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Ana Maria Gonçalves becomes first Black woman in Brazil's literary academy

Ana Maria Gonçalves becomes first Black woman in Brazil's literary academy

The Guardiana day ago
Brazil has elected its first Black woman to the Brazilian Academy of Letters, founded in 1897 and modelled on the Académie Française.
Ana Maria Gonçalves, 54, is one of Brazil's most acclaimed contemporary authors, and her election on Thursday is being widely celebrated by writers, activists, literary scholars and president Luiz Inácio Lula da Silva.
Her most famous work, Um defeito de cor (A Colour Defect) is still untranslated into English. It is a 950-page historical novel that she describes as 'the history of Brazil told from the point of view of a Black woman'.
Recently selected as the greatest work of Brazilian literature of the 21st century so far by the newspaper Folha de S Paulo, the book achieved the rare combination of both critical and popular success, with more than 180,000 copies sold since its release in 2006.
Celebrating Gonçalves's victory, Lula wrote that the book was his 'companion' during his 580 days in prison, 'and I always make a point of recommending it to everyone.'
Now, the author hopes that her election to the 128-year-old academy – whose primary mission is the preservation of the Portuguese language and Brazilian literature – may help correct what she sees as a longstanding historical injustice.
'I'm the first Black woman, but I can't be the only one,' said Gonçalves, who will be just the sixth woman among the 40 members, or 'immortals', as they refer to themselves. Apart from two Black men and the first and only Indigenous writer to join the institution, all the others are white men.
'I can't carry the weight of representing an entire population that continues to be marginalised and that is itself incredibly diverse,' she said.
The academy had as its first president a Black man, Joaquim Maria Machado de Assis, widely considered the greatest Brazilian writer of all time. Despite still being known as the House of Machado de Assis, the academy has since had only a handful of other Black men as members – something many see as a stark illustration of how racism operates in a country where more than half the population is of African descent.
Poet and translator Stephanie Borges, 40, believes Gonçalves's election will encourage more Black women to become readers and writers. 'When it's us telling our own stories, we invite those who look like us to come closer to literature,' she said.
Cidinha da Silva, 58, author of more than 20 books, is keen to stress that Gonçalves was not elected because she is Black, but 'because she is one of the greatest living writers in Brazil'.
There were 13 candidates in the running, and of the 31 members who voted in Thursday's election, 30 chose Gonçalves – the remaining vote went to Eliane Potiguara, 74, who had hoped to become the first Indigenous woman to join the academy.
Gonçalves had to run a sort of 'campaign' – though she emphasises she never asked for votes – in which she sent a copy of her book and a personal letter to each member, and phoned some of them to discuss her work.
In 2018, another celebrated Black writer, Conceição Evaristo, 78, also stood for election, but received just one vote.
'The academy does need more women, more Black people, Indigenous people, and people from other parts of Brazil,' said Gonçalves. 'And I hope that now, from the inside, I can help make that happen.'
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This list of the greatest children's books is dominated by titles published before the millennium – but that's no reflection on the writers of today. Yes, we live in boom times for children's fiction, with more books being published than ever before, and in the 10 years that I've been reviewing children's literature for The Telegraph, seldom a month has gone by when I haven't been sent a picture book or debut novel that has made my heart sing. But even the most brilliant books take time to become national treasures – and future generations must decide which works by today's authors have earned their immortality. The stories here have already passed the test of time – and their messages remain as pertinent as ever. Jump to the age-range you're looking for: One-year-olds The Very Hungry Caterpillar (1969) by Eric Carle The best picture books tend to be those that take an idea and spin it out in as few words as possible. Carle's masterpiece is a case in point, telling the story of a 'very hungry caterpillar' who feasts on different foods before pupating and becoming a butterfly. The book has inspired Marxist, feminist and queer interpretations, but was described by its late author simply as 'a book of hope', showing how even the most seemingly insignificant creature can grow up and unfold its talent. Buy the book Where's Spot? (1980) by Eric Hill Spot, a mischievous yellow puppy, has delighted children in 60 languages, and become one of the world's most instantly recognisable children's characters. This book was followed by eight more, involving adventures with parents and grandparents, and a conglomerate of animals including a crocodile and a hippo. Mishaps occur – a lost bone, a broken window – but the suspense is always gentle, and the 'lift-the-flap' mechanism, of which Hill was the pioneer, turns each story into a gleeful game of hide-and-seek. ('Is he in the box? 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'In the sea, once upon a time, O my Best Beloved,' begins this mesmerising anthology, which has enlightened generations of children as to how the Leopard got his spots, and how the Elephant's Child on the banks of 'the great grey-green greasy Limpopo River' acquired a trunk. Buy the book The Magic Faraway Tree (1943) by Enid Blyton In a similar vein, Enid Blyton has never been forgiven for creating a Toytown in which golliwogs stole cars. It hasn't relaxed her stubborn hold on young imaginations: her 600-odd titles still sell at the rate of one per minute. The Magic Faraway Tree demonstrates her winning formula, using brisk prose and suspense to tell the story of three children who discover an Enchanted Wood. You'll search Blyton's work in vain for literary flourishes or grand ideas, but her magical land of Wishing Chairs and Find-Outers has attained literary immortality. Buy the book Six- to eight-year-olds The Lion, the Witch and the Wardrobe (1950) by CS Lewis CS Lewis's postwar fantasy has inspired more literary analysis than almost any other work of children's fiction; but it's part of the novel's magic that its subtext can be enjoyed in blissful ignorance. Countless fans have reported that they read it for the first time unaware even of its Christian allegory – let alone the academic theories that link the trees in the Narnian woods, like Kerr's hungry tiger, to the Gestapo. Lewis understood the unbridled power of a child's imagination: no eight-year-old who has followed the adventures of the Pevensie children will look on a wardrobe the same way again. Buy the book Charlotte's Web (1952) by EB White More than 70 years on, EB White's novel continues to tug on young heartstrings. On a farm in Maine, a pig named Wilbur befriends a wise spider called Charlotte, who saves him from the slaughterhouse by writing messages in her web to the farmer. White's simple, sensory prose captures the wonders of the natural world, while portraying the animals with a frankness that avoids any cloying sentimentality. 'It's true, and I have to say what is true,' Charlotte explains when Wilbur expresses disgust at her admission that she finds flies delicious. Buy the book Charlie and the Chocolate Factory (1964) by Roald Dahl Many consider this novel, recounting a 10-year-old boy's adventures inside the factory of the eccentric chocolatier Willy Wonka, to be Dahl's masterpiece. It's a story of extraordinary invention and simple humanity, whose fantastic images – the Oompa-Loompas, the Chocolate River – have become fixtures of our literary landscape. And of all Dahl's characters, Wonka best embodies the author's anarchic spirit, with that tantalising taste for the macabre: 'Everything in this room is eatable. Even I'm eatable! But that is called cannibalism, my dear children, and is in fact frowned upon in most societies.' 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Buy the book Twelve-year-olds and above The Diary of Anne Frank (1947) by Anne Frank 'I hope I will be able to confide everything to you, as I have never been able to confide in anyone, and I hope you will be a great source of comfort and support.' Thus wrote one young German girl in her diary, on her 13th birthday in 1942, marking the first entry in what would become one of the most important documents of the Second World War. At one level, this book, which was first published in 1947, two years after its author's murder in Bergen-Belsen, is the portrait of an ordinary teenager. But Anne Frank was an extraordinarily good writer, and her intense, vivid descriptions of the privations and longings of her years spent hiding in an Amsterdam annex are a literary marvel. Buy the book I Capture the Castle (1948) by Dodie Smith 'I write this sitting in the kitchen sink.' So begins I Capture the Castle (1948), in which our 17-year-old narrator Cassandra Mortmain recounts the highs and lows of her bohemian family as they subsist in genteel poverty in a mouldering castle in 1930s Suffolk. Dodie Smith, who was from Lancashire, wrote the novel while living in California during the war, lending it an almost fevered air of nostalgia: 'A mist is rolling over the fields. Why is summer mist romantic and autumn mist just sad?' There's plenty of comedy, but the book's true magic lies in the raw, luminous vulnerability of the heroine's narration. Buy the book Lord of the Flies (1954) by William Golding This story of shipwrecked English schoolboys, and how they descend into barbarism on a desert island, narrowly escaped oblivion itself. 'Absurd and uninteresting fantasy' was the verdict of one of the nine publishers who turned it down. But Golding's chilling and plainly written portrait of the human struggle between civilisation and savagery has captivated generations of young readers. For all his acclaim, including the Nobel Prize, the author insisted that the secret to his success was simple: 'What matters to me is that there shall be a story with a beginning, a middle and an end.' Buy the book

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