Emma Corrin in first-look at Netflix's Pride And Prejudice as full cast revealed
In the Jane Austen novel, Elizabeth and her four sisters face pressure to marry rich as their father's property is entailed and can only be passed to a male heir.
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A first-look at the production shows the five Bennet sisters in Georgian-era clothing standing in a field alongside their mother.
It was previously announced that Oscar-winning actress Olivia Colman would be playing Elizabeth's mother, Mrs Bennet, with Slow Horses star Jack Lowden starring as the protagonist's love interest, Mr Darcy.
Netflix has announced that Industry star Freya Mavor will play Jane Bennet, with Heartstopper actress Rhea Norwood starring as Lydia Bennet and newcomers Hopey Parish and Hollie Avery playing Mary and Kitty Bennet respectively.
Also joining the cast ensemble is Scoop actor Rufus Sewell as Mr Bennet and comedian and actor Jamie Demetriou as Mr Collins, a clergyman and distant cousin of Mr Bennet's.
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Other cast members include Irish actress Fiona Shaw as Lady Catherine de Bourgh, Disclaimer star Louis Partridge as Mr Wickham, Domino Day's Siena Kelly as Caroline Bingley, Irish actor Daryl McCormack as Mr Bingley, Black Mirror's Anjana Vasan as Mrs Gardiner and Marie Antoinette actor Sebastian Armesto as Mr Gardiner.
The six-part series will be a classic adaptation of Austen's novel, written and executive produced by Everything I Know About Love author Dolly Alderton.
There have been many adaptations of Austen's classic across the years including the 2005 film, starring Keira Knightley, which marks its 20th anniversary this autumn.
In 2024, the shirt worn by Colin Firth when he strode across fields dripping wet after a swim in the lake during the BBC TV adaptation in 1995 sold for £20,000 at a charity auction.
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Among the other adaptations is comedy horror film Pride And Prejudice And Zombies, starring Lily James and Matt Smith, which is based on Seth Grahame-Smith's book of the same name.
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The Herald Scotland
6 minutes ago
- The Herald Scotland
Film-maker who played pivotal role in the Scottish industry dies
Died: February 12, 2025 Laurence Henson was one of the key figures in Scottish documentary film-making and its transition to fiction films. Born in Mosspark in Glasgow, he attended St Gerard's Secondary School, where one of his classmates was Eddie McConnell (1936–2018) with whom he would go on to form a very successful partnership in movie-making. Following his national service, including a spell with the RAF in Borneo, Henson reunited with McConnell, who in the meantime had graduated from Glasgow School of Art, and as amateurs, they made Broken Images (1957), in which a drunk man wakes up in Glasgow's George Square to be confronted by the noble statuary of famous people. The film won one of the ten best amateur films of the year and thus came to the attention of the great John Grierson. The result was not only encouragement for the pair to turn professional, but to establish an important and lasting relationship with Grierson, 'the Father of the Documentary'. A job as a film editor at STV, including cutting the first football programmes, led to Henson becoming Grierson's assistant on This Wonderful World, the documentary film series, which became required viewing for anyone interested in movies. When the programme relocated from Glasgow to Cardiff, Henson moved with it, as did Grierson's PA, Rachel Collins. She and Henson married in Glasgow in 1961 and had two sons, Stephen and Peter. Sadly, the marriage did not last. In the early sixties, Henson accompanied Grierson to the Cork Film Festival, where he discovered an affection for Ireland. He also forged a life-long friendship with the late Irish broadcaster, Kevin O'Kelly. Reunited in film again with McConnell, the pair worked for Robert Riddell Black's Templar Films in Lynedoch Street, Glasgow. The company had just achieved the astonishing feat of winning a Hollywood Oscar for Seawards the Great Ships (1962), the stylish documentary on Clydeside shipbuilding directed by the American, Hilary Harris. Seawards was one of 16 films made by Templar for Films of Scotland, run by Forsyth Hardy whose mission was to gain commercial cinema releases at a time when it was conventional for there to be a short documentary (and often a newsreel) to precede the screening of the main feature. For example, Henson's Why Scotland, Why East Kilbride was screened with The Sting. A promotional New Town film, it was Henson's least favourite work while, as he pointed out, it was viewed by many more people than any of his other films. Directed by Henson, with McConnell as cinematographer, The Big Mill (1963) celebrated the steel works at Ravenscraig and Gartcosh. It was a classic high-value Griersonian documentary, and it too won international awards. Henson would say that it was the favourite of his works. Two years previously, he had made his directorial debut with The Heart of Scotland (1961). Again, Grierson was his mentor – he provided the outline treatment – and there was yet more support from the great man when Henson and McConnell were setting up their own independent film company. Grierson's Canadian company was International Film Associates; he permitted the new outfit to be called International Film Associates (Scotland). It was under the banner of IFA that Henson was to make the next major move: to add features to his documentary output. Forsyth Hardy had always wanted Films of Scotland to migrate from documentary to fiction. Perhaps he knew that the life of cinema documentary was nearing its end and that the rising Scottish talent, led by such as Henson, needed a new challenge; so Flash the Sheepdog (1967), from the story by Kathleen Fiddler, was directed by Laurence Henson, who also wrote the screenplay. Read more Tributes to Dundonian who became eminent director of the stars | The Herald 'First-class' producer at BBC Scotland and promoter of Gaelic dies | The Herald 'He never gave up': tributes to patriarch of Scottish undertakers | The Herald It concerned a London boy who comes to the Scottish Borders and learns the local ways. Made for the Children's Film Foundation, which catered for Saturday Morning matinees, it was an excellent way to learn the trade and led to further commissions for IFA – The Big Catch (1968) and Mauro the Gypsy (1973). The Duna Bull (1972), however, was Henson's pitch to an adult audience, with the whimsical story (based on a real event) of an island community which needed an appropriate beast to sustain their way of life. Henson's trajectory from amateur via television and documentary to features, was remarkable. He had been fortunate in his association with Grierson and Hardy, and in his partnership with McConnell. But it required character and determination to capitalise on the opportunities that had been presented to him, and the sense that he had benefited from the encouragement of others translated into his own desire to help the next generation of aspiring film-makers. However, in the late 1980s, Henson's life changed direction in a remarkable way. He had met Ruth Jacob who was visiting Scotland from Dublin, and the upshot was they became partners and moved to Ireland, first to Bray in County Wicklow, and then to Strokestown in County Roscommon, where they became very much part of the community, thus reaffirming his connection with Ireland. Another change for Henson was that now he was able to pursue his love of language by becoming a poet and being involved with local poetry groups and publications, even though he never lost his desire to make movies, which remained his motivational passion. His profound sense of place, and how the land shapes the people, always shows through in his films. Though a project on the Highland Clearances was an ambition that attracted well-known actors but not the requisite finance, a decades-long scheme did come to fruition in 2014 with Documenting Grierson, thereby completing the circle of his work. In that context, too, Henson ran occasional seminars in Dublin on screenwriting, under the title Writing Movies. Henson's poetry reveals a man of wit and warmth and of considerable ability with words, but his role in the development of the Scottish film industry was pivotal. He was ahead of most of his contemporaries in the progress to feature films and in the nurturing of talents such as Charlie Gormley and Bill Forsyth, who would go on to make it perfectly natural for Scots to create movies that reflected our culture. For paving that way, and for making excellent films in both documentary and feature, Laurence Henson deserves our overdue recognition and gratitude. DAVID BRUCE AND STEPHEN HENSON At The Herald, we carry obituaries of notable people from the worlds of business, politics, arts and sport but sometimes we miss people who have led extraordinary lives. That's where you come in. If you know someone who deserves an obituary, please consider telling us about their lives. Contact
Daily Mirror
36 minutes ago
- Daily Mirror
Prince William's unexpected response after Oscar-winning actress's cheeky request
When one Oscar-winning actress was awarded her damehood at Buckingham Palace, her bold request of Prince William left the royal bashful and laughing Iconic British actress Emma Thompson has had several memorable encounters with Prince William over the years, including being asked to be a presenter at the first annual Earthshot Prize Awards, and a hilarious video call between the unlikely pals. But arguably the most unforgettable moment they shared happened in 2018, when Thompson was invited to Buckingham Palace to receive her damehood for her outstanding contribution to the arts and entertainment. Reflecting on the moment while on the press tour for her 2021 film Cruella, she revealed that she cheekily asked William for a kiss. Speaking via a video link, Ms Thompson joked about her unique request to Prince William, who has a knack for forging friendships with A-list film stars, as he handed over her award. She explained: "Prince William was absolutely fantastic. I wrote him a fan letter afterwards. His face and body language, so kind and generous to every single person. I've known him since he was little really. I've always liked him. "I couldn't believe how tall he'd got. I did say, 'I suppose I better not kiss you' and he said, 'Probably better not.' I asked him about him and he said, 'Will you please stop talking about me, it's about you.' What a nice man." Both William and Princess Kate had another memorable moment with the actress several years ago, as the Waleses spoke with Emma Thompson and her Cruella co-star Emma Stone in a video call. The group discussed plans to host NHS Charities Together and NHS staff at a unique drive-in cinema screening of the new film at the Palace of Holyroodhouse, and got side-tracked as they joked about behind the scenes secrets. Speaking to the couple ahead of the screening, Thompson said: "Wait till you see the clothes, it's unbelievable." Then, gesturing to Kate, the actress said "you're going to want all of Emily's [Emma Stone's] clothes, they're so amazing. Obviously you won't be able to wear them in public but they're so brilliant." Thompson - who played the role of The Baroness in the film - also shared an excellent story with the royal couple about the time she didn't want to wait in the traffic and decided to travel on the London Underground in her eccentric movie costume. She revealed: 'One day when we were shooting there was a demonstration on in London and our car couldn't get to where we were shooting in Covent Garden so I said we've got to get out and we've got to go by Tube. "I was in a wig and huge make-up, you'll see my eyelashes, I look like a llama. And we got on the Tube to go to Covent Garden and I thought it's going to be fine, it's 9 o'clock Sunday morning, there won't be anyone on the train. It was rammed, rammed and no-one took the slightest bit of notice, they all clearly thought I was a drag act on the way home!" Kate then asked the pair whether or not Cruella was a fun film to shoot, with Emma Stone revealing: "It was so much fun, we were all over London, we were in front of Liberty. "They transformed Carnaby Street into 70s London which was amazing and then we were in front of Buckingham Palace at one point. I was riding a motorcycle around The Mall." Prince William joked that "we should have had you stopped, Emma, that's very dangerous!"
Daily Mail
2 hours ago
- Daily Mail
Mom of teen dismembered on first date launches blistering tirade at killer over 'copycat' Netflix-style murder
The family of the teen dismembered on a first date in Wisconsin launched a foul-mouthed verbal attack on the convicted Netflix 'copycat' killer as he faced his sentence. Maxwell Anderson, the 34-year-old who was convicted of killing and dismembering 19-year-old Sade Robinson, was sentenced to life in prison on Friday as Robinson's family delivered painful impact statements. 'My daughter referred to you as a man, you never be a f***ing man, you're a p**** a** b****,' Robinson's mother Sheena Scarbrough told the courthouse, Fox 6 reported. The teenager was brutally murdered in April 2024 after going on a first date with Anderson just days after they met in a bar. The pair had spent the evening of their fateful date getting dinner and drinks at the Twisted Fisherman in Milwaukee before eventually going back to Anderson's apartment. At one point, Anderson turned on the Netflix series Love, Death & Robots. The show's Season 2 finale, 'The Drowned Giant,' depicts the gruesome dismantling of a gigantic human body on a beach. Prosecutors claimed that Anderson mutilated Robinson's body on a Wisconsin beach overlooking Lake Michigan - a jarring detail that was almost too much to stomach for the jury. Sade Robinson (pictured) was brutally murdered in April 2024 after going on a first date with Anderson just days after they met in a bar 'I was like... that's disgusting because that could have been where he got some of his ideas or fantasies,' juror Melissa Blascoe told the Milwaukee-Journal Sentinel. 'I physically felt like I was gonna throw up at that point. I know a lot of people were shaking and crying.' Anderson was also charged with arson and hiding a corpse in connection with her death. He was found guilty on all counts. Robinson's father, Carlos Robinson, said to Anderson in his statement: 'You deserve what you get. He deserves the punishment that he gave to my daughter.' The teen's sister, Adrianna Reams, said Anderson's brutal killing of her sister continues to haunt her. 'I cannot meet any person without the fear that they're going to harm or kill me because all my sister did was meet someone and, as a result, he ended her life,' she said. 'The only one who took that from her is the man sitting right there. I beg you to not... I beg you to not let this man have any type of parole.' Judge Laura Crivello said Anderson had told a pre-sentence investigator he regretted not walking the teen to her car because she was abducted outside his home. 'I did not commit these crimes. And so I plan to appeal these crimes, while I hope and pray that further investigations not only prove my innocence but find and deliver true justice,' Anderson said publicly, speaking on the case for the first time. 'I don't think you're remorseful in any way,' Crivello said, Fox 6 reported. Anderson's father, Steven Anderson, made an emotional statement, and said: 'To Sade's family, there are no words I can share that will reduce your pain. 'To Max... we want you to know that we love you and support your plans for self-improvement.' Robinson's mother added: 'I'm gonna respectfully request that you confess where the rest of my daughter's crown is... you've already done the worst. You can at least give us that much.' Investigators said that Anderson is believed to have spread her remains around Milwaukee County and burned her car to hide evidence. Disturbing images showed Robinson being groped by Anderson while she lay face down on his couch, and prosecutors said she was far too incapacitated to have resisted. One image shows Anderson holding Robinson's right breast as she lay unconscious. That breast would later be cut off her body. 'This is his trophy in a way,' Blascoe said about the images taken by Anderson. 'Those pictures will be in my mind for quite some time.' Surveillance video showed Robinson's car leaving the apartment in the early hours of April 2 before arriving at the beach along Lake Michigan shores. The young student's disappearance sparked concern when she didn't appear for work the next day. Her manager, Justin Romano, told CNN that Robinson was 'very outgoing, she would talk to everybody here. She was always there to lighten the mood.' Romano said her not showing up for work 'wasn't like her at all,' and added: 'We kind of knew something was up; we had been calling her all day.' Anderson is believed to have cut her body into pieces and burned her car behind an abandoned building before taking a bus back to his apartment. Within the car, despite 'extreme fire damage,' investigator's identified the outfit Robinson had been wearing on the night of the date as well as part of an iPhone consistent with hers burned in the car, CNN reported. Police then were called to Warnimont Park where a human leg, that appeared to have been 'sawn off' at the hip, was discovered. The leg was then identified as Robinson's. A 'confidential informant' claimed that Anderson had planned to kill Robinson weeks prior to her death, Fox News reported. Anderson's attorney, Tony Cotton, argued, however, that the prosecution showed no evidence of Anderson's intention to kill Robinson. Cotton also pointed out he made no attempt to conceal himself on public transport home, and was wearing clean clothes despite having allegedly cut up her body in a muddy park. Jurors reached their verdict within an hour on the ninth day of trial. 'While we are satisfied with this verdict, our hearts go out to the family of Sade Robinson,' Milwaukee County Assistant District Attorney Ian Vance-Curzan said.
