
Lip reader reveals Andy Byron's words in scandalous Coldplay kiss cam
A lip reader and body language expert has revealed CEO Andy Byron's words after he was spotted cuddling his colleague at a Coldplay gig.
The Astronomer boss was left red faced after being spotted cosying up to his HR manager, Kristin Cabot, during the concert in Boston this week. The band's frontman, Chris Martin, even managed to poke fun at the pair, joking that he may have exposed an affair due to their reactions.
Addressing the pair, who appeared to be swaying to the music whilst holding hands, with Andy's arms wrapped around Kristin, Chris said: "Oh look at these two!" Instantly, noticing that they were on the big screens, the pair covered their faces and turned their back towards the camera.
Andy is believed to have said: "F***ing hell, it's me", according to a lipreader. That prompted Chris to say: "Alright, come on, you're ok." Before adding: "Oh, what? Either they're having an affair or they're just very shy. I'm not quite sure."
Body language expert Judi James has shared her insight into the awkward moment.
She told the Mirror: "Perhaps the worst thing about their body language here is that they made themselves into human catnip for social media by reacting so violently rather than just trying to style it out. Any interest was only created when they both went into a very furtive-looking flight mode rather than laughing as though they'd just been indulging in a little playful wrestle.
"Instead, they look like they've been tasered. Her mouth flies open when she presumably catches sight of herself on the big screen, and she performs an instant and very seminal hide gesture by placing both hands over her face in a cut-off ritual.
"She also turns her back, prompting even more lingering interest. His reaction is slower. He's still looking at the screen while she's hiding and his hands hang frozen in mid-air."
Judi continued: "But then he heads for the exit physically rather than copying her face-hiding technique, and it's his response that seems to trash any suggestion of them just being prompted by shyness. Her's could be, as she is still standing, and she starts chatting to another woman who is clearly laughing. But he dips his head before appearing to vanish totally, either down some kind of concealed trap door or he's just gone into a crouch to the floor, which would be seen as an extreme response if it were just shyness."
It comes after a hoax statement, pretending to be from Andy, was released on social media, which was signed off with a Coldplay lyric. His firm quickly shut the reports down, telling American publications the statement was "not a real statement."
Andy is the CEO of a data orchestration platform based in New York. According to the LinkedIn page for Astronomer, the AI-focused startup "empowers data teams to bring mission-critical analytics, AI, and software to life."
Kristin's page says she joined the company nine months ago and works as the Chief People Officer.
When she joined the firm in November, Andy said: "Kristin's exceptional leadership and deep expertise in talent management, employee engagement, and scaling people strategies will be critical as we continue our rapid trajectory. She is a proven leader at multiple growth-stage companies, and her passion for fostering diverse, collaborative workplaces makes her a perfect fit for Astronomer."
In her own statement about joining the company, she said she had "energised in my conversations with Andy and the Astronomer leadership team about the opportunities that exist here".
She added: "I prefer to think of my role as people strategy versus traditional human resources, as the real magic happens when you align the people strategy with the business strategy."

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


South Wales Guardian
38 minutes ago
- South Wales Guardian
Hannah Waddingham and Brett Goldstein return for series four of Ted Lasso
The Apple TV+ series follows an american football coach, Ted Lasso, played by We're The Millers star Jason Sudeikis, as he tries to manage a British football 'soccer' team, AFC Richmond. In series three, Roy Kent (Brett Goldstein) stepped up as assistant coach, alongside coach Beard (Brendan Hunt), while Ted (Sudeikis) dealt with personal issues back home. The fourth installment will see Ted return to Richmond to coach a second division women's football team. Along with Sudeikis, Game Of Thrones star Waddingham will return to reprise her role as the owner of AFC Richmond, Rebecca Welton, along with Wild Child actress Juno Temple who plays Keeley Jones. Goldstein will also return to the series along with Hunt and Jeremy Swift and a number of newcomers including Tanya Reynolds, Jude Mack and Faye Marsey. Rex Hayes will also join season four along with Aisling Sharkey, Abbie Hern and Grant Feely, who is stepping in as Ted's son, 'Henry'. Sudeikis executive produces alongside a number of others including Goldstein, who also serves as a writer. Ted Lasso has received 61 Emmy nominations in total and won 13, with Sudeikis picking up the lead actor in a comedy series gong in 2021 and 2022. The series was developed by Sudeikis, Bill Lawrence, Joe Kelly and Brendan Hunt, and is based on the pre-existing format and characters from NBC Sports.


NBC News
43 minutes ago
- NBC News
Jon Stewart rips Paramount and CBS in profanity-laden diatribe after cancellation of Colbert's ‘Late Show'
Jon Stewart lambasted CBS' decision to cancel 'The Late Show With Stephen Colbert' on Monday's episode of 'The Daily Show,' ripping their shared parent company, Paramount Global, for what he called a capitulation to President Donald Trump. Stewart referred to Paramount's intended merger with Skydance in an $8 billion deal, which is pending government approval, and said shows like "The Late Show" made CBS that money. "Shows that say something, shows that take a stand, shows that are unafraid," Stewart said. "This is not a 'We speak truth to power' — we don't. We speak opinions to television cameras. But we try. We f------ try, every night. "And if you believe, as corporations or as networks, you can make yourself so innocuous that you can serve a gruel so flavorless that you will never again be on the boy king's radar — a.) why will anyone watch you? And you are f------- wrong." The profanity-laced segment, which aired uncensored, culminated in Stewart leading a church choir encouraging institutions to 'sack the f--- up' or 'go f--- yourself.' (Cable channels like Comedy Central, which airs "The Daily Show," are not subject to the same profanity regulations as network stations.) Paramount and Comedy Central did not immediately respond to requests for comment. Minutes later, Colbert on "Late Night" echoed Stewart in responding to Trump's celebrating his show's cancellation, offering his own "go f--- yourself" to the president. Stewart's diatribe comes less than a week after it was announced that CBS would be canceling 'The Late Show,' a stalwart of late-night television that Colbert took over in 2015. CBS said it was 'purely a financial decision' and 'not related in any way to the show's performance, content or other matters happening at Paramount.' Still, the news shook the entertainment industry and immediately fueled speculation that Colbert's show, which regularly skewered President Trump, had been a casualty of Paramount Global's efforts to merge with Skydance Media. That deal has been the subject of particular scrutiny as it awaits approval from Trump's Federal Communications Commission. While media mergers and acquisitions have long been the subject of regulatory scrutiny over the outside power of consolidated companies, the Paramount-Skydance deal has taken on a particularly political flavor. Last week, David Ellison, Skydance's CEO, met with FCC Chairman Brendan Carr and made a promise to embrace 'diverse viewpoints' that will reflect 'the varied ideological perspectives of American viewers.' Since Skydance announced its intention to merge with Paramount in an $8 billion transaction a year ago, the deal has faced multiple delays — first under the outgoing Biden administration, then under Trump, who accused CBS News' marquee program, '60 Minutes,' of distorting an interview with Democratic opponent Kamala Harris during the 2024 election and subsequently filed a lawsuit. While many legal experts viewed the suit as frivolous, media reports said Paramount boss Shari Redstone favored exploring a settlement with Trump as a way to overcome further regulatory hurdles. The settlement, for $16 million, was announced earlier this month. The settlement, and the negotiations leading up to it, rankled several high-profile members of CBS. '60 Minutes' correspondent Scott Pelley said in June that such an agreement would be 'very damaging' to CBS and Paramount. In April, longtime '60 Minutes' editor Bill Owens stepped down, citing the program's loss of editorial independence. CBS News boss Wendy McMahon quit a month later. On Monday's episode of 'The Late Show,' Colbert blasted the agreement as a 'big fat bribe.' Stewart and Colbert have been close for years, dating back to when Colbert joined 'The Daily Show' in 1997. In 2005, 'The Colbert Report' debuted, airing after 'The Daily Show' and launching Colbert into stardom. Skydance is run by David Ellison, son of Oracle founder and Trump ally Larry Ellison. While the younger Ellison made a donation to President Joe Biden's reelection fund in February 2024 shortly before the former president bowed out of the race, Trump recently signaled his comfort with his takeover of Paramount and its assets, which in addition to CBS News also include Nickelodeon, Comedy Central, The CW, MTV, BET and film franchises like "Smurfs" and "Sonic the Hedgehog." Stewart on Monday's "The Daily Show" said that Colbert challenged himself with taking on "The Tonight Show," with its vastly larger audience and scrutiny. "Watching Stephen exceed all expectations in the role and become the No. 1 late-night show on network television has been an undeniable great pleasure for me — as a viewer and as his friend," Stewart said. Stewart acknowledged that late-night television is a struggling financial model. "We're all basically operating a Blockbuster kiosk inside of a Tower Records," he said, but he added that when industries change, abandonment is not the answer. "When CDs stopped selling, they didn't just go, 'Oh, well, music, it's been a good run,'" he said. Stewart, who said last week that he had not heard from Paramount about his show under the merger, made a joke about his own future. 'This is not the moment to give in,' Stewart said. 'I'm not giving in. I'm not going anywhere — I think.'


The Independent
an hour ago
- The Independent
Can you ever expect privacy in public? Coldplay kiss camera saga tells us a lot about the answer
When the 'KissCam' at a Coldplay concert landed on a couple who tried (but failed) to duck out of the spotlight, the internet immediately got to work. In hours, the clip was just about everywhere. Endless memes, parody videos and photos of the pair's shocked faces filled social media feeds. Online sleuths rushed to identify who was on camera. Artificial intelligence and software company Astronomer eventually confirmed that its CEO and chief people officer were in fact the couple in the video — and announced the CEO's resignation over the weekend. The incident's fallout has, of course, generated conversations about business ethics, corporate accountability and the repercussions that conflicts of interest among leadership can cause. But there are also broader implications at play in our increasingly online world — about the state of potentially being visible everywhere you go or tracked through 'social media surveillance." Experts say it's more and more common for moments that may have been intended to be private, or at least reserved to a single physical venue, to make their way online and even go global today. So in the era of lightning-fast social sharing and when cameras are practically inescapable, does being in public hold any expectation of privacy anymore? Is every experience simply fodder for the world to see? Cameras are everywhere It's no secret that cameras are filming much of our lives these days. From CCTV security systems to Ring doorbells, businesses, schools and neighborhoods use ample video surveillance around the clock. Sporting and concert venues have also filmed fans for years, often projecting playful bits of audience participation to the rest of the crowd. In short, the on-scene viewer becomes part of the product — and the center of attention. And of course, consumers can record just about anything if they have a smartphone in their pocket — and, if it's enticing to other social media users, that footage can quickly spread through cyberspace. Ellis Cashmore, author of the book 'Celebrity Culture,' proposes that the rapid fame of last week's KissCam moment probably answers a question many have been asking for years: 'Is the private life still what it was? And the answer is, of course, there's no such thing as the private life anymore,' he notes. 'Certainly not in the traditional sense of the term.' 'I'm not sure that we can assume privacy at a concert with hundreds of other people,' adds Mary Angela Bock, an associate professor in the University of Texas at Austin's School of Journalism and Media. 'We can't assume privacy on the street anymore.' Some version of the KissCam has long been a staple at big events — from timeouts during sports games to romantic songs played by artists at their concerts. It's easy to miss, but most venues have signs to inform the audience that they could be filmed during the event. What's been different in more recent years, experts note, is how quickly those moments can travel beyond the physical space where they actually unfold. That isn't only limited to what shows up on a jumbotron. Sometimes it only takes one person in the crowd to capture any interaction on their phone and post the video online — where it can zip around the world. 'It's not just the camera," Bock says. 'It's the distribution system that is wild and new.' Once something's viral, doxing often follows Then there's the second ring of exposure — what happens after the video or photos spread. Experts point to growing instances of social media users rushing to publicly identify, or dox, the people captured on camera — much like how quickly the internet committed to finding those involved in the Coldplay moment, for example. The LinkedIn pages belonging both to Astronomer's now-former CEO and chief people officer remained disabled on Monday, and The Associated Press could not reach either for comment. But it isn't limited to company executives. Beyond someone simply spotting a familiar face and spreading the word, technological advances — including AI — have made it easier and faster overall to find just about anyone in an online post. This can happen with videos and photos shared on social media each day, even if it doesn't go viral, experts warn. 'It's a little bit unsettling how easily we can be identified with biometrics, how our faces are online, how social media can track us — and how the internet has gone from being a place of interaction, to a gigantic surveillance system," Bock says. 'When you think about it, we are being surveilled by our social media. They're tracking us in exchange for entertaining us.' And of course, such moments can also impact people who were not actually on camera. As easy as it can be to be identified online today, the internet is notorious for cutting a broad swath or not always getting it right. That sometimes produces harassment of individuals not actually involved. At last week's Coldplay concert, for example, many social media users speculated that a third person seen near the two caught on camera was another Astronomer employee — leading to swarms of posts targeting her. But the company later confirmed that she was not at the event and said no other employees were in the video circulating online. For the now-viral moment, 'we can talk about what's right and wrong, and whether they deserved it,' says Alison Taylor, a clinical associate professor at New York University's Stern School of Business. Still, it's a 'very frightening thing to get a lot of abuse and harassment online,' Taylor notes. 'There are real human beings behind this.' It's hard to think that that these kind of viral moments will ever go away — and there are few legal restrictions to stop users from sharing clips of interactions recorded from anything from a concert to the street widely online. But on an individual level, Bock says it can be helpful to 'think before you share' and question whether something's really accurate. 'Social media has changed so much,' Bock says. 'But we really have not, as a society, caught up with the technology in terms of our ethics and our etiquette.' ___