
ActressSaroja Devi donates eyes
The funeral was attended by notable personalities from the Kannada film industry.
Chief minister Siddaramaiah, after paying his respects at her residence in Bengaluru, said: "Her passing is a significant loss to the film industry. She entered the film world at a very young age and dedicated nearly seven decades to it, which is a remarkable achievement. I have met her and share good memories with her and have enjoyed watching her notable films."
In accordance with her wishes, the actress' eyes were donated to Narayana Nethralaya Monday. An official from Narayana Nethralaya confirmed that her corneas were in good condition and have been successfully retrieved.
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Hindustan Times
39 minutes ago
- Hindustan Times
Raj B Shetty on equation with Dulquer Salmaan: Not friends; respect each other immensely
Kannada actor-filmmaker Raj B Shetty has been collaborating with Malayalam actor-producer Dulquer Salmaan for a while, getting the latter to distribute his films in Kerala, and vice versa. This, he says, comes from a place of immense respect, rather than friendship. In fact, Raj says that he does not have a close friendship with Dulquer, and that he prefers to maintain a distance from superstars to maintain a sense of awe. Raj B Shetty and Dulquer Salmaan are frequent collaborators, but not onscreen In Kerala to promote his latest, Su From So, which Raj has produced and acted in, he spoke to Radio Mango and was asked about his relationship with Dulquer. 'His banner had distributed the Malayalam-dubbed version of Toby in Kerala, but after I worked with Mammootty sir in Turbo, the equation with the production and distribution house has gotten better. We distribute his films in Karnataka and request him to do the same for our movies in Kerala,' said Raj. Raj B Shetty: I never become close to a star Having worked together for a while now, does the Kannada filmmaker have a close relationship with Dulquer? 'No; I do message him rarely, but as a policy, I never become close to a star. We adore them, which is easy to maintain if you keep a distance. I don't try to be a friend with anybody, because these are all cinema-related relationships. There is a lot of respect whatever they do in their spheres of work,' he explained. This holds true for Mammootty also, Raj said, adding that while they have cordial conversations when they meet, the latter prefers the happiness he gets in keeping a one-arm distance as a fan and enjoying the bits of information he can gather about the Malayalam superstar from people around him, than asking him directly. So, will there be on an onscreen collaboration too with Dulquer at some point? Raj is not sure if and when that will happen. 'My favourite part of cinema is direction, followed by writing, production and only then, acting. I enjoy the creative process more, which is why I always try to take a step back from acting. But if there is a role that he also thinks I can do justice to, then, maybe we will work together. Right now, there is no such plan,' said Raj.


NDTV
5 hours ago
- NDTV
71st National Film Awards: Was This The Most Commercial Bollywood Year Ever? All Signs Say Yes
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At the 70th National Awards, regional films took home major prizes, including Best Feature Film and Best Actor. Even the year before, regional films dominated categories that Bollywood once called its own. But this year, Bollywood spectacularly reclaimed its lost ground. Hindi films won across all major categories: Shah Rukh Khan bagged Best Actor for Jawan, Rani Mukerji took home Best Actress for Mrs Chatterjee Vs Norway, and 12th Fail, an inspiring real-life drama headlined by Vikrant Massey, won Best Feature Film. Bollywood also secured awards for Best Popular Film (Rocky Aur Rani Kii Prem Kahaani), Best Choreography, Best Child Artist, Best Lyrics, and even Best Hindi Film (Kathal). A still from Kathal Compare this to last year's 70th edition, where Bollywood found itself sidelined. South Indian cinema, Malayalam, Kannada, and Tamil had a near-total sweep. Malayalam film Aattam won Best Feature Film, Best Screenplay and Best Editing, while Kannada film Kantara won Best Popular Film and fetched Rishab Shetty the Best Actor award. Hindi cinema, despite big releases, had to settle for just six awards across all categories, and most of which were not top-tier honours. Even the year before that, at the 69th National Film Awards, it was South Indian cinema again - Tamil, Malayalam and Kannada films - that earned the critical spotlight and national jury approval. Bollywood had receded into the background, mostly with a few wins in less prominent categories. So, What Changed This Year? The big turning point seems to be a shift in how Bollywood now balances spectacle with story. 12th Fail, for example, is a relatively modest Rs 20 crore film, but its powerful real-life story and emotional heft made it both a critical darling and a sleeper hit. A still from 12th Fail On the other hand, Jawan, which cost nearly Rs 300 crore to make, blended mass appeal with socio-political undertones, something that seemed to strike the right chord with both audiences and juries. Shah Rukh Khan, who's been in the industry for over three decades and had never before won a National Award, called the win "something to cherish for a lifetime," adding, "The National Award is not just about achievement, it's a reminder that what I do matters." His sentiment echoed across the industry, where it was widely seen as a moment of overdue recognition. Rani Mukerji, too, called her win a culmination of her 30-year-long career, saying: "It's a validation of my body of work, my dedication to my craft, and my passion for cinema." Her role in Mrs Chatterjee Vs Norway was powerful and rooted in maternal emotion, a far cry from traditional "award-bait" drama. A still from Mrs Chatterjee Vs Norway The Rise Of The Commercial Films This year's awards raise a compelling question: Are we witnessing the most commercial Bollywood year at the National Awards? Going purely by the budgets and scale of the winning films, the answer appears to be yes. Shah Rukh Khan's Jawan is one of the most expensive Indian films ever made, with a budget of around Rs 300 crore. Karan Johar's Rocky Aur Rani Kii Prem Kahaani, which won Best Popular Film and Best Choreography, had a budget of over Rs 160 crore. Even Sam Bahadur, which won for Best Film Promoting National and Social Values, had a budget north of Rs 55 crore. A still from Rocky Aur Rani Kii Prem Kahaani Contrast this with previous winners over the last decade, and the difference is striking. From Village Rockstars (2017, budget: Rs 40 lakh) to Court (2014, under Rs 2 crore), and even Soorarai Pottru (2020, low-budget Tamil film), the National Awards were traditionally a bastion of low to mid-budget regional cinema. Even Best Actor winners reflect that shift: 2017's Riddhi Sen won for the Bengali indie Nagarkirtan (Rs 2-3 crore). 2018 saw Ayushmann Khurrana win for Andhadhun (Rs 32 crore), alongside Vicky Kaushal for Uri (Rs 25 crore). Suriya won for Soorarai Pottru (Rs 45 crore) in 2020. In 2022, Rishab Shetty won for Kantara, a Rs 16 crore film rooted in folklore and performance art. This year's winners, by contrast, are from distinctly big-banner productions with wide releases, international promotion and massive box-office ambition. Why Bollywood Was Losing Until Now In the past decade, Bollywood was often criticised for playing it too safe, chasing box office numbers with formulaic rom-coms or action flicks, while South Indian cinema led with bold experimentation, folk-rooted narratives and social commentary. Films like Kantara, Aattam, and Thiruchitrambalam brought fresh voices and formats that made them jury favourites. South Indian films didn't just dominate the screen; they brought stories that had something to say, often without the frills or pretensions of mainstream cinema. Bollywood, during this time, was also dealing with its internal crisis-calls for nepotism reform, creative stagnation and an identity conflict in the post-pandemic OTT boom. The result was a run of critically underwhelming films with bloated budgets and little innovation. But in 2023-24, Bollywood slowly began recalibrating. A Jury With New Tastes The shift is also indicative of changing jury preferences. For years, National Award juries prioritised thematic depth, regional representation and innovation. Now, as the lines blur between "commercial" and "meaningful", especially with the rise of pan-India storytelling and streaming services, there appears to be greater openness toward recognising films that unite mass and critical appeal. A still from Jawan The fact that films like Jawan and Rocky Aur Rani can now be celebrated alongside indie-style entries like 12th Fail or Kathal points to a more inclusive understanding of cinematic merit. The Final Word Whether this year's National Film Awards signal a permanent shift or simply a new chapter in cinema's cyclical evolution remains to be seen. But one thing is clear: this was the most commercial Bollywood has ever been at the National Awards, and it didn't come at the cost of quality. If anything, the industry finally seems to have found a way to be both dazzling and deserving, crowd-pleasing yet credible. And for stars like Shah Rukh Khan and Rani Mukerji, who waited over 30 years for this recognition, it's the kind of validation that suggests the heart of Bollywood is still very much in the right place, even when the budgets soar sky-high.


The Hindu
7 hours ago
- The Hindu
Kargil war veteran turns filmmaker to fight suicide crisis, wins accolades
Gurrapu Jagadishwar Rao, a former Group Captain of the Indian Air Force and Kargil War veteran, has turned to cinema to spread awareness about suicide prevention. The 67-year-old from Kazipet, Telangana, has produced a feature film titled September-10 — named after World Suicide Prevention Day — as part of his ongoing efforts in mental health advocacy. Captain Rao is also credited with influencing the Telangana government to launch a 24x7 toll-free suicide prevention helpline (104) after he authored a book in Telugu on preventive strategies. 'I witnessed the supreme sacrifices of my colleagues during the war. In contrast, I was deeply moved by the preventable deaths by suicide of farmers, students, entrepreneurs and lovers, each case a tragic waste of life. To check this tendency, I visited many villages in Telangana and spoke to the kin of those who died by suicide. I was doing my management course at the ASCI, Hyderabad, during my research on suicides,' Captain Rao says. Following his retirement in 2016, Captain Rao resolved to dedicate his life to suicide prevention. 'Cinema is the most powerful medium to reach the masses. That's why I produced this film in both Kannada and Telugu with English subtitles, to offer hope and educate people through stories drawn from real-life situations,' he explains. The movie recently won three awards — Best Social Film, Best Concept Film and Best Director — at the 17th International Film Festival of Hyderabad Charminar (IFFHC) 2025. Veteran director Om Sai Prakash, who helmed the project, received the Best Director award. 'I am thankful to the director for translating the essence of my book into a compelling narrative,' says Captain Rao, who previously implemented a successful suicide prevention model within the IAF during his service as a Class-I Education Officer. Though September-10 is yet to be released in theatres, it has already attracted critical acclaim. Popular South Indian actor Suman, who attended the festival screening, remarks, 'The film presents the subject of suicide with honesty and emotional depth. It is more than a film; it is a mirror to the silent struggles of people from different walks of life. It urges society to listen, empathise and act with compassion.' Sarah Afreen, a psychiatrist from the Institute of Mental Health at Erragadda in Hyderabad, also praises the film for its psychological depth and sensitivity. 'The film avoids sensationalism and portrays suicide as the result of prolonged emotional suffering, loneliness or trauma. The characters are portrayed with authenticity, making their pain both palpable and relatable,' she says. She adds that the film effectively captures psychological themes through symbolic cinematography using silence, shadows and visual metaphors to communicate isolation and despair. 'It underscores the role of empathy and timely psychological support. Even a single compassionate conversation can make a difference,' notes. A narrative of 5 stories Possibly the first feature film globally to depict a wide spectrum of suicides in a single narrative, September-10 is structured around five interconnected stories. Each segment highlights a different trigger while advocating preventive measures. Farmer Suicides focuses on economic distress caused by crop failures, mounting debts and societal pressures, including dowry demands. Lovers' Tragedy is a rural love story involving two agricultural graduates who are torn apart by class divide and parental opposition, leading the couple to despair. Businessman's Crisis is centered on a self-made entrepreneur who faces financial ruin after risky investments made to meet his spouse's unrealistic ambitions. Student Struggle explores the tension between parental academic expectations and a teenager's passion for sports, leading to internal collapse. Parental Pressure is about a girl, who, burdened by her mother's demand for near-perfect academic scores to secure an overseas job, spirals into hopelessness. A psychiatrist character connects the five narratives, guiding the families toward recovery and reinforcing the central message that suicide is preventable through understanding, timely intervention and emotional support. The film also features stories of people with physical and intellectual disabilities who defy adversity, sending a message of resilience and hope. 'September-10 is not just a film, it is a movement. It urges society to see the warning signs, have open conversations and ensure no one feels so alone that death seems like the only way out. The film's runtime is 1.52 hours,' Captain Rao said, adding that he spent ₹80 lakh on the film production. Several NGOs and associations in Hyderabad are gearing up to screen the movie in September and October for students and the public at large. (Assistance for overcoming suicidal thoughts is available on the State's health helpline 104, Tele-MANAS 14416. and Sneha's suicide prevention helpline 044-24640050)