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Match Your Stripes While Traveling With My Style Bags' New Collab

Match Your Stripes While Traveling With My Style Bags' New Collab

Yahoo24-05-2025
MILAN — Just as the days get warmer and the weekend getaway becomes Italians' favorite activity, My Style Bags deepened its commitment to help customers pack for the occasion with its latest collaboration.
The accessories brand has joined forces with VitoVi, the Italian indie label that specializes in blazers and was launched by Maria Vittoria Lazzarini Merloni in 2020.
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Sharing a traceable Made in Italy supply chain, a laid-back aesthetic and attention to details, the two brands developed a focused range marked by Riviera-ready stripes.
The range includes My Style Bags' signature Harvard roomy duffel bag and its matching beauty case, both crafted in a red-and-cream fabric blending linen and cotton.
In the same vein, VitoVi reinterpreted two of its bestselling designs: the Anyway single-breasted jacket that with its two buttons and big lapels is the brand's versatile go-to item; and the Very cropped style with a more contemporary flair. A striped garment bag rounds off the travel set.
Retailing with prices between 70 euros for the beauty case to 470 euros for the Anyway blazer jacket, the VitoVi x My Style Bags capsule launched Wednesday at the accessories brand's two stores in Milan and its e-commerce.
As always, an optional customization service personalizing bags with embroidered initials is offered. The service is the signature feature of My Style Bags, which was established in 2008 by Lorenza and Giuseppe Bellora along with Stefano Donadel Campbell, who aimed for an affordable label the prioritized personal messages over brand logos. Embroideries in different colors and font styles can be applied on all the brand's products, which come in canvas, suede, linen, wool and nylon.
The Milan-based accessories label has previously collaborated with companies hailing from different industries, spanning from Luisa Beccaria to outdoor clothing brand Dynamo The Good Company. Last year it released a capsule collection with Philosophy di Lorenzo Serafini, which followed the tie-up with Portofino Dry Gin in 2023.
That same year, famed fabric maker Vitale Barberis Canonico zeroed in on VitoVi to launch its Heritage and New Talents program spotlighting womenswear and emerging designers. The collaboration resulted in 14 takes on the blazer crafted from fabrics normally used in men's drapery.
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This budget-friendly soundbar with Dolby Atmos blew me away — I felt like I was at the movies
This budget-friendly soundbar with Dolby Atmos blew me away — I felt like I was at the movies

Tom's Guide

time2 hours ago

  • Tom's Guide

This budget-friendly soundbar with Dolby Atmos blew me away — I felt like I was at the movies

If one of your primary concerns is cost, then the Sharp 3.1.2 HT-SBW53121 soundbar could be one of the best soundbars for you. At just £329, the soundbar and subwoofer combo provides an immersive Dolby Atmos (and DTS Virtual:X) experience. I could feel the famous James Bond Italian car chase scene in my soul, and physically flinched every time a gun was fired. With a 3.1.2 setup and compatibility with 2.0.2 rear speakers, this soundbar is one of the most affordable ways to elevate any home theatre experience. Sharp also makes a £449 5.1.2 soundbar, which is just as impressive. If you want to upgrade your home setup for the least amount of money possible (who doesn't?) then I can't recommend the Sharp 3.1.2 setup enough. Find out the full story, including its flaws, in this Sharp 3.1.2 HT-SBW53121 review. If you're in the U.S. and want a similar performance, I'd check out the Polk Signa S4 soundbar, which is a 3.1.2 channel setup for $399. Price £329 (+ optional £179 rear surround speakers) Connectivity HDMI (with 4K pass-through), eARC, Optical, Bluetooth 5.3, 3.5mm aux Weight 4.5kg Dimensions 100 x 7.6 x 12.5 cm Colors Black, white Subwoofer Yes Dolby Atmos Yes Channel 3.1.2 The Sharp 3.1.2 HT-SBW53121 soundbar is pretty affordable, all things considered: it's £329 from Amazon U.K. Yep — it's only available in the U.K., so if you're a U.S. reader, I'd recommend the Polk Signa S4 ($399) instead. It has a 3.1.2 setup too, and it's a genuinely fantastic soundbar. As I said, £329 for a soundbar + subwoofer combo is a great deal. Usually, soundbars of this channel setup start from around £400. Heck, the Samsung Ultra Slim soundbar is £549 for a 3.1.2 setup. The Sharp price/performance sacrifice is almost certainly in the subwoofer: I do wish it was more powerful. However, it could be a worthy tradeoff. Sharp also makes a 5.1.2 channel soundbar and subwoofer for £449, which is also an incredibly reasonable price for a soundbar of this quality. If you want a more immersive experience, I'd recommend that model. Just like its older sibling, the Sharp 5.1.2 soundbar, the Sharp 3.1.2 Soundbar looks like just about every other soundbar. It's quite long, at 40 inches, but relatively low-profile. I was able to fit it on my testing TV's stand easily. Instead of having a plastic or metallic mesh covering, the Sharp 3.1.2 Soundbar is lined with fabric, which gives it a more premium appearance. It's definitely worth taking ease of cleaning into consideration, though: dust could look more prevalent on a fabric soundbar. The top of the mesh houses six buttons that control volume, Bluetooth, and power. I found myself solely using the remote, though. It's quite weighty and well-made when compared to rivals like Bose and Majority's flimsy feeling remotes. At the back of the soundbar, you'll find the ports: there's one eARC HDMI, 2 x HDMI, an Optical, USB, 3.5mm aux, and power input. I tested via eARC, as this provides the best quality. The subwoofer is wirelessly connected, so it only has a power input at its rear. Controlling the subwoofer is easy via the remote, which has subwoofer controls and a bass volume increase. If you want to spend another £179, the 3.1.2 Soundbar is also compatible with Sharp's 2.0.2 rear speakers. I don't think these speakers are essential, but they are nice to have. I found it very easy to connect via the 'Pair' button on the reverse of each speaker. You can also independently increase the volume via the remote control. Considering the £329 price, it's not surprising that the 3.1.2 Soundbar doesn't have a huge range of features. It does, however, have a range of listening EQs. These are: Movie, music, game, night, voice, sport, and independent treble and bass controls. I found myself using 'Movie', which increased the bass. I'd recommend cycling through these features and figuring out which one sounds the best, as there's no one-size-fits-all approach here. The Sharp 3.1.2 soundbar also has Bluetooth connectivity for instant music playback. Accessing the connection is super easy: just press Bluetooth on the soundbar (or change the source input on the remote) and the soundbar will pop up instantly in your phone settings. Again, if you're after a huge range of smart home or AI features, it's worth checking out a pricier soundbar like the Bose Smart Soundbar ($499) or the Samsung Ultra Slim soundbar I mentioned earlier. I don't mind having a simple soundbar, though. If you just want a soundbar that'll make movies sound even more epic, and don't necessarily care about being able to link it to your smart home, then the Sharp 3.1.2 is more than enough. I test every soundbar with 'Top Gun: Maverick' on 4K UHD Blu-Ray, TV shows on Netflix, and music on Spotify and Qobuz. To test the Sharp 3.1.2 Soundbar, I watched 'Top Gun: Maverick', as always. The opening scene has the perfect amount of bass, high-frequency sound effects, and challenging treble, which makes it perfect for testing soundbars. I'm looking for intense bass in the jet engines, clear treble in the 'Danger Zone' track, and clear high-frequency diegetic sounds like ropes whooshing, metal clinking, and radio dialogue. I upped the bass to the max, but I was still a little disappointed by the subwoofer's performance, just as I was with the Sharp 5.1.2 Soundbar. It's to be expected, as the 3.1.2 uses the same physical subwoofer as the 5.1.2. Despite this semi-disappointing subwoofer performance, I was still impressed by the dialogue clarity. The soundbar itself definitely excels with treble; percussion in the soundtrack was rich and piercing without being pinching or tinny. On top of the soundtrack excellence, I never struggled to hear anyone, even over radioed dialogue. I switched it up for the next movie and watched 'Wicked'. I wanted to evaluate the musical performance and figure out if 'Movie' or 'Music' EQ would suit. In both EQ modes, I found the dialogue crystal-clear. The dialogue performance equals that of the Sharp 5.1.2 Soundbar, but, again, the bass was a little disappointing. However, I was still able to enjoy the movie. I wasn't blown away by the Dolby Atmos performance, but 'Wicked' isn't as well-known for Dolby Atmos as, say, 'No Time To Die', which I watched next to test the Sharp 3.1.2 Soundbar's 360° audio performance. In the iconic Matera chase scene, not only was the dialogue clear and audible, but the mixture of the engines, soundtrack, and environmental sounds made for an incredibly immersive listen. I could feel Bond shouting and the squeal of the tyres on the road in my soul. When Bond and Madeline are being shot at, the bullets seem to ricochet off the inside of my brain. I was much more impressed with the Dolby Atmos performance in 'No Time To Die' than 'Wicked'. Actually, 'No Time To Die' was probably the most impressive movie I watched with this soundbar. I would recommend getting this movie just to be amazed by the soundbar's performance. On the whole, I was impressed by the movie performance. I felt immersed in the scenes and I honestly could've been at the movie theatre. I just wish the bass had a touch more power. To replicate real-world usage, I watched TV on the basic tier of Netflix. Not everyone has premium streaming services or UHD 4K Blu-rays, so it's only fair to test with standard resolution audio as well as the premium options. I watched 'Stranger Things' on Netflix, which has a great combination of a synthy, bassy soundtrack, dialogue, and action scenes. Overall, I was really impressed with the performance. Obviously, the lack of bass oomph meant that some action scenes weren't as overpowering as I'd want them to be. Even so, the high-frequency sound effects were clear, which added to the atmosphere. The underground scenes were particularly great: I could really feel the characters' stress due to the immersive soundscape and the buzzing of the fluorescent lights in the scene. This is 100% a worthy upgrade for TV. To test music performance, I listened to a variety of genres using Qobuz, our best music streaming service for audiophiles. 'Money' by Pink Floyd was a little tinny at the top of the percussion section. The bass was a little quiet too, but soundbars are never excellent at music performance. 'Money for Nothing' by Dire Straits was atmospheric at the start and affecting throughout, but, again, disappointing bass. I still had a great time listening to these tracks, but it wouldn't be my first choice of home speaker. 'Bad guy' by Billie Eilish is a very bassy song, so I wanted to see how the Sharp 3.1.2 would deal with its sonic makeup. Surprisingly, it was the best sounding song I listened to on the soundbar. This is likely because there wasn't much sonic differentiation: as the song is almost entirely bass, the subwoofer had to put in extra hours and couldn't sneak away without clocking out. In general, the music performance was a little lacklustre, but soundbars are never amazing in this regard. If you want a home sound system setup, I'd definitely recommend getting some dedicated speakers for music like the Fluance Ri71. For the low, low price of £329, the Sharp 3.1.2 Soundbar is really competitive. The sound excels with dialogue and high-frequency sound effects. With the optional 2.0.2 rear speaker upgrade, the Dolby Atmos performance is truly excellent. However, if you haven't got Premium Netflix or the like, then this 360° audio will be lost. Even so, when I was watching basic tier Netflix, I was still really impressed by the Sharp HT-SBW53121's performance. This is a very versatile setup. It's much better value than the competition, including Bose, Sonos (the $449 Beam 2 is 5.0, so no sub), and Samsung. As a result, I'd recommend the Sharp 3.1.2 Soundbar wholeheartedly for those trying to upgrade their home cinema setup on a budget. As I said earlier, if you're in the U.S. and want a similar performance, I'd check out the Polk Signa S4 soundbar, which is a 3.1.2 channel setup for $399.

A Musician on a Mission to Make Us Pay Attention to the Viola
A Musician on a Mission to Make Us Pay Attention to the Viola

New York Times

time4 hours ago

  • New York Times

A Musician on a Mission to Make Us Pay Attention to the Viola

Hector Berlioz's 'Harold in Italy' is full of wandering. In his memoirs he wrote that, through this symphony with viola obbligato, based on the mood of Lord Byron's poem 'Childe Harold's Pilgrimage' and inspired by the composer's unfruitful time in Italy, he sought to make the viola 'a kind of melancholy dreamer.' The violist Lawrence Power has spent his whole career playing 'Harold in Italy.' But, he said in an interview, he has always been 'completely uncomfortable and just confused by the whole piece.' It's essentially a symphony, but completely different from a conventional one, with a viola solo part that drifts in and out of the action. Berlioz 'obviously had something in mind to have the viola separate from the orchestra,' Power said, guessing that the composer 'had something theatrical in mind.' In a dramatized performance of 'Harold in Italy' with Aurora Orchestra at the Southbank Center in London late last month, Power leaned into that wandering, theatrical spirit, something that has also become a hallmark of his recent work. After whistling the piece's idée fixe, or recurring theme, while strolling from a raised platform amid the ensemble, Power recited searching sections of Berlioz's memoirs and wandered through the auditorium, playing sections of the obbligato part with a distant, slightly aloof expression. This is just another idiosyncratic project by Power, somebody who has championed the viola for the past 25 years, with a particular focus on new work. He's not alone: Viola soloists often have to become champions for their instrument, which has been underappreciated throughout its history. Want all of The Times? Subscribe.

Paolo Sorrentino's ‘La Grazia' Toplining ‘The Great Beauty' Star Toni Servillo Set as Venice Film Festival Opener
Paolo Sorrentino's ‘La Grazia' Toplining ‘The Great Beauty' Star Toni Servillo Set as Venice Film Festival Opener

Yahoo

time4 hours ago

  • Yahoo

Paolo Sorrentino's ‘La Grazia' Toplining ‘The Great Beauty' Star Toni Servillo Set as Venice Film Festival Opener

Paolo Sorrentino's 'La Grazia,' a love story that re-teams the Oscar-winning director with 'The Great Beauty' actor Toni Servillo, has been set as opening film of the upcoming Venice Film Festival. 'La Grazia' – the title can be translated in English as 'Grace' – will be launching from the Lido in competition. More from Variety Colman Domingo to Host amfAR Venice Film Festival Gala (EXCLUSIVE) Venice 2025: 'Smashing Machine' With Dwayne Johnson, Luca Guadagnino's 'After the Hunt' Starring Julia Roberts, Emma Stone and Yorgos Lanthimos' Latest Collab Eyed for Lineup Wong Kar-wai's 'Blossoms Shanghai' Sets Criterion Channel Launch Following Mubi Acquisition Servillo stars in 'La Grazia' opposite Italian actor Anna Ferzetti, who recently appeared in Ferzan Ozpetek's smash hit 'Diamonds.' Plot details of Sorrentino's new film are being kept under wraps besides the fact that it is a love story set somewhere in Italy. 'La Grazia' will mark Servillo's seventh collaboration with Sorrentino who has shot 10 feature films to date. They first teamed up in Sorrentino's dazzling 2001 debut, 'One Man Up' in which Servillo played an ageing cocaine-addicted crooner. Servillo is best known to international audiences for his memorable turn as Roman writer and socialite Jep Gambardella who embarks on a Dantesque descent amid the Eternal City's grotesque glitterati in 'The Great Beauty,' which won the 2014 best international film Oscar. He also played a heroin-addicted accountant for the mob in Sorrentino's sophomore film 'The Consequences of Love;' controversial Italian politician Giulio Andreotti in 'Il Divo;' and media-mogul-turned-politician Silvio Berlusconi in Sorrentino's 'Loro.' 'I am very happy that the 82nd Venice International Film Festival will open with the new and highly anticipated film by Paolo Sorrentino,' Venice artistic director Alberto Barbera said in a statement. He went on to underline that Sorrentino made his festival debut at Venice in 2001 with 'One Man Up' during Barbera's early years as Venice chief. Though Sorrentino launched several subsequent works – including 'The Consequences of Love,' 'Il Divo,' and 'The Great Beauty' – from Cannes, his rapport with Venice consolidated over the years with the launch from the Lido of the first episodes in his groundbreaking series 'The Young Pope' (seasons one and two) and, with his 2021 film 'The Hand of God' that won the Silver Lion-Grand Jury Prize. 'Paolo Sorrentino's return [to Venice] in competition comes with a film destined to leave its mark for its great originality and powerful relevance to the present time, which the audiences of the Venice Film Festival will have the pleasure of discovering on opening night,' Barbera concluded. 'La Grazia,' which is written and directed by Paolo Sorrentino, is a Fremantle film produced by The Apartment, a Fremantle Company, by Sorrentino's own Numero 10 shingle, and by PiperFilm that will distribute it in Italy. Mubi owns worldwide rights excluding Italy. The Match Factory is handling international sales. As previously revealed by Mubi boss Efe Cakarel, Jim Jarmusch's triptych picture 'Father Mother Sister Brother,' starring Cate Blanchett and Adam Driver, is believed to be up for a Lido competition slot. The upcoming edition of Venice is shaping up to be a star-studded affair with Benny Safdie's 'The Smashing Machine,' featuring Dwayne Johnson as two-time UFC heavyweight champ Mark Kerr and Emily Blunt as his wife Dawn; Luca Guadagnino's #MeToo-themed thriller 'After the Hunt' starring Julia Roberts, Andrew Garfield and Ayo Edebiri; and 'Bugonia,' the latest collaboration between Yorgos Lanthimos and Emma Stone — who were last at the fest in 2023 with the Oscar-winning 'Poor Things' — all likely to be set for a Venice sendoff, as Variety has reported. As previously announced, two-time Oscar winner Alexander Payne will preside over the main jury. The 82nd edition of Venice will run Aug. 27-Sept. 6. The lineup will be announced on July 22. Best of Variety Oscars 2026: George Clooney, Jennifer Lopez, Julia Roberts, Wagner Moura and More Among Early Contenders to Watch New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?

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