Lalo Schifrin, composer behind ‘Bullitt' and ‘Dirty Harry,' dies at 93

San Francisco Chronicle​

3 days ago

Lalo Schifrin, the trailblazing composer whose music helped define the sound of 1970s action cinema and turned San Francisco into a sonic landmark for filmgoers around the world, died Thursday of complications from pneumonia. He was 93.
Schifrin's jazz-inflected, rhythmically daring scores for Steve McQueen's 'Bullitt' (1968) and Clint Eastwood's 'Dirty Harry' (1971) helped establish the musical identities of two of the most iconic films ever set in the Bay Area.
He was also hand-picked by Bruce Lee to score his final film, 'Enter the Dragon' (1973).
With a deft mix of suspense, funk and atmospheric cool, Schifrin's work elevated car chases down Potrero Hill and showdowns at Aquatic Park into unforgettable cinematic moments.
'Everybody tells me how great the music for the chase in 'Bullitt' is,' Schifrin told The Chronicle in a 2003 interview. 'I didn't do any music for the chase. Four minutes before the chase, where there is a foot chase in the hospital, I build and build the suspense and the tension. And finally, when Steve McQueen finds a way to get to the freeway, at that moment the music stops suddenly. I told the director it would be a mistake to continue the music on the chase. The audience should hear the sounds of the cars, so they know whether the villain or 'Bullitt' is coming. You know what? It worked.'
Born Boris Claudio Schifrin in Buenos Aires in 1932, he trained in classical composition at the Paris Conservatory under Olivier Messiaen while moonlighting in jazz clubs.
He emigrated to the U.S. after a serendipitous encounter with Dizzy Gillespie, eventually becoming his pianist and arranger. That genre-crossing instinct became the hallmark of his scoring career.
In Hollywood, Schifrin's fusion of jazz, Latin rhythms and experimental time signatures made him one of the most distinctive composers of the late 20th century.
Schifrin received six Academy Award nominations over his career, including Best Original Score nods for 'Cool Hand Luke' (1967), 'The Fox' (1968), 'Voyage of the Damned' (1976), 'The Amityville Horror' (1979) and 'The Sting II' (1983). He also earned a nomination for Best Original Song for 'People Alone' from 'The Competition' (1980).
'He really was such a genius at combining rhythm, texture, instrumentation and melody in such a powerful and unique way,' Daniel Pemberton, an English composer who wrote the score for the film 'Spider-Man: Into the Spider-Verse,' wrote on X.
His theme for the 'Mission: Impossible' television show — composed in 5/4 time and famously written in just three minutes — became a pop culture staple, earning him Grammy Awards and renewed fame with the Tom Cruise film franchise that launched in 1996.
Schifrin applauded you artists who sampled his work, most notably Portishead, who sampled the main riff from 'Danube Incident' for its 1994 hit 'Sour Times.'
'These young people are rediscovering my music and using it in their own way,' he told The Chronicle. 'It's almost like a bridge to a younger generation. It rejuvenates me. The same thing happens with the fact that the two 'Mission: Impossible' movies made people rediscover that theme. That is a very positive sign. I'm not a purist. I'm very far from being a purist.'