scandals followed: the failure to tackle multiple and ongoing complaints against former MasterChef presenter Gregg Wallace; bullying allegations levelled at senior staff; serious criminality on the part of former news anchor Huw Edwards. Others involved editorial failures, including the live broadcasting of an anti-Semitic rant by Bob Vylan at this year's Glastonbury and the broadcasting of a Gaza documentary linked to Hamas. Does Nandy speak for the public when she says the corporation has 'a problem of leadership'? A spokesperson for the Department for Culture, Media and Sport told the Guardian that license fee payers rightly expect 'serious failures' to be acted upon so that they don't happen again. 'The BBC is operationally and editorially independent of government, and we will always defend this principle. However, there is an important distinction between being independent and being accountable.' If something has gone wrong, Kosminsky counters, it is for Ofcom or the BBC Board to hold the corporation to account. It is not the job of government. 'What I'm worried about is the chilling effect of this. You can see [it] in other Gaza programmes that the BBC has backed away from in recent years,' Kosminsky says, referring to the BBC's decision not to broadcast Gaza: Doctors under Attack, leaving it instead to Channel 4. Programmes like these, he says, are 'just too hot to handle because they're nervous of what the reaction will be in certain quarters. We need a BBC that is brave enough to not care about ruffling a few feathers.' Few would disagree with that final sentiment. But there are many in the industry, both inside the BBC and out, who see a wider problem. That perhaps the exodus of senior, long-standing editorial staff over the past five years has left the corporation depleted. There is a lack of diversity of thought, and years of both editorial and life experience have been lost, providing a vacuum at times in sound editorial judgement. 'Just because I'm saying the government should lay off the BBC and let [the board] and Ofcom do their job, it doesn't mean I'm saying I would personally endorse everything that's going on at the BBC. The two are not linked,' Kosminsky explained. While having the 'highest respect' for Tim Davie 'as a person', for example, Kosminsky expressed his 'surprise' that 'a man with no journalistic or editorial experience in his past' should have been made the BBC's editor-in-chief. 'If I'd been asked my opinion of the appointment – and I knew Tim well as head of BBC Worldwide – I would have said, 'No, I'm not sure that is quite right.' He's a great bloke, fantastic asset to the organisation, but I don't think he has enough editorial experience. I think the governors got that wrong.' For Kosminsky, the failure of the government to address the impossibility for UK public service broadcasters to compete with the streamers and its recent criticism of the BBC are inextricably linked. 'It seems to be the tentpole of our foreign policy is to butter up the Americans and unfortunately our domestic broadcasting is going to be the casualty,' he said. 'Lisa Nandy has had virtually nothing to say about all the problems that broadcasting is facing in this country… The only time she's popped her head above the parapet is to start calling for sackings at the BBC.' While this 'may get lot of sort of nods from certain quarters' – the US – 'it's extremely dangerous'. Kosminsky believes we have a government 'too susceptible to pressure from outside' and unwilling to stand up for and defend our national institutions. Instead, it is 'prepared to grovel to outside forces for reasons of limited financial and political gain'. And, Kosminsky believes, this attitude comes from the top. 'We have seen the way our Prime Minister behaves around Donald Trump… Actively fanning the ego of this man in the way he has been is really quite an unpleasant thing to observe and it filters down through everything. Anything that might upset Donald Trump and therefore by extension anything that might upset Israel is stamped on. And dear old Lisa Nandy, in my opinion, is part of this government. Keir Starmer is her boss and she's performing her role.' We are in a delicate place. When broadcasters can no longer make programmes that hold truth to power, 'that's just a little bit of our freedom of speech gone', Peter Kosminsky argues. And while future governments might be relieved about that, 'our democracy is the worse for it'. Perhaps a streamers levy is not the answer, but the government does not seem to be coming up with any solutions of its own. If it does not intervene, we will 'end up with a situation where the editorial decisions about everything we watch here in the UK on our television, are made half a world away in California,' Kosminsky warns. 'I regret that.' Hannah's full conversation with Peter Kosminsky is available as a New Statesman podcast. [Further reading: The BBC is afraid] Related

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store