logo
‘Final Destination: Bloodlines' Is Now Streaming—How To Watch The Horror Sequel At Home

‘Final Destination: Bloodlines' Is Now Streaming—How To Watch The Horror Sequel At Home

Forbes17-06-2025

Final Destination Bloodlines
Courtesy of Warner Bros.
The wait is finally over for horror fans! After its successful theatrical release in May, Final Destination: Bloodlines, the highest-grossing film in the beloved franchise, is now available to stream from home. Read on to learn how to watch it for your next scary movie night.
Directed by Zach Lipovsky and Adam B. Stein, Final Destination: Bloodlines marks the sixth installment in the Final Destination film franchise, which includes Final Destination (2000), Final Destination 2 (2003), Final Destination 3 (2006), The Final Destination (2009), and Final Destination 5 (2011).
The film takes audiences 'back to the very beginning of Death's twisted sense of justice,' according to the synopsis. 'Plagued by a violent recurring nightmare, college student Stefani heads home to track down the one person who might be able to break the cycle – her grandmother, Iris – and save her family from the grisly demise that inevitably awaits them all."
Ahead of its digital debut, the sequel has grossed $271 million worldwide, including an impressive $130 million in domestic sales. It is now the highest-grossing Final Destination movie in the long-running franchise, surpassing 2009's The Final Destination, which holds second place with $66 million, according to Box Office Mojo.
Final Destination: Bloodlines is also the best-rated Final Destination installment on Rotten Tomatoes, boasting a 92% critics score based on 209 reviews and an 87% audience score from over 5,000 verified ratings.
In his glowing review for The Wrap, film critic William Bibbiani praised the film. 'We're here for the kills and, again, every single kill in 'Final Destination Bloodlines' is a winner," he wrote. "Every time a head explodes, which is a lot, you'll want to stand up and cheer. We know the cast and crew can't hear us. Duh. It's a knee-jerk, instinctual reaction to dazzling showmanship.'
Final Destination: Bloodlines
Courtesy of Warner Bros.
Final Destination: Bloodlines is currently available to stream on video-on-demand platforms, including Amazon Prime Video, Apple TV+ and Fandango At Home. You can purchase Final Destination: Bloodlines for $24.99 or rent the film for $19.99. For rentals, you have 30 days to start watching the video and 48 hours to finish once started.
Final Destination Bloodlines
Courtesy of Warner Bros.
Final Destination: Bloodlines will be released on Blu-ray, DVD and 4K Ultra HD on July 22, 2025. The Final Destination 6-Film Collection will also be available on Blu-ray and DVD the same day.
Both the digital and physical editions of Final Destination: Bloodlines will include special features. Check them out below.
Final Destination: Bloodlines
Courtesy of Warner Bros.
Final Destination: Bloodlines is distributed by Warner Bros., which means the supernatural horror film will arrive on Max at a later date. The studio typically adds its theatrical releases to the platform between 60 and 100 days after their premiere. With that timeline in mind, Final Destination: Bloodlines could arrive on Max sometime between mid-July and late August 2025.
Looking at other Warner Bros. films, the studio's blockbuster hit A Minecraft Movie is launching on Max on June 20, more than two months after its theatrical debut. Godzilla x Kong: The New Empire began streaming on Max 97 days after its release in theaters, while the 2023 movie musical Wonka had a shorter window, arriving on Max 84 days after hitting theaters.
Stay tuned to find out when exactly Final Destination: Bloodlines will begin streaming on Max. Watch the official trailer below.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Apple gets much-needed win as 'F1' speeds to big opening weekend
Apple gets much-needed win as 'F1' speeds to big opening weekend

Business Insider

time12 hours ago

  • Business Insider

Apple gets much-needed win as 'F1' speeds to big opening weekend

Apple's Formula One-inspired film went full-throttle this weekend at the domestic box office. " F1" has earned over $55 million domestically since debuting in theaters on Friday, according to Warner Bros. The sports drama, starring Brad Pitt and Damson Idris, managed to beat out Universal Pictures' live-action remake of " How to Train Your Dragon" and Disney's " Elio" to place first at the box office. Overseas, "F1" raked in over $88 million for a total of $144 million globally. This weekend's numbers are a victory for Apple, which heavily promoted the film and its stars ahead of the premiere. iPhone users received a notification offering discounted tickets, could use Apple Maps to view the race tracks where the crew filmed, and gained access to a special version of the trailer that activated the iPhone's haptics to match the vehicle's engines onscreen. Idris briefly donned a F1 driver uniform at the 2025 Met Gala in May, while Pitt made a surprise appearance at a New York City-based Apple store this month. While Apple is one of the world's most influential tech giants, original film production is a newer division for the company, meaning it's still catching up to major studios like Paramount Pictures, Sony Pictures, and Walt Disney Studios. Films like "Killer of the Flower Moon" in 2023 helped bolster the studio's clout but haven't done much for its bottom line. Apple's streaming service, meanwhile, has also had some hits recently with Seth Rogen's "The Studio" and the dystopian workplace drama "Severance." It still lags far behind streamers like Netflix, however. Business Insider's Peter Kafka has wondered aloud about Apple's long-term strategy for its theatrical releases. Is it an expensive marketing play that could ultimately bolster its core business: iPhones? Or is this an effort to diversify as iPhone sales plateau? Or something else entirely? Apple's latest film came after its annual Worldwide Developers Conference earlier this month. Although the company unveiled its new "Liquid Glass" software, Wall Street analysts were left underwhelmed that no "killer" AI feature was offered. After the lackluster conference, the success of "F1" will likely come as a relief to Apple insiders. "I know there's a lot of different views out there about why we're into it," Apple CEO Tim Cook told Variety earlier this month, referencing the company's movie business. "We're into it to tell great stories, and we want it to be a great business as well. That's why we're into it, just plain and simple."

Brad Pitt's ‘F1' Delivers Apple's First Box Office Hit With $55.6 Million Debut, ‘M3GAN 2.0' Fizzles With $10 Million
Brad Pitt's ‘F1' Delivers Apple's First Box Office Hit With $55.6 Million Debut, ‘M3GAN 2.0' Fizzles With $10 Million

Yahoo

time12 hours ago

  • Yahoo

Brad Pitt's ‘F1' Delivers Apple's First Box Office Hit With $55.6 Million Debut, ‘M3GAN 2.0' Fizzles With $10 Million

It's lights out and away we go at the box office as 'F1,' a big-budget racing drama starring Brad Pitt, impressively revs to $55.6 million in its domestic opening weekend. With great reviews and a promising 'A' grade on CinemaScore exit polls, 'F1' landed in the middle of expectations of $50 million to $60 million. Those initial ticket sales are significant given 'F1' is an adult-skewing tentpole that's not part of an existing film franchise — a rarity in today's I.P.-dominated movie theater landscape. Directed by 'Top Gun: Maverick's' Joseph Kosinski, 'F1' follows Pitt as a retired Formula One driver who is convinced to return to the popular motorsport to coach a slick rookie (Damson Idris). More from Variety 'M3GAN 2.0' Costume Designer on How Farrah Fawcett and Judy Jetson Inspired M3GAN's Armor Box Office: 'F1' Leads the Pack With $25 Million Opening Day, 'M3GAN 2.0' Not So Fab in Fourth Place Debut Box Office: 'F1' Makes $10 Million in Previews, 'M3GAN 2.0' Has $1.5 Million 'F1' also marks the first commercial hit for Apple, the tech giant that financed the nearly $250 million movie. (Apple put the production budget at $200 million but others have reported the number is closer to $300 million). That's not including the many millions on promotional efforts, including a globe-spanning press tour. And since Apple doesn't have a distribution arm, the company is paying a fee to Warner Bros. to put the film in theaters; the studio also receives a percentage of theatrical revenues that increases with certain box office benchmarks.) Unlike a traditional studio, Apple, with its $3 trillion market cap, is less dependent on box office revenue and home entertainment sales to justify its investment in mega-budgeted films. The company views its movies and television shows as a marketing vehicle for its technology and Apple TV+. With that vast reach, Apple has unique ways of promoting its movies, such as placing the 'F1' trailer on the home screen of its streaming service and enabling iPhone push notifications for 'F1' that offer a $10 discount when moviegoers buy two or more tickets on Fandango. In a recent Variety cover story about Apple's film and TV ambitions, CEO Tim Cook says he doesn't view the content side as a way to move the hardware sales that fuel its core business. 'I don't have it in my mind that I'm going to sell more iPhones because of it,' he said of 'F1.' We're into [entertainment] to tell great stories, and we want it to be a great business as well.' Since Apple's foray into theatrical, however, the company has backed underperforming epics (Martin Scorsese's 'Killers of the Flower Moon' and Ridley Scott's 'Napoleon') as well as critically reviled flops ('Fly Me to the Moon' and 'Argylle') without a single profitable film to show for its ambitions. 'F1' has a long and winding road to profitability, to be sure, but this is Apple's closest attempt to all-audience blockbuster territory. 'F1' has generated $144 million globally after three days in theaters, nearly outgrossing the entire theatrical run of 'Killers of the Flower Moon' ($158 million worldwide) and soon-to-outpace 'Napoleon' ($221 million) as Apple's highest-grossing movie. 'A lot about this movie looks easy, like a sure-fire hit, but it's not,' says David A. Gross, who runs the FranchiseRe movie consulting firm and referred to 'F1's' start as 'outstanding.' 'Race car films and sports dramas have a long and mixed track record. This time, everything is working.' With 'F1' in pole position, box office competitors were left in the dust. This weekend's other major release, Universal and Blumhouse's campy horror sequel 'M3GAN 2.0,' fizzled in fourth place with $10.2 million. The film, which sees M3GAN (short for Model 3 Generative Android ) rebuilt with advanced upgrades to stop a humanoid military robot that's attempting an AI takeover, collected another $7 million from 80 international markets for a $17 million global tally. It's not a terrible start for the modestly budgeted thriller, which earned a 'B+' on CinemaScore exit polls (above the 'B' grade that was bestowed to 2023 film 'M3GAN'). But those ticket sales are a steep drop from the original sleeper hit, which ignited to $30.4 million domestically and $45 million globally during the notorious box office dead zone of January. With a $25 million price tag, 'M3GAN 2.0' won't require a ton of coinage to turn a theatrical profit. But a weak turnout for the sequel suggests the murderous A.I. doll with killer dance movies was more of a one-off viral phenomenon rather than the face of an enduring film franchise. That could be a problem since a spinoff, titled 'Soulm8te,' is set for 2026. 'The idea of a child-sized humanoid robot doll powered by AI generated a lot of interest the first time, but that interest has fallen apart,' says Gross. 'Nothing appears to be wrong with the movie [but] the story is struggling to show something new, and fans are moving on.' Elsewhere, holdover titles rounded out the top of box office charts. Universal's 'How to Train Your Dragon' slid to second place after two weekends in the No. 1 spot. The live-action remake added $19.4 million in its third weekend of release, bringing its North American tally to $200.5 million. Globally, the action adventure has collected $454.5 million to date. In third place, Disney's intergalactic Pixar adventure 'Elio' continues to face fierce headwinds from fellow PG offerings 'How to Train Your Dragon' and another Disney tentpole, 'Lilo & Stitch.' In its sophomore outing, 'Elio' brought in $10.7 million from 3,750 venues. That's a 49% decline from its $20 million debut, which ranked as the worst start in modern history for Pixar. Despite solid reviews and positive audience scores, 'Elio' has grossed only $73 million worldwide. The $150 million-budgeted property is shaping up to be a big money loser for Disney. At Disney, though, the enduring success of 'Lilo & Stitch' will help to offset any theatrical losses from 'Elio.' After six weekends on the big screen, the live-action 'Lilo & Stitch' has grossed $946 million and will eventually be the year's first billion-dollar blockbuster. A live-action sequel is already in the works. More to come…. Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar

Brad Pitt's 'F1' cruises to top of N.America box office
Brad Pitt's 'F1' cruises to top of N.America box office

Yahoo

time12 hours ago

  • Yahoo

Brad Pitt's 'F1' cruises to top of N.America box office

"F1: The Movie," starring Brad Pitt as a washed up Formula One driver who gets one last shot at redemption, sped to the top of the North American box office in its debut weekend with $55.6 million in ticket sales, industry estimates showed Sunday. "This is an outstanding opening for an original action sports drama," said David A. Gross of Franchise Entertainment Research, noting that both critics and audiences have loved the racing film from Apple and Warner Bros. "How to Train Your Dragon," Universal and DreamWorks Animation's live-action reboot of the popular 2010 film, slipped to second place with $19.4 million, according to Exhibitor Relations. The family-friendly film tells the story of a Viking named Hiccup (Mason Thames) who strikes up a friendship with Toothless the dragon. In third place was Disney/Pixar Animation's latest original film "Elio," at $10.7 million in the United States and Canada. "Elio" tells the story of a young boy who is mistaken by aliens as an intergalactic ambassador for Earth. The voice cast includes Oscar winner Zoe Saldana. "M3GAN 2.0," the sequel to Universal's 2022 film about a murderous doll, opened in a disappointing fourth place with $10.2 million. "The idea of a child-sized humanoid robot doll powered by AI generated a lot of interest the first time, but that interest has fallen apart," Gross said. In fifth place was Columbia Pictures' zombie sequel "28 Years Later," which took in $9.7 million. Critics' reviews and audience ratings have been strong for the Danny Boyle-directed threequel, which picks up -- as the title suggests -- more than a generation after the initial outbreak of the Rage Virus. Rounding out the top 10 were: "Lilo & Stitch" ($6.9 million) "Mission: Impossible -- The Final Reckoning" ($4.2 million) "Materialists" ($3 million) "Ballerina" ($2.1 million) "Karate Kid: Legends" ($1 million) bur-sst/md

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store